#richard huw

[claudia1829things]

"THE BUCCANEERS" (1995) Review

"THE BUCCANEERS" (1995) Review

Years ago, I had anticipating watching for the first time, "THE BUCCANEERS", the 1995 television adaptation of Edith Wharton’s last novel. After all, I have been a major fan of "THE AGE OF INNOCENCE", Martin Scorcese’s 1993 adaptation of Wharton’s award-winning 1920 novel for years. But my eager anticipating nearly ebbed away, when I discovered that "THE BUCCANEERS" only managed to rouse a lukewarm reception from many television critics.

The five-part miniseries turned out to be an unusual production from the BBC. One, it was based upon a novel written by an American author – namely Edith Wharton. There have been other British television productions based upon the literary works of an American, but they are very rare. Another interesting aspect of Wharton’s "The Age of Innocence" is that the author did not finish it, due to her death at the age of 75. Fifty-six years later, Wharton scholar Marion Mainwaring finished the novel, which was published by Viking. Around the same time, the BBC hired screenwriter Maggie Wadey to adapt and finish the novel for the television adaptation. As a result the novel has two slightly different endings. Another aspect of this miniseries that struck me as unusual was that instead of hiring British actresses to portray four of the five leads, the BBC hired four Amercian actresses – Carla Gugino, Mira Sorvino, Alison Elliott and Rya Kihlstedt.

The plotline for "THE BUCCANEERS" is very simple. The story begins in 1873 Newport, Rhode Island; in which two sisters of a noveau riche businessman and their two friends are introduced – Virginia "Ginny" and Annabel "Nan" St. George, Conchita "Connie" Closson and Elizabeth "Lizzy" Elmsworth. Whereas the Brazilian born Conchita manages to snare Lord Richard Marabel, the dissolute second son of the Marquess of Brightlingsea, the other three girls struggle to find a place amongst the members of old New York society. When a prank committed by Ginny and Lizzy backfires, Nan’s English governess Laura Testvalley proposes to Mrs. St. George that Ginny and Nan have a London season amongst the upper-class British. She argues that their acceptance by the British high society would assure them a place amongst the upper-class New Yorkers. Due to their friendship with the vibrant Conchita, Virginia and Annabel are introduced to Lord Richard’s family – the impoverished Brightlingseas and their neighbors, the equally impoverished Sir Helmsey Thwaite and his son Guy. As they get settled to conquer British society, Ginny and Nan are surprised by the arrival of Lizzy, who has arrived in Britain for her own season.

Although the girls’ original purpose for visiting Britain was to enjoy a London season, a friend of Laura Testvalley has other plans for them. Thirty years earlier, the American born Jackie March had been engaged to a British aristocrat – namely the very young Lord Brightlingsea, who abandoned her at the altar. Miss March remained in Britain and became something of a sponsor/matchmaker for young society girls. It was Miss March who recommended that the visiting Americans rent a villa owned by one of her former sponsors, Lady Idina Hutton. She also recommended that the girls do more than just enjoy a London season in order to impress old New York society. She recommended that they consider marrying into upper-class British society. Miss March’s plans eventually come to fruition:

*Virginia or namely her father’s wealth attracted the attention of Lady Idina Hutton’s lover and Lord Richard’s older brother, Lord Seadown.

*Lizzy ended up marrying a self-made aspiring politician named Hector Robinson

*Annabel fell in love with Guy Thwaite, but ended up marrying the very wealthy Julian Folyat, Duke of Trevennick; when Guy left Britain to find his fortune in South America.

As I had stated earlier, most critics were not initially kind to "THE BUCCANEERS". Most British critics dismissed it as a costumed soap opera of the second-rate kind, with an ending that had been "Hollywoodized" (happy ending). These same critics also accused the miniseries of mocking the British aristocracy. The American critics, at least those who considered themselves Wharton purists, accused the miniseries’ screenwriter, Maggie Waddey, of changing the elements of the author’s story by including topics such as marital rape and homosexuality. Personally, I found all of these arguments irrelevant. Most dramas about personal lives – whether first-rate or not – tend to possess soap-operish elements. This hostility toward soap operas has always struck me as infantile and irrelevant. And why are all Hollywood productions guilty of having a happy ending, when that has not been the case? Other literary works and their adaptations have mocked the British aristocracy. Why was there such a big hullabaloo over how the aristocracy was portrayed in this particular story? As for the additions of marital rape and homosexuality, these elements did no harm to the story, as far as I am concerned. And I must admit that I have become increasingly weary of demands that all movie or television adaptations should be completely faithful to their literary source. Such demands strike me as impractical.

My complaints about "THE BUCCANEERS" are very few. In fact, I only have two. The first time I ever saw actress Gwen Humble on the television screen was in a miniseries called "THE REBELS", an adaptation of a John Jakes novel. Although I had no problems with her performance in that particular production, I must admit that I had a problem with her performance as Virginia and Annabel’s mother, Mrs. St. George. I understand that Mrs. St. George was supposed to be a shallow and somewhat silly woman. But I feel that Humble went a little too far in conveying those certain traits. Her performance struck me as exaggerated and a little amateurish. Another problem I had with "THE BUCCANEERS" is a rather minor one. It has to do with Virginia’s husband, Lord Seadown. His father is a marquess – which is ranked somewhere between a duke and an earl (count). As the eldest son, he is entitled to a courtesy title. But what was Seadown’s courtesy title? His younger brother was called Lord Richard Marable, which is correct for the younger son of a marquess. The courtesy title for the eldest son of a marquess is usually an earldom – namely Earl of Something. Was Seadown’s name a courtesy title - Earl of Seadown? Or was he supposed to be regarded as Lord Seadown Marable? If the latter, what was the courtesy title he used? I found it all slightly confusing.

However, "THE BUCCANEERS" has been one of my all time favorite miniseries, ever since I first saw it. And there is so much about it that has made it such a favorite of mine. One, producer-director Philip hired a production crew that did justice to Wharton’s story. The miniseries featured some elegant locations that served as the story’s various settings. Some of these locations included Castle Howard, Burghley House and Newport, Rhode Island. I also enjoyed Remi Adefarasin’s photography. It had a deep and rich color that did justice to a story filled with emotions and passion. Colin Towns provided an elegant and entertaining score that remained memorable for me, since the first time I heard it years ago. But it was Rosalind Ebbutt’s costumes that really blew my mind. She provided exquisitely outfits that were beautiful and elegant – especially those for the lead actresses. More importantly, her costumes not only reflected the fashions wore by the American and British upper-classes during the 1870s, they also reflected the change in the main characters’ status and in women’s fashion throughout the decade, as the following photographs show:

Another one of the major virtues of "THE BUCCANEERS" turned out to be its cast. Wharton’s novel is filled with interesting characters. And Saville and his casting director did an excellent job in finding the right actor/actress for the right role. Aside from Gwen Humble’s portrayal of Mrs. St. George, there were so many first-rate performances in the miniseries that it would take me another article just to describe them. But the supporting performances that stood out for me came from the likes of Sheila Hancock, whose portrayal of the Dowager Duchess of Trevenick struck me as an expert mixture of cool haughtiness, sharp wisdom and long suffering; Michael Kitchen, who skillfully conveyed both the charming and shallow nature of Sir Helmsley Thwaite; Jenny Agutter, who was excellent as Lady Idina Hatton, Lord Seadown’s insecure and tragic mistress; Dinsdale Landen and Rosemary Leach, who both portrayed the Marquess and Marchioness of Brightlingsea with a mixture of class haughtiness, charm and great humor; Peter M. Goetz, who seemed to personify the self-made 19th century American businessman; and Connie Booth, who gave one of her best performances as the ambitious and sharp-minded Jackie March.

Richard Huw gave a humorous, yet intelligent performance as Hector Robinson, the ambitious young Member of Parliament who ends up winning Lizzy Elmsworth’s hand. And Mark Tandy was pretty solid as Lord Brightlingsea’s heir, the mercenary Lord Seadown who marries Virginia for Colonel St. George’s money. I was very impressed by Ronan Vibert’s portrayal of the dissolute Lord Richard Marabel, Conchita’s husband and Lord Brightlingsea’s younger son. But the two male performances that really impressed me came from Greg Wise and James Frain. The latter portrayed the haughty Julian Duke of Trevenick, who manages to win the hand Annabel St. George (much to the surprise of her governess), before alienating her with his lack of skills as a husband. Frain could have easily portrayed Julian as a one-note villain, especially when one considers the act of marital rape that his character committed against his wife in Episode Three. Being the skillful actor that he is, Frain conveyed all facets of Julian’s personality – both the good and the bad. And his assertion near the end of Episode Four that he is "not a monster" may have been one of Frain’s finest moments on screen. Greg Wise probably gave one of what I consider to be three of his best career performances in his portrayal of Guy Thwaite, Sir Helmsley’s only son. His Guy could have been one of your typical handsome, romantic heroes. But Wise did an excellent job in revealing how Guy’s insecurities regarding his lack of funds led him to lose Annabel to Julian. And he also conveyed how in the throes of love, Guy could be a slightly selfish man with no thought to how his "friendship" with Annabel might affect her social standing. Thanks to Wise’s performance, his Guy Thwaite proved to be equally complex.

We finally come to our five leads in the story – the four American heiresses and Annabel St. George’s English governess, Laura Testvalley. I have noticed that whenever someone brings up Cheri Lunghi, he or she inevitable brings up her role in "THE BUCCANEERS", the Anglo-Italian governess Miss Testvalley. I certainly cannot blame them. Lunghi proved to be the glue that held the story together, skillfully serving as its eyes and narrator at the beginning of each episode. Rya Kihlstedt gave a charming and solid performance as the blunt and level-headed Lizzy Elmsworth, who seemed more impressed by Hector Robinson’s ambitions than any aristocrat. She and Richard Huw managed to create a very credible screen presence. Alison Elliott’s Virginia St. George proved to be one of the most complicated characters in the story. Thanks to the actress’ excellent performance, she conveyed Virginia’s haughtiness and obsession with being connected to an aristocratic family; and at the same time, garnered sympathy by expressing the character’s love for her husband and disappointment upon discovering that he had only married her for money. And less than a year before she won her Academy Award, Mira Sorvino proved just how first-rate she could be as an actress in her portrayal of the Brazilian-born Conchita Closson. Her Conchita was a delicious and complicated minx torn by her desire for the luxurious and glamorous lifestyle of the British aristocracy and her contempt for what she deemed as their cold personalities. If Cheri Lunghi’s Laura Testvalley was the story’s eyes and narrator, Carla Gugino’s Annabel St. George aka the Duchess of Trevenick proved to be the heart and soul of "THE BUCCANEERS". Thanks to Gugino’s superb performance, the actress literally transformed Nan from the childish and naïve sixteen year-old girl, to the bewildered nineteen year-old bride and finally to the weary twenty-one year-old wife, disappointed by a failed marriage and in love with another man. There are times that I wondered if any other actress could have accomplished what she did. It seemed a pity that none of the major television and critics awards organizations never acknowledged her performance with a nomination.

Many critics have heaped a great deal of scorn upon Maggie Wadey’s adaptation of Wharton’s novel. Frankly, I believe this scorn was undeserved. I may not have been that impressed by her other works, but I honestly believe that "THE BUCCANEERS" was her masterpiece by far. Many accused her of failing to adapt Wharton’s "spirit" or "style" by including marital rape and homosexuality into the story. Since both topics where added without any tasteless sensationalism, I had no problems with these additions. And Wadey also made sure to give the story’s happy ending something of a bittersweet edge. Despite leaving Julian for the man she loved, Guy Thwaite, Annabel found herself ostracized by society and especially by her sister Virginia – as was proven at the Marquess of Brightlingsea’s funeral. Annabel and Guy’s elopement also left the latter disinherited by his father, Sir Helmsley. And her assistance in the elopement left Laura Testvalley rejected by Sir Helmsley and unemployed. So much for the "happy ending". Because the story revolved around four American heiresses marrying into the British upper-classes, "THE BUCCANEERS" also proved to be an interesting study in culture clash between two Western nations in the mid-to-late nineteenth century. But in all of the articles I have read about the miniseries, I find it surprising that no one has bothered to noticed that the topic of the continuing decline of the British aristocracy was also mentioned . . . more than once. It almost became a secondary theme. The Brightlingseas’ interest in the St. George family certainly seemed an indication that they were more willing to marry money – regardless from where it came – rather than find a way to earn it. This seemed like a far cry from Guy Thwaite, who preferred to create his own wealth with two years in South America, rather than marry it. And the character of the Marquess of Brightlingsea literally became a symbol of the aristocracy’s decline in scenes like a heated conversation between him and Hector Robinson; and a speech by Guy Thwaite to the House of Commons during a montage that featured of his death.

Now that I think about it, why should I care what others feel about "THE BUCCANEERS"? Every time I watch it, I always fall in love with the miniseries over and over again. Maggie Wadey wrote an excellent adaptation of Wharton’s novel – probably her best work or masterpiece, as far as I am concerned. Led by the likes of Carla Gugino, Cheri Lunghi, Greg Wise and James Frain, the cast proved to be first-rate. And Philip Saville did justice to both the cast and Wadey’s screenplay in his direction of the miniseries.

[spryfilm]

DVD review: “Van der Valk” (1972 - 1992) 

“Van der Valk” (1972 – 1992)  Television Thirty Two Episodes Created by: Nicolas Freeling  Featuring: Barry Foster, Michael Latimer, Susan Travers, Martin Wyldeck, Sydney Tafler, Joanna Dunham, Nigel Stock, Meg Davies, Richard Huw and Ronald Hines “Van der Valk” (1972 – 1992) Van Der Valk was a British detective television series that originally aired on ITV between 1972 and 1977. The show…

[bumblebeeappletree]

I am so excited to share this video covering what I think is the most revolutionary gardening technique for my personal growing journey. And the great news is that you too can do this even if you have a small garden! Without a shadow of a doubt, this ancient gardening technique is, per square foot, to be the most useful and productive element of my kitchen garden this growing season - even more than a polytunnel! This technique is a 3-in-1, allowing you to grow huge yields, germinate thousands of seedlings for transplanting elsewhere, and generate a mass of compost!

For more detailed information by Hot Bed expert Jack First, check out our collaborative online course here http://hotbedsuccess.com/ and use code ‘20HOTBED20’ for 20% off.

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[treleaven]

Publication date: 10 October 2024

A Garden Manifesto Edited by Olivia Laing and Richard Porter 

❀What do gardens mean and how can they change the world? A Garden Manifesto gathers radical visions rooted in the earth from artists, writers, gardeners and activists, among them Lubaina Himid, Derek Jarman, Jamaica Kincaid, Ana Mendieta, Dan Pearson and Wolfgang Tillmans. It’s a seed box for an uncertain future, packed with anarchic dreams of Eden-making and humming with resistance to the colonial project of homogenisation and destruction. ❀ Featuring 

William Blake, Joe Brainard, Jonny Bruce, John Clare, Gerry Dalton, Ellen Dillon, Baha Ebdeir, Alys Fowler, Magdalena Suarez Frimkess, Gaylene Gould, Green Guerillas, Joy Gregory, Fritz Haeg, Lubaina Himid, Philip Hoare, Rosie Hudson, Derek Jarman, Chantal Joffe, Laura Joy, Jamaica Kincaid, Elisabeth Kley, Olivia Laing, Jeremy Lee, Siobhan Liddell, Alison Lloyd, Hilary Lloyd, Jo McKerr, Lee Mary Manning, Ana Mendieta, Bernadette Mayer, Rosemary Mayer, Huw Morgan, Eileen Myles, Hussein Omar, Palestinian, Heirloom Seed Library, Ian Patterson, Dan Pearson, Jean Perréal, Charlie Porter, Pat Porter, J. H. Prynne, Claire Ratinon, Jamie Reid, Lisa Robertson, Kuba Ryniewicz, Saadi, Sui Searle, Sei Shōnagon, Colin Stewart, Tabboo!, Edward Thomasson, Wolfgang Tillmans, Scott Treleaven, John Wieners, David Wojnarowicz, Matt Wolf and Sarah Wood ❀ Design and typesetting by Richard Porter Cover artwork: David Wojnarowicz, What is this little guy's job in the world, 1990 © Estate of David Wojnarowicz

Paperback

148x190mm

ISBN: 9781068758607

[forensicated]

Woodentop - 16th August 1983.

(Taffy: "Welcome to Sun Hill Looney Bin.")

Woodentop/The Bill started off as the 4th episode in the Storyboard series. It was turned into a series that began airing just over a year later on the 16th October 1984.

The first words were spoken by Jim Carver after his (second) alarm sounded to wake him for his first day as a probationer at Sun Hill. "OK Carver, let's do it." He presents as keen and enthusiastic although obviously naive. He's promising however and came top of the class on his "Human Awareness Training" course at Hendon.

Sgt Jack Wilding (Peter Dean), Inspector Sam Deeping (Jon Croft), PC's Green, Rawlings, Wallace, Reid and Morton and 2 unamed uniform officers played by Chris Jenkinson and Richard Huw do not go onto make it into the series, however Jim, Dave Litten, June Ackland, Taffy and Roy Galloway do. Taffy has a surname change later however to Edwards as he is Dai 'Taffy' Morgan here.

"Galloping" Galloway is played by Robert Pugh, he's later recast as John Salthouse, the [original!] short ginger Jack Russell we all know and love. "Doesn't that man ever go home?" "We're in it, Jack. This is it."

PC Hollis is mentioned and his call sign is given as 375. The S for 'Sierra-Oscar' is missing from their epaulettes and only an O is present. Taffy is 101, June is 643, Jim is 600 and Dave is 201. June is the only female officer seen. Dave shows an interest in her but she isn't interested and literally rolls her eyes at his attempt to eye her up in the briefing. It appears they have had an on again/off again thing that; when off; makes the others rather uncomfortable.

Jim declares allegiance to uniform from the off, "I'm a firm believer in traditional policing methods." He explains that he wants to be on the pre-side of policing rather than the post-side (aka: when the problem has already happened). Deeping warns him he felt the same when he first joined and says he might change his mind a few months in.

Taffy asks about Dave's 'exam results' and then says he has 6 more weeks to go to his own; laughing that Wilding is making Litten sweat. June later explains that Dave has just finished a 2-week attachment to CID and "now CID are his Gods, especially DI Galloway." Dave has been waiting 2 months to see if he's passed an exam to allow him to join CID properly.

June is tasked with puppy walking "Jim-Jim". She reflects on how stupid it is to still have the W in front of her job title (WPC/WDC/WDS etc), pointing out that it doesn't matter if they're male or female - they're still police constables.

Jim is confused when she asks a paperboy his name. June explains that a paperboy would know who is away as he wouldn't have to deliver to them for a specified amount of time. She suggests CID might have overlooked it when investigating a spate of robberies. Jim is amazed and she assures him he'll soon learn and pick up little tricks like that. Soon after they are asked to check in on an elderly lady who hasn't been seen in weeks. Sadly the lady has passed in the bath and the obvious has started to happen to her body. Both are horrified though Jim tries to protect June from seeing it. "Poor old Jim Jim, first time out. First day even!"

During a pep talk, Jack Wilding reminds June to never get emotionally involved with anyone in the job - if only she'd listened…! (cough Dave, Gordon, Jim, Tony, Gabriel and Roger). "You're too classy for the likes of Dave Litten! If I were 10 years younger!"

Dave takes Jim 'walkies' for the afternoon, Dave loves showing off to the newbie and claims he'll soon be out of uniform and with CID.

In the briefing, Jim and the others were told to get to know the youths who are upsetting locals by hanging around in groups. He was encouraged to keep a professional distance as an officer, to earn respect and to remain firm but fair. During their walkabout, Jim dishes out a slap round the back of the head to a youth who tries to escape him and Dave. Dave immediately pulls him aside and tells him that he shouldn't have done that and they're pulled in to see Wilding. Wilding warns Jim that he could be suspended on his first day if the boy's family takes it further and sends him and Dave home early.

Wilding has to ask Galloway to help him as the lad Jim assaulted is Galloway's big robbery suspect's son. After butting heads, Roy reluctantly agrees and takes Jack to see his suspect, making it clear that Jack owes him one and that he's only doing it for Dave who he sees real CID potential in.

Jack buys the drinks and explains to Mr Taylor about his new PC collaring his son and friend for 'scrumping. Taylor jumps to the conclusion that Jim would have wanted to get his first arrest under his belt and claims he should have just given him a thick ear and sent him home like the good old days. Jack explains that that is exactly what Jim did, making Taylor laugh. "There's hope for your lot yet."

Jim lives to see another day and we end back in bed with Jim (ooh er!) setting his alarm for the morning.

[nnnnoooooooooooo]

Last night, after watching a movie I had recorded, the television defaulted to TCM, which was playing 20th Century Fox's How Green Was My Valley (1941, John Ford). It was already well into the second half of the film, and I let it play on for 10-15 minutes. During that time, the film brought me to tears four separate times. I couldn't help but laugh at how ridiculous this was, nothing destroys me like this film.

Normally, I'm not a crier. The exception to that is when I'm watching a movie directed by John Ford, but even by John Ford's standards, this was a lot. When I realized that the film was gearing up for its climax, I made myself get up and turn it off.

It's an adaptation how Richard Llewellyn's novel of the same name, about a Welsh coal-mining community seen through the eyes of the youngest child of the family as he grows up. However, it was adapted into film by John Ford, so the film is altogether an Irish affair. The film has one Welsh actor, Rhys Williams, who plays Dai Bando, a local boxer.

Like the novel, the film is centered around Huw (Roddy McDowell,) the youngest of the Morgans, and the home of his coal-mining family. Seen through the eyes of Huw, the movie depicts a town where nothing ever seems to change, and yet everything is irrevocably lost. It is simultaneously one of the most comforting and devastating films ever made.

Typical of a Ford film, every moment, every gesture, and each beat of stillness are full of meaning. Huw's brothers tower over him, we see the characters from their backs, and their shadows haunt the walls. Each life-changing event in Huw's life is catastrophic in its own way, and yet every time, the following day we see the village restored to normality, as if nothing occurred. People fall away, life changes, and though his entire life is contained in this community, he begins to find himself alone.

Also typical of a Ford film, the film is an exploration of what it means to be a community. In fact, it's a rather damning examination of what it means for a community to remain unchanged, in spite of the world around it, and the lives of those in it. The collateral damage from this stasis manifests itself in the lives of its inhabitants. For the community and the mining corporation to remain the unchanged, its people are made disposable.

Somewhat sadly, the films is mostly remembered today as an answer to a trivia question. How Green Was My Valley won 5 academy awards, with Outstanding Motion Picture (awarded to the producer, Darryl F. Zanuck) and Best Director (awarded to John Ford) among them. Given that these wins came over Citizen Kane, these wins are now perceived somewhat infamously as short-sighted folly. This should not be so. However, How Green Was My Valley remains in high critical esteem, and is well-loved by those who've seen it.

Personally, How Green Was My Valley is my second favourite film of all-time, I believe it to be the finest film John Ford ever made, and John Ford is, in my estimation, the single greatest director to have ever worked in film. If a better film has ever come out of Hollywood, then I haven't seen it.

P.S. I also cried once while looking up these photos, and then once more while reading some of the closing narration of the film. This film is to me as 'Li'l Brudder" is to Homestar Runner. All this, and I didn't say a single word about it's two highest-billed stars, Maureen O'Hara and Walter Pidgeon.

[the-re-farmer]

Is growing your own food affordable? (Videos)

I just had to share this really interesting video from Huw Richards. Richards is based in the UK, and he’s in a wildly different growing climate than we are, but some things are pretty universal. Richards set himself the goal of growing enough food to feed a household of four in a small space, and kept track of everything, including the costs, then comparing to what it would cost to buy that…

[whales-are-gay]

this guy is my fave youtuber btw

image id: a screenshot of a video from huw richards titled “10 best & cheap ways to get rid of slugs in your garden” with the chapter title “i need a real hobby”. huw richards is a welsh man standing in plants that are up to his waist, and there are taller plants and flowers in the background.

[boldcompanynews]

BBC issues statement as Huw Edwards pleads guilty to 'abhorrent' child sex offences - Information Today Internet - BLOGGER https://www.merchant-business.com/bbc-issues-statement-as-huw-edwards-pleads-guilty-to-abhorrent-child-sex-offences/?feed_id=150476&_unique_id=66aa9ece440e3 The BBC has released a statement following Huw Edwards’ guilty plea to three counts of creating indecent images of children. The former BBC News anchor appeared at Westminster Magistrates Court on Wednesday, 31 July, where he was charged with seven Category A (the most severe category), 12 Category B, and 22 Category C indecent images of children. He could now face up to 10 years in prison.In a statement released on Wednesday, a BBC spokesperson said: “The BBC is shocked to hear the details which have emerged in court today. There can be no place for such abhorrent behaviour and our thoughts are with all those affected.”“The police have confirmed that the charges are not connected to the original complaint raised with the BBC in the summer of 2023, nevertheless in the interests of transparency we think it important to set out some points about events of the last year.”Read more: Huw Edwards live updates as former presenter pleads guilty to child images offencesDon’t miss: Huw Edwards got sick images from convicted paedophile “In November 2023, whilst Mr Edwards was suspended, the BBC as his employer at the time was made aware in confidence that he had been arrested on suspicion of serious offences and released on bail whilst the police continued their investigation. At the time, no charges had been brought against Mr Edwards and the BBC had also been made aware of significant risk to his health”, reports the Mirror.“Today we have learnt of the conclusion of the police process in the details as presented to the court. If at any point during the period Mr Edwards was employed by the BBC he had been charged, the BBC had determined it would act immediately to dismiss him. In the end, at the point of charge he was no longer an employee of the BBC. During this period, in the usual way, the BBC has kept its corporate management of these issues separate from its independent editorial functions. We want to reiterate our shock at Mr Edwards’ actions and our thoughts remain with all those affected.”The court heard that he was involved in an online chat with an adult man on WhatsApp between December 2020 and August 2021, who sent him 377 sexual images, of which 41 were indecent images of children. The bulk of these, 36, were sent during a two-month period. The logo for the Broadcasting House, the headquarters of the BBC (Image: Getty Images)On February 2, 2021, the male asked whether what he was sending was too young, in response to which Mr Edwards told him not to send any underage images, the court heard. The indecent images that were sent included seven Category A, the worst, 12 Category B, and 22 Category C.After the news emerged, BBC stars – including Victoria Derbyshire and Jeremy Vine – reacted on social media. Presenter Jeremy retweeted ITV’s Richard Morgan’s post which read: “Huw Edwards will return to court on September 16th. Chief Magistrate Paul Goldspring says “all options are open[” in terms of sentencing.The court heard that a 12-month sentence is “]the starting point” for these offences, but that there are several mitigating factors…” He also re-posted the BBC article on the vile news. Victoria shared a photo of Edwards walking into court and tweeted: “Huw Edwards has pleaded guilty to three counts of making indecent images of children,” before retweeting BBC News’ article.Of the category A images, the estimated age of most of the children was between 13 and 15, but one was aged between seven and nine, the court was told. The final indecent image was sent in August 2021, a category A film featuring a young boy. The man told Edwards that the boy was quite young-looking, and that he had more images which were illegal.Edwards told him not to send any illegal images, the court was told.

No more were sent, and the pair continued to exchange legal pornographic images until April 2022. Edwards spoke to confirm his name, date of birth, address and his guilty pleas at the start of the hearing. After entering his guilty pleas, Edwards sat staring into the distance, with his head tilted slightly upwards and adjusted his tie as Ian Hope, prosecuting, laid out the case against him.This interactive tool allows you to check the latest crime statistics for your area:Story SavedYou can find this story in  My Bookmarks.Or by navigating to the user icon in the top right.“The former BBC News anchor has pleaded guilty to three counts of making indecent images of children and now faces a maximum of ten years in prison…”Source Link: https://www.walesonline.co.uk/news/wales-news/bbc-issues-statement-huw-edwards-29652960 http://109.70.148.72/~merchant29/6network/wp-content/uploads/2024/07/How-To-Make-Create-a-Problem-Statement.jpg #GLOBAL - BLOGGER The BBC has release... BLOGGER - #GLOBAL

[ulkaralakbarova]

An affair between the second in line to Britain’s throne and the princess of the feuding Irish spells doom for the young lovers. Credits: TheMovieDb. Film Cast: Tristan: James Franco Isolde: Sophia Myles Marke: Rufus Sewell Donnchadh: David O’Hara Wictred: Mark Strong Melot: Henry Cavill Bragnae: Bronagh Gallagher Bodkin: Ronan Vibert Edyth: Lucy Russell Leon: JB Blanc Morholt: Graham Mullins Simon: Leo Gregory Orick: Dexter Fletcher Aragon: Richard Dillane Kurseval: Hans Martin Stier Kaye: Thomas Morris Anwick: Jamie Thomas King Rothgar: Wolfgang Müller Lady Serafine: Cheyenne Rushing Lady Marke: Barbora Kodetová Young Isolde: Isobel Moynihan Young Tristan: Thomas Brodie-Sangster Tournament Judge: Gordon Truefitt Young Melot: Myles Taylor Young Simon: Jack Montgomery Luther: Marek Vašut Irish Soldier: David Fisher Lady Aragon: Bronwen Davies Paddreggh: Philip O’Sullivan Tournament Crier: Nevan Finegan Coronation Priest: Jón Ólafsson Widseth: Todd Kramer Widseth’s Sister: Winter Ave Zoli Pict Guard: Miroslav Šimůnek Funeral Priest: Kevin Flood Film Crew: Director: Kevin Reynolds Music: Anne Dudley Editor: Peter Boyle Director of Photography: Artur Reinhart Executive Producer: Jim Lemley Casting: Kate Dowd Executive Producer: John Hardy Producer: Moshe Diamant Producer: Lisa Ellzey Producer: Giannina Facio Producer: Elie Samaha Executive Producer: Ridley Scott Executive Producer: Tony Scott Production Design: Mark Geraghty Set Decoration: Johnny Byrne Costume Design: Maurizio Millenotti Costume Supervisor: Hana Kučerová Writer: Dean Georgaris Executive Producer: Frank Hübner Executive Producer: Matthew Stillman Co-Producer: Anne Lai Co-Producer: Jan Fantl Co-Producer: Morgan O’Sullivan Co-Producer: James Flynn Stunt Coordinator: Nick Powell Unit Production Manager: John J. Kelly First Assistant Director: Robert Huberman Associate Producer: David Minkowski Associate Producer: Christian Frohn Associate Producer: Jennifer Leshnick Associate Editor: Pamela Power Associate Editor: Stephen Boucher Hairstylist: Stefano Ceccarelli Hairstylist: Jiří Farkaš Hairstylist: Alena Marečková Hairstylist: Mario Michisanti Hairstylist: Adéla Robová Hairstylist: Jaroslav Šámal Key Hair Stylist: Mirella Ginnoto Key Makeup Artist: Manlio Rocchetti Art Department Coordinator: Marketa Puzmanova Assistant Art Director: David Voborský Assistant Art Director: David Vondrasek 3D Animator: Ales Dlabac 3D Animator: Zbynek Travincky Visual Effects Supervisor: Jaroslav Polensky Title Designer: Anthony Wonsoff Visual Effects Coordinator: Jan Vseticek Visual Effects Producer: Vít Komrzý Visual Effects Supervisor: Marius Mohnssen Special Effects Supervisor: Pavel Sagner Special Effects Supervisor: Kevin Byrne Additional Still Photographer: Larry D. Horricks Camera Operator: Erwin Lanzensberger Camera Operator: Kacper Lisowski Second Unit Director of Photography: Miro Gábor Gaffer: Tony Devlin Key Grip: Helge Felgendreher Key Grip: Ivo Grešák Rigging Gaffer: Kriz David Still Photographer: Rico Torres Casting: Nancy Bishop Casting: Anja Dihrberg Casting: Kirsty Kinnear Assistant Costume Designer: Giovanni Casalnuovo Assistant Costume Designer: Mariano Tufano Costume Supervisor: Šárka Zázvorková Costume Supervisor: Sarka Zvolenska Key Costumer: Cathy Smith Seamstress: Larisa Šrámková Set Costumer: Rebecca Higginson Digital Intermediate: Mandy Rahn Assistant Editor: Geraint Huw Reynolds Music Editor: Sophie Cornet Music Editor: John Warhurst Script Supervisor: Catherine Allinson Script Supervisor: Peter J. Clark Choreographer: Lucie Samcova ADR Editor: Gareth Rhys Jones Boom Operator: Roman Rigo Foley: Jack Stew Foley Editor: Sefi Carmel Sound Designer: Samir Foco Sound Designer: Zeljko Lopicic-Lepierre Sound Effects Editor: Peter Crooks Sound Re-Recording Mixer: Howard Bargroff Sound Re-Recording Mixer: Graham Daniel Sound Re-Recording Mixer: Martin Schinz Sound Effects Editor: Srdjan Kurpjel Standby Art Director: Rory Bruen Movie Reviews:

[wankerwatch]

Commons Vote

On: Finance (No. 2) Bill: Third Reading

Ayes: 215 (98.6% Con, 0.9% Ind, 0.5% DUP) Noes: 19 (94.7% SNP, 5.3% PC) Absent: ~416

Likely Referenced Bill: Finance (No. 2) Act 2010

Description: A Bill to grant certain duties, to alter other duties, and to amend the law relating to the National Debt and the Public Revenue, and to make further provision in connection with finance.

Originating house: Commons Current house: Unassigned Bill Stage: Royal Assent

Individual Votes:

Ayes

Conservative (211 votes)

Aaron Bell Alan Mak Alberto Costa Alec Shelbrooke Alex Burghart Alex Chalk Alicia Kearns Alok Sharma Amanda Milling Andrew Griffith Andrew Jones Andrew Lewer Andrew Murrison Andrew Percy Andrew Selous Andy Carter Angela Richardson Anna Firth Anne Marie Morris Anne-Marie Trevelyan Anthony Browne Antony Higginbotham Ben Everitt Ben Spencer Ben Wallace Bernard Jenkin Bill Wiggin Bim Afolami Bob Blackman Bob Seely Brandon Lewis Caroline Ansell Caroline Nokes Charles Walker Cherilyn Mackrory Chris Clarkson Chris Grayling Chris Green Chris Philp Conor Burns Craig Tracey Craig Williams Damian Hinds Daniel Kawczynski Danny Kruger David Davis David Duguid David Jones David Rutley David Simmonds Dean Russell Dehenna Davison Derek Thomas Desmond Swayne Duncan Baker Edward Argar Edward Leigh Elizabeth Truss Elliot Colburn Esther McVey Felicity Buchan Fiona Bruce Gagan Mohindra Gareth Bacon Gareth Davies Gareth Johnson Gary Sambrook Gavin Williamson Geoffrey Clifton-Brown Gillian Keegan Graham Brady Graham Stuart Greg Hands Greg Smith Guy Opperman Harriett Baldwin Heather Wheeler Helen Whately Holly Mumby-Croft Huw Merriman Iain Duncan Smith Iain Stewart Jack Brereton Jack Lopresti Jackie Doyle-Price Jacob Rees-Mogg Jacob Young James Cartlidge James Cleverly James Davies James Duddridge James Sunderland James Wild Jane Hunt Jane Stevenson Jeremy Quin Jerome Mayhew Jo Churchill John Glen John Howell John Lamont Jonathan Djanogly Jonathan Gullis Julia Lopez Julian Lewis Julian Smith Julian Sturdy Justin Tomlinson Katherine Fletcher Kelly Tolhurst Kemi Badenoch Kevin Hollinrake Kieran Mullan Kit Malthouse Laura Farris Laura Trott Lee Rowley Leo Docherty Lia Nici Liam Fox Lisa Cameron Louie French Lucy Frazer Luke Hall Marcus Jones Mark Fletcher Mark Francois Mark Garnier Mark Logan Martin Vickers Matt Hancock Matt Warman Matthew Offord Mel Stride Michael Ellis Michael Fabricant Michael Gove Michael Tomlinson Mike Freer Mike Wood Mims Davies Neil O'Brien Nick Fletcher Nick Gibb Nicola Richards Nigel Huddleston Paul Beresford Paul Holmes Paul Howell Pauline Latham Penny Mordaunt Peter Aldous Peter Bottomley Philip Dunne Philip Hollobone Priti Patel Ranil Jayawardena Rebecca Harris Rebecca Pow Rehman Chishti Richard Bacon Richard Drax Richard Fuller Rob Butler Robbie Moore Robert Buckland Robert Courts Robert Goodwill Robert Halfon Robert Largan Robert Syms Robin Millar Robin Walker Royston Smith Sajid Javid Sally-Ann Hart Saqib Bhatti Sara Britcliffe Sarah Dines Scott Mann Selaine Saxby Shailesh Vara Sheryll Murray Simon Baynes Simon Clarke Simon Fell Simon Hart Simon Hoare Simon Jupp Stephen Metcalfe Steve Baker Steve Brine Steve Tuckwell Stuart Andrew Suzanne Webb Theo Clarke Theresa May Theresa Villiers Thérèse Coffey Tobias Ellwood Tom Hunt Tom Pursglove Tom Randall Tom Tugendhat Tracey Crouch Vicky Ford Victoria Atkins Victoria Prentis Wendy Morton Will Quince William Cash

Independent (2 votes)

Mark Menzies William Wragg

Democratic Unionist Party (1 vote)

Jim Shannon

Noes

Scottish National Party (18 votes)

Allan Dorans Amy Callaghan Angela Crawley Anne McLaughlin Brendan O'Hara Chris Law Chris Stephens David Linden Deidre Brock Joanna Cherry John Nicolson Kirsty Blackman Marion Fellows Owen Thompson Peter Grant Philippa Whitford Richard Thomson Stewart Malcolm McDonald

Plaid Cymru (1 vote)

Hywel Williams

[kwebtv]

Seaforth - BBC One - October 9, 1994 - December 4, 1994

Drama / Romance (9 Episodes)

Running Time: 60 minutes

Stars:

Linus Roache as Bob Longman

Lia Williams as Paula Wickham / Longman

Christine Kavanagh as Penny Winter

Rosemary Martin as Sarah Wickham

Ricard Huw as Richard Austen

Raymond Pikard as Brian Longman

Heather Tobias as Sal Longman

Joanne Wootton as Vera Longman

Gary Lydon as Arthur Spence

Sally Rogers as Sue

John McArdle as Fred Spence

Andrew Woodall as Anthony Gray

Matyelok Gibbs as Mrs. Thomas

Diana Kent as Dians Stacey

Ciarán Hinds as John Stacey

Tim Barker as Dick Moxham

Sarah Brown as Dora Longman

Merelina Kendall as Miss Thwaites

Sean Murray as Larry Field

[53rdcenturyhero]

UK politics. Not available MP for next parliament, they're not standing for election. Source ITV 24 May 2024.

How I found out my own MP is going to not campaign. Some voices who speak up with relative sense will not be there in the next parliament.

Conservative

– Adam Afriyie, Windsor (MP since 2005; majority 20,079)

– Nickie Aiken, Cities of London & Westminster (MP since 2019; majority 3,953)

– Lucy Allan, Telford (MP since 2015; majority 10,941)

– Stuart Andrew, Pudsey (MP since 2010; majority 3,517)

– Richard Bacon, South Norfolk (MP since 2001; majority 21,275)

– John Baron, Basildon & Billericay (MP since 2001; majority 20,412)

– Sir Paul Beresford, Mole Valley (MP since 1997; majority 12,041)

– Sir Graham Brady, Altrincham & Sale West (MP since 1997; majority 6,139)

– Steve Brine, Winchester (MP since 2010; majority 985)

– Lisa Cameron, East Kilbride, Strathaven & Lesmahagow (elected as SNP MP in 2015; majority 13,322; defected to Conservatives in 2023)

– Andy Carter, Warrington South (MP since 2019; majority 2,010)

– Sir Bill Cash, Stone (previously MP for Stafford 1984-97, then Stone since 1997; majority 19,945)

– Jo Churchill, Bury St Edmunds (MP since 2015; majority 24,988)

– Greg Clark, Tunbridge Wells (MP since 2005; majority 14,645)

– Chris Clarkson, Heywood & Middleton (MP since 2019; majority 663)

Dame Tracey Crouch, Chatham & Aylesford (MP since 2010; majority 18,540)

– Dehenna Davison, Bishop Auckland (MP since 2019; majority 7,962)

– Jonathan Djanogly, Huntingdon (MP since 2001; majority 19,383)

– Sir James Duddridge, Rochford & Southend East (MP since 2005; majority 12,286)

– Philip Dunne, Ludlow (MP since 2005; majority 23,648)

– Sir Michael Ellis, Northampton North (MP since 2010; majority 5,507)

– George Eustice, Camborne & Redruth (MP since 2010; majority 8,700)

– Sir David Evennett, Bexleyheath & Crayford (MP since 2005; majority 13,103)

Mike Freer, Finchley & Golders Green (MP since 2010; majority 6,562)

– Nick Gibb, Bognor Regis & Littlehampton (MP since 1997; majority 22,503)

– Jo Gideon, Stoke-on-Trent Central (MP since 2019; majority 670)

– Michael Gove, Surrey Health (MP since 2005; majority 18,349)

– Sir Robert Goodwill, Scarborough & Whitby (MP since 2005; majority 10,270)

– Chris Grayling, Epsom & Ewell (MP since 2001; majority 17,873)

– James Grundy, Leigh (MP since 2019; majority 1,965)

– Robert Halfon, Harlow (MP since 2010; majority 14,063)

– Stephen Hammond, Wimbledon (MP since 2005; majority 628)

majority 1,805)

– Sir Sajid Javid, Bromsgrove (MP since 2010; majority 23,106)

– David Jones, Clwyd West (MP since 2005; majority 6,747)

– Sir Greg Knight, East Yorkshire (previously MP for Derby North 1983-97, then East Yorkshire since 2001; majority 22,787)

– Kwasi Kwarteng, Spelthorne (MP since 2010; majority 18,393)

– Dame Eleanor Laing, Epping Forest (MP since 1997; majority 22,173)

– Pauline Latham, Mid Derbyshire (MP since 2010; majority 15,385)

– Sir Brandon Lewis, Great Yarmouth (MP since 2010; majority 17,663)

– Tim Loughton, East Worthing & Shoreham (MP since 1997; majority 7,474)

– Craig Mackinlay, South Thanet (MP since 2015; majority 10,587)

– Theresa May, Maidenhead (MP since 1997; majority 18,846)

Stephen McPartland, Stevenage (MP since 2010; majority 8,562)

– Huw Merriman, Bexhill & Battle (MP since 2015; majority 26,059)

– Kieran Mullan, Crewe & Nantwich (MP since 2019; majority 8,508)

– Sir Bob Neill, Bromley & Chislehurst (MP since 2006; majority 10,891)

– Matthew Offord, Hendon (MP since 2010; majority 4,230)

– Mark Pawsey, Rugby (MP since 2010; majority 13,447)

– Sir Mike Penning, Hemel Hempstead (MP since 2005; majority 14,563)

– Andrew Percy, Brigg & Goole (MP since 2010; majority 21,941)

– Will Quince, Colchester (MP since 2015; majority 9,423)

– Dominic Raab, Esher & Walton (MP since 2010; majority 2,743)

– Sir John Redwood, Wokingham (MP since 1987; majority 7,383)

– Nicola Richards, West Bromwich East (MP since 2019; majority 1,593)

– Douglas Ross, Moray (MP since 2017; majority 513)

– Paul Scully, Sutton & Cheam (MP since 2015; majority 8,351)

– Sir Alok Sharma, Reading West (MP since 2010; majority 4,117)

– Chloe Smith, Norwich North (MP since 2009; majority 4,738)

– Henry Smith, Crawley (MP since 2010; majority 8,360)

– Royston Smith, Southampton Itchen (MP since 2015; majority 4,498)

– Bob Stewart, Beckenham (MP since 2010; majority 14,258)

- Sir Gary Streeter, Devon South West (previously MP for Plymouth Sutton 1992-97, then Devon South West since 1997; majority 21,430)

– Edward Timpson, Eddisbury (previously MP for Crewe & Nantwich 2008-2017, then Eddisbury since 2019; majority 18,443)

– Sir Charles Walker, Broxbourne (MP since 2005; majority 19,807)

– Robin Walker, Worcester (MP since 2010; majority 6,758)

– Ben Wallace, Wyre & Preston North (previously MP for Lancaster & Wyre 2005-10, then Wyre & Preston North since 2010; majority 16,781)

– Jamie Wallis, Bridgend (MP since 2019; majority 1,157)

– Craig Whittaker, Calder Valley (MP since 2010; majority 5,774)

– Nadhim Zahawi, Stratford-on-Avon (MP since 2010; majority 19,972)

Labour

– Dame Margaret Beckett, Derby South (previously MP for Lincoln 1974-79, then Derby South since 1983; majority 6,019)

– Paul Blomfield, Sheffield Central (MP since 2010; majority 27,273)

– Sir Ben Bradshaw, Exeter (MP since 1997; majority 10,403)

- Karen Buck, Westminster North (previously MP for Regent’s Park & Kensington North 1997-2010, then Westminster North since 2010; majority 10,759)

– Jon Cruddas, Dagenham & Rainham (previously MP for Dagenham 2001-10, then Dagenham & Rainham since 2010; majority 293)

– Alex Cunningham, Stockton North (MP since 2010; majority 1,027)

– Wayne David, Caerphilly (MP since 2001; majority 6,833)

– Natalie Elphicke, Dover (elected as Conservative MP in 2019; majority 12,278; defected to Labour in 2024)

- Colleen Fletcher, Coventry North East (MP since 2015; majority 7,692)

- Yvonne Fovargue, Makerfield (MP since 2010; majority 4,740)

– Margaret Greenwood, Wirral West (MP since 2015; majority 3,003)

– Harriet Harman, Camberwell & Peckham (previously MP for Peckham 1982-97, then Camberwell & Peckham since 1997; majority 33,780)

– Dame Margaret Hodge, Barking (MP since 1994; majority 15,427)

- Sir George Howarth, Knowsley (previously MP for Knowsley North 1986-97, then Knowsley North & Sefton East 1997-2010, then Knowsley since 2010; majority 39,942)

– Kevan Jones, North Durham (MP since 2001; majority 4,742)

– Holly Lynch, Halifax (MP since 2015; majority 2,569)

– Ian Mearns, Gateshead (MP since 2010; majority 7,200)

– Dan Poulter, Central Suffolk & North Ipswich (elected as Conservative MP in 2010; majority 23,391; defected to Labour in 2024)

– Christina Rees, Neath (MP since 2015; majority 5,637)

- Barry Sheerman, Huddersfield (previously MP for Huddersfield East 1979-83, then Huddersfield since 1983; majority 9,437)

– Alan Whitehead, Southampton Test (MP since 1997; majority 6,213)

– Dame Rosie Winterton, Doncaster Central (MP since 1997; majority 2,278)

SNP

– Mhairi Black, Paisley & Renfrewshire South (MP since 2015; majority 10,679)

– Ian Blackford, Ross, Skye & Lochaber (MP since 2015; majority 9,443)

– Douglas Chapman, Dunfermline & West Fife (MP since 2015; majority 10,699)

– Angela Crawley, Lanark & Hamilton East (MP since 2015; majority 5,187)

– Patrick Grady, Glasgow North (MP since 2015; majority 5,601)

– Peter Grant, Glenrothes (MP since 2015; majority 11,757)

– Stewart Hosie, Dundee East (MP since 2005; majority 13,375)

– John McNally, Falkirk (MP since 2015; majority 14,948)

– Philippa Whitford, Central Ayrshire (MP since 2015; majority 5,304)

Sinn Fein

– Mickey Brady, Newry & Armagh (MP since 2015; majority 9,287)

– Michelle Gildernew, Fermanagh & South Tyrone (MP for seat from 2001-2015 and since 2017; majority 57)

– Francie Molloy, Mid Ulster (MP since 2013; majority 9,537)

Green

– Caroline Lucas, Brighton Pavilion (MP since 2010; majority 19,940)

Plaid Cymru - one

– Hywel Williams, Arfon (previously MP for Caernarfon 2001-10, then Arfon since 2010; majority 2,781)

Independent - seven

– Crispin Blunt, Reigate (MP since 1997; formerly Conservative; majority 18,310)

– Nick Brown, Newcastle upon Tyne East (MP since 1983; formerly Labour; majority 15,463)

– Sir Jeffrey Donaldson, Lagan Valley (MP since 1997; formerly DUP; 2019 majority 6,499)

- Julian Knight, Solihull (MP since 2015; formerly Conservative; majority 21,273)

– Conor McGinn, St Helens North (MP since 2015; formerly Labour; majority 12,209)

– Mark Menzies, Fylde (MP since 2010; formerly Conservative; majority 16,611)

– William Wragg, Hazel Grove (MP since 2015; formerly Conservative; majority 4,423

[libreriaofican]

El huerto autosuficiente #libro

Una guia para cultivar de forma

asequible, facil y sostenible de

Huw Richards.

#ofican #libros #Recomendamoslibros

#libreriaofican

[itsrattysworld]

Without Prejudice Mervelee Myers Philosophy Of Brains MAPS Story Boards Of Strong Women Like Huw Edwards' Wife Who Stands Shoulders With Her Husband In Public Probably Kick His Ass In Private For Landing Their Family In A Scandal That Could Have Been Averted If He Knew To Confide In Her Or A Friend No More ASHTER Nembhard Must Die In Jail Alone After Death Of Mama Lou With Dementia I Was Made A Criminal Need ERT To Cover LEYF June O'Sullivan UEL Richard Harty MIC Abusers At HOC Nursery Duchess Kate Launch Child Mental Health Stockwell Theresa May Rejected Petition For Inquiry In EYFS H4W Barclays Santander Nationwide FOS HMCTS CPS CJS MOPAC IOPC JCIO BSB SRA CCMCC HMPPS DBS CLCC Colluded To Cover Haters 75

Without Prejudice Mervelee Myers Philosophy Of Brains MAPS Story Boards Of Strong Women Like Huw Edwards’ Wife Who Stands Shoulders With Her Husband In Public Probably Kick His Ass In Private For Landing Their Family In A Scandal That Could Have Been Averted If He Knew To Confide In Her Or A Friend No More ASHTER Nembhard Must Die In Jail Alone After Death Of Mama Lou With Dementia I Was Made A…

[lesser-known-composers]

Ambroise Thomas: Hamlet / Act 3 - Je t'implore, ô mon frère ·

James Morris · Sherrill Milnes · Arwel Huw Morgan ·

Welsh National Opera Orchestra · Richard Bonynge