#rotters golf club

[iamlisteningto]

Two Lone Swordsmen's Still My World

[mondoradiowmse]

02/21/24 Mondo Radio Playlist

Here's the playlist for this week's edition of Mondo Radio. This episode: "Just for a While", featuring the Canterbury Scene and more. If you enjoy it, be sure to also follow the show on Facebook and Twitter!

Artist - Song - Album

The Wilde Flowers - No Game When You Lose - The Wilde Flowers

The Wilde Flowers - The Big Show - The Wilde Flowers

Caravan - In The Land Of Grey And Pink - In The Land Of Grey And Pink

Caravan - Golf Girl - In The Land Of Grey And Pink

Egg - Symphony No. 2: First Movement - Egg

Egg - Symphony No. 2: Second Movement - Egg

Comus - The Herald - First Utterance

Comus - The Prisoner - First Utterance

The Fents - I Don't Want My MTV - The Other Side

Matching Mole - Signed Curtain - Different Every Time

Matching Mole - God Song - Different Every Time

Soft Machine - Moon In June - Third

Robert Wyatt - Sea Song - Rock Bottom

Robert Wyatt - I'm A Believer - Solar Flares Burn For You

Khan - Stargazers - Space Shanty

Gong - Fohat Digs Holes In Space - Camembert Electrique

Steve Hillage - Salmon Song (Live) - Live In Germany 1977

Camel - Rhayader Goes To Town - Music Inspired By The Snow Goose

Gilgamesh - Notwithstanding - Gilgamesh

Hatfield And The North - Fitter Stoke Has A Bath - The Rotters' Club

Henry Cow - Nirvana For Mice - The Henry Cow Legend

Henry Cow - History & Prospects: On The Raft - Western Culture

[cruel-nature-records]

The epic acid-techno banger

OF ONE / WHIRLING HALL OF KNIVES - ‘Recoil / Greywash’

is now available to pre-order on cassette.

OF ONE:

Alan O’Boyle is one half of early 90s electronic act Decal, one half of Legion Of Two, all of Legion Of One, & a legend in Irish underground electronic music; releasing his sounds on esteemed labels such as Planet Mu, Rotters Golf Club, D1, Leaf, Law & Auder and Saberettes.

In 2021, Alan launched his new project, Of One, releasing two albums for Front End Synthetics - the first new material he has issued since 2009.

WHIRLING HALL OF KNIVES:

A collaboration between Magnetize and The Last Sound, Whirling Hall Of Knives create a profoundly unsettling sound, a sense of gnawing paranoia but interspersed with moments of almost euphoric epiphany. Psyche electronics of a particularly greasy and grime-flecked hue. Like Surgeon jamming with Dead C. Like rave gone bad.

“So good it should probably be illegal. Indulge.”

- Nic Brown, Gonzo Karaoke

[twdmusicboxmystery]

FTWD 6x01 - Details

All right, let's talk details.(Sorry this is late. I had a weird morning.) I’ll go chronologically through these. 

***As always, spoilers abound below for FTWD 6x01. Don’t read until you’ve watched.***

The first scene is where Emile beheads Walter. I didn’t see much there, but they made a big deal about both beans and Tabasco sauce. I can’t think of another time these were huge symbols, but they might be going forward.

Also, Emile said he was on his way to Galveston, which is in Texas. Interesting, given that some members of the cast were seen filming there about a year ago (pre-CoVid) and it’s very close to New Mexico.

The opening credits definitely have a red theme going on. This week’s featured Emile and Roofus. Remember that with Fear, the opening credits change week to week. It will be interesting to see what they are next week.

When Morgan wakes up in the car, some riders on horseback go by. I'm assuming those are some of Virginia's men, but it was a really random detail that they never followed up on, at least for this episode.

Inside the water silo, there are plenty of interesting things including a blue cooler and water bottles.

And then there’s that pink blanket Morgan wears for the first part of the episode. (Pink Theory) 

In fact, to me it looks like the same shade of the flag we saw in Coda. Just much more faded. 

When Morgan goes out again, he finds a police car, which is slightly on its side. The first thought, of course, was of Grady. Morgan even finds an empty gun inside. Hmm.

He sees a baby crib with a horse mobile on it. Definitely reading into that, but it's obviously that he's thinking about Grace here. When he falls at this part, the first walker to approach him is a blonde female walker.

I thought it was interesting that when Isaac first approached him, he said, "I thought you were one of them." Just more of the theme of being one of the dead. One of “them.”

Once Isaac takes Morgan into the store, Morgan says, "I lost track of time." So, time reference. And then there's the pickle chips that Isaac offers him. Pickle Theory. 

There are other interesting things in the shop as well, including a boat on the shelf, green flowers on the chest Emile breaks open, and plenty of clothes. It had a bit of a pet shop feel (6x03) or golf club feel (Still).

After Emile knocks over the water silo and they take his truck, they get out once the road gets blocked. Their conversation had lots of interesting themes in it. Morgan says, "I'm going back." Part of the “you can't go back” theme? When Isaac tells him that place is done, Morgan says, "no, it isn't. It can't be." It reminded me of the early Daryl/Carol conversations when one would ask if the other is okay and they would reply, “gotta be." I think this is a theme about them deluding themselves about reality. Daryl was never truly okay when he said that. And Morgan knows that place (the water silo) is toast. He’s just didn't denial about it.

I noticed when they stood outside the dam, Isaac called walkers “rotters.” I'm pretty sure we'd already established that either Virginia or the helicopter group or both called walkers that. And that's important because that's what the people at Grady called them. It shows that these groups have a tie to Grady.

After killing all the walkers together, as they're walking into the dam, Morgan and Isaac talk a lot about water. This place used to be full of water. They specifically tie it to S3 of FTWD, where the dam broke. Isaac says that when the dam broke, all the water drained out. They also mentioned fishing and boats.

After Emile dies and Isaac’s baby is born and everything, Morgan sits up the next day. Isaac has taken the bullet out of his chest and Morgan is better.

The biggest thing I noticed here are all the scissors around the bowl. This not only reminds me of the scissors Beth used at Grady, but of the foreshadow of them which we saw in Alone. When Daryl went down into the basement to lead the walkers away, there was a medical tray just like this with eight pairs of scissors on it.

In the end, Morgan becomes a new person and decides to save his friends and take on Virginia. I kind of think we'll be seeing Rufus around a lot, too.

At the close, we see two guys waiting for someone to bring them a key. I’m thinking they must be waiting on Walter’s key, though what’s going on with the keys is still unclear. 

Many people have commented that the title, “the end is the beginning” gives them coda vibes. And I agree. The two guys wrote this on what appears to be an enormous submarine.

It will be interesting to see where this goes. My fellow theorists and I are working on some theories. Stay tuned. ;D

Welcome to the new season of fear the walking dead. I think they set up the story very well and I'm excited to see what comes.

[minorscienceminorscience]

Fever AM show on Hör Radio, Berlin, 27th February 2020

Ryan James Ford - The Value Of Nothing [SHUT] Juju & Jordash - Jupiter Slack [Slack Trax] Ronan - Crystal Viewer [Planet Euphorique] Radioactive Man - Ruby Rage [Rotters Golf Club] Ben Pest - Unstacking Scuba Droid [Ben Pest Music] Tommy Four Seven - X Threat (Stenny Remix) [47] X-Altera - Shoreline (Can’t Understand) [Ghostly] Luzie - Ridin [Shall Not Fade] Amotik - Byalis [Amotik] INVT - Style On Em [INVT] Code Walk - Red [Peder Mannerfelt Produktion] Ducky - Rave Tool 09 [Self-released] Empyrean Tears - Drum Major [Self-released] Avernian - Maadi [Unreleased] Air Max ‘97 - 3YE [Decisions] Basic Rhythm - Slice Neck [Planet Mu] Al Wootton - Natural Forward [Trule] Larry - systems_encoder [Uncertainty Principle] Florian T M Zeisig - Whispers [Anomia]

[joemuggs]

He’s Gone

Reposted from Facebook... 

Processing this one is really difficult. Andrew Weatherall's music and cultural influence were a staple in my life from the age of 15: probably the most consistent single musical thread for the 30 years since, in fact. I was, and am, a shameless, total fanboy. All my school, Quaker and university friends know what an obsessive I was - I sat outside HMV waiting for it to open on the day of release to get my 12" of "Higher Than the Sun", and hitch hiked from South Oxfordshire to Leicester to see Primal Scream with him DJing that same year... I was unutterably envious of older kids at sixth form who managed to get to Boys Own parties. His early remixes of Galliano, Yello, Throbbing Gristle, James, The Impossibles, The Orb etc etc etc joined so many dots, but crucially he led me to incredible older music - just his remix titles ("American Spring", "Nancy & Lee") alone were a springboard for discovery. They taught us what I'm now realising that the rest of the world is only now catching up with: that you CAN be into everything, that you CAN navigate the glut of information in our culture, as long as you understand the signposts, as long as you do it with skill and finesse, but also with a devil-may-care sense of adventure and humour that punctures any over earnestness, stops it being a dry, diagrammatic exercise, and makes what you're doing part of the living culture.

And as I got more involved with music and particularly club music he was always there. He was hugely supportive of Cristian Vogel and co, when the rest of the UK techno scene wasn't giving them the props they deserved. I constantly heard stories of him supporting artists like that (and more recently he lent his keen support to to Jabru after I passed him an album)... I had the opportunity to meet him a few times - first through Emma, Cristian and co, and later when I met Elliot who was working for Rotters Golf Club, and Richie who knew him of old - but was WAY too scared and introverted to, and he did after all have a formidable reputation. I did shout "you're great!" or "this is amazing!" at him in a couple of nightclubs, mind. But I continued following his every musical move, which were always great (see the articles I've posted already). From seeing him drop the acetate of "Sugar Daddy" after the lights came up in a sweat drenched Zap club, to feeling like the entire party was underwater at a Haywire Session, so wobbly was the bass, to seeing him play The Fall and the rawest rockabilly in an Islington pub, to playing dub in a beautiful light and airy Crystal Palace studio for a Moine Dubh session, to that cosmic-ambient NTS special last month - he kept delivering. The number of references to him in Bass, Mids, Tops show clearly how his influence has echoed down the generations, and been a vital connector through the music that I'm obsessed with.

I finally met him in person about 7 years ago: I saw him standing in a sunny field at Camp Bestival in his "impressionist painter on an away day" outfit, and plucked up the courage to say hi. He was, as you'll expect from all the stories that people have posted the last 24 hours, an absolute gent. He said "oh I know who you are" - always a scary phrase - but continued it by listing off a set of my things he'd read recently in the WIRE, picking out my report from DMZ's 8th birthday that year as just the sort of thing he likes: "a bulletin from something I haven't really got a clue about but I'm glad exists," he said. Funnily enough I then bumped into him again later that day at Burger King in Winchester Services and he said hi to the kids and again chatted jovially.

After that we stayed in touch. I interviewed him a couple of times, most notably around the first Woodleigh Research Facility album, and every so often I'd stop in at the Scrutton Street studio for tea and biscuits, and to swap tunes. And even allowing for the passive weed smoke, I would always come away inspired - he always had time to talk and always had something interesting to say about whatever was in the ether: I can remember discussing poetry, pop-reggae, apocalypse cults, Ozric Tentacles, Sir Henry at Rawlinson's End, the English landscape, The Cramps' fashion sense and indeed - in very great detail - biscuits. He was always up for hearing my harebrained ideas and helped a lot with the very slow evolution of my discussion events which eventually became the Ambient Salon, which he ended up participating in (refusing even the paltry fee I could offer, insisting it go instead to "local underprivileged kids or something"). His willingness to have faith in my frankly wacky idea, just because it sounded fun, gave me the proof of concept I needed to take it further, and I'd always thought that we'd do it again on a grander scale...

And that's the real gut punch isn't it? He was going to do so many great things. I never got to Convenanza in Carcassone because I assumed it would just keep going, building into more and more of a cultural staple. I'm sure eventually Lee Brackstone would have wrung a book out of him. He could have been a radio and TV presenter up there with the best of the best. Maybe he'd have carried through his threat to become a full time painter too. There was SO much possibility there. Like I said in the Mixmag obit, not only was he not jaded, he was the OPPOSITE. He was just getting started in so many ways. And he was always, always enabling idiots like me, unsung musicians, fringe characters, and just anyone who happened to get in contact if they caught his imagination. It is really striking that everyone I met through him - Tim, Nina, Sean, Caroline, Bernie, Lizzie, Keith and the rest - have been great, great people too, who carry that same sense of generosity of spirit, constant sense of enquiry and can-do attitude. My heart is broken for all of them especially, as well of course for his old-school friends from Boys Own times Terry, Cymon and co: I can't begin to imagine what it is like. The same goes for all those who became part of the close knit community - "family" is not an exaggeration - around A Love From Outer Space and the Convenanza festival. Reading the ALFOS FB group this last week has been really, really quite something. Friendships and marriages made, lifelong passions ignited, a genuine, flesh and blood community built, all around one man's vision... And so, so, SO much incredible music and culture being shared, impossible quantities of it, in fact. It's a lot.

[todays-soundtrack]

Andrew Weatherall at Dekmantel Festival 2019

Well deserved three and a half hours to celebrate the fact that he existed. He still exists, actually. That’s the thing about creating. It makes you last, potentially forever. 

A year and a day have passed since he physically left. This must have been one of his last outputs. So we are left with what he managed to create that far. He will not be at another Dekmantel, will not make another great remix, whatsoever. Yet, his body of work is more than enough, from the Hacienda days up to his death.

Meanwhile, a tribute EP has been released yesterday by his brother, Ian Weatherall, and Duncan Graymmm via Andew Weatherall’s Rotters Golf Club with remixes of  New Order’s ‘In A Lonely Place’.

And for those who miss him a lot, here is NTS archive of his show Music’s not for everyone. And also this  book,  Andrew Weatherall - A Jockey Slut Tribute, with includes interviews and articles.

[saleggdbdiscount-blog]

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[conceivedeceive]

Andrew Weatherall - @Rainbow_Disco mix

[zattirizat]

Andrew Weatherall 2009′dan bu yana ilk albümü olan Convenanza’yı Rotters Golf Club’tan yayınladı

Müzisyen,prodüktör,dj gibi bir çok sıfatı üstünde taşıyan son dönem müzik dünyasının en önemli isimlerinden The Guv'nor lakaplı Andrew Weatherall 2009 yılında yayınladığı A Pox on the Pioneers albümünün ardından Convenanza’yı Rotters Golf Club etiketi ile yayınladı. Plak,cd ve dijital formatlarda yayınlanan albümü Rotters Golf Club sitesinden edinebilir albümün kesilmiş halini aşağıdan dinleyebilirsiniz. The Guardian’ın The Guv’nor ile yaptığı söyleşi de buradan okunabilir. Andrew Weatherall - Convenanza

[mondoradiowmse]

03/08/23 Mondo Radio Playlist

Here's the playlist for this week's edition of Mondo Radio, which you can download or stream here. This episode: "Key Change", featuring the Canterbury Scene and more. If you dig it, don't forget to also follow the show on Facebook and Twitter!

Artist - Song - Album

The Wilde Flowers - No Game When You Lose - The Wilde Flowers

The Wilde Flowers - The Big Show - The Wilde Flowers

Caravan - In The Land Of Grey And Pink - In The Land Of Grey And Pink

Caravan - Golf Girl - In The Land Of Grey And Pink

Egg - Symphony No. 2: First Movement - Egg

Egg - Symphony No. 2: Second Movement - Egg

Comus - The Herald - First Utterance

Comus - The Prisoner - First Utterance

Jackie Gleason - Yesterday - The Now Sound ... For Today's Lovers

Matching Mole - Signed Curtain - Different Every Time

Matching Mole - God Song - Different Every Time

Soft Machine - Moon In June - Third

Robert Wyatt - Sea Song - Rock Bottom

Robert Wyatt - I'm A Believer - Solar Flares Burn For You

Khan - Stargazers - Space Shanty

Gong - Fohat Digs Holes In Space - Camembert Electrique

Steve Hillage - Salmon Song (Live) - Live In Germany 1977

Camel - Rhayader Goes To Town - Music Inspired By The Snow Goose

Gilgamesh - Notwithstanding - Gilgamesh

Hatfield And The North - Fitter Stoke Has A Bath - The Rotters' Club

Henry Cow - Nirvana For Mice - The Henry Cow Legend

Henry Cow - History & Prospects: On The Raft - Western Culture

[minorscienceminorscience]

Podcast for Trax Magazine

Andrew Pekler - Bororo [Faitiche] Byetone - Neuschnee [Raster-Noton] K-Lone - In The Dust Of This Planet [Soundman Chronicles] Batu & Lurka - Struck [Fringe White] Mosca - Peyote Stitch [Livity Sound] I:Cube - Merovingienne [Versatile] Pev & Kowton - Vapours [Livity Sound] Melly - Mask Shop [Jheri Tracks] Underspreche - Mapuche (MS Edit) [Endless Flight] Minor Science - Volumes [Whities] Laksa - 66 Rebels [Mistry] nsi. - Dual [Non Standard Productions] LOFT - Yes [The Astral Plane] Superficie - Dengue Drums [Salviatek] Safri Duo - Played-a-Live (TSVI Edit) [self-released] Joey Beltram - Pulse [Trax] Dreem Tran’s - Deus Ex Machina [Classical Trax] Jeremy Greenspan & Borys - Tin Beat [Jiaolong] Gunnar Haslam - Snappy (606 Overdose Mix) [Naif] Litwinenko - Tripping, Roughing, Holding [Detroit Underground] Silicon - Get Up Move In [Frustrated Funk] DJ Bark Lee - Walk 4 U [self-released] M.E.S.H. - Kritical Thirst (DJ J Heat Remix) (MS Edit) [self-released] Dietrich Schoenemann - 9 Clicks [The Corner] Stanislav Tolkachev - Fifty [Labrynth] Clatterbox - Semi-Automatic [TRUST] Radioactive Man - Goodnight Morton [Rotters Golf Club] Andrew Pekler - Bororo [Faitiche]

[musicsnobs]

ANDREW WEATHERALL STARTS OFF 2016 WITH TWO NEW LPS

Prepare yourself for a double whammy.  Andrew Weatherall is coming out swinging at the beginning of next year with two albums.  The first album to hit the shelves will be his far-out combo with Nina Walsh, The Woodleigh Research Facility.  ‘The Phoenix Suburb (and Other Stories)’ supposedly is the sound of the two taking a “disgruntled sine wave out for a walk”, perhaps it is, but judging from the sample tracks it is a splendid idea.  Watch for this gem in early January.

Andrew’s own album, ‘Convenanza’ is another heady mix of all things pushed through the Weatherall sieve.  According to the press release,  “Many years of listening to music with a unique ear has resulted in the disordered cabinet of highlights, touchstones, revelations and half recalled good times that make up being Lord Sabre.”  Andrew’s solo LP will follow with a release date of February 26.

Check out this track from Andrew and Nina...it’s excellent.

...

[globalwierding]

EG.371 Andrew Weatherall by egroove http://ift.tt/NApuCk

[tormakarmol]

The Asphodells - Beglammered

[vump]

Radical Majik Spread The Hot Potato (2008)