#ryan brenizer

[thephoblographer]

The Brenizer Method: How to Shoot Stunning Panoramic Portrait Photos

Everything you wanted to know.

You’ve probably heard of the Brenizer Method a lot in the past few months. And in truth, it’s a super fun method that can give you results you couldn’t have made otherwise. At least, you could’ve have done these without a medium format camera, large format camera, or wider super-fast aperture lens. In this post, we’re going to dive into posts we’ve done on the Brenizer Method over our years of…

[noellalovelyweddings]

One light, many jobs by Ryan Brenizer Via Flickr: It's been one of those months that give lie to the phrase "off-season." We are back from Dubai and finally over our jet lag, preparing for weddings and so much exciting stuff coming in April I can't even stare at my calendar directly. Here's a shot from one of my workshops at Gulf Photo Plus in Dubai. The amazing staff there worked so hard for me … maybe too hard! I primarily teach how to get good results in any kind of environment, and they wrangled up a bunch of five-star hotels like The Sofitel Jumeirah Beach, but we found a way to make it difficult. Here, one light is doing triple duty -- backlight on the couple, freezing the water drops in the shower, and providing the nicely formed silhouette. Best of all, no one got wet! Ok, I got a little wet.

[claudiul93-blog]

Fotografie de nunta / lifestyle- Ryan Brenizer

Fotografie de nunta / lifestyle- Ryan Brenizer

Ryan Brenizer este cunoscut  pentru fotografie de nunta și lifestyle. Este cunoscut pentru metoda Brenizer, are un portofoliu impresionant cu fotografii de nuntă și portrete originale în această industrie. Ryan Brenizer are un portofoliu foarte original și ieșit din comun, un foarte bun punct de inspirație. Puteți urmări lucrările lui pe site-urile listate la sfârșitul articolului.

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[ronsbell]

The Color of Night by Ryan Brenizer https://flic.kr/p/8ErpJD

[chillypepperhothothot]

When it Rains it Snows by Ryan Brenizer on Flickr.

[wholesomebicycle]

Bike Merge by Richard Terborg Via Flickr: Photo merge 24 photos. A Ryan brenizer method Seen first @ Gerbren

[marketingzeet-blog]

Apply These 5 Secret Techniques To Improve Edmonton Wedding Photographer

1. Exploring

One of the most resounded and predictable counsel we heard was: Scouting. Almost every wedding genius we addressed focused on this part of their symbolism. Alex Oat, situated in San Diego, California, keeps it basic by saying, "Scout it out! Know the scene, the light, the cool spots for photographs."

Westchester, New-York-put together Jesse Rinka grows with respect to this by expressing, "During your conference with the lady of the hour and man of the hour, subjects identified with the sorts of areas and settings that they like to use for pictures ought to have been talked about. Your customers are paying you a better than average measure of cash for your insight, experience, and skill. Invest the energy and research in front of their enormous day and make sure to survey the choices that you feel would work best for them dependent on their input. Have an arrangement A, B, and C if there should arise an occurrence of surprising issues or nasty climate. Additionally make sure to check for necessities identified with the requirement for having a grant. Commonly, the customers are in charge of verifying one on the off chance that it is important, particularly when there are expenses included, yet knowing early the dangers associated with having or not having one will put you on the ball."

2. Know Your Gear

Another ordinarily held view among the wedding masters we addressed was that shooters need to know their apparatus all around. The big day isn't an ideal opportunity to try different things with new gear, evaluate various settings, or make sense of a remote trigger.

Eric McCallister, situated in Portsmouth, New Hampshire, stated, "Don't rehearse on your customers. New flashes? Sort them out the prior week. Ensure they work, and have an arrangement for in the event that they don't. Of course, feel free to attempt new postures, shoot a nightfall or night picture just because, however ensure your hardware is working the manner in which you figure it should, and in any event have drilled at home."

Rinka includes, "Understand that there is a major distinction between just having incredible apparatus and really realizing how to utilize it. There is no focal point or camera that will compensate for absence of training or experience. Realize your rigging superior to anything you know yourself and you will most likely adjust to the numerous surprising changes that can happen on the big day."

"Become familiar with the nuts and bolts all around before attempting to book a wedding," says New-York-based Ryan Brenizer, "camera fundamentals as well as encircling, lighting, and likeness with loads of various body types. The better you are the point at which you begin, the more strong your general marking will be, and the better for your couples."

3. Lighting

The way to all photography. Without it, there would be no pictures, or life, so far as that is concerned. All picture takers have various ways to deal with lighting, and there are boundless potential outcomes and choices on the most proficient method to control and control the lighting in a scene—some given commonly. Warren, Ohio-based shooter Nicki Hufford lets us know, legitimately, "Learn off-camera streak (like yesterday)."

New York City ace wedding picture taker, Vilson Lleshaj, says, "Utilize numerous light sources. Know and be great with accessible light, however realize how to offset encompassing light with counterfeit light." Edmonton Wedding Photography

Finishing off the theme, Lori Waltenbury, from Ontario, Canada, states, "Practice presentation! Carry your camera around with you all over and work on getting ideal exposures instantly! This will spare you a lot of time altering and will enable you to abstain from taking unsalvageable shots of significant minutes."

4. Surrounding

Organization and confining easily fall into place for a few. To other people, it is an ability that must be learned and refined. There are a few things to consider each time you discourage the shade discharge on the subject of confining. Jesse Rinka says, "Wedding days can be quick paced; be extra cautious and remind yourself to hinder when representing your subjects. Pause for a minute to examine the casing before you press the screen and search for any diversions that could conceivably demolish the photograph. Nothing is more awful than having everything immaculate, just to later discover that there are tree limbs or skyline lines slicing through your subject's heads."

Brighton, Massachusetts, shooter Zac Wolf shares this tip: "When shooting family formals, make a point to leave space to edit for a 8 x 10". From the get-go in my profession, this was something I never thought of on the grounds that I was never a wedding customer, however then I had a customer grumble about the harvest factor. Never again did I commit this error and I generally make a point to leave space for the yield in family formals since 8 x 10" is the most famous enormous standard size."

5. Reinforcement: Files

Almost every picture taker we conversed with underlined document reinforcement finally. San Diego, California shooter Sarah Williams says, "Back up your photographs. When isn't sufficient. You ought to have a reinforcement to your reinforcement. Two on location and furthermore an offsite."

Eric McCallister shares these musings: "Pay attention to record the board. That incorporates the day of and after the wedding. I shoot copy documents to double cards and just huge ones, with the goal that I absolutely never need to remove them from the cameras. I've possibly lost documents because of card disappointment when opening the camera card entryway too rapidly or losing a card. In the event that I absolutely never need to open the camera I trust I am more averse to degenerate a card, and surely improbable to lose one. When you're home, guarantee that you have an excess reinforcement framework where your records live in different spots. The cloud is an extraordinary alternative, however conceivably less so for high-volume shooters (your transfers will never make up for lost time). Gracious, and make certain you're support up your Lightroom lists, as well. It's unpleasant to discover you have the majority of your records yet none of your alters."

A few masters proposed beginning the card reinforcement process when time permits, even between the function and the gathering.

[sailorrrvenus]

How to Do the Brenizer Method for Bokeh Panoramas

The Bokeh Panorama continues to be a popular technique for portrait and wedding photography for its unique and eye-catching look. It was popularized by acclaimed wedding photographer Ryan Brenzier and has since been called the Brenizer Method. If this is something you've been wanting to try for your next projects, we've found just the quick tutorial for you!  from The Phoblographer http://bit.ly/2scvPdt via IFTTT

[matthewhutterus]

How to Do the Brenizer Method for Bokeh Panoramas

The Bokeh Panorama continues to be a popular technique for portrait and wedding photography for its unique and eye-catching look. It was popularized by acclaimed wedding photographer Ryan Brenzier and has since been called the Brenizer Method. If this is something you've been wanting to try for your next projects, we've found just the quick tutorial for you!  from All About Photography https://www.thephoblographer.com/2019/01/07/brenizer-method-bokeh-panoramas/

[noellalovelyweddings]

A True Sunday by Ryan Brenizer Via Flickr: Yelena and Ben really picked the right day of this weekend to get married. After the record-breaking snow on Saturday, this is what we had yesterday — a gorgeous wedding at Guastivino’s in Manhattan. I had to fight every urge to not just stay up all night and post this whole wedding today. Finally I remembered that I felt the same way about all the other weddings I’ve photographed recently. It’s telling in a lot of ways that I’m headed to Aruba on Wednesday and I’m excited to look through and edit the great weddings that I’ve had happen in front of my lens in recent weeks. --- Ryan Brenizer Photography Blog. Photography tips, wedding photos, events and portraits from New York City and beyond

[pauldeckerus]

How to Do the Brenizer Method for Bokeh Panoramas

The Bokeh Panorama continues to be a popular technique for portrait and wedding photography for its unique and eye-catching look. It was popularized by acclaimed wedding photographer Ryan Brenzier and has since been called the Brenizer Method. If this is something you've been wanting to try for your next projects, we've found just the quick tutorial for you!  from Photography News https://www.thephoblographer.com/2019/01/07/brenizer-method-bokeh-panoramas/

[alexisbush-blog1]

Who’s behind the camera?

It has to be said we have a couple of creative geniuses in our midst in the form of our two photographers, Ush and Jack. We wanted to know more about that makes them tick so this is the first of a two part creative journey, beginning with the musings of Ush:

How long have you been a photographer?

4 years in Property photography, 5 years freelance event photography, 5 years event production and photography

How long have you been at Move Revolution? How many photographs have you taken?

A year and 10 months. My shutter count lies at around 40,000 for that duration.

What photographer/s do you admire most and why?

Ansel Adams for changing the way landscapes were photographed on a technical level. Also for creating his own methods for developing and printing to accommodate for the massive scale of his prints. It was groundbreaking at the time and his prints are still incredible in person. If you ever get the chance to visit an exhibition of his prints which tour the world. Don’t hesitate.

At the other end of the spectrum, Ryan Brenizer for embracing new technology and pioneering some methods for compositing that go relatively unnoticed to the casual viewer other than to create a visually appealing effect. One which is out of the realms of capability for the equipment used.

Don McCullin. Again, out of my realm and I think that’s what I’ve enjoyed most about his work. It’s so beyond comprehension. Don was an utterly fearless documentary photographer from London. He was born in the midst of World War II and quite literally lived with war his whole life. Be it the conflicts close to home in Northern Ireland, to far afield in Vietnam. One story he’ll always have under his belt is that his Nikon stopped a bullet which was sent his way. His work has been some of the most moving photography you could ever lay your eyes on. One of the first, along with Eddie Adams, to really go out of his way to communicate what war-time suffering is like. So much so that he was banned from shipping out to the Falklands conflict for fear of his photography scaring the Brits at home. Government level censorship at it’s best.

What is your favourite all time photograph, that you have taken & why 

I change my mind far too much to nail this down to one photograph. I often like to revisit old photos to re-edit them. One image I’m I’ve really loved recently was this photo from Scotland when I visited with my Girlfriend and some friends. I love that the trees fill the frame and continue off the top, while my friends stand at the bottom of the frame, tiny in comparison. If I ever get a long tall wall. I’d love to get this printed out.

Here are some other more recent shots from a trip to Canada.

        What is your favourite photograph (that you didn’t take!)

Again I could easily change my mind, especially with Ansel’s work. It’s easy to get caught up with some of the amazing images that are taken every day around the world and shared on social media. Standing back to appreciate the effort involved in a capture is worth a moment if your time. In this case. Ansel Adams has an image called Winter Sunrise, taken in Sierra Nevada. At first it’s a simple landscape shot, but it’s so striking with the intensely detailed snow caps on the mountains to the still-in-morning-shadow foreground peaks cutting straight through them. With the cloud cover, dark sky and grazing cattle on the bottom of the frame there is multiple horizontal layers of this image. Look at the way there’s a stream of light hitting the area where that cow is grazing! Ansel had a habit of getting up in the middle of the night to reach these places and staying there all morning or evening to wait for the right shot. If he didn’t get it one day, he’d check the weather and return the next. Now imagine this image printed by hand in a dark room on paper 4 metres wide. The monumental effort at the time is verging on overwhelming to somebody such as myself who’s more akin to shooting hundreds of images a day and sitting infront of a computer to edit them for an afternoon.

It’s this kind of image that drives me out to shoot for myself, and take the time. Photography can be therapeutic and relaxing if you know how to slow your pace down.

What is a normal ‘day’ like being a photographer at Move Revolution?

Every day and every house will throw a new challenge at you. It’s always nice to see photos taken by a previous agent and even other professional photographers and then visiting a property knowing you have to produce better work. Getting feedback from customers and on social media is addictive and motivating.

  Thanks Ush, we love the fastidiousness you bring to the photography team and know you go the extra mile to bring out the best in every property you photograph.

Next time we’ll be with Jack, the other half of the creative team. Stay tuned for more insights!

If you’re thinking of moving and would love to have incredible photos of your home taken by our expert team, please call 0330 223 1000.

Would you like to chat to someone straight away? Click here …

    source of this post came from Alexis Bush Blog http://www.moverevolution.com/blog/whos-behind-the-camera/

[sophiadana]

Who’s behind the camera?

It has to be said we have a couple of creative geniuses in our midst in the form of our two photographers, Ush and Jack. We wanted to know more about that makes them tick so this is the first of a two part creative journey, beginning with the musings of Ush:

How long have you been a photographer?

4 years in Property photography, 5 years freelance event photography, 5 years event production and photography

How long have you been at Move Revolution? How many photographs have you taken?

A year and 10 months. My shutter count lies at around 40,000 for that duration.

What photographer/s do you admire most and why?

Ansel Adams for changing the way landscapes were photographed on a technical level. Also for creating his own methods for developing and printing to accommodate for the massive scale of his prints. It was groundbreaking at the time and his prints are still incredible in person. If you ever get the chance to visit an exhibition of his prints which tour the world. Don’t hesitate.

At the other end of the spectrum, Ryan Brenizer for embracing new technology and pioneering some methods for compositing that go relatively unnoticed to the casual viewer other than to create a visually appealing effect. One which is out of the realms of capability for the equipment used.

Don McCullin. Again, out of my realm and I think that’s what I’ve enjoyed most about his work. It’s so beyond comprehension. Don was an utterly fearless documentary photographer from London. He was born in the midst of World War II and quite literally lived with war his whole life. Be it the conflicts close to home in Northern Ireland, to far afield in Vietnam. One story he’ll always have under his belt is that his Nikon stopped a bullet which was sent his way. His work has been some of the most moving photography you could ever lay your eyes on. One of the first, along with Eddie Adams, to really go out of his way to communicate what war-time suffering is like. So much so that he was banned from shipping out to the Falklands conflict for fear of his photography scaring the Brits at home. Government level censorship at it’s best.

What is your favourite all time photograph, that you have taken & why 

I change my mind far too much to nail this down to one photograph. I often like to revisit old photos to re-edit them. One image I’m I’ve really loved recently was this photo from Scotland when I visited with my Girlfriend and some friends. I love that the trees fill the frame and continue off the top, while my friends stand at the bottom of the frame, tiny in comparison. If I ever get a long tall wall. I’d love to get this printed out.

Here are some other more recent shots from a trip to Canada.

        What is your favourite photograph (that you didn’t take!)

Again I could easily change my mind, especially with Ansel’s work. It’s easy to get caught up with some of the amazing images that are taken every day around the world and shared on social media. Standing back to appreciate the effort involved in a capture is worth a moment if your time. In this case. Ansel Adams has an image called Winter Sunrise, taken in Sierra Nevada. At first it’s a simple landscape shot, but it’s so striking with the intensely detailed snow caps on the mountains to the still-in-morning-shadow foreground peaks cutting straight through them. With the cloud cover, dark sky and grazing cattle on the bottom of the frame there is multiple horizontal layers of this image. Look at the way there’s a stream of light hitting the area where that cow is grazing! Ansel had a habit of getting up in the middle of the night to reach these places and staying there all morning or evening to wait for the right shot. If he didn’t get it one day, he’d check the weather and return the next. Now imagine this image printed by hand in a dark room on paper 4 metres wide. The monumental effort at the time is verging on overwhelming to somebody such as myself who’s more akin to shooting hundreds of images a day and sitting infront of a computer to edit them for an afternoon.

It’s this kind of image that drives me out to shoot for myself, and take the time. Photography can be therapeutic and relaxing if you know how to slow your pace down.

What is a normal ‘day’ like being a photographer at Move Revolution?

Every day and every house will throw a new challenge at you. It’s always nice to see photos taken by a previous agent and even other professional photographers and then visiting a property knowing you have to produce better work. Getting feedback from customers and on social media is addictive and motivating.

  Thanks Ush, we love the fastidiousness you bring to the photography team and know you go the extra mile to bring out the best in every property you photograph.

Next time we’ll be with Jack, the other half of the creative team. Stay tuned for more insights!

If you’re thinking of moving and would love to have incredible photos of your home taken by our expert team, please call 0330 223 1000.

Would you like to chat to someone straight away? Click here …

    from sophiadana http://www.moverevolution.com/blog/whos-behind-the-camera/

[lindyhunt]

Introducing one half of our photography team

It has to be said we have a couple of creative geniuses in our midst in the form of our two photographers, Ush and Jack. We wanted to know more about that makes them tick so this is the first of a two part creative journey, beginning with the musings of Ush:

How long have you been a photographer?

4 years in Property photography, 5 years freelance event photography, 5 years event production and photography

How long have you been at Move Revolution? How many photographs have you taken?

A year and 10 months. My shutter count lies at around 40,000 for that duration.

What photographer/s do you admire most and why?

Ansel Adams for changing the way landscapes were photographed on a technical level. Also for creating his own methods for developing and printing to accommodate for the massive scale of his prints. It was groundbreaking at the time and his prints are still incredible in person. If you ever get the chance to visit an exhibition of his prints which tour the world. Don’t hesitate.

At the other end of the spectrum, Ryan Brenizer for embracing new technology and pioneering some methods for compositing that go relatively unnoticed to the casual viewer other than to create a visually appealing effect. One which is out of the realms of capability for the equipment used.

Don McCullin. Again, out of my realm and I think that’s what I’ve enjoyed most about his work. It’s so beyond comprehension. Don was an utterly fearless documentary photographer from London. He was born in the midst of World War II and quite literally lived with war his whole life. Be it the conflicts close to home in Northern Ireland, to far afield in Vietnam. One story he’ll always have under his belt is that his Nikon stopped a bullet which was sent his way. His work has been some of the most moving photography you could ever lay your eyes on. One of the first, along with Eddie Adams, to really go out of his way to communicate what war-time suffering is like. So much so that he was banned from shipping out to the Falklands conflict for fear of his photography scaring the Brits at home. Government level censorship at it’s best.

What is your favourite all time photograph, that you have taken & why 

I change my mind far too much to nail this down to one photograph. I often like to revisit old photos to re-edit them. One image I’m I’ve really loved recently was this photo from Scotland when I visited with my Girlfriend and some friends. I love that the trees fill the frame and continue off the top, while my friends stand at the bottom of the frame, tiny in comparison. If I ever get a long tall wall. I’d love to get this printed out.

Here are some other more recent shots from a trip to Canada.

  What is your favourite photograph (that you didn’t take!)

Again I could easily change my mind, especially with Ansel’s work. It’s easy to get caught up with some of the amazing images that are taken every day around the world and shared on social media. Standing back to appreciate the effort involved in a capture is worth a moment if your time. In this case. Ansel Adams has an image called Winter Sunrise, taken in Sierra Nevada. At first it’s a simple landscape shot, but it’s so striking with the intensely detailed snow caps on the mountains to the still-in-morning-shadow foreground peaks cutting straight through them. With the cloud cover, dark sky and grazing cattle on the bottom of the frame there is multiple horizontal layers of this image. Look at the way there’s a stream of light hitting the area where that cow is grazing! Ansel had a habit of getting up in the middle of the night to reach these places and staying there all morning or evening to wait for the right shot. If he didn’t get it one day, he’d check the weather and return the next. Now imagine this image printed by hand in a dark room on paper 4 metres wide. The monumental effort at the time is verging on overwhelming to somebody such as myself who’s more akin to shooting hundreds of images a day and sitting infront of a computer to edit them for an afternoon.

It’s this kind of image that drives me out to shoot for myself, and take the time. Photography can be therapeutic and relaxing if you know how to slow your pace down.

What is a normal ‘day’ like being a photographer at Move Revolution?

Every day and every house will throw a new challenge at you. It’s always nice to see photos taken by a previous agent and even other professional photographers and then visiting a property knowing you have to produce better work. Getting feedback from customers and on social media is addictive and motivating.

Thanks Ush, we love the fastidiousness you bring to the photography team and know you go the extra mile to bring out the best in every property you photograph.

Next time we’ll be with Jack, the other half of the creative team. Stay tuned for more insights!

If you’re thinking of moving and would love to have incredible photos of your home taken by our expert team, please call 0330 223 1000.

  from Move Revolution http://www.moverevolution.com/blog/introducing-one-half-photography-team/

[ronsbell]

It's one thing to look this good; it's another to look this good when the perceived temperature is 111 degrees. (You don't want to see a picture of us at this point). Great working alongside Sara Landon (@slmemories) and Peter Yannello (@filmcarsny). --- by Ryan Brenizer https://flic.kr/p/Kgj2JV

[billwells3]

Introducing one half of our photography team

It has to be said we have a couple of creative geniuses in our midst in the form of our two photographers, Ush and Jack. We wanted to know more about that makes them tick so this is the first of a two part creative journey, beginning with the musings of Ush:

How long have you been a photographer?

4 years in Property photography, 5 years freelance event photography, 5 years event production and photography

How long have you been at Move Revolution? How many photographs have you taken?

A year and 10 months. My shutter count lies at around 40,000 for that duration.

What photographer/s do you admire most and why?

Ansel Adams for changing the way landscapes were photographed on a technical level. Also for creating his own methods for developing and printing to accommodate for the massive scale of his prints. It was groundbreaking at the time and his prints are still incredible in person. If you ever get the chance to visit an exhibition of his prints which tour the world. Don’t hesitate.

At the other end of the spectrum, Ryan Brenizer for embracing new technology and pioneering some methods for compositing that go relatively unnoticed to the casual viewer other than to create a visually appealing effect. One which is out of the realms of capability for the equipment used.

Don McCullin. Again, out of my realm and I think that’s what I’ve enjoyed most about his work. It’s so beyond comprehension. Don was an utterly fearless documentary photographer from London. He was born in the midst of World War II and quite literally lived with war his whole life. Be it the conflicts close to home in Northern Ireland, to far afield in Vietnam. One story he’ll always have under his belt is that his Nikon stopped a bullet which was sent his way. His work has been some of the most moving photography you could ever lay your eyes on. One of the first, along with Eddie Adams, to really go out of his way to communicate what war-time suffering is like. So much so that he was banned from shipping out to the Falklands conflict for fear of his photography scaring the Brits at home. Government level censorship at it’s best.

What is your favourite all time photograph, that you have taken & why 

I change my mind far too much to nail this down to one photograph. I often like to revisit old photos to re-edit them. One image I’m I’ve really loved recently was this photo from Scotland when I visited with my Girlfriend and some friends. I love that the trees fill the frame and continue off the top, while my friends stand at the bottom of the frame, tiny in comparison. If I ever get a long tall wall. I’d love to get this printed out.

Here are some other more recent shots from a trip to Canada.

        What is your favourite photograph (that you didn’t take!)

Again I could easily change my mind, especially with Ansel’s work. It’s easy to get caught up with some of the amazing images that are taken every day around the world and shared on social media. Standing back to appreciate the effort involved in a capture is worth a moment if your time. In this case. Ansel Adams has an image called Winter Sunrise, taken in Sierra Nevada. At first it’s a simple landscape shot, but it’s so striking with the intensely detailed snow caps on the mountains to the still-in-morning-shadow foreground peaks cutting straight through them. With the cloud cover, dark sky and grazing cattle on the bottom of the frame there is multiple horizontal layers of this image. Look at the way there’s a stream of light hitting the area where that cow is grazing! Ansel had a habit of getting up in the middle of the night to reach these places and staying there all morning or evening to wait for the right shot. If he didn’t get it one day, he’d check the weather and return the next. Now imagine this image printed by hand in a dark room on paper 4 metres wide. The monumental effort at the time is verging on overwhelming to somebody such as myself who’s more akin to shooting hundreds of images a day and sitting infront of a computer to edit them for an afternoon.

It’s this kind of image that drives me out to shoot for myself, and take the time. Photography can be therapeutic and relaxing if you know how to slow your pace down.

What is a normal ‘day’ like being a photographer at Move Revolution?

Every day and every house will throw a new challenge at you. It’s always nice to see photos taken by a previous agent and even other professional photographers and then visiting a property knowing you have to produce better work. Getting feedback from customers and on social media is addictive and motivating.

  Thanks Ush, we love the fastidiousness you bring to the photography team and know you go the extra mile to bring out the best in every property you photograph.

Next time we’ll be with Jack, the other half of the creative team. Stay tuned for more insights!

If you’re thinking of moving and would love to have incredible photos of your home taken by our expert team, please call 0330 223 1000.

    source http://www.moverevolution.com/blog/introducing-one-half-photography-team/