Artwork used on a Pikachu Trading Card Game card
Art by:
5ban Graphics
Taira Akitsu (Twitter: sasimin)
Hitoshi Ariga (Twitter: ariga_megamix)
Mitsuhiro Arita (Twitter: MitsuhiroArita)
AKIRA EGAWA (Twitter: rev_akira)
OOYAMA
kawayoo (Twitter: kawayoo)
Naoyo Kimura
kirisAki (Twitter: kirisAki_works, kirisAki_29)
Tomokazu Komiya (Twitter: asiru3dozen)
Kouki Saitou (Twitter: kouglof0513)
Naoki Saito
Sanosuke Sakuma (Twitter: sakuma_sanosuke)
Jiro Sasumo (Twitter: j_sasum)
Narumi Sato (Twitter: narumi_sato5v5)
Shibuzoh. (Twitter: f_nezumi)
sui (Twitter: sui_toybox)
sowsow (Twitter: sowsowkoubou)
Miki Tanaka (Twitter: mikiisotanaka)
Saya Tsuruta (Twitter: saya_tsuruta)
Atsuko Nishida (Twitter: atsuko_nishida | Tumblr: coloatsu)
Yuu Nishida (Twitter: nishida_yuu)
Kagemaru Himeno (Twitter: xxHIMEMARUxx, HIMEMARU_0w0_)
Masakazu Fukuda
Ryota Murayama (Twitter: ovopack | Tumblr: ovopack)
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Frieren: Beyond Journey's End #1-4 - It was... Perfect
Episode 1 - The Journey's End
Screenplay: Tomohiro Suzuki
Storyboard: Keiichirou Saitou
Episode Director: Ayaka Tsuji
Animation Director: Reiko Nagasawa
Key Animators: Junko Abe, Shin Ogasawara, Ran Kamezawa, Jun Sekiguchi, Daiki Harashina, Kanata Yanagisawa, Shinichi Yoshikawa, Xujian Li, Odashi, Keisuke Kobayashi, Shinji Ootsuka, Hayato Kakita, Toshiyuki Satou, Ayaka Tsuji, Yoshiko Matsumura, Emi Yamazaki, Kanako Yoshida, Kerorira, Kou Yoshinari
Episode 2 - It Didn't Have to Be Magic...
Screenplay: Tomohiro Suzuki
Storyboard: Tomoya Kitagawa
Episode Director: Tomoya Kitagawa
Chief Animation Director: Reiko Nagasawa
Animation Director: Ayaka Minoshima
Key Animators: Junko Abe, Nobuhide Kariya, Toshiyuki Satou, Harumi Takagi, Daiki Tanaka, Masaho Hori, Yutaka Minowa, Kanata Yanagisawa, Xujian Li, Fuuko Abe, Kyousuke Ootori, Takahito Sakazume, Jura, Yuka Matsumura, Yukiko Watabe, Hayato Kakita, Hiroyuki Kobashi, Jun Sekiguchi, Airi Takahashi, Daiki Harashina, Ayaka Minoshima, Kouta Mori, Shinichi Yoshikawa, Aoi Ootani, Naoki Katou, Sanae Shitaya, Shinya Segawa, Zihan Liu
Episode 3 - Killing Magic
Screenplay: Tomohiro Suzuki
Storyboard: Daiki Harashina
Episode Director: Daiki Harashina
Chief Animation Director: Reiko Nagasawa
Animation Director: Daiki Harashina
Key Animators: Daiki Harashina, Junko Abe, Shin Ogasawara, Mai Toda, Kanata Yanagisawa, Daisuke Shibukawa, Kou Yoshinari, Fei Hung Donghua, Hanwen Ye, Tooru Iwazawa, Honami Takeuchi, Yoshiko Matsumura, Xujian Li, Yukiko Busa, Nonno
Episode 4 - The Land Where Souls Rest
Screenplay: Tomohiro Suzuki
Storyboard: Yoshiaki Kawajiri
Episode Director: Kento Matsui
Chief Animation Director: Reiko NagasawaAnimation Director: Ayaka Tsuji
Key Animators: Shin Ogasawara, Hiroyuki Kobashi, Toshiyuki Satou, Harumi Takagi, Rie Arakawa, Yuka Koiso, Masahiro Yufune, Pinqiao Hui, Norifumi Kugai, Ayaka Satou, Jun Sekiguchi, Miyuki Inoue, Shuuji Maruyama, Ryuuguu-san, Yenxin Fan
Last week was utter hell, with a new class, a new schedule, and my sleep going out of whack. I'm still trying to readjust, and let me explain why I'm mentioning all of this. Almost nothing would have motivated me to get out of my zone and type this post except for Frieren. Frieren is one of my favorite manga series. If you've talked to me about anime/manga before, you would know this. So, ever since it was announced, it has been one of my most anticipated series. To add to that, Keiichirou Saitou was announced as the director. He's a great example of an upcoming new-gen director who has excelled in everything he's been a part of. From the beautiful and abstract EDs he created for The Executioner and Her Way of Life or Boogiepop, to the mesmerizing, dreamlike episodes he directed for Sonny Boy, and the expressive, now very popular Bocchi the Rock. He was a perfect choice as a director for a series like this, and let me tell you, he delivered fully.
Just from a quick glance, you can see how the show looks. Everything is eye-catching, making it almost hard to focus on one particular element because they all just look so good, and no, it's not just the chromatic aberration causing the lack of focus. The various departments responsible for compositing, the background, and the overall color design have done an outstanding job, creating a beautiful and cohesive piece of art. Seeing someone you might consider a less experienced director pulling off such a complete and harmonious experience is incredible. In terms of design, the whole show is aesthetically pleasing. It's not the experimental work you saw in Sonny Boy; it's going in a totally different direction, like a beautiful painting that should be framed on a wall.
It works very well when paired with, you know, how Frieren is as a story. The fantasy world they are in isn't an extremely unique one. You've seen it before; it's fairly typical in that sense. But that's not truly the point. The main focus is showing the day-to-day or year-to-year life of this immortal elf girl, Frieren, and how she views time, how she remembers her past. It's not an incredibly grand adventure, but with the small lens we have on these characters, it feels like a cherished moment, something that should be captured in a photo or painting. It's beautiful in a very simple way. It's not a series made for extremely large moments, I think Frieren has always been focused on a simpler view of life, much like a painting. The smaller details of such a straightforward approach are highlighted so well. The trees in the environment, the squirrels just moving around—there's so much life in each scene. It really all comes together for me like a piece of art.
The consistency lasts through all four episodes, and the staff distribution also seems fairly good, so I expect this to continue throughout the two cours. The pacing itself is perfect. I've really enjoyed how the story has been adapted to animation so far. I believe that nowadays, many anime series have fallen into the pitfalls of adapting things too quickly to capture the interest of newer viewers early on. However, the series composition for Frieren here is excellent.
This writeup might have been shorter than most people were expecting considering how amazing the anime adaptation is and how much I love the source material, but what can really be said about except just praising? I feel like even if you don't like the source material, the anime's execution is almost undeniably good. Additionally, as I said this past week has not been kind to me so my energy is a bit drained, at first I was planning to be more specific in my write up and make points more adhering to the specifics of each episode, but I didn't really have time for that. However, I will do my best to cover every Frieren episode weekly from now on. Make no mistake this is going to be my favorite series from this year.
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happy birthday otomachi una(vocaloid 4) !!!!!!!!!!! [jul 30]
Otomachi Una is a japanese synth developed by Internet Co., and released in 2016. she is voiced by Tanaka Aimi. una was illustrated by Saitou Naoki for her Talk Ex and voiceroid, and by Kurisu Toshi for her v6, but her v4 artist has not been revealed. her 3d modeling was done by kuuwanko, and the rigging by Rennya. on 30 jul 2016 unas v4 "sweet" and "spicy" banks were released, the names of these are possibly reference to the nursery rhyme "What Are Little Boys Made Of?", in which the second stanza reads "What are little girls made of? / What are little girls made of? / Sugar and spice / And everything nice [or "all things nice"] / That's what little girls are made of". on 20 apr 2017 unas talk ex bank was released, on 11 dec 2020 her voiceroid2 bank, on 15 jul 2021 her voidol banks, and on 22 jun 2023 her v6 sweet and spicy. una is 11yo and 148.5cm tall with her hat. her hat is called Ottoman Bō, and often changes expression to match unas.
v4 sweet
v4 spicy
v6 sweet
v6 spicy
v4 sweet and spicy
talk ex
voiceroid 2
logo
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Your art is beautiful and I'm curious to how you do all of your effects in your art? Like how do you go from flat colours to all the layered effects and detail?
I'm glad to receive your message. Personally ,I'm not a professional painter and cannot give the advice that professional. My painting process is to finish the line draft → paint the original color → paint the first shadow → Paint the distribution of light → add the second shadow → Adjust the color using the coating effect.
YouTuber 齋藤直葵(さいとうなおき/Saitou Naoki) 's tutorials have been a great help to me in my painting practice, and you can pay close attention to it if you are interested. Relax, painting is practice makes perfect♫
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Rating Vocal Synth Designs: Otomachi Una!
Otomachi Una V4 (Sugar): Really cute. Reminds me of a jellyfish /positive. 9/10.
Otomachi Una V4 (Spicy): Christ those colors hurt my eyes, but still a solid design overall. 7/10.
Otomachi Una V6 (Sugar)(Art by Kurisu Toshi): AWWW SHE'S SO CUTE. 10/10
Otomachi Una V6 (Spicy)(Same artist as above): Looks radioactive, but not in a bad way. 9/10.
Otomachi Una Talk Ex/Otomachi Una VOICEROID2 (Art by Saitou Naoki): The tights and bows look *really* ugly combined with the pastel hair and outfit. Also what's with the emblem on the dress (and the weird placement of said emblem too)? Is she going to an Ivy League school? Good for her tbh. 6/10
Otomachi Una VOICEPEAK (Art by Eva Mashiro): Really cute! 10/10
Otomachi Una Rain: her hair dye's being washed away noooo. 8/10.
Otomachi Una Halloween Designs (Black Cat, Vampire, Skeleton): Annnd we have our first zeros! Anyways, all of these are awful. Moving on. 0/10
Otomachi Una Halloween (Pumpkin): Kinda cute. Looks like a jester lol. 5/10.
Otomachi Una Halloween (Jiangshi(?): i have some slightly mixed feelings here ???/10
Otomachi Una Halloween (Grim Reaper): Love the colors. 10/10.
Otomachi Una Halloween (Clown): Could've been in FNAF: Sister Location. 8/10.
Otomachi Una Raincoat: This sparks joy. 10/10.
Otomachi Una Summer Clothes: This however is not sparking joy at all. 3/10 poor child.
Otomachi Una Marine: Looks like a character from a Studio Ghibli film. 10/10.
Otomachi Una China: Pretty cute, and definitely would be great for a Chinese voicebank. 9/10.
Otomachi Una 2nd Anniversary: ...ew. 2/10 it's only downhill from here.
Otomachi Una 3rd Anniversary: I really don't like that shade of yellow. 4/10.
Otomachi Una 4th Anniversary: Cute. The hair looks like candy though lol. 8/10.
Otomachi Una 5th Anniversary: Oh good god that dress is uglier than I thought. 1/10.
Otomachi Una Winter, Christmas and New Years: Well atleast we end on a good note. These are cute! 10/10.
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Oh Thx a lot,I hope I didn't misunderstand,these i'ts that Fill in my personal information?
Tag (9) people you’d like to know better
Tagged by: @forginglace
Last song: One on One--Wildson/Astyn Turr
Currently watching:A Guilty Conscience,A Hong Kong movie
Currently Reading: Lobo v2 (Alan Grant is so funny,I can't stop laughing)
Current Obsession: DC comics?I had read some Marvel Comic about Daken dark Avengers, he was so hot in this series,but currently he is boring. And recently i had resigned, quite leisurely ,so I had falled in love with watching redrawing youtube of Saitou Naoki.
Tagging: @hell-o-cosmo and anyone else who wants to do it
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