#sandrinepelletier

[pollydaysays]

Thank you for last night #détournementmajeur #sandrinepelletier

[sandrinepelletier]

Another great photo by the sweet Danae X

[betweenmirrors]

FLASHDANCE by #SandrinePelletier (@sandrine_pelletier | 2009, Fabric, Latex, Acrylic) #BetweenMirrors

[ss--visual]

To all my ladies in the place with style and grace... The SSPACE° March playlist is here! #linkinbio Vibes from: @ojerime @flightofthebumblebee @rosielowemusic @bibibourelly @darkwavedduchess @emmavie @gracesamba @colourmeyellow @jamilahbarry @elhae @theinternetmusic @kaytranada @kelelam @official_tink [ #SandrinePelletier Flashdance, 2009] #music #art #women #soundcloud #sspace

[a-day-in-the-life-of-johnny-blog]

Recorded in Cairo by Samy Sayed & Sherif Adel from Scarab & Cherif El-Masri from The Invisible Hands. Art direction & production by Sandrine Pelletier & Olivier Ducret. 9 x one sided vinyl in wooden box, numbered and signed, each records approximately 11”. Manual midnight full moon overnight pressing with special overheated compound (amber effect) 2013. Inquires: ufo@sandrinepelletier.com

[sandrinepelletier]

Who Fears The Others, 2017 Mirrors (250 x 100 cm)

Sandrine Pelletier´s work is rooted in material: its language, possibilities and limits. Who Fears The Other is a sculpture made of mirrors of varying sizes that have been treated with acid. Here, mirrors serve as both base material and medium. The work’s title comes from a poem printed in Two Rows by the Sea, a tract published by the Bible Society of Egypt (a Coptic Christian group) following the circulation of an internet video showing the execution of 21 Egyptian Christians by ISIS in Libya on 12 February 2015. The idea of image is thus central. ISIS has created an internet iconography that consecrates its barbarous acts in order to recruit new members. In a reflection of our century, the group does not lurk in the shadows but communicates openly on social media. With her permanently disfigured mirrors, Pelletier questions not only the viewer’s relationship to self but to society. Who fears the other, knowing that the latter is a product of the former? Group exhibition Miroir Miroir @mudac Lausanne http://mudac.ch/expositions/miroir-miroir/ 31.05 – 01.10.2017

[whatrosiedid-blog]

WHATROSIEDID.

                 I’m Rosie, I’m eighteen, I've just moved from a small town to the city of Leicester to study Textiles Design. I have had a strong interest in creative arts from a young age and it is in my small hometown that my passion for design grew.  

I find inspiration for design in a number of places including journeys I have been on. Whether it’s the ‘once in a lifetime’ summer in far East Asia or just the daily stroll through the local market I have been inspired by the places and people I have come across. Literature, poetry, film, photography, music, lyrics, nature, the environment, architecture, history and second-hand shops have all contributed in inspiring me.

Here is some of my most recent print work; this project was inspired by the theme 'midnight garden'.

This is my favorite design from the collection, it has a textured background with an overlayed metallic cog print, rose motif in opaque through the center and decorative collar on a cosmic style ground with a foil clock hand motif.

Close up of cosmic foil collar. Dress from 'Midnight garden' print collection

Top from 'Midnight garden' print collection using foils and flocks on interesting grounds.

Top from 'Midnight garden' print collection using metalics, opaques and puff on interesting grounds

Top from 'Midnight garden' print collection displaying a number of 'time' related motifs on interesting grounds.

I believe it is important to research up and coming designers, (we are the future!) as well as digging through archives of more historical treasures. One of my favourite textiles artists is Sandrine Pelletier, a young designer who describes her work as "Arts & Craft show business on acid trip". I have found her work inspirational in a number of ways; I like the way that most of her pieces often have interesting stories behind their muse, sometimes conveying quite dark messages, but are always beautiful on the eye. Here are just a few images of the work I find most interesting. (I found it extremely difficult to narrow the selection down!)

Photographs. 1. ROSIE DOUGHERTY (2012) Passport style photo [Photograph] In: I took. 

2. ROSIE DOUGHERTY (2012) Photo of my recent print work top [Photograph] In: I took.

3. ROSIE DOUGHERTY (2012) Photo of my recent print work collar [Photograph] In: I took.

4. ROSIE DOUGHERTY (2012) Photo of my recent print work dress  [Photograph] In: I took.

5. ROSIE DOUGHERTY (2012) Photo of my recent print work top[Photograph] In: I took.

6. ROSIE DOUGHERTY (2012) Photo of my recent print work top [Photograph] In: I took.2. Rosie Dougherty (2012) Photo of my recent print work [Photograph] In: I took.

7. SANDRINE PELLETIER (2008) Mixed media picture including embroidery and applique [fabric] In: Viction:workshop Ltd (2008). Illustration play, Third edition. Viction:workshop Ltd.

8. SANDRINE PELLETIER (2008) Mixed media lace mask including embroidery [fabric/lace] In: Viction:workshop Ltd (2008). Illustration play, Third edition. Viction:workshop Ltd.

9. SANDRINE PELLETIER (2008) Mixed media embroidery and applique picture [fabric] In: Viction:workshop Ltd (2008). Illustration play, Third edition. Viction:workshop Ltd.

10 .SANDRINE PELLETIER (2008) Mixed media embroidery and applique picture [fabric/lace] In: Viction:workshop Ltd (2008). Illustration play, Third edition. Viction:workshop Ltd.

Books  VICTION:WORKSHOP LTD (2008) Illustration play, Craving the extraordinary. 3rd Edition. Hong Kong: Viction:workshop Ltd.

[960802]

via, Sandrine Pelletier

[carolinevitelli]

#re @sandrine_pelletier #folie #luter opening 22tg June at l'église #saintfrancois #lausanne #sandrinepelletier #unstable #luter #carolinevitelli (à Église Saint-François)

[sandrinepelletier]

Epilogue (Black Eden) Salon Alice Bailly - Opéra de Lausanne Pôle muséal Lausanne Branch, artificial flowers, ink, lianas Approx. 700 x 450 cm

“Du coup j'ai pris les plantes exotiques (vivantes..) en pitié , évidemment ... Elles paraissent ne pas être vraiment à leur place, comme un pied de nez aux inconscients comme moi amoureux du cliché de la nature bienfaitrice et féconde comme le sein d'une mère, plein de sève... Cette forêt fourmiséchante, qui lance ses longues vrilles craquottantes au pied au spectateur, c'est vraiment chez Sandrine Pelletier. Les débris calcinés d'une hutte de sorcière, les feuilles se vidant de leur essence... Un vagabondage impossible et nauséabond.... Tout cela ne m'encourage qu'à te presser encore à lire Narcisse et Goldmund...

par Erwan Frotin