i recognize that simon and edwin meeting and parting in hell is narratively very good and provides closure for all. but imagine if simon had agreed to try and escape with edwin. and charles doesn't have time to really question it, because anybody who likes edwin is aces in his book and it's hell, they need to leave. (edwin, out of courtesy to their third companion, puts his plan to confess on hold until they've escaped.)
suddenly the edwin harem of "supernatural boys who all hate each other but are attracted to that negative rizz" gains another member, and at some point edwin is going to have to mention that simon was the boy who sacrificed him to hell.
the chaos. crystal's bitchy commentary. charles going from friendly smiling to clutching his cricket bat. niko's whispering "200k slow burn schoolboy rivals to lovers" with heart eyes. it'd be chef's kiss good. edwin fleeing to his books and praying that nobody, but especially not the cat king, finds him because there has been SO MUCH emotion already. hysterical.
New video of David being interviewed on press day ahead of the BAFTAs while wearing a pink and green fuzzy sweater, the nonbinary rainbow pin, and pink platform Doc Martens and I am dying...
Time Travel Question : Murder and Disappearance Edition I
Given that Judge Crater, Roanoke, and the Dyatlov Pass Incident are credibly solved, though not 100% provable, I'm leaving them out in favor of things ,ore mysterious. I almost left out Amelia Earhart, but the evidence there is sketchier.
Some people were a little confused. Edward V and Richard of Shrewsbury are the Princes in the Tower.
On this date, September 9, in 1543, Mary Stuart, at nine months old, was crowned "Queen of Scots" in the central Scottish town of Stirling, and would remain queen until her forced abdication in 1567. A tragic figure, Mary would ultimately be executed in 1587 as a threat to the reign of her regal cousin, Queen Elizabeth I. Mary's courage at her execution helped establish her popular image as the heroic victim in a dramatic tragedy.
To commemorate the occasion of Mary's infant coronation, we present plates from John Skelton’s 1893 work Mary Stuart, Skelton’s third work on Mary, Queen of Scots, all advocating for a sympathetic view of Mary as a heroic victim. Mary Stuart was printed and published in an edition of 200 copies for Europe (with an additional 100 “with a duplicate series of plates … for America”) by Boussod, Valadon & Co. in Asnières-sur-Sein, a township in Île-de-France just north-west of Paris.
View another post from this volume with more information about the book.