#semidocumentary
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‘Touch Me Not’ Review: Our Bodies Examined
“I’ve never told you what this is about,” Adina Pintilie says at the beginning of “Touch Me Not.” The target of the confession is vague; it’s possible to imagine that her words are addressed to a lover, a friend, a parent or the viewer, who will be further challenged to interpret what follows.
Propelled by intuition, emotion and philosophical inquiry rather than by plot, Pintilie’s debut feature is a semidocumentary essay exploring what it means — how it feels, why it matters — to dwell inside a body. Same Day Payday Loans You could say that what the film is about lies just beyond the reach of images or words. It’s a necessarily cerebral meditation on the nature of physicality.
The director’s initial verbal reticence contrasts with both the eloquence of some of her characters and subjects and the explicitness of the images she captures. MarketWatch: Stock Market News - Financial News - MarketWatch Nakedness and intimacy — the first almost too easy to achieve, the second almost impossibly difficult — are the basic themes of “Touch Me Not.” A handful of people from different countries, some professional actors, some sex workers, talk about their desires, anxieties and inhibitions in ways that are sometimes painfully open and often highly abstract.
The result is a curiously intense, weirdly tranquil experience, at times hard to watch and then hard to shake. Our attention shifts among several characters, two of whom might be called the protagonists: Laura (Laura Benson), a middle-aged woman who seems to struggle with loneliness and erotic alienation; and Tómas (Tómas Lemarquis), a younger man whose malaise may have something to do with the alopecia that has rendered his body hairless. Separately, Laura and Tómas show up at a hospital, where Laura visits a dying man (possibly her father) and Tómas participates in a discussion group for people with disabilities.
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Ben Rivers ‘Slow Action’ 2010
Rivers uses a collage of different film aesthetics to give of an overall impression of the place. His shots of the barren landscape pose the environment as almost alien and the lack of detail means parts of this landscape are hidden and gives a sense of ambiguity.
Using a wide camera angle allows for the audience to be more immersed if sat in a cinema environment watching this.
The New York Times on ‘Slow Action’
A few of his early shorts take place in eerie abandoned houses, in some cases scale models he built himself. “Slow Action,” from 2010, pairs semidocumentary footage of remote and nearby locales (a Polynesian island; his birthplace of Somerset, England) with a deadpan voice-over that imagines them as mysterious civilizations of the future. “Sack Barrow” (2011) lingers on the layers of history visible on the stained surfaces of a metal-plating factory on the verge of closing.
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'"We all have to put on to make it through the day," Fosse said a year before his death. "One time I was going to do a film, a semidocumentary, about how everyone has to put on a show, how everybody wakes up and says, 'It's showtime!'"' #Fosse #SamWasson #PerformanceOfTheSelf
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Review: A Provocateur’s Recounting in ‘The Show About the Show’
Ian Bagley's New Blog Post
Caveh Zahedi, the film’s director and star, recounts the misadventures experienced while producing an initially sexually explicit semidocumentary series.
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Review: A Provocateur’s Recounting in ‘The Show About the Show’ by GLENN KENNY
By GLENN KENNY
Caveh Zahedi, the film’s director and star, recounts the misadventures experienced while producing an initially sexually explicit semidocumentary series.
Published: March 15, 2017 at 08:00PM
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"Q:A:"_gay themed student film from Jakub Vítek on Vimeo.
Semidocumentary film essay on "living-together syndroma" and "loaded questions phenomena" in relationships. I made this short film/meditation as a result of the "Audiovisual seminar" during my fourth year of study on Janacek's Academy of Music and Performing Arts in Brno, Czech Republic.
-feel free to comment
"Q: A:"
Director, camera, editing: Jakub Vítek
Dramaturgy: Hana Slavíková
2008
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Lost Children of Difficult Times (2012)
A semidocumentary about the children of the political prisoners separated from their families after the 1980 military coup.
Raw and minimal.
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