#series while saying that) sonic means a lot to me and he’s such a multifaceted character i’d love to see how ppl react to his secrecy

[lesbiansonamy]

yknow what’s better than having good omens hyperfixation? mixing sonic to the mix bc im OBSESSED to analyzing how characters of various franchises reacting to the little guy (a multifaceted little hedgehog who’s faced god(s), alternate dimensions of his own self, and an enjoyer of ancient literature in his free time)

and since no one else is making that content, i’ll be doing it myself. so without further ado, i hope u enjoy !!!

sonic and good omens crossover

i feel when they meet, despite being immortal beings that have experienced more than the human mind could ever comprehend, aziraphale and crowley react to an anthropomorphic talking blue hedgehog that’s suddenly falling into their world like any other human beings: they are TERRIFIED

well. terrified as one can be at 15 year old pubescent teenage hedgehog. because after their initial fear, they’re just. Fucking confused at him and his existence; how does a creature come to be in this world? they’d ask their respective sides if they didn’t want to deal with the mess that comes with it

sonic claims that he's “used to being isekaied” (“whatever that means,”crowley mumbles) and he’ll be “fine on his own” (“fine my arse!”) but aziraphale INSISTS that the lad has a roof under his bed because anthropomorphic hedgehog or not, he is NOT letting a teenager be homeless

sonic initially thinks aziraphale is kinda overbearing and crowley is way too overprotective bc like. He’s fine! hes dealt with situations more extreme than being transported to another world (my man (gender neutral) literally DIED & was tortured for 6 months straight in a war) yet hes getting help here; it almost feels like hes being looked down on and he does NOT appreciate it

he doesn’t reject their help but he’s not the most receptive either. whenever aziraphale tries to have tea breaks, he’s “away” (out on a run) or asleep (coincidentally the same time it’s tea time)

it’s only when aziraphale catches him browsing his books and jovially gives him a few book recommendations of his own (because bookworms never have just One Rec) that he lets the two in. it’s when he starts to genuinely like the two

one fact that goes untalked about is that sonic is an AVID reader. like. my hedgehog canonically has read WAR AND PEACE in the wreck it ralph 2 movie. so getting his own personal recommendation from aziraphale means a lot. he can not only have new literature but better understand aziraphale as a being—not angel or demon, but just being. book recs can say a lot about a person after all

eventually accumulates to aziraphale bonds and sonic bonding over books. aziraphale loves giving him recommendations—but ironically, has to slow down for him bc my speedy boy (gender neutral) is what i hc as a slow reader (opposite of a bookworm).

in essence, aziraphale adjusts his reading speed accordingly so sonic can keep up with him, much like sonic does for his friends (tails). something something parallels <3 they have tea and biscuits when they’re done with a book and discuss it together. aziraphale loooves talking about the deep meanings of things, while sonic enjoys listening to him. he also listens to aziraphale talk about book bindings and smile, simply bc it reminds him of his home (wherever his friends are: tails)

crowley sees all this bonding and is secretly like 🥺🥺 bc it’s not often u see aziraphale so. Doting in regards to his special interest (books, especially book collections) so he gets sonic more books for him to read. or in aziraphale’s case, keep in his bookstore. sonic isn’t much of a hoarder so he’s like. “you can sell them when i’m done” but both are too attached to the symbolism

[fyexo]

200529 K-Pop Superstar Baekhyun On His Sweet Solo Single "Candy" & Delightful Second Mini Album

A soft humming is heard on the other side of the line while the call stabilizes — of course one of South Korea’s most prominent vocalists would be singing. Baekhyun, who debuted in 2012 as a member of the chart-topping boy group EXO, has just released his second solo album, Delight, and his excitement is palpable through the phone.

Just minutes before this call, he was interacting with fans on a live stream through the app VLive. There, he answered a series of questions while waiting for the album to drop at 6 pm on May 25 (KST). Nicknamed “Genius Idol” for his array of talents, Baekhyun has tried a little bit of everything throughout his career: acting, fashion design (he’s the co-creative director of the brand Privé by BBH), gaming, vlogging, duets, the EXO subunit EXO-CBX, and leading the supergroup SuperM — who was the first Korean act to top the Billboard 200 albums chart with a debut release.

His solo career officially started last year with the release of City Lights. The album sold more than half a million copies and became the best-selling physical album of 2019 by a solo artist in Korea. Delight follows the same footsteps: it amassed 732,297 stock pre-orders, sold over six hundred thousand copies on the first day according to Hanteo (a company that shares real-time sales data in South Korea), and topped the iTunes Album Charts in 68 countries so far.  

Sonically, Delight is a breezy, RnB-infused experience that showcases Baekhyun’s prismatic artistry. “I worked really hard on this album, and I was really happy working on it as well,” he tells the Recording Academy. Like “Candy”, the title track, each song has a different flavor. Deep cut “R U Ridin’” has a honey-dripping bassline, for example, while the bright “Poppin’” feels like chewing on sour candies, and the intense “Ghost” lingers with a coffee caramel aftertaste.

To deepen the discussion around his new album, The Recording Academy caught up with Baekhyun and talked about his inspirations, the development of his multifaceted persona, and, of course, his favorite candy.

This interview was edited for clarity, and an interpreter translated all answers from Baekhyun.

How are you feeling lately?

I’ve been really happy. There’s been a lot of excitement and expectation personally around the Delight release, so I’ve been relishing in all of that these days.

What were your inspirations for this album?

I wanted to try the RnB genre more, so that’s what I focused on for this album. In terms of the title itself, within EXO my superpower is “light,” so I wanted to emphasize that as much as possible.

[Writer’s note: EXO debuted under a concept where each member has a superpower, and that appears throughout their branding.]

Just the way the word “delight” sounds is pleasurable. What are some of life's delights to you?

Right now, the top ones would be being on stage and performing. Another thing is that I’ve been taking vocal lessons on the side, and that has been a source of delight to me as well.

What's your favorite song in this album? Are there any lyrics you would like people to pay attention to?

I have to pick the title track, “Candy.” If you listen to the lyrics, there is a part where I list candy flavors and ask “what more do you want?” I think it truly expresses confidence and boldness, that I can become whatever you like, just tell me and I’ll do it. That’s the part I want everyone to pay special attention to.

This ability to become whatever is needed at the moment also shows up in the contrasting sweet and sensuous styles you explore in the album. Can you talk more about that?

As you mentioned, that’s exactly what I was trying to do with the concept of “Candy” and of Delight in general. I wanted to showcase a variety of different sides that I have to myself. In the past, fans would always say that they like both my sweet side and the more sensual, performative side, so I wanted to capture both and present them in a bigger package.

Comparing Delight to your first solo album, City Lights, what are the main differences between them?

With City Lights, because it was my first solo album, I wanted to focus more on the vocals and showcase what I felt like I could present the best. If you listen to it, it’s definitely more vocal-focused. In Delight, I wanted to take a step further and show a different side to fans. I wanted to incorporate more performance, which means a lot of choreography and thinking about the visuals on stage. I also tried to make this album a little brighter and fresher than City Lights, so visually and performance-wise it’s different.

When I think of Baekhyun, the word that comes to mind is "balance". You have an impressive talent to blend light and dark, highs and lows, laughter and tears in your performances. Are you aware of this fluency in yourself?

Since I was younger, I always heard that I’m pretty honest with my emotions. People see the bright and happy sides of me, but they see the other sides as well. Because my personality is one that is honest about how I feel, I want to showcase my true self to people. I think that’s why people say that about me as well, of showing the balance between many sides of things. That’s what I want to do because it’s who I am, and also what I want to showcase as an artist.

You have been an idol for almost a decade. What has been your biggest lesson so far?

Going back to my previous answer, I realized that if you’re honest with yourself and you’re truthful in the way you act, talk, and interact with everyone, then people will know. People will know that you’re being genuine, and over the years I learned to be honest with how I feel when I connect with my fans. As time passes, I think they have been able to recognize that and connect with me on a more genuine level too. That’s the biggest thing I learned.

And what is the achievement you're most proud of?

My debut with EXO. Even though my training period was short when compared to other members, just to be able to work together, come together as a group, and debut together, it’s definitely my proudest achievement to date. And that’s what launched me to be where I am right now.

You were always known for your powerful singing, but during all these years you have developed yourself and are currently recognized as a multi-talented artist and skillful dancer as well. Can you tell us more about that process?

My vocals have always been my main strength, so it’s something I continuously work on and want to improve on. In terms of dancing, I have a friend named Kasper who is a dancer/choreographer, and he teaches me all the trendy dances, gives me advice on how I should do this or that, so that’s a practical way that I have improved my skills. In general, because I have a lot of energy, I felt like just my vocals weren’t enough for the amount of energy that I can showcase, so I always wanted to channel that through dancing, which is a different outlet.

Did Kasper create the choreography for “Candy”? And did you have any input on it?

Yes. Because we’re friends, when he would show me the choreography, I would say “what about we do it this way?” and then we bounced ideas off each other, especially when it came to the formations of the dance overall.

In the current world situation, it's hard to expect things or make plans for this year, but what is one thing you are looking forward to in 2020?

It’s hard to make plans for the rest of the year, but I’m hoping that things get better so I can finally meet my fans in person. That’s the one thing I’m looking forward to the most. Because of the current situation, we had to shift things to digital, but I’m also excited to meet my fans via different platforms as well.

Have the members of EXO listened to your album? What was their reaction?

When they listened, they said that it matches the seasons right now, as we’re going into summer. All of them commented on how it was a new style for me as a solo artist, like showing another side of Baekhyun, another vibe. They also noticed that I put a lot of effort into it, they’re really supportive.

If you could describe yourself as a candy flavor, what would that be?

Strawberry. Because its flavor encapsulates both sweet and sour, and that’s precisely what I want to do — show different sides. With this concept in Delight, you can see a more relaxed, confident side, but you can also see a very sweet and doting side of my character.

To sum it all up, what is your favorite candy flavor?

Green grape! In Korea they sell bags of green grape hard candy, those are my favorites.

Source: Tássia Assis @ GRAMMYs

[dailyexo]

[NEWS] Baekhyun - 200530 Grammy: “K-Pop Superstar Baekhyun On His Sweet Solo Single "Candy" & Delightful Second Mini Album”

"The multi-talented artist from EXO and SuperM talks about the inspirations and goals behind 'Delight': "I wanted to showcase a variety of different sides that I have to myself"

A soft humming is heard on the other side of the line while the call stabilizes — of course one of South Korea’s most prominent vocalists would be singing. Baekhyun, who debuted in 2012 as a member of the chart-topping boy group EXO, has just released his second solo album, Delight, and his excitement is palpable through the phone.

Just minutes before this call, he was interacting with fans on a live stream through the app VLive. There, he answered a series of questions while waiting for the album to drop at 6 pm on May 25 (KST). Nicknamed “Genius Idol” for his array of talents, Baekhyun has tried a little bit of everything throughout his career: acting, fashion design (he’s the co-creative director of the brand Privé by BBH), gaming, vlogging, duets, the EXO subunit EXO-CBX, and leading the supergroup SuperM — who was the first Korean act to top the Billboard 200 albums chart with a debut release.

His solo career officially started last year with the release of City Lights. The album sold more than half a million copies and became the best-selling physical album of 2019 by a solo artist in Korea. Delight follows the same footsteps: it amassed 732,297 stock pre-orders, sold over six hundred thousand copies on the first day according to Hanteo (a company that shares real-time sales data in South Korea), and topped the iTunes Album Charts in 68 countries so far.

Sonically, Delight is a breezy, RnB-infused experience that showcases Baekhyun’s prismatic artistry. “I worked really hard on this album, and I was really happy working on it as well,” he tells the Recording Academy. Like “Candy”, the title track, each song has a different flavor. Deep cut “R U Ridin’” has a honey-dripping bassline, for example, while the bright “Poppin’” feels like chewing on sour candies, and the intense “Ghost” lingers with a coffee caramel aftertaste.

To deepen the discussion around his new album, The Recording Academy caught up with Baekhyun and talked about his inspirations, the development of his multifaceted persona, and, of course, his favorite candy.

This interview was edited for clarity, and an interpreter translated all answers from Baekhyun.

How are you feeling lately?

I’ve been really happy. There’s been a lot of excitement and expectation personally around the Delight release, so I’ve been relishing in all of that these days.

What were your inspirations for this album?

I wanted to try the RnB genre more, so that’s what I focused on for this album. In terms of the title itself, within EXO my superpower is “light,” so I wanted to emphasize that as much as possible.

[Writer’s note: EXO debuted under a concept where each member has a superpower, and that appears throughout their branding.]

Just the way the word “delight” sounds is pleasurable. What are some of life's delights to you?

Right now, the top ones would be being on stage and performing. Another thing is that I’ve been taking vocal lessons on the side, and that has been a source of delight to me as well.

What's your favorite song in this album? Are there any lyrics you would like people to pay attention to?

I have to pick the title track, “Candy.” If you listen to the lyrics, there is a part where I list candy flavors and ask “what more do you want?” I think it truly expresses confidence and boldness, that I can become whatever you like, just tell me and I’ll do it. That’s the part I want everyone to pay special attention to.

This ability to become whatever is needed at the moment also shows up in the contrasting sweet and sensuous styles you explore in the album. Can you talk more about that?

As you mentioned, that’s exactly what I was trying to do with the concept of “Candy” and of Delight in general. I wanted to showcase a variety of different sides that I have to myself. In the past, fans would always say that they like both my sweet side and the more sensual, performative side, so I wanted to capture both and present them in a bigger package.

Comparing Delight to your first solo album, City Lights, what are the main differences between them?

With City Lights, because it was my first solo album, I wanted to focus more on the vocals and showcase what I felt like I could present the best. If you listen to it, it’s definitely more vocal-focused. In Delight, I wanted to take a step further and show a different side to fans. I wanted to incorporate more performance, which means a lot of choreography and thinking about the visuals on stage. I also tried to make this album a little brighter and fresher than City Lights, so visually and performance-wise it’s different.

When I think of Baekhyun, the word that comes to mind is "balance". You have an impressive talent to blend light and dark, highs and lows, laughter and tears in your performances. Are you aware of this fluency in yourself?

Since I was younger, I always heard that I’m pretty honest with my emotions. People see the bright and happy sides of me, but they see the other sides as well. Because my personality is one that is honest about how I feel, I want to showcase my true self to people. I think that’s why people say that about me as well, of showing the balance between many sides of things. That’s what I want to do because it’s who I am, and also what I want to showcase as an artist.

You have been an idol for almost a decade. What has been your biggest lesson so far?

Going back to my previous answer, I realized that if you’re honest with yourself and you’re truthful in the way you act, talk, and interact with everyone, then people will know. People will know that you’re being genuine, and over the years I learned to be honest with how I feel when I connect with my fans. As time passes, I think they have been able to recognize that and connect with me on a more genuine level too. That’s the biggest thing I learned.

And what is the achievement you're most proud of?

My debut with EXO. Even though my training period was short when compared to other members, just to be able to work together, come together as a group, and debut together, it’s definitely my proudest achievement to date. And that’s what launched me to be where I am right now.

You were always known for your powerful singing, but during all these years you have developed yourself and are currently recognized as a multi-talented artist and skillful dancer as well. Can you tell us more about that process?

My vocals have always been my main strength, so it’s something I continuously work on and want to improve on. In terms of dancing, I have a friend named Kasper who is a dancer/choreographer, and he teaches me all the trendy dances, gives me advice on how I should do this or that, so that’s a practical way that I have improved my skills. In general, because I have a lot of energy, I felt like just my vocals weren’t enough for the amount of energy that I can showcase, so I always wanted to channel that through dancing, which is a different outlet.

Did Kasper create the choreography for “Candy”? And did you have any input on it?

Yes. Because we’re friends, when he would show me the choreography, I would say “what about we do it this way?” and then we bounced ideas off each other, especially when it came to the formations of the dance overall.

In the current world situation, it's hard to expect things or make plans for this year, but what is one thing you are looking forward to in 2020?

It’s hard to make plans for the rest of the year, but I’m hoping that things get better so I can finally meet my fans in person. That’s the one thing I’m looking forward to the most. Because of the current situation, we had to shift things to digital, but I’m also excited to meet my fans via different platforms as well.

Have the members of EXO listened to your album? What was their reaction?

When they listened, they said that it matches the seasons right now, as we’re going into summer. All of them commented on how it was a new style for me as a solo artist, like showing another side of Baekhyun, another vibe. They also noticed that I put a lot of effort into it, they’re really supportive.

If you could describe yourself as a candy flavor, what would that be?

Strawberry. Because its flavor encapsulates both sweet and sour, and that’s precisely what I want to do — show different sides. With this concept in Delight, you can see a more relaxed, confident side, but you can also see a very sweet and doting side of my character.

To sum it all up, what is your favorite candy flavor?

Green grape! In Korea they sell bags of green grape hard candy, those are my favorites."

Credit: Grammy.

[blindrapture]

The Structure of Ulysses, plus Sonic, Part I

Ulysses is a big book. And I intend on adapting all of it at some point into a series I call Sonic Hamlet, where everyone is played by video game characters. I’m not going to explain why video game characters just yet, you’ve got to just accept them for now.

So far, I have not made much progress with the actual adaptation (I have the first third of the first episode done and on YouTube, click here for it). However, I have made progress in rereading and understanding Ulysses, I’ve made far more progress than I honestly thought I was capable of. And I think I might be ready to at least outline some things. I believe strongly that Ulysses will be of interest to many people alive today, and I do not accept language as a valid barrier to comprehension, only a temporary obstacle. But the onus is on those of us who have read Ulysses, we have to be the ones to clear those obstacles away, we cannot just expect people to read it, we have to help because those obstacles are very much there! Ulysses was hard to read even at its time, but there’s a difference between an intentional challenge and the changing of parlance over time. And the intentional challenge? Is wonderful. It in fact helps us embrace life, the big and the little things in it, the complicated cycles that overwhelm, the fast-paced sarcastic comedy of young people, the slow-paced enigmatic wit of those so ancient they perished long ago, the clash of cultures suggesting inevitable conflict and yet still hiding pathways to real diverse peace.

As an adaptation, my work is a sort of translation, this has to be. I don’t want to change any of the words, though-- Ulysses has a structure to it, a mathematical and logical and literary structure, and the specific words are a part of that. Translations into other languages, those naturally must deal with changing the words, but they try their best to still stick within the plan of the original’s intent. The only language I’m translating into is the extratextual-- I’m adding images, sounds, pauses for reflection. I’m realizing an interpretation of the original text, in the hopes that my audience might have a better foothold for comfortably examining and interpreting Ulysses themselves. The original words can still fit in that context. But character names? Sure. I can accept changing those.

So. So. Sonic Hamlet. As Ulysses is a book, so Sonic Hamlet is a show. As Ulysses is of three main parts with various Episodes in each, so Sonic Hamlet is of three seasons with various Episodes. Following me?

Part I, my Season 1, has three episodes. It is sometimes called the Telemachiad, as it deals with the Telemachus of the story, Stephen Dedalus (hereby Sonic Dedalus), as he goes through the motions of an increasingly despondent life without a trustworthy guide.

Part II, my Season 2, has twelve episodes. It is sometimes called the Odyssey, or the Wanderings of Ulysses, as it deals with the Odysseus of the story, Leopold Bloom (hereby Mario Bloom), as he navigates the slings and arrows of outrageous fortune in hopes of returning home victorious.

Part III, my Season 3, has three episodes. It is sometimes called the Nostos, or the Homecoming, as it deals our Odysseus’s bold return and the stratagems which fell the suitors of his wife, Marion “Molly” Bloom (hereby Peach Bloom).

I will, for now, compose three posts, one for each Season. I will not point out all the coolest shit, all the patterns and correspondences, but I will give a general outline as best I can. Maybe this outline, alone, will give all the help a reader needs to “get” the premise of Ulysses and thus be able to read the original. But ultimately I write this not for any reader but for my own benefit. I need to organize and consolidate some things, see. And I’d may as well start somewhere.

So. Here we go.

Part I / Season 1: The Telemachiad (8 AM - Noon)

Episode 1 / 101: Telemachus

Sonic Dedalus is 22 years old. His mother died last year, putting a damper on his aspirations of travelling other countries and becoming a poet. Now he’s contributing rent money to a buddy’s cultural project (”let’s rent out an old watchtower and turn Ireland into Ancient Greece,” that’s about as thought-out as the plan became). His buddy, Big Mulligan, doesn’t seem to have much respect for Sonic, just an incessantly jovial tolerance. Staying with them is Shadow Haines, an Englishman with a gun who wants to write a book of all the quirky folk-sayings of the primitive rural Irish. Big thinks Sonic could contribute a lot to that. Everyone seems to like Big and Shadow; their conspicuous and confident personalities shine above the material worries of the Dublin lower-class. The lady who delivers milk for their breakfast that morning (played by Tikal) listens to Shadow with reverence and doesn’t even seem to notice Sonic, who pays for the breakfast and sees Ireland’s spirit in her. That morning, Big gets Sonic to promise him a sizable chunk of Sonic’s salary will go towards getting them all drunk later. He also gets the key to the tower from him, for some reason. And he gets naked and goes for a swim, as Sonic walks off to do his day’s work.

Episode 2 / 102: Nestor

Sonic works as a temporary teacher at a nearby school. Today, he teaches his class about the historical battle at Asculum, where Pyrrhus gave his famous quote (”another victory like that, and we’re done for”). They’re not terribly interested, since today’s hockey day and they want to play outside, but that’s okay, Sonic’s mind isn’t really focused today either. He’s got some themes battling in his head, and they won’t go away. Though they don’t stop him from at least giving the kids a strange riddle and helping a poor kid with his math homework. And the kids all play hockey. This episode takes its name from an old boastful king, whose advice keeps young Telemachus going (waiting for his father’s return from the war), but also whose company is a bit much in long bursts. Here, Nestor is played by the headmaster of the school (whose video game character I have not assigned), Mr. Deasy. Deasy is a West Briton, the type of Irishman who thinks he’s English and thinks Ireland is just the westernmost province of England. So, probably a Protestant. I really don’t remember right this minute. But in practice, it means Deasy talks down on a lot of people all while thinking he’s being a nice old man. He has money, he keeps his money, he says this is a very English thing to do, and he judges all those who can’t pay their way. He loves history, sees it as one steady march towards the real manifestation of God, and he thinks Sonic unhappy for his view that history is “a nightmare from which I am trying to wake.” But he at least pays him, his salary and some decency. And, knowing Sonic has some “literary contacts,” he gives him a letter to deliver to the newspapers, a letter proposing a solution to foot-and-mouth disease (this will come up later). And as Sonic leaves the school for the day, Deasy hails him down to say one last thing: a jovial bit of earnest antisemitism. “You know why Ireland is one of the only countries that never persecuted the jews?” “Why?” “She never let them in!” And he laughs, the light of the sun dancing coins on his shoulders.

Episode 3 / 103: Proteus

It is now 11 AM. Sonic, after leaving the school, walked all the way to Dublin proper. Here he is on the Strand, a sort of beach, having some alone time, thinking of many things, many memories (his short stay in Paris as a poet, his interactions with the family of uncle Richie who lives nearby to the Strand, his childhood), many subjects (Greek philosophy, Latin theology, aspirations, self-loathing), the sights he sees (midwives with bags, someone walking a dog, lots of flotsam). Ultimately, there’s a trend of trying to pin down the unpinnable, to put into words the ineluctable modality of the visible, the limits of the diaphane; this clues us into the Odyssean correspondence. Proteus is god of the sea, ever changing shapeshifter, who it is said will grant a wish to anyone who is able to hold him still for long enough. Just as Telemachus, in now understanding some context about his father, waits by the sea and wonders how he-- how anyone-- could successfully return with their wits intact when the gods are so multifaceted and the waters so unpredictable, just as Telemachus watches the sea, so does Sonic watch the morphing world of his senses.

And that’s Part I of Ulysses, and that’s Season 1 of Sonic Hamlet. We will see Sonic again later in the day, we’ll actually see quite a bit of him, but this is the point of departure for the text itself. This whole time, the text has taken Sonic’s psyche, the energy and passion and associations dormant in his thoughts, and infused it with a more novel-like narration of What Actually Happens, altogether producing The Text what readers read. It’s happened relatively slowly, with sparks of surprising creativity manifesting in each episode, the “narrative” doing “weird” “things” “all of a sudden,” and Proteus acts as a sort of climax, allowing Sonic’s psyche the whole spotlight and putting What Actually Happens in the background. I’ve said before that the text “wakes up” over the course of these early episodes, but I now think what really happens is the text holds back in order to allow the reader to wake up, to recognize that the text, the narrative itself, is the narrator, that not even focal characters like Sonic are the source of the viewpoint we see, that.. there’s something more going on. A greater Argument being made. But it will take time to even see the whole argument. And here let me bring up medieval pedagogy regarding the art of syllogism: it has been conventional to view the initial order of cognitive thought as “Subject, Middle, Predicate” (as opposed to any other order of those terms which are all, in fact, valid). This is a big factor behind why we’re taught to view stories as constituting a “beginning, middle, end,” and why we’re taught to give arguments (essays!) in the same structure. It’s all because that’s how Christian theology saw the Greek tool of syllogism should be taught, back in the middle ages. With me so far? Okay, cool. So Ulysses is made up of three main parts. There’s a lot of reasons why given episodes are strictly in one part and not others, but perhaps one of the most aesthetically pleasing bits of trivia is that Part I begins with the letter S, Part II begins with the letter M, and Part III begins with the letter P. Subject, Middle, Predicate. A valid structure for a formal argument. Season 1 of Sonic Hamlet, in following Ulysses as far as I feasibly am able to, gives us the thematic subject of a greater argument being made. And that makes Season 2, or Part II, the bulk of the argument, the middle.

So what goes on, then, in the middle of this grand argument? If Sonic isn’t the point, then who is? If Sonic is Telemachus, then who is Odysseus, the wise father-king-husband-hero coming home from the great war? We can interpret the sea of his voyage as probably being his shifting senses, as per Proteus, so then what are the trials on his sea, the trials on his senses? Who are the gods that he faces, what are the stratagems he comes up with in order to appease and survive?

Well, Joyce was adamant of this: The modern Odysseus in Ireland would have to be of Jewish descent. He would have to be a staunch pacifist. He would have to have a marriage in a questionable state of stability. He would have to be a stick in the mud, a party pooper with an adorably dry sense of humour and a physically average build, a serious and unrelenting cuck, and yet a man with sensible ideas of how to spend money generously and pipe dreams of a socialist nation where love and equality triumph. He would not stand in opposition to the modern bigoted uncaring society, his friends and neighbours, but he would be tasked with changing it all the same.

The modern Odysseus is Leopold Bloom. The modern Odysseus is the prototypical social justice warrior.

And that’s who the bulk of Ulysses is about, that’s the psyche we’ll get to explore, that’s what I’ll post about later on.