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vapehk1 · 5 months
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FRESOR at Vaper Expo UK 2024: Discover the Next Wave of Vaping Technology
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Unveiling Innovation: Join FRESOR at Vaper Expo UK 2024 Are you ready to witness the future of vaping technology? FRESOR extends a warm invitation to vaping enthusiasts, industry experts, and curious newcomers to explore groundbreaking innovations at Vaper Expo UK 2024. As Europe's premier vaping event, this expo sets the stage for significant industry advancements and provides a vibrant platform for networking and discovery. Here’s everything you need to know about this can't-miss event and what FRESOR has in store for attendees. Event Details - Dates: May 10th - May 12th, 2024 - Location: The National Exhibition Centre, B40 1NT, United Kingdom - Organizer: 4ward Events LTD - Booth Number: C90 Groundbreaking Launch by FRESOR Prepare to be amazed as FRESOR unveils its latest technological marvel: the FRESOR Flat NANO MESH. This innovative breakthrough promises to redefine the vaping experience with enhanced features that aim to set new industry standards. FRESOR’s booth will serve as a pivotal hub for experiencing this technology firsthand and exploring how it can elevate the vaping landscape. The launch of FRESOR Flat NANO MESH not only signifies a monumental step forward for the company but also marks the beginning of a new era in the vaping industry. With potential to dominate the European market, FRESOR’s new product is set to create a buzz and put competitors on notice. Attendees will get the first glimpse of this technology and the exclusive opportunity to see its impact on the market. https://youtu.be/Qd0aiO17yvc About Vaper Expo UK 2024 Vaper Expo UK is the largest and most professional event of its kind in the UK and across Europe. Known for its expansive scale and professional execution, the expo attracts a myriad of participants from across the industry, including retailers, manufacturers, wholesalers, and distributors. This year, the event returns with even more features and opportunities for participants: - Networking Opportunities: Connect with key industry players and forge valuable relationships that could transform your business and personal growth within the vaping community. - Latest Innovations: Explore the latest products and innovations from leading and upcoming brands in the industry. Discover what's next in vaping technology and market trends. - Interactive Activities: The expo is designed to enhance the visitor experience with interactive activities, ensuring engagement and valuable feedback from attendees. Features such as dedicated stages for disabled persons and immersive experiences highlight the inclusive and forward-thinking approach of the event. - Entertainment: Enjoy top-notch entertainment that makes the expo not just a trade show, but a fun and memorable experience for all attendees. Why You Should Attend Whether you are a seasoned vaper, a retail giant, or a newcomer to the scene, Vaper Expo UK 2024 offers something for everyone. It is more than just an exhibition; it is a vibrant festival that celebrates innovation, community, and the future of vaping. Don’t miss the chance to be part of this transformative event where you can: - Experience firsthand the latest advancements in vaping technology. - Meet and collaborate with the movers and shakers of the vaping world. - Expand your knowledge and understanding of where the industry is headed. Join us at Booth C90 to experience the unveiling of FRESOR’s revolutionary technology and discover how it is set to change the vaping industry. See you at The National Exhibition Centre this May for an unforgettable encounter with the future of vaping! Mark your calendars for May 10-12, 2024, and prepare to be part of an industry milestone at Vaper Expo UK 2024. Read the full article
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austinkerlon · 2 years
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Bridge baron 23 update
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New tournaments, including 2012 Cavendish (cross-IMPs) and 2013 Butler Open Selection (Butler IMPs)Ģ4 new challenging problem deals designed by Kit Woolsey for a total of 410 challengesĪn all-new, easy-to-use Windows graphical user interfaceĪll 53 octillion (that's 53 billion billion billion) bridge deals as possible random deals in Bridge Baron. Par Contract View Improved bidding, declarer play & defense Info Tab - The Info tabs located on the right, replaces most of the actions from the Main Menu actions in BB23.Īuction Interpretation Feature - Auction Interpretation will give you the tools you need to make the right bidding decisions. Menu - Major changes to our new settings feature include - settings can be updated at any time, no limitations settings is a single window with 6 Tabs that lets you manage all game settings. Improved the bidding, declarer play, and defense. Kit Woolsey, multiple world champion and author of several bridge books, designed the new deals. Kit Woolsey, multiple world champion and author of several bridge books, designed the new deals.įeatures that are still in the newest version:įor your opening 1NT bid, you now have not only the choice of a three-point range, such as 12-14, 15-17, or 16-18, but also the option of a four-point range, such as 11-14 or 15-18.Īdded new Bridge Tournaments for FREE, such as the 2013 Cavendish (with cross-IMPs scoring) and the 2014 NSWBA ANC Butler Open Selection (with Butler IMPs scoring).Ģ4 new challenging problem deals for a total of 434 Challenges. Added 24 new challenging problem deals for a total of 482 Challenges. TO USE ONLINE PLAY: Must have Windows XP (SP3) or later.Īdded six new Bridge Tournaments for free: the 2015 Cavendish (with cross-IMPs scoring), the 2016 NSWBA ANC Butler Open Selection (with Butler IMPs scoring), the Winter 2016 Blue Hen Sectional, the Winter 2015 Dave Treadwell Sectional, the Fall 2016 Diamond State Sectional, and the Spring 2016 Wilmington Sectional. XP SP3, Vista, 7, 8, 10 You will need 300MB hard disk and 32MB of RAM, screen resolution of 800圆00
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christinealtomare · 5 years
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From Peter Garza’s Instagram story (Nov. 25, 2019).
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beyondthegoblincity · 2 years
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Anastasia Second National Tour Thoughts (May 2022 Detroit performance)
I saw the Anastasia 2NT when it came to Detroit in early May. Here are my longwinded thoughts on my experience, including changes made for the tour, thoughts on the lead Anya and Dmitry, and whatever else comes to mind. Please note I am very blunt about what I like/don’t like, if you really don’t want to hear those things, this is not the post for you.
The Overall Production
So, biggest thing first: the show I saw was missing an entire ensemble member. During Dance of the Romanovs, only two sisters came out, and for a moment I wondered if the 2NT actually cut down the sisters but I double checked the playbill and all three (plus Anastasia, so 4 total) were listed. Throughout the show, it was obvious that a woman ensemble member was missing.
There was always a man without a partner, at one point the man without a partner was essentially tossed in with a different pairing, making the choreography triple. There were only two little swans during Swan Lake. Etc.
The show had to cancel its' first two Detroit shows due to COVID cases, and I believe three ensemble members made their debut on 5/6's evening show. Presumably the cast is stretched thin, and uh, it was definitely something to see the show like this.  Was it obvious to people who hadn't ever seen the show? I don't think so. No one I saw it with mentioned anything. But if you were watching like I was, or you specifically knew the show was supposed to have 3 swans, all of OTMA, etc, then you might have noticed the details.
The Second National tour has made changes to the staging. This includes reducing the overall complexity (what complexity there was) of the Broadway and 1NT tour staging.
Staging differences + Actor Breakdowns below the Keep Reading!
Some differences between the 2NT and old 1NT:
No train set piece.
Instead, there is a projection of the outline of the old bare-bones train car, and the cast line up their suitcases between the train car projection and sit in rows. The train car projection rotates to "side view" during the song, and the cast moves so that they are spaced out while Dmitry, Anya and Vlad do their bits. Vlad had more room to walk around and be silly here, which was nice and I did like that you could pay more attention to the trio while they were singing.
But the train projection looked a lot lower quality compared to the other projections in the show and it was not very wide, so that unless you were sitting center, it looked rather silly. If they are using a projection, why bother with that "skeleton" car? The point of the skeleton car in the original production was so you could see the actors inside it. If you're using a projection, make it wider and just make it an actual train interior at that point. What are you doing, what are your choices, Anastasia 2NT?
No turntable.
Actors just danced around Anya and Dmitry in the end. I don’t’ know if the stage had any automation, actors moved various set pieces on/off. But I can’t really remember what was/wasn’t automated on Broadway or the 1NT, aside from having the turntable.
-That center back panel, the one used for the windows in Close the Door (where little Anastasia pops in and out) and for the Romanov execution effect in The Neva Flows Reprise, was gone.
Instead there was a digital screen with digital windows/projections in its place. One square of the digital projections in the back kept blinking to black during Dance of the Romanovs; it wasn't even an entire panel, so it was just like this random chunk of the scene kept flickering. Thankfully that was the only time the projections were messed up.
 Little Anastasia did not come out during Close the Door and there’s nothing in front of the Romanovs during the NF Reprise.
I do not know if this is normal, or if because of the cast shuffling that she didn't come out for some reason. If anyone has seen the 2NT and can confirm if she doesn't come out normally, that'd be great. The Romanovs were there for the background scene in The Neva Flows Reprise, but they were just... there, behind Anya and Gleb. Would have been a good time to put down a mesh screen or something to give them the "otherworldly" effect that you get from seeing them from behind the panels.
Little things missing on stage.
No throne for Anya to hide behind, only one sofa for the Dowager Empress in Close the Door. Key props are still there (the ugly doll, God, the ugly doll!) but the set feels less textured. Though it really wasn't all that textured to begin with, but, removing things like this makes it feel more bare during certain scenes.
Thoughts on the Actors
Before I continue, let me preface with my very blunt opinion about Lila Coogan's Anastasia, since I saw her live during the first national tour: Her acting was bad. I did not like it, at all. She barely reacted to other actors on stage, instead keeping herself closed off and in her own world, like she was waiting for their mouths to stop moving so she could say her lines. Whenever she was on stage, I dreaded her scenes with other characters. Overall, because Anya is obviously a massive part of the show, I left the first national tour feeling less than enthused.
 Kyla Stone as Anastasia
Kyla Stone is proof at how much having a competent actor can absolutely change how you experience a show. While I do have misgivings about the overall production, none of them are related to Kyla Stone and her performance. Unlike with Lila Coogan, I never dreaded a moment with her on stage--except frustration at Brendon Delgado's lackluster performance in their scenes together, more on that later. She and Sam McLellan as Dmitry developed believable chemistry, and it was so refreshing and so much more fun to see the show with a good Anya.
Now, I'm not wild about some of her choices--Anya in The Neva Flows Reprise just sobbing and running away for most of the song never does it for me, though unlike Lila, at least I felt like Stone's Anya was actually upset here rather than mimicking emotion.
 Sam McLellan as Dmitry
Sam McLellan as Dmitry comes as close as one can to cracking the unlikable coconut that is stage!Dmitry. It was almost disconcerting, and I don't know how to explain that. It was like most of the stage!Dmitry's flaws, which still exist in the writing, were smoothed over by his performance.
It's different from my views on Stephen Brower's Dmitry--which was "he made this unlikable character work, and he made Dmitry fascinating, and I will forever think about his expressions during In a Crowd of Thousands which almost seemed like he regretted telling Anya his story because he found it gross that she was taking his personal memory and using it."
Instead, it's like... Dmitry just clicked. I didn't find myself rolling my eyes at him being an asshole to Anya, because his performance (and Stone's chemistry with him) didn't make him feel like such an asshole. The line "This is the first time you've paid me a compliment" from Anya didn't make me think "YES, AND THAT'S A PROBLEM." Instead it felt like she said it in jest, because McLellan's Dmitry does not have the dickish inherent nature of other stage Dmitry's.
He felt looser, a bit guarded, but not serious when he's bantering with Anya. It felt more fun. Looking back, I never once thought to myself: "Dmitry is a dick and this show made him an unlikable ass" like I typically do in other productions. Instead he just... worked. It wasn't until the scene between him and the Dowager Empress that I remembered my misgivings about the writing in full, and even then, McLellan's Dmitry was so much more charming and earnest (even though the writing shouldn't let him come across this way) that the Dmitry + Empress scene didn't make me want to wring the script out as much as it normally does.
Added Anya and Dmitry Interactions
I think a lot of this shift in how Dmitry is perceived is because the second national tour's apparent added stage directions for Anya/Dmitry, which I *think* are new stage directions and not just personal choices on part of the actors. There were lots of added micro-interactions that made it way more obvious that these two characters had chemistry, from as early as Learn to Do It. Longer gazes, not unpleasant looks between them, more laughter, jests. Anya elbowing Dmitry when he teases her, but laughing herself.
There is added scene on the train where Anya stumbles and Dmitry catches her. When Anya and Dmitry dance during "Learn to Do It," they had a moment where they looked at each other with fascination and kindness. Anya stepping on his toes was accidental the first time, on purpose the second--but Stone makes it silly and funny, and McLellan's Dmitry was more exasperated than pissed.
For the first time since I've seen any version of this show, bootleg and otherwise, Vlad's line "I never should have let them dance" actually made sense. Because their chemistry and growing feelings started in that song, and not just "Dmitry is a dick for 95% of the show, er, wait I guess he loves Anya now."
I may be wrong in my assumption that these are new directions for all the actors, if anyone has seen the other actors in these roles and got a totally different vibe more akin to what we've seen before, I'd love to know.
Brandon Delgado as Gleb
Brandon Delgado is... uh. There as Gleb, and I say this as a massive fan of the character and all the hidden potential within. He just didn't seem to care at all, didn't connect despite all the energy Kyla was giving him on stage, and he kept doing odd gestures with his eyes--closing them repeatedly, rolling them up--that were genuinely off putting.
He let no dialogue breathe, and the woman next to me actually let out a laughing scoff in her throat during The Neva Flows Reprise when he suddenly rammed his gun onto Kyla's lower shoulder, then dropped down WAY too fast, within a second, without letting the moment breathe at all.
Instead of a sense that Gleb changed his mind, it was a sense of chaotic directionless mania. Gleb just... rushed at her, then oop, never mind.
His voice was solid, lovely, but his diction was not great, muddled with again, no sense of wanting any scenes to breathe. I did like his initial interaction with Anya, but it seemed like once he got singing The Neva Flows, his character just took off on a balloon and floated away from everyone else. 
So many reviews single out Delgado as providing a great performance, so I don’t know if I saw him on a really off day or what. But he just didn’t do it for me.
Bryan Seastrom as Vlad
Bryan Seastrom was good as Vlad. I thought he had a very interesting reading of "He's a dead man on both counts" at the train station, it was a lot more serious than other Vlads that I've seen and it gave the scene a lot more initial weight. It also led nicer into the beginning of Stay I Pray You, because the audience was not flipping right from "one-liner" to "sad song about leaving your homeland from a character destined to die."
I didn’t care for the way that he took the “Vlad looking at the Romanov portrait and seemingly recognizing that Anya has Romanov characteristics” and made it more of a joke. He looked at the photo, seemed to study it, then got Dmitry’s attention and mouthed something like “THIS IS THE ONE” and made an “ok/we got it” symbol with his fingers. I don’t remember that happening on the 1NT when I saw it, but maybe it’s been part of the staging with other actors and I just didn’t know.
Personally I prefer the more serious, photo-to-heart reaction that I saw on the 1NT. But I am also a person who laments the removal of Gleb’s “your eyes, a man could look right into them… be careful comrade, they’ll give you away!” line, so there’s that.
Elizabeth Ritacco as Lily
Elizabeth Ritacco (swing) was on for Lily. She was fun, fine, much more youthful in appearance than other Lilys I've seen and it gave her a different vibe. She and Seastrom played off very well with one another, which is a must. I feel bad for not having more to say. She was fine, snappy, had a commanding, lounging aristocrat presence.
 Christian McQueen as Ipolitov
His performance was so good that I have to mention it here. I do recommend checking out the 2nt Stay I Pray You audio to hear his version, because wow. It was just so different. The show basically seems to have given him carte blanche to do his own thing, and it has really stuck with me ever since I saw it. It was so aching and raw in a different way than the traditional way actors perform the song. I don't know if Ipolitov did this on Broadway or the 1NT because I can't remember, but he stayed until the end of the song, giving Anya a farewell blessing. Stone's Anya crossed herself after receiving it.
Overall Thoughts
The show’s writing still has major issues. Major, serious “I can and have ranted for hours about them” issues.
However, seeing the show with competent Anya and Dmitry actors who seem to understand these issues and smooth them over by creating great chemistry out of acting choices within a highly flawed script made SUCH a difference to a serious degree. By contrast, the odd choices made by Delgado during this performance and his seeming lack of “give-a-fuck” during the show I saw made Gleb’s scenes boring, pointless, and unfortunately since that climactic scene at the end rests on having a compelling Gleb, it just sort of… happened.
But I will say this, overall:
I left the first national tour critically thinking about all the show’s structural and narrative problems, and mentally affirming that the show is poorly written.
I left the second national tour wishing I was able to catch the show again before the tour left. My niece, as we were pulling out of the lot, sighed and lamented: “I wish we were still inside watching the show.” And with this particular cast, I can’t say I disagreed.
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kristinstoked · 6 years
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MY TIME HAS COME Ok, so Be More Chill is great (and has George Salazar!!), also Heathers, Hamilton, Dear Evan Hansen, A Very Potter Musical, The Book of Mormon, and of course Les Mis. Bonus- I haven’t listened to all of Mean Girls yet but what I’ve heard is great
That’s a lot of musicals yay! And also I know BMC has George Salazar and that might be the only reason to get me compelled to listen to it but other than that…. not my style. But if you like it, that’s great!
So I see here a bunch of the Great Tumblr Musicals (which doesn’t mean they’re bad; they’re great for a reason!).
You might want to check out one of my actual faves (saw this one in NYC; only reason I flew to NYC in April 2018 if I’m honest): Anastasia! Based on the cartoon of the same name from 1997 (which was based on the actual mistery), Anastasia tells the story of a young woman, suffering from amnesia and without any clue of whos she, this woman becomes part of a con where she’s going to pretend to be the Grand Duchess Anastasia Romanov, who was supposedly shot during the Russian Revolution but rumour now has it she’s still alive, and her grandmother has a reward out for whoever finds her. A beautiful story with one of the most beautiful sets I have ever seen, this musical will take you from Russia to Paris, led by beautiful orchestrations and fantastic song. The cast album features no one other than Christy Altomare (Spring Awakening 1NT, Mamma Mia and Carrie), Derek Klena (Carrie, Wicked, Dogfight) and Ramin Karimloo (Chess, Les Mis in like 1000 different versions)
I also see you have a taste for Benj Pasek and Justin Paul, judging by your DEH mention. May I recommend you another great one of theirs, definitely underrated and in my opinion better than Dear Evan Hansen and The Greatest Showman combined: Dogfight. Featuring Derek Klena and Lindsay Mendez (who also played Elphaba and Fiyero together on Broadway), Dogfight follows a group of marines on their last few nights in the USA, before they embark on a journey to Vietnam (because this story takes place during the Vietnam war). The marines come up with a little game: a “dogfight”, where they take the ugliest girl they can find to a dance, and the marine with the ugliest date wins the pot. Horrible, right? Eddie (Derek Klena) finds Rose (Lindsay Mendez) but… things don’t go as planned. With its beautiful score this musical is sure to break your heart when you least expect it. 
And a final one that I like to give a little shout out to is Newsies, still one of the most popular musicals today Newsies recounts story of the Newsboys Strike from 1899, led by Jack Kelly. Though the score is pretty damn good, what really strikes me about this musical is the choreography; a mix of classical ballet, tap and idek what else this musical is danced through by actual gods. And good news: there’s a proshot! it was on Netflix but they took it down the other day but I’m sure you can find it online.
Send me a musical and I’ll tell you what to listen to!
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bridgeshopaustralia · 4 years
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Bridge is Arguably the Greatest Card Game Ever – But it is Tricky
Further on from the guru Eddie Kantor’s 4 Basic Phases of Bridge, I came across his crib notes that my partner and I used to get us up and running in this most difficult, yet addictive card game.
Bridge – the Card Game: Some Winning Tips
As any bridge player will know, bidding is considered the most important aspect to master in the game. A good bridge playing bidder is a winning bridge player.
·         Count – before opening take stock. Add your high card points (HCP): Ace = 4, King = 3, Queen = 2, Jack = 1. Holding 12 or more HCP, you should open the bidding.
·         To open 1♥ or 1♠, you must have at least five cards in the suit.
·         If you have two five-card suits, open in the higher-ranking suit first, i.e. spades before hearts. The suits rank from spades to hearts to diamonds and then clubs.
·         If you have two four-card suits, one a major (spades or hearts), one a minor (diamonds or clubs), you should open in the minor. If you have two four-card minors, open 1♦.
·         With a balanced hand, i.e. no voids, singletons, or two doubletons, open 1NT with 15 - 17 HCP.
·         If your partner opens, holding less than 6 HCP pass. With 6 or more HCP, bid your longest suit at the one level, if possible. Responding at the two-level in a new suit requires 10-11 or more HCP. Replying 1NT indicates 6 to 10 HCP. This tells your partner you don’t have a four-card major when she opens 1♣ or 1♦.
·         To support your partner’s first bid major suit you need three or more cards in that suit; to support any second bid suit, you need four or more cards in that suit.
·         In bidding, the primary objective is to find an eight-card or longer major suit fit in the partnership.
Playing duplicate bridge at home – Bridge stationery and equipment that you will need.
This is a fun way of playing the game of bridge. To do so you need basically:
·         You need at least 8 players (2 tables). If you want more players it is preferable to do so in multiples of 4.
·         Card/bridge tables - you can use any table which accommodates 4 people, but it is nicest to use a standard card table.
·         Bridge cloths - preferably plain coloured.
·         Duplicate boards – at least one for each table.
·         One pack of playing cards for each duplicate board
·         Score sheets or travellers – one for each board.
·         Movement cards - to direct players to their next table position after each round.
A "movement" in the game of duplicate bridge is a direction of circulating the pairs and boards around so that for every round each pair meets up with an opposing pair to play the next set of boards that neither has played. There are various types of movements, but these two – The Howell Movement and Individual are common and will show you how to set up the movement.  It is essential to have these movement cards so that players know where to go and what boards to next play. You can get them at a bridge supply shop.   https://www.bridgeshop.com.au/club-supplies/movements.html
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ariafsar2 · 6 years
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facts only: julia and raven were the best set of schuyler sister u/s and s/b there will ever be, case closed the 1nt was and still is blessed
tbh hadn’t considered this but might be true. 
haven’t heard enough of philip tour to confirm over that one but as of what I know yeah angelica OG had the best. 
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francescajohnson · 7 years
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if you had to cast bridges (like a 2nt or international tour or west end) who would be in it? you can't use anyone from the obc / 1nt !
aanon, i really appreciate the ask (like you have no idea how much) but if i can’t cast kelli it’s not going to happen. like there are lots of loves of mine who might be able to hit the notes and all, and a few who might even be able to embody francesca pretty well (i’m thinking judy kuhn, audra mcdonald [actually audra would be lovely now that i think about it], and maybe even betsy wolfe or laura benanti when they’re a little older? but honest to god if there is ever a revival or anything and kelli o’hara is not set to play francesca (she WANTS TO DO IT, people, LET HER DO IT PLEASE) then i will personally fly over there and produce my own production with kelli in it (i mean i have no money, but you get my drift).kind of same goes with the roberts?! weirdly?! and you know getting into the show, i didn’t give a fuck about who played him, i was just in it for kelli, but like boy did pasquale change me? he really gave a selfless and truly astonishing performance and i have yet to hear anyone that can smash that a like he can (like what’s the point if you have a robert that can’t do that?) but again, some other people that come close but, you know, are santino when he’s older perhaps, raul esparza, leslie odom jr., or steve kazee? i mean there are a lot of actors’ voices i love but could they pull off the role as well (jeremy jordan when he’s older)? i’m not sure. 
for chiara/marian, whitney was phenomal, not going to lie. like another life was so spectacularly joni like but in such a beautiful way, it really is one of my favourite moments of the show. i heard benanti do he forgave me and got really obsessed with it so she’d be a great chiara i know for sure. she doesn’t have to act much while not singing though! i could hear laura osnes singing another life a little? again, tough pick.
for michael, pick someone who looks the age he’s supposed to (and if it’s someone who can make me care about his character, bonus points)
for carolyn, caitlin was really great too, just someone who plays the role as if they truly love their mother and wish they knew more about her because they find her fascinating and are upset they’ve had to put up with their dad this long
for bud, again, hunter was great because he was empathetic a little, but also didn’t make me second guess francesca wanting to gtfo of there with all her heart. like he’s well intentioned and does things exactly as he thinks they should be done because that’s all he knows. does he think to ask francesca anything about herself? her hopes? her dreams? no, because he has everything he ever hoped for and thinks she does too. so yeah, no one is coming to mind, but someone like hunter would be good, maybe danny burstein?
christine ebersole or joanna gleason could be a good marge? or sherie rene scott when she’s older? i can’t think of anyone for charlie, michael was tops. 
sorry i’m so bad at this, i just want the original cast to revive it and play it forever because that’s the only way i’ll be truly happy. 
please fill my inbox with asks
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christinealtomare · 5 years
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From Peter Garza’s Instagram story (Nov. 25, 2019).
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the-urban-alchemist · 5 years
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visibly high… • setting up for the nus event @necbirmingham with @edinburghgin 🐻🥃 • #wanderlust (at National Exhibition Centre (NEC) Birmingham, B40 1NT) https://www.instagram.com/p/Bzcj92MFUwi/?igshid=1cdbpo11ofpb8
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oliverhuschke · 5 years
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Enterprise Portfolio and Project Management in...
Watch the video and get a quick overview of our 2002 highlights on EPPM from @CorinaReise. SAP #S4HANA #Cloud @SAPCloudERP
Enterprise Portfolio and Project Management in...
This blog provides you with the latest and greatest innovations that our SAP S/4HANA Cloud 2002 release has in store for you in the area of Enterprise Portfolio and Project Management. As in our last update in 1911, we’re releasing innovations for Project Financial Control (1NT) which is one of our foundation processes and also applicable to R&D Project Management (35E) and Capital Investment Project Management (35F). As a project manager you probably set up projects on a daily basis. As this can be a very time-consuming task, we have developed a feature which improves the usability.
SAP Get Social
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piyushskumar · 5 years
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Enterprise Portfolio and Project Management in...
Watch the video and get a quick overview of our 2002 highlights on EPPM from @CorinaReise. SAP #S4HANA #Cloud @SAPCloudERP
Enterprise Portfolio and Project Management in...
This blog provides you with the latest and greatest innovations that our SAP S/4HANA Cloud 2002 release has in store for you in the area of Enterprise Portfolio and Project Management. As in our last update in 1911, we’re releasing innovations for Project Financial Control (1NT) which is one of our foundation processes and also applicable to R&D Project Management (35E) and Capital Investment Project Management (35F). As a project manager you probably set up projects on a daily basis. As this can be a very time-consuming task, we have developed a feature which improves the usability.
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dj-insane-offical · 5 years
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WARP2ONE Hardcore Radio DJ INSANE live set on a #throwbackthursday visit YouTube for full set https://www.youtube.com/watch?v=1Nt-sp5QUQU #mastersofhardcore #hardcoreradio #hardcorefamily #hardcorearmy #hardcorealliance #hardcoreforlife #uptempohardcore (bij Poortugaal) https://www.instagram.com/p/ByYYEyDgR7r/?igshid=auetmqzfn1pr
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sleeperbus-blog1 · 6 years
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The stall is set out. Thanks to LFI for the mini leaflets and toy promo sheep 🐑 #groupleisureandtravelshow #necbirmingham #sleeperbus #travelbyknight (at National Exhibition Centre (NEC) Birmingham, B40 1NT) https://www.instagram.com/p/BowlVrGgfdZ/?utm_source=ig_tumblr_share&igshid=1w8b7eykz3b79
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ccdesignermaker · 7 years
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Bulk of stand set up ready for tomorrow! Stand 6S10 @springautumnfair 🖤 www.charlotteclarkdesignermaker.co.uk #forever6s10 #springfair #nec #necbirmingham #birmingham #designerhomeware #designer #charlotteclarkdesignermaker (at National Exhibition Centre (NEC) Birmingham, B40 1NT)
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How to Write a Reflective Essay Correctly?
What Is a Reflection Essay?\n\nA materialisation try out is the shell of taste, when a scholarly person is mandatory to tell his soulal reflection to certain(p) issue, event, or serial publication of issues/events. However, it is non that easy as it may seem, so a lot students ask custom paper companies to assist them on how to save a thoughtful render properly.\n\nMain Comp 1nts of a brooding Essay\n\nDue to its temperament, both reflection bear witness take to have 3 components in its content: fit out of features, thoughts and feelings.\n\n1. Features\nThe set of features forms a interpretation of what is macrocosm reviewed by the bring outr. Obviously, the reflection is about connected to something, what caused it. The definition involve to be clear and detailed. A pensive essay is not of the kind, when you need to indite vividly and dynamically. You should do the opposite: exempt slowly and in details in order to pull in a picture in mind of your reader.\n\n2. Thoughts\nAn analytic nature of a reflective essay is represented by the thoughts of its writer. make up if the subject is the same (the description will be slightly much similar), the thoughts of every person will be contrary on it. A student is required to include his thoughts on the issue or on the events happening.\n\n3. Feelings\nFeelings make up an activated aspect of a reflective essay. Surely, some actions cause emotions and if you argon writing a reflective essay, you should not hide your feelings. The description of your feelings makes your reflective essay re chicful and extra-ordinary. The feelings also create a certain intimacy and concentration between you and your reader. This contri alonees to a right impression from the essay.\n\nThe ready of piece\n\nMost of the reflective essays stack with the certain plot. If you argon writing about events, you should keep a certain order. Here are the 3 mai n models to structure the information of your reflective essay.\n\n1. chronological Order\nYou rotter approach from the beginning. Although it is a common appearance of writing, it is still effective enough. chronological order of facts and actions makes the essay less(prenominal) impressive, but it helps to avoid either logical confusions.\n\n2. Reverse Order\nDepending on what you will write your reflective essay about, you can also use the verso model of writing. This means that you emerge from the present events and go to the departed ones. This helps to create an intrigue to certain extend and make a reader make suppositions.\n\n3. The Flashbacks\nThis is an one(prenominal) way of writing of a reflective essay. It requires well-developed writing skills, but if accomplished well it is the to the highest degree impressive and interesting. In fact, you egress with the most important meaning (from climax) and then with the help of flashbacks you define the situation together with reflections on it.\n\nImportant Things to Note\n\nIf you necessitate to know how to write a reflective essay, you should keep in mind the following:\n\nDo not avoid details. They are the most important things for the cooked reflective essay.\nDo not concentrate your attention on the plot. It is secondary, as your impressions and feelings are the main.\n taste to perform a fresh personal analysis, not the one taken from some sources traffic with your topic.\nHow to Write an A+ musing Essay?\n\nYou can shin and hope to get a high grade for your paper, or you can hire a professional writer with our service. He will help you with your essay assignment and teach how to write a reflective essay for future.If you want to get a full essay, order it on our website: Custom essay writing service. Free essay/order revisions. Essays of any complexity! Courseworks, term papers, research papers. 100% confidential!Homework live help. Custom Essay Order is available 24/7!
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