#shadowland magazine

[hauntedbystorytelling]

Harvest, interpreted by the Elise Dufour Dancers. Photo by Dickson. From : Shadowland, Nov. 1922

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[redhairclara]

Betty Ross Clarke photographed by Edward Thayer Monroe, 1922

From my collection

[lisamarie-vee]

[fromthedust]

Adolf M. Hopfmuller (German/American 1876-1971)

Adolf M. Hopfmuller - selected covers from SHADOWLAND magazine - 1919—1923

When publisher Eugene V. Brewster launched his third magazine SHADOWLAND in 1919, it was obvious this was something quite different. Billed as the “Handsomest Magazine in the World”, SHADOWLAND was most definitely an ARTS magazine, not just a movie fan magazine. Literary, theatrical, visual and fine arts, interior and set design, and yes, movies, and much more from the world of art, were all showcased inside SHADOWLAND. SHADOWLAND was retired in November 1923 and blended into the Brewster Publications sister magazine, Motion Picture Classic. A.M. Hopfmuller continued as the Art Director of Brewster Publications (Classic and Motion Picture Magazines) until he left the company in early 1926 at the age 51. Although he may have retired from Brewster Publications, A.M. Hopfmuller never retired from painting. He went on to work for another publishing mogul, William Randolph Hearst, on magazines such as Smart Set and McClures, and was named the Art Editor of Harper’s Bazaar in 1927. His creative interests and abilities weren’t limited to painting. Hopfmuller worked with wood, hand-carving picture frames, building rustic garden furniture, and carved bookcases.

“He enjoyed building models of sailing ships for his grandchildren to sail/race in a local park (we still have one). And he designed and maintained a beautiful garden on his property adjoining his house.” – Ruth Hamann (Hopfmuller’s grand-daughter-in-law)

more about his life:

www.50plusworld.com/shadowlands-art-deco-artist-a-m-hopfmuller/

[the1920sinpictures]

September, 1919 Cover art for the magazine “Shadowland”, featuring actress Molly King. From Mikki’s 1900-1919 History Resource, FB.

[thejazzera]

Loubovska 1922

From Shadowland Magazine.

[silverjetsystm]

What's up, gamers. Every so often, I get asked for MK comic recommendations. I'll include links to a couple of really good reading guides from the subreddit (that I had Zero hand in making) and toss my two cents below. Not that it'll buy you anything.

TL;DR: See reddit below, be sure to check out the Excel master list of appearances. Most of the quality runs has been printed in omnibus, Epic Collection, trade paperback, Marvel app. You know.

If those links don't work, go to the r/MoonKnight subreddit and check out the Reading Suggestions and Collected Editions in the menu.

Below the cut, I give a sort of non-spoiler walkthrough and talk about what's in print .

Cory's Reading List [Edited 2 April 2024]

I read everything on the below list. I have my opinions. If I tell you not to read something, it's because I don't like it. But I'm also some Jewish singlet/non DID/OSDD guy on the internet.

Here are some articles by a system who is a fan of the Moon Knight System.

Okay, finally, the list

Werewolf by Night (1975) #32 and #33. First appearance.

Marvel Spotlight #29

Hulk Magazine #13-15, #17-18, #20-21 (they're the backup stories, so if you're 'online' search and read by Hulk, scroll halfway through the issue)

Marvel Preview #21

Moon Knight (1980) #1-38 written mostly by Moench and drawn by Sienkiewicz. "But Cory, why are we reading all these old comics?" Because while different words are used now, the writers of the first run do really well at making Marc, Steven, and Jake a system. Iconic rogues are introduced. Marc's first backstory in #37 and #38 is the perfect backstory, imo.

Moon Knight: Fist of Khonshu (1985) fucking sucks but #6 is great. So, read #1 so you know what the plot is and #6.

West Coast Avengers (1985-1994) goes here. The first time Khonshu is more than just some weird statue. Also includes Tigra and Marc kissing. MK is in issues #21-41, which is collected in 3 different Epic Collections and at least one is out of print because someone in Marvel hates me specifically /jk. The Epic Collections are titled: Lost in Space-Time, Tales To Astonish (out of print), and Vision Quest.

Marc Spector: Moon Knight (1989-1994) is 60 issues and it gets borderline unreadable about halfway through. That being said, the first half has some great stuff. So honestly, read a few stories from it, get tired, and know he dies at the end. Then read

Resurrection Wars and High Strangers - two separate mini-series by Moench because they killed his boy. Walks back some of the MS: MK things to the 1980s days.

MK (2006) is 30 grimdark issues. The first 13 issues are usually all I can stomach. Marc gets injured, kills Bushman in an extremely violent way, and has substance use issues. He also is extremely violent, lashes out/pushes away his original cast. The run is hella ableist.

Vengeance of the Moon Knight (2009): The most Marc acting Jake Lockley in existence, coming back from a stint in Mexico at the end of MK 2006. Some retcons. It's. Fine.

Secret Avengers (2010) #19 is one of the only issues with decent MK. First sighting of Mr. Knight. Too bad it's by Ellis. The rest of Secret Avengers is ableist or he's not really there.

Shadowland: MK is an event tie-in. Does some retcons I like but also our favorite can't stay dead brother is back.

MK (2011) by Bendis. Don't read it. Steven and Jake are replaced by Cap, Wolverine, and Spider-Man. Why isn't addressed.

MK (2014): Marc's back from LA. Introducing Mr. Knight. As far as plot goes, it's mid. As far as cool art goes, it fucks. Do you like black and white suit? Marc punching ghosts? Bird skull Khonshu? Tell Shavley thanks. This run is mostly out of print on account that the first writer, Ellis, sexually coerced people.

MK (2016): Lemire and Smallwood. The dream team. It's set in the System's inner world. If you can only get one run in print, this is the one I recommend.

MK (2017): The Bemis run. Websites attach it to the Lemire run. It's not. Stop reading 2016 when issue #188 appears. It's shit.

Avengers (2018) #31-38. Age of Khonshu only is relevant for what Marc does now and his mental state.

MK (2021) wrapped at 30 issues in December 2023.❤️ MacKay gets it right the vast majority of the time. The art (inks and colors) are some of my favorite work around Sienkiewicz and Shavley. Like Lemire, MacKay ties in classic points with new directions.

Vengeance of the Moon Knight (2024) is the current ongoing from January 2024-???. Same creative team as Moon Knight (2021).

Print Options:

Omnibus is a heavy, oversized, hardback and contains a lot more issues. They also have some weird printing smell and texture. Epic Collections are standard sized, softback that has more issues than a Trade Paper Back (TPB). Make sure you read the back of the volumes so you don't buy repeats. Weigh pros and cons. What do you value/can afford? And the physical weight of the omnibus.

As of Spring 2024, there are currently 5 omnibuses with another on the way.

MK OMNIBUS: Volume 1 (1975-1980) - MK's first appearance, the backups from Hulk magazine, half of the 1980 run.

MK OMNIBUS: Volume 2 (1980-1985) - other half of 1980 run, MK: Fist of Khonshu

MS: MK OMNIBUS Volume 1 (1989-1994) - #1-34 (out of the 60 issues), some Spidey, some Castle.

MS: MK OMNIBUS Volume 2 (1989-1994) - #35-60 and both of Moench's mini-series (Resurrection Wars and High Strangers) and 3 issues of Black Panther. Do I recommend this omnibus? Not really. After the first story in this omni (and even it is stretching it), it really does fall off that cliff. But, I got it because I wanted it on my shelf. Moench and Black Panther stuff helps soften the sting.

MK by Huston, Benson, & Hurwitz OMNIBUS (2006-2010) - all 30 issues of 2006's run and Vengeance of MK, and Shadowland.

Additionally, MacKay's 2021-2023 run will be published as an omnibus in October 2024. I'm only surprised it's happening this soon and without Vengeance but...We'll see what happens in Vengeance eh?

There are currently 6 (going on 7) Epic Collections for the pre-ehhhh... 2006 stuff. Everything after 2006 and Vengeance 2009 is far more accessible in Trades (paper or hardback) or single-volume for certain runs.

MK Epic Collection: Bad Moon Rising - early adventures pre-1980 and the first 4 issues of 1980.

MK: Countdown to Dark: the Hulk backups and Marvel Preview #21.

MK Epic Collection: Shadows of the Moon - MK (1980) #5-23

MK Epic Collection: Final Rest - MK (1980) #24-38

MK Epic Collection: Butcher's Moon - tie-ins, solo issues, and MS: MK (1989) #1-7.

MK Epic Collection: Death Watch. Collects MS: MK #39-51, Divided we fall, and some other tie-ins. Yes, we do jump ahead from #7 to #39.

MK Epic Collection: The Trial of Marc Spector fills in some of Death Watch's gap with MS: MK #8-25 and that Punisher annual. It comes out in October 2024 as well.

For Lemire's run, there is a one volume softcover collection called Moon Knight by Lemire & Smallwood: The Complete Collection. This is the one you want.

Happy reading!!

[denimbex1986]

'******

Now in cinemas, 'All of Us Strangers' does not only have the hyped acting star Paul Mescal in common with last year's big indie film hit, 'Aftersun' . Both when it comes to themes and cinematic storytelling, the two dramas could form a fantastic, longing double bill .

'All of Us Strangers' is Andrew Haigh's sixth feature film - and it already stands as an undoubted masterpiece in his career.

With gems like 'Weekend', '45 Years' and 'Looking', the English film and series creator has already established himself as a formidable character director and screenwriter with an exemplary flair for natural and compelling dialogue scenes.

In his new film, Haigh, inspired by the Japanese Taichi Yamada's novel 'Shadowland' from 1987, adds a metaphysical layer to his narrative, which suits his emotionally authentic film universe immeasurably well.

Like 'Aftersun', 'All of Us Strangers' is about grief, complex childhood memories and a sense of distance from one's parents. Andrew Scott plays the middle-aged, single and lonely screenwriter Adam, who lives a life of stagnation. He looks back in time more than he looks forward.

One day a man about 20 years younger, Paul Mescal's Harry, knocks on the door. Harry lives in the same, half-empty block of flats in London and, with a fair blood alcohol level, makes sexual advances. After some hesitation on Adam's part, the two men begin to bond – first physically, then emotionally.

At the same time, Adam seeks out two more complex relationships: The relationship with his parents, who died abruptly in a car accident when he was just 12 years old. Adam thus takes the train ride back to his old childhood home and inexplicably meets his father and mother, played by Jamie Bell and Claire Foy. They are the same age as when they passed away, but this is not just about memories. Because Adam is the same age as he is today, and they talk about the things that are happening in his life right now.

Is he dreaming or is it really happening? In any case, it is not a question of nostalgia-tinged glossy images. The scenes with the parents are characterized by the joy of reunion, but also by conflict and pent-up regret, especially when it comes to Adam's sexuality.

"They say it's a lonely life," says his well-intentioned but awkward mother, when Adam can finally do what he never managed to do: jump out for her. "I'm sorry I didn't come in when I heard you cry", the father says later with wet eyes and a trembling voice.

If you approach 'All of Us Strangers' with skepticism, the metaphysical element might seem a bit silly. But once you have surrendered to the inventive narrative grip that dissolves time, but retains its inherent deprivation, the experience is alluring, touching and heartbreaking - especially if you yourself can from time to time be gripped by the fear of losing your loved ones and be left to themselves.

The feelings are perhaps so clear because 50-year-old Haigh draws threads to his own life and his upbringing as a gay man in the 80s, with all that entails of fear of HIV infection and stigmatization. To substantiate the personal touch, the director has even shot the scenes with the protagonist's parents in his own childhood home, he explained in an interview with Time Magazine.

At first the meetings with the parents feel liberating, but during the course of the story they develop into an emotional prison. The magic of love is hard to escape, and when Adam also tries to drag Harry into his ghost world, it suddenly appears very disturbing.

Just like the film's beautiful synth score, reality, dream and nightmare flow together in a riveting current. And finally, Andrew Haigh puts the crown on the work with a matchless, equal parts intimate and galactic ending.

In short: Englishman Andrew Haigh has created a masterpiece in his career with a sorrowful and alluring ghost story that is based on the director's own life.'

[crescentcampbell]

One

Alina Starkov

"Did you apply to this for me?" Alina held up the scholarship letter she'd gotten that afternoon. He was tall, with blue eyes, with a kind of affable charm that made everyone like him from girls, to grandmas, to crotchety uncles. The two of them had grown up at Ana Kuya's orphanage together, before eventually being shipped off to a boarding school thanks to some orphan's fund in Ravka.

They were graduating in a month. Mal had decided to enlist, even though Alina had begged and pleaded with him not to. He thought it was the only way he could get into college. Since then, he'd been bugging her about her future. Alina had no grand plans for herself beyond being able to own her own flat, and put food on the table.

It was hard to think of dreams when you were only trying to survive.

"Dear Miss Starkov,

We're pleased to inform you that you've been accepted to Royal Ravka University…" Mal paused, and let out a whoop before hugging her tightly. "Lina, that's amazing! No, I didn't. Maybe one of your teachers?"

Alina shook her head then took the letter back from him. "No, I haven't said anything about college to anyone. It's odd…it's something to do about studying mythology. Apparently, they saw my art portfolio and liked it."

Mal raised an eyebrow. "You're sketches of those old, Ravkaan myths? The sea whip and the firebird and what was the other one?"

"The Stag," Alina replied. "It's weird. It says I've got a full-ride scholarship to study them, and…it's from The Morozova Foundation. That's why I thought maybe you had something to do with it."

Mal stiffened. Mal had come to the orphanage when he was five, delivered by his mother. She had had the same brown hair and blue eyes as him. The same kind of good looks that made everyone fall in love instantly. Or, maybe she would have, once upon a time. But when Alina saw her bring Mal to the orphanage, she had been sickly, and had had a haunted look in her eyes.

Alina had remembered watching her in the hallway through the crack in the door of Ana Kuya's office. "…I can't escape his father as long as I've got him, and he won't escape being with his father…he's….he's powerful…" she had said.

"Can I ask…"

"I can't say. But…I was a secretary at The Morozova Foundation. I'm sure you've heard the stories."

Ana Kuya flinched. "Yes. I've heard the stories. Of course, we'll take him."

Mal's mother had kissed him on the head, then left the orphanage as if she thought she were being chased by creatures from the shadowlands the Ravkaan Saint of Death took people to. Since then, it had been Alina, and Mal. But there were noticeable differences.

Mal was allowed to go into the city for trips once a year. He had birthdays. His clothes were the finest of everything. Although whenever he got packages, for something like Winter Solstice, or he tossed them into the trash without a word. Alina knew, in her bones, it had something to do with the Morozova's.

They were a powerful family. She saw their pictures often online, or in the magazines at the check stand, or The Ravkaan Times. The resemblance was uncanny between Mal and the Morozova men. Particularly to the Morozova heir, Aleksander. The same sharp features. The same, charming smile.

But the blue eyes were his mothers. All of the Morozova men had eyes the color of grey smoke. The smoke that came with the shadow creatures that took you to your death. Alina remembered seeing them as a child. They'd come for her mother, and her father, and that was how she wound up at the orphanage. They'd lived on the border of Ravka, near the Shu Han. They'd both been stationed there, soldiers.

It had been an easy post. It meant they didn't have to move anywhere. But the shadow creatures…the Volcra…legend had it that was where the entrance to the Saints world was. That they guarded it. So, they were strongest there. Alina vowed she'd never see a Volcra again. They only came, after all, if you had blood on your hands. Any soldier would see them.

So, Alina would never be a soldier.

"You know I don't talk to my family," Mal said, "and I don't ask anything from them, either. Not after what they did to my mother…they left her to die."

"Okay. But I thought I needed to show you. I didn't feel comfortable just taking it, because I don't know why it's been given to me."

Mal sighed. "Honestly, if you were enlisting with me, I'd tell you to say fuck them. But I don't want you ending up on the street. Even if it means taking their hush money."

Alina laughed. "Hush money? What am I hushing about?"

"Me, I suspect," Mal said with a cheeky grin, "you know too much, Starkova. Look, if you want to take it, I won't stop you. Just, be careful. Once you take money from a Morozova, it's like them taking your soul."

Alina laughed. "I think I lost that a long time ago somewhere in between my parents dying and the whole being a poor orphan thing."

"Oh please," he said, "the world could be at it's worst, Lina, and you'd still radiate pure sunshine."

Alina beamed. "I suppose there are worse things to be known for."

"So, you're going to take it?"

She stared at the letter. "I don't know. I mean, I applied for a few other art scholarships and I'm on the waiting lists. I never really saw myself studying mythology. I feel like I'm taking it from someone that might actually want it."

Mal snorted. "Trust me, you aren't. The mythology department is kept alive by the foundation. My great, great, uncle or something started it. He thought all of those myths were the key to a better future for Ravka."

"You don't believe in them?" Alina said. "Why's that so far-fetched? We've got a Saint living in the palace as an advisor to the King, Volcra that steal people away when they die, and we visited the Grisha palace every year at school. You know, those people with magical powers that died out because our government used them as soldiers."

"Trust me, Alina, they didn't die out. They just got smarter at hiding."

She tilted her head to the side. "But you draw the line at magical creatures?"

Mal laughed. "There's got to be a line somewhere, right? I draw the line at giant birds and mystical stags. There's enough weirdness in this world."

"I delight in the weird."

"Of course, you do." He nudged her. "You know, we were supposed to be studying for our finals. If you don't graduate, you can kiss that blood money scholarship goodbye."

"Right." Alina tucked the scholarship letter into her backpack. "Very serious now." They went back to studying.

Alina tried, very hard, not to think of the real reason that she might have gotten that scholarship. Because if Mal knew the truth, she didn't think he'd be so keen on the idea of her going there and then…then she'd be back at square one. Without a plan. Or future.

[violet-amet]

|| Unusual Character Associations ||

Tagged by: @catacomb-chaos (Many thanks!)​

Tagging: whoever wants to do it!

[Ara (Original OC)]

SEASONING: Sazon.

WEATHER: An average sunny day with clouds rolling on by.

COLOR:  Orange, yellow, and dark purple.

SKY: Early afternoon, bright blue days.

MAGICAL POWER: Creating objects or manipulating them using ink and paper.

HOUSE PLANT: Bear claw succulent.

WEAPON: Double edged sword.

SUBJECT: Literature.

SOCIAL MEDIA: None. (Really has no interest with it or computers in general.)

MAKEUP PRODUCT: Uses ink as a substitute.

CANDY: Caramel.

FEAR: Loneliness/solitude/isolation, losing her loved ones, powerful daemons.

ICE CUBE SHAPE: Round.

METHOD OF LONG-DISTANCE: Trains and buses.

TRAVEL: Walking on foot.

ART STYLE: Cartoon or childlike art.

MYTHOLOGICAL CREATURE: Vejigante

PIECE OF STATIONERY: Pencil, her Journal of Endless Pages, books of various subjects, and some paper weight that is actually an artifact.

THREE EMOJIS: Doesn’t use computers or phones.

CELESTIAL BODY: Sun.

Two more below the cut!

[Capricious (SRHK OC)]

SEASONING: Cinnamon.

WEATHER: Cloudy and very heavy rainy days.

COLOR: Green/Dark Green.

SKY: Midnight sky.

MAGICAL POWER: None.

HOUSE PLANT: Venus fly trap.

WEAPON: Clawed hands and guns.

SUBJECT: Computers and math.

SOCIAL MEDIA: Shadowland BBS

MAKEUP PRODUCT: If it isn’t as permanent as tattoos, no interest.

CANDY: Anything she can get her hands on.

FEAR: Losing her love ones, facing the past, her ex-boyfriend, and failing others.

ICE CUBE SHAPE: Cubed. Will eat it.

METHOD OF LONG-DISTANCE: Trains.

TRAVEL: Trains.

ART STYLE: None. Doesn’t draw.

MYTHOLOGICAL CREATURE: Qilin and fox demons.

PIECE OF STATIONERY: Keyboards, a variety of tools to fix her boards with, computer parts.

THREE EMOJIS: 🤑😩🤨

CELESTIAL BODY: Jupiter

[Sherry (Pokemon OC)]

SEASONING: None.

WEATHER: Rainy days.

COLOR: Lavender.

SKY: Sunrise.

MAGICAL POWER: None.

HOUSE PLANT: Plastic trees.

WEAPON: None, only Pokemon.

SUBJECT: Drama, history, music and theaters.

SOCIAL MEDIA: None, avoids it like the plague.

MAKEUP PRODUCT: The most expensive ones that actually stick.

CANDY: Chocolate.

FEAR: Failing to meet others expectations, being hated/judged for her scars, and losing her friends and family.

ICE CUBE SHAPE: Crescent shaped ones.

METHOD OF LONG-DISTANCE: Flying on Pokemon.

TRAVEL: If not on foot, then biking is the way to go.

ART STYLE: Semi-anime esque.

MYTHOLOGICAL CREATURE: None.

PIECE OF STATIONERY: A phone, table mirror, journal/diary, magazines, pokeballs and plushies.

THREE EMOJIS:  😏🥺🤔

CELESTIAL BODY: Moon.

I have so much more, but these three stick out more than others. Also, not sure how to write some themes. Either way, this was fun!

[bookclub4m]

Episode 191 - Dark Fantasy

This episode we’re discussing the fiction genre of Dark Fantasy! We talk about horror, grimdark, violence, amoral protagonists, epic fantasy vs small scale fantasy, the importance of tone, and more!

You can download the podcast directly, find it on Libsyn, or get it through Apple Podcasts or your favourite podcast delivery system.

In this episode

Anna Ferri | Meghan Whyte | Matthew Murray | Jam Edwards

Things We Read (or tried to…)

Berserk by Kentaro Miura (Wikipedia)

The Citadel of Fear by Francis Stevens (Gertrude Barrows Bennett)

Coraline by Neil Gaiman

The Lies of the Ajungo by Moses Ose Utomi

Every Heart a Doorway by Seanan McGuire

Shadowland by Peter Straub

Flowers for the Sea by Zin E. Rocklyn

Twice Cursed edited by Marie O'Regan and Paul Kane

Other Media We Mentioned

Dark Souls (Wikipedia)

Elden Ring (WIkipedia)

Magic Knight Rayearth by CLAMP

Pet Shop of Horrors by Matsuri Akino

The Library at Mount Char by  Scott Hawkins

The Coldest Girl in Coldtown by Holly Black

The Cruel Prince by Holly Black (Episode 147 - Contemporary Fantasy)

Monstress by  Marjorie Liu and Sana Takeda (Wikipedia)

Ravenloft (Wikipedia)

Nettle and Bone by T. Kingfisher

Leech by Hiron Ennes (Episode 184 - Horror)

The Salt Grows Heavy by Cassandra Khaw (Episode 176 - Fantasy)

Norylska Groans by Michael R. Fletcher and Clayton W. Snyder

Porky Pig's Haunted Holiday (Wikipedia)

The Sandman by Neil Gaiman and various artists (Wikipedia)

Children of Men (Wikipedia)

The Children of Men by P.D. James

Fables by Bill Willingham and various artists (Wikipedia)

Deerskin by Robin McKinley

Links, Articles, and Things

Dark fantasy (Wikipedia)

Category:Dark fantasy anime and manga

Category:Dark fantasy video games

Grimdark Magazine

20 Dark Fantasy by BIPOC Authors

Every month Book Club for Masochists: A Readers’ Advisory Podcasts chooses a genre at random and we read and discuss books from that genre. We also put together book lists for each episode/genre that feature works by BIPOC (Black, Indigenous, & People of Colour) authors. All of the lists can be found here.

The Stardust Thief by Chelsea Abdullah

Children of Blood and Bone by Tomi Adeyemi

Eleventh Cycle by Kian N. Ardalan

To Shape a Dragon's Breath by Moniquill Blackgoose

The Book Eaters by Sunyi Dean

Funeral Songs for Dying Girls by Cherie Dimaline

The Hurricane Wars by Thea Guanzon

The Year of the Witching by Alexis Henderson 

The Library of the Dead by T.L. Huchu

Babel, or the Necessity of Violence by R. F. Kuang

The Changeling by Victor LaValle 

Jade City by Fonda Lee

She Who Became The Sun by Shelley Parker-Chan

Tread of Angels by Rebecca Roanhorse

Tender Beasts by Liselle Sambury

Witches Steeped in Gold by Ciannon Smart

Sorrowland by Rivers Solomon

An Ember in the Ashes by Sabaa Tahir

The Lies of the Ajungo by Moses Ose Utomi

The First Binding by R.R. Virdi

Give us feedback!

Fill out the form to ask for a recommendation or suggest a genre or title for us to read!

Check out our Tumblr, follow us on Instagram, join our Facebook Group, or send us an email!

Join us again on Tuesday, April 2nd we’ll be talking about the format of Non fiction Graphic Novels and Comics!

Then on Tuesday, April 16th we’ll be giving an update on Media we’ve recently enjoyed!

[hauntedbystorytelling]

Nickolas Muray ~ Desiree Lubowska. Shadowland magazine, October 1921

[redhairclara]

Illustration entitled "On the Ziegfeld Roof" featured in Shadowland Magazine, c. early 1920s

[lisamarie-vee]

[aliceliawitch]

Nude Witch Riding Black Cat - Shadowland Magazine

[the1920sinpictures]

October, 1922 Dancer Derelys Perdue by Alfred J. Hill for the cover of “Shadowland” magazine. From Silent and Pre-Code Art, FB.