#sharp’s liveblogging

[sharpjay217]

Iskall: “You were supposed to be chill this season, why are you so stressed?”

Beef: “I was supposed to be, I didn’t count on having you as a neighbor.”

[butchladymaria]

fun bloodborne fact!

iosefka commits OSHA violations

[daz4i]

so called free thinkers when chuuya etc etc

[tadpal]

mark strongs starry brown eyes and little smirk... okay gang! let's all fall in love

[angry-roomba-army]

watching the season three beach episode right now azula is so goofy i love her

[dirt-str1der]

Still obsessed with these two pages (R->L) from Kiryu-chan ni korosareru because you know theyre about to fuck nasty

[acedia-blankly]

SPOILERS FOR SHARP OBJECTS EPISODE ONE AND THE NOVEL/PLOT IN GENERAL BELOW THE ASTERISKS, WHICH ARE Y'KNOW, GILLIAN FLYNN TYPE SHIT. YOU HAVE BEEN WARNED.

****

This is a liveblog/reaction to sharp objects, the tv series not the book.

I've read the book several times over the years, most recently in a mental hospital after a breakdown. No, I don't know why on earth I was allowed to have it with me. I relate to Camille more than I'd like, excluding the murders and sexuality, which i suppose rather differentiates us. I rather feel like the metaphorical AC to her DC, so to speak.

Jesus, Camille's a wreck. A severe alcoholic sent to her hometown to sniff out a story of a serial killer whose snuffing out little girls and dumping them around town, with about a year between killing. First Ann Nash then Natalie Keene, and Camille sticks her nose in everything she can about the case. She badgers the cops, the families, everything and everyone she can, which causes more than a few arguments and a lot of strain with Adora, her mother and the employer of much of the town. I'll talk more about Camille in a bit, but first lets touch on her family, the people I found msot interesting in wind gap, starting with her wonderful mother.

Fuck, Adora's a miserable shrew of a woman. She reminds me of my aunt in how she needles, dresses, and wears her makeup in a similar manner. It's freaky, and not at all helped by the horrid way she treats Camille and Amma. Equal parts infantiziling and infuriating, her actions suggest a social diva who commands utter control of her home and social image. Everything from her picture-perfect house (mirrored in a certain dollhouse that Amma shows Camille) to the time capsule she's made of Marian's room screams "total control freak". She's still got the empty IV stand and doll dresses laid out like Marian's just stepped out for tea, rather than ashes.

Amma is... Well, we haven't really gotten much of a taste of her yet. I must've missed her in the crowd of teenagers that raided Natalie's shrine, but she was there, and later acts eerily possessive and close to Camille in what seems to be just a typical teenaged attmept to avoid punishment and look cool in front of an older sibling she doesn't know.

Alan was a surprise, since all I remember of him from the novel is a grey, unemotive man who let Adora run roughshod over everything. He's got a bit of a spine here, actually standing up to Adora a few times on minor arguments. Curious to see if he'll keep it up. Not a change I was expecting, but I could also be misremembering him.

Marian: for a dead girl, she sure takes pride of place in the story, a throbbing, aching wound that Camille tries and fails to treat with chemicals and years of avoidance. A sickly girl who died in her teens, we see flashbacks of her (dressed as a doll in contrast to her sister) ending with her funeral, where she's wearing a shade of pink lipstick that really doesn't fit her, which is as good a bridge as any to return to Camille.

Camille: if you've made it this far, I'm not going to sugarcoat it. Camille is a woman one step away from the deep, and she clearly knows it. There's alcohol soaked all over her life like a bad stain, mostly absolut vodka, a cheap brand that many serial alcoholics drink, my family members included. Shit burns like fire goign down but she chugs a good sized plastic flask/bottle of it without flinching. Granted, Amy Adams was probably just drinking water on set, good considering how fucking hot sets get. She delivers a wonderful performance, showing Camille as the slowly burning train wreck of ptsd and chemical dependency she is, covered in scars.

Camille carves words into her skin much more legibly and widespread than I've ever managed, and I'm a human charcutierie board these days. Y'know that thing where shows put the title of episode into somehow? Yeah, Camille's got "Vanish" on her right forearm, the title of the first episode. We see her in the bath or shower a lot, actually, usually with her body submerged entirely. She also masturbates during a flashback to a weird lodge filled with porn and bloody strips of meat, at least that's what I think those were.

I haven't really touched on the mystery or the people of wind gap not related to Camille because they didn't really get my attention, but I took 3.5k worth of notes during episode one, and noticed the homophobia. The show really hits us over the head with the small town bigotry throughout the episode, from the bartender to the father of Ann Nash. I'd kinda forgotten about the level of homophobia, and was a bit startled by it.

Moving to the murders, we don't get any information about either body I think, just a shot of Natalie's dumped body, which, how does one dump a body of a teenaged girl in an alleyway in a small town and not be seen? Small towns are nosey as shit, I would know, I spent 13 years living in one. Natalie's mouth has a lot of blood coming from it, and she's pretty dirty, but has a bandage on her knee. Bit of an odd thing for a murderer to give her, but she might've had it before she got grabbed.

Overall rating for the episode: 4/5 stars so far, review may change after I finish the show. I intend on one episode a night. I enjoyed Camille and Amma's interactions, found the homophobia rightfully irritating and familiar (the joys of small-town America are not so different from Missouri to Indiana), but found the actual murders to be lacking in detail for now, which makes sense but is also frustrating. Camille is just a bit too familiar for my comfort, which is a theme with anything Flynn's made.

Her works are dark and slippery, rich with the quiet tensions of dysfunctional families and buried traumas that always come to light. Theres something comforting but revolting about it, like sitting down at a seedy bar and knowing the drinks are probably watered down, but accepting the rotten deal for what it is because it's the best you'll get here. Kinda like a family reunion, actually. But uh, I don't think the Crellin-Preaker bunch (now that would be a sitcom, huh?) Is the sterling example of family by any means. Still, I'm eager and afraid of the roller coaster to come. I'm not claiming to have perfectly watched this episode, nor did I exhaustively go through my notes for this (I'm not confirming whether or not I made quotes in Chicago format [the one True and Rightfully Used Format of Quotation, may all nonbelievers perish in the trenches of MLA and APA format] for fun. Cause only weirdos do that, right, and I'm all normal-like)

P.S. I apparently called Curry a "Santa-wannabe" in my notes. He kinda twisted and turned in my opinion, going from a dick to a nice guy and back again, but I enjoyed him as a character and want to see more. I can't say more for chief Vickery, the detective (whose name I managed to miss and I don't intend to look it up) or the bartender, all of whom have a machismo and swagger that clashes poorly with Camille in different ways. Vickery cares more about the town's reputation than potentially solving the murders, the detective is trying not to mix business with pleasure with Camille, and the bartender is typical small town trash, gleefully hateful and all too happy to share that he's illegally serving beers to Natalie's brother, which the detective ignores as well, for some reason. Most likely to avoid the town turning on him. One doesn't fuck with the guys who give out the alcohol.

[aparticularbandit]

Monokuma: I can make an after image of myself! To play soccer with!

....

So you're a Toon.

But, like, book canon, not movie canon. Which I don't think are actually called Toons, if I remember correctly, but it has been SO LONG.

But in Who Censored Roger Rabbit? they're not cartoons, they're comic characters and speak in visible word bubbles (that can fall and break and shatter).

More importantly, they can make doppelgangers of themselves that can last for a while for stunts, among other things. Which is important for the book mystery!

...it is an entirely different story than the movie. Doom isn't even in the book. It's not bad, though!

ANYWAY. MONOKUMA ARE YOU A TOON.

[noobsomeexagerjunk]

BBH: Do you like being the pawn of someone's game? Cucurucho: *fires gun*

[sweatermuppet]

gone girl, sharp objects, or dark places?

[thebirdandhersong]

They let Lucy be full of Rage in this show and I love seeing it. Rage against injustice, against suffering, against selfishness, against evil. She gets to just BE angry for the right reasons, in many cases, and isn't demonized for it

[sharpjay217]

AWWWW HIS LITTLE BANNER!!!

[widowshill]

they won't write it and i'm not gonna get my hopes up but in my heart. roger would be so devastated to come back and find v just straight up Gone. not to be reached (bothered) in any way. ever.

[pochapal]

in several ways i feel like this whole inheritance argument is very much a "training level" for a reader to become acquainted with the way that the mysteries will be approached and subsequently unfold in a lower-stakes environment.

[werewiire]

watching sharpe. harper is based

[chompe-diem]

MAN eldermourne ep27 goes insanely hard