#she has the best romance scene ive seen in my entire life no joke

[catgonerogue]

take my hand?

[macgyvertape]

Castlevania kinda had a pacing problem

spoilers for all of Netflix’s Castlevania. I haven’t seen much analysis for the show on tumblr, im honestly curious if discussions I had with irl friends mirror what fandom talks about

tldr: Castlevania seems inconsistently paced from season to season, and within season as well, leads to a lot of characters motivations feeling unclear so characters repeatedly explain why they are doing something while they’re doing it

overview of the seasons:

S1 I know somewhat of a test for Netflix but it has good main trio character establishment and sets the scale of the conflict

s2: pretty complete emotional arc for most characters and resolves the plot of killing Dracula while setting up additional characters to continue the story. Isaac, Hector, Carmilla all established with the audience as characters whose story would continue

honestly I would bet this is the most popular season

S3: s2 did a bit of worldbuilding, but this season really fleshed out the world with both a wide range of locations and exploring the question of “what now, Dracula is dead but vampires and night creatures remain”.

There were basically 4 plot threads: 1) Sypha/Trevor investigating the cult & Saint Germain; 2) Hector & Carmilla (also introducing Lenore, Striga, Morana); 3) Isaac’s journey of revenge & self discovery; 4) Alucard sits around the castle and is betrayed.

overall characters roughly feel like they are in the same place if not worse. A big criticism I saw at the time, which hold up after rewatching this before s4 is nothing felt resolved for the main characters

I would say this season is where the pacing issues start to become apparent, juggling 4 plot threads that lack a central theme or even mutual character connection. If there was a central theme it would be “humans are awful to each other”. The Judge doing Hot Fuzz style murders, The Wizard in the tower, Sumi & Taka

S4: it starts with the same 4 plot threads, though upfront it is made clear that the plot theme is “people are trying to resurrect Dracula”, and the progression of the plot works to resolve unrelated plot threads until the main trio reunites for the boss fights. To me and my friends watching it was obvious that the show would reunite the main trio, the question was how and how far into the run time.

Season 4 is why I’m writing this essay, for the past 2 days I’ve been like, yeah that character sure explained their motives repeatedly maybe with some philosophical discussion, but it’s just such a weird place considering where they were in s3

Alucard’s arc:

Where he was left in season 3, it was after killing people he had trusted in self defense and impaling their corpses. It was clearly meant to parallel Dracula’s dislike of humanity. However overall his character lacked a proactive motivating force.

Honestly the most interesting thing I found in s3 was Alucard clearly misses Sypha and Trevor, however they don’t miss him or refer to him

One reason Sumi & Taka betray Alucard is for the secrets and power of Castlevania. After inviting the village including St Germain who Alucard was warned of into the Castle, Alucard makes 0 effort to secure anything, not even his personal childhood room. Guess he really learned nothing

Discussing St Germain, I think it’s funny that they had a several minute flashback sequence for his lost girlfriend (who doesn’t have a name or a voice actor), to remind the viewer of who he is, and to justify how he’s suddenly back and down for murder.

In s4 there is the call to help the village, and the walk back to the castle is a montage of Alucard opening up to Greta and becoming friendly literally overnight. He laughs off the impaling, and basically all of the darker things he went through in season 3, which has me asking what was the point of his season 3 arc then? 

Honestly writing this I realize the biggest parallel he has with Dracula is the call to action from a bold woman with a dramatic entrance speech which then leads to a romance

Isaac’s arc:

in s3, with all the other themes of “humanity sucks” I was always unsure if the townspeople were meant to appear irrational while attacking a larger force instead of letting him pass through an leave, or him not caring about how he’s provoking them is meant to show his insanity

ive seen the discussion elsewhere, curious about the Discourse here

is s4 Isaac has the whole monologue about how he now has agency but him gaining that agency was his s3 arc. In s4 he’s already at the point of accepting it. By the end of s4 he’s one of those who comes the furthest from his first character appearance to his last.

s4e5 where of Isaac attacking Carmilla in Isaac’s 2nd appearance had him resolving like 4 plot threads at once (Carmilla, Striga& Morana, Hector, and Isaac himself).

but i do wonder if Trevor, Sypha, or Alucard even know any of these people exist. I think not

I was honestly confused if I missed a scene from his dialogue about building something and what is inherent nature, to “My plan has evolved, my plan is now conquest” because he only conquests the one castle and the rest is left unclear

Upon rewatch the connection there is “killing [the wizard] felt just ... I liked that feeling”, so the show says that Isaac in the end attacked Carmilla for the sake of justice and not revenge.

Isaac in his last conversation expresses the theme of s4 “build something new on these old bones, where people can live for the future”

however, his arc honestly feel scenes were cut, and then dialogue was written around it. He’s the only living character who doesn’t show up in the epilogue and the sentient night creature “what if I could empty hell” dialogue was some of the most interesting worldbuilding. Night creatures with sentience and possibility of regaining memories!!!!

The Council of Sisters & Hector’s arc:

oh I’ve already seen s4 discourse about Lenore/Hector while searching for character analysis, a chunk of it seems to be rationalizing the absolute difference between how s3 ended with these characters and s4. It was extremely confusing for me and my friends; wondering if 1) was Hector showing more emotional intelligence than before and putting on a facade to cover up hatred? Nope 2) did more time pass than 6 weeks for there to be some kind stockholm syndrome? No, Hector seems fine to let Lenore kill herself

The slave control ring: played up in the climax of s3 and easily solved s4. s3 Lenore says if he tries to harm them, flee, or take it off it would cause crippling pain, in s4 Hector just easily cuts off his own finger.

for a control ring that they take time to show a version being on the Rebus, it doesn’t do much controlling of Hector

also guess the definition of “do harm” just refers to direct action

Lenore in s4: has no purpose in conquest, has that useless remarked on by multiple characters, is imprisoned, then kills herself after a genre aware philosophical discussion. This essay is long enough, but what the fuck happened to this character who ended s3 clearly physically and sexually abusive? Seriously this was one of the biggest writing changes to the point where she was treating Hector as an equal. Compare her last words in s3 “shh the real people [vampires] are talking”. The change in the relationship is actually something I would have taken being shown, or atleast told of what exactly caused this change other than the vague “you adopted him”

Striga&Morana get the best arc of the Council. 3 scenes: the tent argument, Daybreak armor fight & argument resolution, declaration of feelings and turning away. You could argue Castlevania is plot to be connective tissue between fight scenes, but for all the dialogue about human resistance in different seasons it was nice to see it. Overall the scenes were short but had a lot of showing what their relationship is not just telling,

unlike Carmilla. For as much hyping up as they did with her, and as much power as she had, she only appeared in 2 episodes and no other group except Isaac knew about her military conquest.

the map scene where she states her motive for conquest of wanting to take things from old men is the key example of how characterization became tell not show. How interesting was that monologue compared to the past seasons flashback to her murmuring the old vampire lord, or all her repeated insults of men/man-children that shows how she judges people??

That monologue had to carry the weight of justifying the Sisterhood bonds falling apart as well as why her motivation changed from building a human pen from Styria to Braila to world conquest. I think it did so poorly

Sypha & Trevor

really Sypha & Trevor have the main plot in the show. I checked and post season 1 the only episode they don’t appear in is s4e6, which is entirely devoted to the Isaac, Hector, and Council of Sisterhood arc. Their partnership and adventures are the main plot of the show.

Its easy to see what Trevor’s arc was over the show: coming to peace with the deaths of his family, taking up the mantle of being a Belmont, and starting a new family with Sypha.

With Sypha I actually had to scroll through tv tropes for what is her character arc, and I guess hers is disillusionment from adventure and life outside the speakers? My friends joke that Sypha’s magic is what the plot demands to look cool in a fight, which isn’t necessarily a bad thing.

Tangent: the ending of their arc was easy to guess: as soon as Trevor went to fight the final boss alone I literally said “oh i bet Sypha’s pregnant, Trevor’s doing a heroic sacrifice, theyll use the unexplained magical dagger mcguffin, and 60/40 odds that he goes through an infinite corridor to outright come back vs just the implication he might come back”

I guess my final thought of the show, was overall the SUPER Final Boss got my by surprise. It was a good twist I enjoyed. Not that Death appeared, I had guessed that from the heavy foreshadowing, but I was surprised by who it was, because I had thought I thought the characters involved feeling shoehorned into the plot was just more bad writing. The Alchemist who put St Germain on the path or murder for no discernible motive for helping? Sure gotta move the plot along. New Dracula court member Varney who has a whole introduction with almost every character he meets and banter about his smell? Sure thats basically how all characters talk with a snarky and acerbic voice.

[the-cookie-of-doom]

Good morning! Whats your favorite show/movie? Who are your favorite characters? Why do you like them so much? Also!! Did you have a good sleep?

Okay so I was a film major for a while, and I have opinions. 

Penny Dreadful 

I love this show. Like, so much. I adore it. I can not get enough of that show. Just all of the imagery, and the fantastic writing and acting. The episode intro alone is one of the most beautiful things I’ve ever seen. Eva Green is a goddess and I love everything she’s been in. The take on classic horror stories is So Good, and it actually became the inspiration for my Gay Frankenstein story! (Started as a stitch AU, and then went completely OC after I had Ideas) but the show itself is so intimate? I think it’s largely that the period they’re in, everything was so repressed and restricted. So when the characters break out of those moments, it’s more meaningful. And the love-hate relationship between Ms. Ives and Malcolm in season one? Exquisite.  I could literally write essay’s about this show, but I’ll restrain myself and just say: it’s the best ensemble show I’ve ever seen. The characters come together, but they also each have their own distinct lives that sometimes intersect, but in s2 especially, are quite separate. They are constant with one another like ensemble shows usually portray. Also gothic horror and romance? My absolute favorite. 

Anything by Guillermo del Toro

This man Owns My Entire Soul. I’m not even joking, everything he writes and directs is perfection. Crimson Peak is probably my favorite (I have a stitch AU for this too ;) ) because again, Gothic horror and romance. I’m a slut for that shit. Also Tom Hiddleston and Jessica Chastain? Delightful casting. I think it’s obvious by now that I love tragic relationships, so their dynamic is *chef’s kiss* amazing. they’re so damaged. And this quote right here is one of the BEST things I’ve ever read: 

“But the horror... The horror was for love. The things we do for love like this are ugly, mad, full of sweat and regret. This love burns you and maims you and twists you inside out. It is a monstrous love and it makes monsters of us all.”

Engrave that on my headstone, please?? I’ve got a sort-of Dorian Gray AU (it’s delightful) that’s basically built on this entire premise. Mitch makes the mistake of falling in love with Stiles, and does many terrible things because of it. Mostly to himself, at least. 

I think my love of Crimson Peak is very closely tied with The Shape of Water. another beautiful movie, I could wax poetic about this forever. it was beautifully written, and such an artistic movie. I love the way it was filmed, and the set design, and all of the subtle imagery. Such as Elisa’s apartment being cast in cooler tones, it always felt very damp and had evidence of water damage, compared to Giles’, a mirror image of her own, in more warm tones. This is another one I could (and have) write essays about. There is so much packed into this movie, from the themes on toxic masculinity and entitlement, to the conversation on queerness and race and disability, and how all the various relationships are portrayed. Like. there is so much to pick apart in this movie. 

Aside from that, ofc Hell Boy deserves an honorable mention because i grew up on those movies. I’m pretty sure the Golden Army especially is responsible for who I am today, given all the lore on the fae in that universe. Wow, that explains so much about me... Also one of my first WoW characters was an elf named Nuala xD I still have her, too, and it’s been like 12 years lol

Near-Future Sci-Fi

Sci-fi is one of my favorite genres, I am a huge nerd for theoretical and astrophysics. But my favorite kind of sci-fi is the stuff that still takes place on Earth, rather than epic battles in space. Ex Machina and Annihilation are at the top of that list. Alex Garland is another writer/director that I love. He has the same kind of approach as del Toro, where he puts a lot of fine details into his work. And I love that it’s very cerebral; there are so many layers to Ex Machina. My English 101 prof actually refused to analyze it in class when I suggested it to him, because he didn’t think my class could. Basically handle? Dissecting that movie? Because a lot of it comes across as very surface level, but in some cases when you look deeper, it’s actually suggesting the opposite of what you might think at first glance. (And he was right, my fellow students were awful. I miss that class though, it was one of my favorites T_T Mr. Ryder was an awesome dude and super chill.) 

Morgan is another good example. As you can see, I fucking love androids lol. Which brings me to another of my all time favorite movies: Cloud Atlas. I could literally watch this movie endlessly, I love it so much. The acting, the writing, the filming, all of it is top notch. And one thing they did in the movie that didn’t come across in the book, was reusing the same actors through the different eras in the book. That was just so neat, because it really encapsulates how connected these souls are, as we follow the threads of their story throughout time. If you haven’t seen the movie, I can’t recommend it enough.  

Another one I always think of alongside Cloud Atlas, even though they aren’t related at all, is Predestination. It’s a great movie that explores the idea of fate and free will in a really clever way, utilizes time travel in a very organized way that I think was neat (think Umbrella Academy. They even use briefcases! As you can see, I love sci-fi bureaucracy, it’s fun. In fact The Bureau is another movie I enjoyed) and the main character is actually, explicitly trans, which was cool. You basically get to see the entire story of their life, and I don’t want to spoil anything, but it’s just. So good. Mindfuckery galore. 

Shoot, and I almost forgot! Arrival! That is one of the best movies, and another one I could watch nonstop. It focuses on mathematics and linguistics and I swear to god, I almost altered my entire college course because of this movie. Amy Addams is brilliant, Jeremy Renner is so soft and nerdy, and again, it has an amazing take on time travel. I am very particular about how time is handled in Sci-fi, and this portrayal was one of my favorite. (Most of my physics studies have been dedicated to the theory of time, so like. Strong Opinions.) 

Fantasy

Stardust! It wasn’t until Good Omens can out that I realized Neil Gaiman is responsible for most of the stories I loved as a kid lol, and I had no idea he wrote stardust! But that is such a beautiful movie (I have a Stardust AU lol) and it’s definitely one of my comfort movies. Captain Shakespeare is one of the best characters ever, bless Robert de Niro. I would die for him. Fun fact, i had no idea Ipswitch was a real place until like. 2019. I 100% thought it was made up for the movie 😂

Alongside Stardust, I’ve always loved The Golden Compass. It’s fantasy, but also with that old-timey steampunk science feel, which is so fun and surprisingly difficult to find! 

Mortal Engines also has the same kind of feel, and it was such an epic movie in every sense of the word. I’m a little sad that after all the work that went into it, it didn’t get a dedicated following or fan base, because I feel there’s so much potential in it. But at the same time, fandom tends to gather around media that has plenty of flaws for us to repair with gold, and there wasn’t much room for that in Mortal Engines. 

I’m going to put Jupiter Ascending here even though it technically fits with the sci-fi, because that section is long as fuck and also this movie has such a fantastic feel. Mila Kunis? beautiful. The CGI? beautiful. Eddy Redmayne? One of the best villain portrayals i’ve ever seen. The whole oedipal vibe he had was immaculate, as was their portrayal of reincarnation, and just. The world building. GOD. I get so weak for through world building. Also the fkn intergalactic bureaucracy when they’re basically at the space DMV? One of my all time favorite scenes in movie history. 

Horror

I have very little room in my life for horror. As I said, I have strong movie opinions, especially when it comes to horror movies. I don’t like how most of them rely on cheap jump scares and overused gore and gratuitous rape scenes, instead of, y'know, actual good writing. 

Which is EXACTLY why I adore It: Chapter 1 & 2. It has none of those things, but still manages to be so terrifying. They are my favorite horror movies, and I’m saying this as someone who has genuine childhood trauma bc of the novel. Like. I couldn’t shower/take baths alone until I was almost 10 T_T When I was 6-7 and saw kids play by storm drains, I would run over screaming about how Pennywise was going to get them. Like, I had issues man. I was terrified to see the first one, and wouldn’t go until I could go with my best friend after she had already seen it, so she could warn me when something scary was about to happen 😂

And, one of my favorite aspects of the movie, and the thing that gave me Mad Respect for Any Muschietti? The way he filmed Bev and her father. They have a character who is literally being molested, but they never once have to show it. And yet their interactions are still so viscerally upsetting to watch. Sexploitation puts me off of most horror, and the fact that Muschietti doesn’t use it here, even when it would be actually somewhat justified? *chef’s kiss*. I love him. 

I love horror as a concept, I’m just really picky about it because I expect the writing to be good. I don’t like short cuts. But in a lot of cases, even if I don’t enjoy the movie itself, I love to watch analysis videos on youtube! I love to see the philosophy and symbolism in different horror movies, even if i don’t like to watch the movies themselves. It’s a fun hobby. 

Misc. 

Then in general, some other stuff I love in no particular order:

The Internship (Bless Dylan, Stuart is such a bitch and I love him) 

American Assassin (ofc. The writing itself is eh, but Mitch is my man) 

Dylan’s episode of Weird City. (I actually have a lot of feelings about this one. Jordan Peele is another amazing writer/director, I really need to catch up on his works.) 

Dorian Gray (*chef’s kiss*)

Rogue One (Makes me cry every time) 

WARCRAFT (Obviously this is a fav. It made me so happy, words cannot express.) 

Coraline and most other stop motion animation. I’ve always had a soft spot in my heart for that. 

Literally anything associated with Tim Burton. Fun fact, when I was 12 and in middle school, I planned to decorate my future house inspired by tim burton. Like, i had Plans. 

Most adaptations of Alice in Wonderland!

So! this got long as fuck! But you said you like that kind of thing lol 😂 I had kinda Eh sleep since I was up so late lmao, and I kept waking up (as usual, rip). And I’m so mad I go up for nothing! The dude I was supposed to show my listing to never showed, and is refusing to answer my calls >_> It’s been 2 hours now, and I still haven’t heard from him. But whatever, I already have a full price cash offer on the house so who cares. And that means I can play WoW all day, now! 

[iheartgod175]

A Guide to LOST SONG - Part 1

AKA The anime that made me love Konomi Suzuki

When I stumbled across Lost Song on Netflix, I didn’t know what to expect. The style looked vaguely interesting, and I could tell immediately from the title that it had something to do with music. So I gave it a shot.

And boy howdy, am I glad that I did. This anime is not flawless, but there are so many things I loved about it that it almost outweighs the bad. It exposed me to Konomi Suzuki, who I absolutely love now. And it made me love Yukari Tamura even more, if that was possible. The fandom is small, but it’s passionate in sharing its excitement and knowledge of this anime. And for a while I thought of doing a review, but it hit me to do a guide for the anime to introduce others to it. 

So, let’s get into the bare bones of this anime, shall we?

(I’ll be writing my own synopsis since the one on Wikipedia is terrible)

(NOTE: LIGHT SPOILERS AHEAD!)

The Plot

We have two protagonists, Rin (voiced by Konomi Suzuki in her first acting role) and Silver-Haired Nanoha-I mean Finis (voiced by Yukari Tamura). Rin is a simple country girl who’s adorably ditzy, loves to eat food and most of all loves to sing. Finis is a beautiful but clumsy and airheaded songstress hired by the Capital to use her songs to aid the kingdom’s war effort. Both of our female leads have the ability to sing Spirit Songs, songs that can manipulate the four elements of the world and bring about miracles.  Both of them have problems related to their singing: Rin’s grandfather, Talgia, forbids her from singing for mysterious reasons, and she finds support from her older sister Mel and younger brother Al, the latter of whom wishes to go to the Capital to become a scientist (despite his numerous failed inventions). Finis’ songs, while vital to ending the war, severely shorten her lifespan, and she is seen as nothing more than a tool of war by the Capital’s war effort, namely by the prince, Rudo Bernstein (more on him in a bit). The only people who see her as a person are her servant Corte and Henry Leobolt, a knight assigned to protect her by Prince Rudo.

Certain events--the burning of Rin and Al’s village and the deaths of their sister and grandfather, and Finis and Henry’s forbidden romance amidst the war--set the stage for Rin and Finis to finally meet. Will the last song be one to save the world...or destroy it? 

The Characters

Lost Song has a host of characters, both male and female, that have an important role in the story and all get their own time to shine (although some characters do get the short end of the stick, as I’ll explain in part 2).

I’ll be breaking them down as best as I can, hopefully with as few spoilers as possible!

**NOTE: I’ll be using the Netflix translations for their names until further info is revealed (like how to actually spell them correctly)

Rin

A village girl with a passion for singing

Greatest wish is to travel to the capital to sing at the Star Song Festival

Blessed with an amazing voice, but is banned from singing by her grandfather

Possesses a mysterious power to both control the elements and create “miracles” with her songs

Loves her family and friends dearly

Blames herself for her sister’s and grandfather’s deaths as her song led Bazra to her village

Occasionally ditzy, gluttonous and sometimes hard on herself (due to the aforementioned deaths of her family), but is otherwise a sweet, selfless girl who tries to understand others

Will recklessly throw herself in danger to help those in trouble

Finis

The Capital’s Songstress who is also referred to as a goddess by the capital’s army due to her Power of Songs

Also blessed with an amazing voice (YUKARI TAMURA, DUH)

Her songs are used for war, so she is seen as a weapon by many of the Capital’s elite, namely Prince Rudo

Continued use of her songs shortens her lifespan, a fact known to her servant, Corte

Falls in love with Henry Leobolt, a knight assigned to protect her during the war, due to him treating her like an actual person.

Is eventually forced to kill people with her songs so Rudo won’t kill Henry

Very airheaded and has NO sense of direction, but is otherwise a sweet woman.

Al Hawkray

Rin’s adopted younger brother and Mel’s biological younger brother 

An aspiring inventor and scientist whose inventions sometimes fail at the worst possible time

Constantly points out how things involving songs are scientifically impossible

Travels with Rin to the capital after their village is destroyed and his grandfather and Mel are killed

Despite his bad luck, several of his inventions have proven to be useful as weapons (ie. his Star Bombs)

Greatly admires Dr. Weissen

Often the butt of everyone’s jokes, much to his annoyance

A little salty with his companions, but cares for them nonetheless

Has an unrequited crush on Rin

Pony Goodlight

A former Court Minstrel who travels around the country

Rin and Al’s first companion

Left the Capital and her job for unknown reasons

Is also a pretty good singer (her VA, Chiaki Takahashi, is Azusa from iM@S after all), with a knowledge of many Legendary Songs that she teaches to Rin

Likes to think of herself as mature, but can be somewhat temperamental

DOES NOT like to be called old. Or ugly. 

Also hates bugs

Likes to drink and gamble 

Has the hots for Henry Leobolt (calling him “Hottie” on several occassions)

The Lux Sisters (Monica and Allu)

Allu is the oldest, with short red hair and red eyes

Monica is younger with brown hair that covers one eye, and wears a strange rabbit suit 

They are Rhythmists who were working for the capital to manufacture Echo Devices for the war

They originally went to the capital to become Minstrels in the Court Orchestra, but gave it up to earn money to heal their mother’s blindness

When Rin heals their mother with the Song of Healing, they join Rin, Al and Pony on their journey to the capital

Allu is the braver of the two, but can come off as rude and harsh to those who meet her. Very protective of Monica, and has a habit of randomly drumming on objects at times

Monica is quieter, cowardly (having a habit fo falling asleep when in danger) and speaks very little. Is also a very good singer and can imitate any song perfectly after hearing it just once

Both are good friends with Rin (who healed their mom) and often tease Al (much to his chagrin)

Mel Hawkray

Rin and Al’s older sister

The only one who supports Rin’s singing talents, and is said to spoil Rin a little

Dies in the first episode, but appears a few times (in Rin’s dreams), and is mentioned by both Rin and Al

A sweet, nurturing woman who loves her siblings

THE MOST underused character in this whole show

Corte (pictured on the right)

Finis’ servant, who serves as a mother figure

Is practically glued to Finis’ side, though Finis loves her just as much and can’t function without her

Is always worried for Finis’ safety, but will put her life on the line to protect her

Supports Henry and Finis’ relationship

Dislikes Prince Rudo (then again, who doesn’t like him?) and knows of the danger he poses to Finis and Henry

Talgia Hawkray

Rin’s adoptive grandfather and Mel and Al’s biolgical grandfather

Kind old man, honestly, but is strict, especially with Rin

Bans Rin from singing for unexplained reasons, which causes a strain in their relationship

Also dies in the first episode, but appears later on in some very important scenes detailing Rin’s past

Along with Finis and Rin, he’s a fairly important character (if minor)

Henry Leobolt

A knight from the famous Leobolt family who is Finis’ bodyguard

A strong, brave and caring man who sticks with his ethics

He owns a family sword that is said to never break or rust, and is a master swordsman who can take down a whole army

Is wholly against war, but will not hesitate to defend himself, his men, or those he’s sworn to protect

Falls in love with Finis, and as a result is moved to the frontlines by Rudo as punishment, but manages to survive and command his own team of men

Knows of Finis’ curse and hates to see her suffer for his sake

Dr. Weissen

An eccentric old man who happens to be a renowned physicist, inventor and scientist

Has a croissant on his cane for random snacking (no, really he does)

Crotchety at first, but is actually a kindhearted old man

He originally did research to help people, but was then forced to build weapons of war under Rudo’s rule

Lost his entire lab, his assistants and his inventions to the Capital, which made him lose hope

Takes on Al as his assistant after Rin restores his lab and becomes his mentor

Prince Rudo Bernstein IV

The prince of the Capital

A cold, heartless, ruthless person who will kill those who oppose him in a heartbeat

Is disliked by many of the populace (and for good reason)

Is engaged to Finis (who dislikes him)

Hates Henry Leobolt, especially after he falls in love with Finis, and tried to kill him by putting him in the frontline of the war

Uses Finis as a tool of war, and eventually convinces her to use her songs to kill people by threatening to kill Henry

Bazra Bearmors

The General of the Capital’s army

A ruthless man who uses others for his personal gain

Is rivals with Henry Leobolt and tried to kill him several times throughout the show

Destroyed Weissen’s lab and also killed Rin’s grandfather

A powerful swordsman who can go toe to toe with Henry

The only other characters I can think of are the men that eventually join up with Henry after Rudo puts him on the frontline, but they’re minor, and not even the official site lists them as characters ^^;

Part 2 will kind of go into a bit more details about what to look for in the plot following episode 7, where things REALLY get kind of crazy, as well as my general opinions on the characters, the music and the general tone of the show.

If this mini guide had you interested in the ainime, then that’s great! I’m hoping that more people catch on to watching Lost Song. It really needs more love!

~iheartgod175, out!