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#sheila turner
kissxlove1 · 2 months
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That's the first time in a long time that call the midwife has reduced me to tears.
Well done!
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room-on-broom · 4 months
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Hell yeah Sheila drag the council guy a new one. The fire in that 🔥
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justsomedrawing · 20 days
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South Park Doodle Dump (again) (Traditional art edition)
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made these with Brush Pens
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akonoadham · 7 months
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leobebestevens · 9 months
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u see at heart i will always defend the sp girls. did they kill someone? oh are women not allowed to have hobbies anymore??
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clovermousee · 2 years
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south park but they were born in the early 2000’s
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luckydiorxoxo · 6 months
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The cool kids 🔥
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acciohunks · 3 months
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Callum and Sheila at the BAFTAs ✨
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cc-tinslebee · 1 year
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hmmm thinking about having a thing in my Mickey Lives AU (mentioned in passing here) where Liv Hewson is Mickey and Casey’s daughter?? and maybe also a love interest for Mindy post-VI???
Yellowjackets/Santa Clarita Diet/Scream cinematic universe go brrrrr
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soldsoulglenx · 1 year
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Black women at the 76th BAFTA Film Awards, London | February 15, 2023.
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kailuabunny-art · 1 year
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A bunch of South Park doodles
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kissxlove1 · 3 months
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Personally I never liked Trixie and Matthew together. They never made sense to me
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dweemeister · 3 months
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Best Documentary Short Film Nominees for the 96th Academy Awards (2024, listed in order of appearance in the shorts package)
This blog, since 2013, has been the site of my write-ups to the Oscar-nominated short film packages – a personal tradition for myself and for this blog. This omnibus write-up goes with my thanks to the Regency South Coast Village in Santa Ana, California for providing all three Oscar-nominated short film packages. 
If you are an American or Canadian resident interested in supporting the short film filmmakers in theaters (and you should, as very few of those who work in short films are as affluent as your big-name directors and actors), check your local participating theaters here.
Without further ado, here are the nominees for the Best Documentary Short Film at this year’s Oscars. The write-ups for the Live Action and Animated Short categories are coming soon. Non-American films predominantly in a language other than English are listed with their nation(s) of origin.
Năi Nai & Wài Pó (2023)
Rarely do both sides of one’s family ever meet. You might expect them to mingle at weddings and funerals. But cohabitation? Such is the case with Taiwanese American director Sean Wang’s two grandmothers in Năi Nai & Wài Pó (paternal and maternal grandmother, respectively), available worldwide on Disney+ and Hulu. Wishing to live closer to family, Wang moved in with his grandmothers Yi Yan Fuei (Năi Nai) and Chang Li Hua (Wài Pó) in their California household during the height of the COVID-19 pandemic. His grandmothers rarely leave the house, even for groceries, and keep their heavy curtains drawn at all hours. As thin beams of sunlight barely stream through the interior’s earthy colors, both grandmothers continue to read the newspaper, sing traditional Chinese music, do their own cooking (I assume someone drops off groceries for them), tease each other about farting in bed, and reflect on their families and their pasts. They know that there are fewer tomorrows remaining, but that will not stop them from living joyously and with love for their grandson, who, though off-screen, they converse with throughout the shoot.
Qualifying for the Academy Awards by wining Best Documentary Short at SXSW in 2023 (in addition to the equivalent prize at AFI Fest), Năi Nai & Wài Pó freely admits that its subjects are playing up their act for their grandson. Observational cinema this is not. But in their sense of exaggerated play there exists a twofold acknowledgement. First, as Năi Nai states, “the days we spend feeling pain and the days we spend feeling joy are the same days spent. So, I’m going to choose joy.” And perhaps most meaningfully to Wang, their playing for the camera is one of many ways they express their love for their grandson. It is an elevated home video, a loving portrait, and a reminder to cherish those who loved us into being.
My rating: 7.5/10
The Barber of Little Rock (2023)
People Trust in Little Rock, Arkansas is a Community Development Financial Institution (CDFI). In other words, it is a non-profit – partially funded by the American federal government – to address issues in creating economic growth and opportunities in some of the most underserved communities in the nation through loans, emergency financial assistance, and housing subsidies. People Trust and its President, Arlo Washington, are the subjects of The Barber of Little Rock (available for free online through The New Yorker), directed by John Hoffman (2021’s Fauci) and Christine Turner (2021’s Lynching Postcards: 'Token of A Great Day'). The film, Oscar-qualified by winning the Grand Prize for Documentary Short at Indy Shorts International Film Festival (Indiana), requires a wealth of context to the issues that it raises, but does not always provide enough – especially how municipal, state, and regional history impacts racism in banking, and vice versa.
Arlo Washington is a fascinating, wonderfully-intentioned person, but the movie spends too much time with him directly stating the piece’s thesis about financial equality and generational poverty to the camera. Most compelling of all were some of the individual appointments at People Trust of regular people simply looking for financial relief or a loan to kickstart a business or make their rent payments. So too Washington's barbering training school – especially a scene when two students are asked to look intently at the other’s faces, to understand the other’s struggles simply through quiet observation. Arlo Washington figures in many of these scenes as well, and those scenes reveal as much, if not more, about the lives of People Trust’s clients than any of his brief lectures can accomplish. Hoffman and Turner clearly had deeply cinematic material to work with that could empower their messaging, and it is a shame they are unable to fully utilize it.
My rating: 7/10
Island in Between (2023, Taiwan)
Ten kilometers away from the Chinese city of Xiamen lies Kinmen, a group of islands under control of Taiwan (the island of Taiwan is 187 kilometers away). Directed and narrated by S. Leo Chiang and distributed by The New York Times, Island in Between is Chiang’s meditation on not only Kinmen’s precarious geography and its political status, but his own identity of being American, Chinese, and Taiwanese – three separate identities that interconnect, but are forever distinct. Like many viewers, I was unaware of Kinmen’s existence before viewing Island in Between. This film is most valuable in introducing audiences to a place in some ways frozen in the mid-twentieth century, not so much capturing the spirit of the place and understanding its history.
During visits to mainland China in the late 2000s, Chiang, Taiwanese-born and American-raised, was struck by how vibrant the mainland was – something unrecognizable from “the communist wasteland [he] learned about in school.” In the years since, the crackdown on Hong Kong’s democracy, the COVID-19 pandemic, and increased political tensions between China and Taiwan have complicated his feelings towards the mainland. As a Vietnamese American, I easily saw parallels between how the younger diaspora views our so-called “motherland”, what we are taught, and how older generations perceive their original home. Even among generations, there are divisions in how we feel about the motherland. But Chiang has the additional complication of being caught between three nations important to his being. If anything, his mentions about his parents and their views feels far too cursory, as they are the ones most responsible for shaping his views about American/Chinese/Taiwanese tensions. One hopes this film is not a harbinger of things to come, as beached tanks rust on the placid Kinmen shore.
My rating: 7/10
The ABCs of Book Banning (2023)
As of the publication of this omnibus write-up, bans and challenges to books in libraries and schools have spiked since 2021. These book challenges, often taken up by parents and certain religious organizations, have disproportionately targeted books by and/or about LGBTQ+ and non-white (especially black) people. Stepping into the debate is MTV Documentary Films’ The ABCs of Book Banning (available on Paramount+), directed by Sheila Nevins, Trish Adlesic, and Nazenet Habtezgh. Unfortunately, the film advocates against book challenges in the most stultifyingly artless way. Early on, a title card reveals that the filmmakers will ask about book banning and restrictions from a group that we have heard little from: children. An honorable approach, but the interview snippets found in The ABCs of Book Banning are repetitive and seem rehearsed – children, aghast at the notion that a selected book is a target, offer reasons why book banning is a terrible idea. Nothing Americans have not heard before. Breaking up their interviews are images of book covers, followed by a brief quotation from said book, and an amateurish “BANNED” or “CHALLENGED” banner in red over the book. Sometimes, cheap animation depicting that book’s passage appears; the placement of these animated sequences has no rhyme or reason.
Damningly, this is a film in search of a structure. A handful of authors whose books have been banned from libraries or schools show up to introduce themselves over what appears to be an interview over Zoom. They say a few sentences about why book banning is terrible and we never hear from them again in the film – a complete waste. I suspect these authors recorded longer interviews, but there is almost nothing that remains of those interviews in the final product. This is a film for those who agree with its premise, have no cinematic taste, and are tediously self-satisfied in how they express their political views.
My rating: 4/10
The Last Repair Shop (2023)
The Los Angeles Unified School District (LAUSD) is the last major city school district in the United States to offer free musical instrument repair to its students. From the Los Angeles Times and Searchlight Pictures comes Ben Proudfoot and Kris Bowers’ The Last Repair Shop (also available on Disney+ and Hulu), which takes us to LAUSD’s repair shop. Just short of the 40-minute limit for short films, The Last Repair Shop curiously tells the viewer preciously little about the shop itself (what are the challenges it is facing, and why is the last of its kind?). Proudfoot and Bowers – both previously nominated in this category for A Concerto Is a Conversation (2021; also available online thanks to The New York Times) – adopt much of the same style as their previous nominee. Both films share talking heads in shallow focus and snappy editing. These aspects sometimes made A Concerto Is a Conversation incohesive, but they work immensely better for The Last Repair Shop. It also helps that The Last Repair Shop, which slowly reveals itself to also be a portrait of a rarely-seen side to L.A., has a clear structure that the viewer can discern early on.
What carries The Last Repair Shop are the life-affirming conversations we have with the four principal interview subjects, all of whom work in a different department at the shop – Dana Atkinson (strings), Paty Moreno (brass), Duane Michaels (woodwinds), and Steve Bagmanyan (pianos; also the shop supervisor, and who inspired the film as he tuned pianos at Bowers’ high school). Whether they play an instrument or not, all four recognize music’s ability to better understand ourselves and others, and as “one of the best things that humans do.” The addition of student voices to the film – especially when one realizes that the repair shop employees almost never hear back from the children whose instruments they repair – strengthens a connection, however distant, through music. The Last Repair Shop’s final minutes provide it that final cinematic touch you might have anticipated, an affirmation of why those who speak the language of music hold it so dear.
My rating: 8.5/10
^ Based on my personal imdb rating. My interpretation of that ratings system can be found in the “Ratings system” page on my blog. Half-points are always rounded down.
From previous years: 88th Academy Awards (2016) 89th (2017) 90th (2018) 91st (2019) 92nd (2020) 93rd (2021) 94th (2022) 95th (2023)
For more of my reviews tagged “My Movie Odyssey”, check out the tag of the same name on my blog.
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tcmparty · 7 months
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@tcmparty live tweet schedule for the week beginning Monday, September 30, 2023. Look for us on Twitter…watch and tweet along…remember to add #TCMParty to your tweets so everyone can find them :) All times are Eastern.
Saturday, Sept. 30 — 6:15 p.m.
CAGED (1950)
A young innocent fights to survive the harsh life in a women's prison.
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lavender-devotion · 2 months
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The Radio Demon has a WIFE??? And She was a WHAT??? (Alastor x Fem!Reader)
Summary: Mimzy stops by and brings up a little detail that Alastor forgot to mention: he has a wife...oh yeah, and she used to be a nun. How the fuck did that happen??? -Or- I was watching 'Call the Midwife' and got Alastor brainrot ideas while watching the romance between Sister Bernadette/Sheila and Dr. Turner.
Tags: Fem!Reader (for obvious reasons), She/Her pronouns, No Use of (Y/N), everything I know about being a nun is from a TV show (don't kill me pls), Husk is...so fucking tired, also I couldn’t find a midwife house in New Orleans so I made one up (don’t kill me pls x2) TW: None, other than my possible terrible idiocy regarding nun shit and Catholicism, I feel like me being the author should also be a TW in and of itself ngl Word Count: 2.4k Read it on Ao3 <3
"WHAT?"
Husk winced as Angel's voice echoed throughout the lobby, loud and full of indignation.
"There is no fuckin' way tall, dark, an' creepy is married," he insisted, staring down Mimzy as she took another swig from her glass, "you've gotta be fuckin' with us, right Husk?"
Husk pointedly ignored the question, turning his back to the two idiots and their quickly gathering crowd of spectators—the other residents of the hotel. Alastor didn't like people talking about him unless it was with hate, fear, or admiration- (the arrogant fuck) -and he liked people spreading his personal business around even less.
He wasn't stupid enough to get involved in this conversation, even if Mimzy and Angel apparently were.
Mimzy laughed, "oh please, that's not even the best part! Alastor's sweetheart actually used to be a sister!"
"A sister?"
"Yeah-"
'Don't fuckin' say it-'
"-like a nun!"
'Motherfucker.'
That statement had Angel choking on his drink, everyone else letting out various exclamations of disbelief—all of which only made Mimzy's smile widen. She was enjoying the attention.
"Yeah," she continued, "the pretty thing was actually part of one of the few nunneries that were up and running back in our day—although hers also served as a sorta home base for the midwives in New Orleans before it all became a hospital affair."
"So not only did Smiles somehow manage to get 'imself a sweetheart, but he managed to bag a fuckin' NUN?!" Angel asked incredulously, "how the FUCK did that happen?"
Mimzy grinned mischievously, "well-"
"Mimzy," Husk said, caution and warning in his tone. It was one thing to drop a couple facts and then shut up—Alastor was fond of her- (as "fond" as the bastard was capable of) -so she might be able to get off with a warning—but to start telling stories about his life? Spilling all his carefully guarded secrets?
Yeah, that'd get her killed. Or worse.
Even so, Mimzy either didn't know how secretive Alastor was- (doubtful) -or she was just under the delusional belief that he wouldn't hurt her for her slight- (bingo) -because she just waved off Husk's warning.
"Hm...where should I start?"
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What everyone in Hell tended to forget was that the cruel, bloodthirsty, "Radio Demon" they all feared...used to be a man, used to be human just like all the rest.
Quite the human he was, though.
Obviously he did his fair share of terrible things, he didn't end up in Hell for being a saint, but before any of his...transgressions came into the public eye, people truly thought he was. He'd come from a poor home, his father ran off when he was young, and yes he was an odd child—but all of that seemed inconsequential the older he got.
He worked hard in school and worked his way up in the world until he finally became a famous radio host, the crown jewel of the French Quarter. Even so, all of the attention never seemed to go to his head. His mother's son, always his mother's son, he was the picture of a true gentleman—always polite, always chivalrous, always helping others. It certainly didn't hurt that he was handsome too, and his charm was unmatched by any other man in the city.
As such, it was no shock that he attracted all manner of attention from people vying for his affection, but no one seemed to catch his particular eye. That was, until he met her...
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“Now, keep in mind, I don’t know very much about his missus before they got together,” Mimzy admitted, “but, from what I can tell, she'd always been a mystery, so I don’t think it really matters-“
“Obviously it matters!” Angel interrupted, his drink and everything else long forgotten, “for someone to get together with Smiles willingly, they’ve gotta have some of their own skeletons in the closet! C’mon toots, you gotta know something.”
Mimzy circled a finger around her glass, playing coy, “well…maybe I might know a thing or two…”
Husk wanted to bash his head against a wall.
Fine, fine, fine. It was one thing—one really fucking stupid thing—to talk about Alastor, but to talk about his wife? Especially to fucking gossip about her?
Yeah, no, these morons were definitely dead as soon as Alastor found out.
“Well?” Angel pressed, looking downright desperate for more information.
“Well…”
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Alastor's sweetheart had always been an enigma since the day she arrived in New Orleans, every bit of her covered in that modest black and white clothing—all except her face and hands, of course.
By all accounts, she was a sweet girl—kind, attentive, always willing to help—but she was also very…secretive, one might say. It wasn't that the other nuns weren't reserved, because they were, but she was especially so, and her brand of reservation came across as more underhanded than anything else.
She never talked about her hobbies, her family, her life before taking her vows—hell, she never talked about her life before she moved to New Orleans. So it was no surprise that a fair amount of rumors followed her around, no matter how sweet she appeared to be.
Some said that she was a runaway, trying to escape an abusive father; others said that she moved there to get out of a loveless marriage; and a few even claimed that she was on the run from the law. There was never any evidence to support any of those rumors, of course, but people loved to talk.
One might think that Alastor was drawn to her because of all of those whispers, just chasing down another story for his radio show, but it was actually a mix of pure luck and her work as a midwife that brought those two together.
You see, midwives didn't only deliver babies, but they also offered all sorts of medical assistance to anyone who needed it. These services eventually brought her to his mother’s home one day, and it just so happened that Alastor was also visiting his ma at the time.
The two started talking and, between his magnetic charms and her sweet demeanor, it was no surprise that the two got along like a house fire.
From then on, every time she visited his ma to take care of her, he was there too. Then he started showing up at all of the events hosted by Saint Charlene’s, always finding his way to her side. And there even came a time where he started visiting her frequently, always welcomed by her fellow sisters and the other midwives with open arms.
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“Wait a minute,” Angel interrupted, “I thought nuns weren’t allowed ta be in relationships. It goes against the whole point of bein’ a nun, don’t it?”
Mimzy huffed, “I was getting to that part!”
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Obviously nuns weren’t allowed to have relationships, romantic or sexual, and most people of that time didn’t believe that men and women could simply be friends—so the friendliness they both shared fell under quite a bit of scrutiny. Everyone that knew a thing about that sweet girl knew she would never betray her vows, and everyone that knew a thing about Alastor knew that he’d rather die than be anything less than a perfect gentleman. 
But, like I said, people in New Orleans liked to talk.
Neither of them paid any mind to it, though. Alastor was already dealing with the bullshit that came with showbiz and his sweetheart already had a bunch of rumors circulating about her, so what did they care if a few more whispers were added to the pile? But eventually, a painfully long time after the two first met and became friends, there came a day when something that wasn’t quite platonic bloomed between the two of them. 
Obviously the two of them were horrified by this; Alastor, because he would never ask her to forsake her vows for him, and her, because she was worried that she was betrayin’ her God by feeling that way. 
Eventually she talked to the other nuns, though, and got some help figuring out her emotions and what she wanted to do, and Alastor talked things through with his ma—who was, frankly, overjoyed that he’d finally found someone who he fancied.
Let me tell ya, even with all of the others helpin’, it took fuckin’ forever for those two to finally get together. Between their shared emotional constipation, everyone’s expectations of them, the worry that the other didn’t feel the same way, and the fear of crossing each other’s boundaries…yeah, it took over a year after the two of them figured out they liked each other for them to actually say something. 
By the time they finally got their shit together, Alastor’s mom and the other midwives were already planning their wedding. Hell, the nuns were just about ready to rescind her vows themselves, they were so sick of the pining!
Everything worked out in the end, though. The two confessed, his sweetheart did the whole dispensation thing, and the two eventually got married.
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“Blah, blah, blah…they got a happily ever after and a white picket fence,” Mimzy finished with a lazy wave of her hand, “so, that's the story."
Angel just stared at her, mouth hanging open slightly, “huh, I didn’t know tall, dark, and creepy had it in ‘im.”
Mimzy hummed, “yeah, he might seem all big an’ scary, but underneath all that he’s a total doll!”
Husk shuddered as the prickle of static suddenly made his hair stand on end, signaling Alastor’s entrance into the room—along with Charlie, Vaggie, and Lucifer himself. His eyes immediately found the small group that had gathered by the bar, and it probably wasn’t hard for him to figure out what exactly drew everyone there.
“Now, now, Mimzy, what have you been telling everyone about me?” Alastor chastised, making his way closer to their group. His tone was teasing, but it had a subtle warning at the end—one that said he wasn’t asking for shits n' giggles. It made Husk want to disappear into the wall, to get out of the way of what would follow if Alastor found out the subject of their conversation. Hopefully Angel and Mimzy would have enough sense to keep their mouths shut, but he doubted it.
“Oh, nothing you need ta worry about!” she said, waving him off playfully, “just a couple old stories from back in the day.” 
“Is that so?”
Mimzy hummed her affirmative, finishing off her drink, and for one blissful moment Husk thought that the subject would drop and everything would be fine. He was wrong.
“Yeah, and I gotta say I’m surprised atcha Smiles,” Angel snarked, “who knew ya had a missus back home keeping ya on a leash.”
The room went dead silent.
The lights suddenly flickered, a dark red glow casting across the room as they did—mangled shadows dancing on the walls. Husk shrank back, trying his best to blend in with the bottles of alcohol that lined the shelf behind him.
Alastor’s voice was pure radio static, barely restrained rage filtering through, “w̶͚̫̰̰̟̌̆̓̚̚h̵̩̤̹͓̗̾̔͗̇̉å̴̱̩̝͚̎́̐̔̏͜†̸̡͔̲̠͔̔̎̆̀̕ ̸̲̠͔̟̗͗͑̾͐͘Ð̷̡̠̥̞͚̔̾̋̋͘ï̶̩̼̻̱̣̓̀̅͆̑Ð̸̣͍̞̬͖͋͑̽͗̚ ̶͈͙̤̺̲̒̒̒̎̀¥̷̭̻̥̘͈̇̓͑́́ð̵̢̲͕͈͇͐͊̓̀̓µ̴͕̬͕̟̟͊͊͂͗͘ ̵̪̲̫̳͍͑̑͒̔͐j̶̨̦̹̪̟̄̽̽̄͘µ̸̧̭͖͇̞̈́̔̀̒͒§̵̺̠͚͓͓̓͂̚͘͝†̷̛̖̤̰̗͓͋̄̇̑ ̸̢̩͙̙̫̊͗̃͘͝§̷̻̣̼̼͙̎͋̂͆͝ą̸̡̛̱̣̻̊̈́̈́̑́¥̶̢̟̼̘̲̃̿̐͑͠?̴͉̞̠̞̦̒͌̋͗̓”
‘Fuck.’
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You hummed quietly as you sat on the couch in your and Alastor’s shared home, sketching whatever came to mind in one of the small notebooks he’d bought you—working away the time and trying to ignore his glaring absence. It wasn’t often you were left yearning for your husband’s presence, finding plenty to do during the times he was gone, but today you wanted nothing more than for him to walk through the door. Luckily, you got your wish, although things certainly weren’t how you expected. 
As soon as Alastor walked in, you could tell he was pissed. It was in his posture, his strained smile, the violent crackle of interference in the air. Even his shadow seemed agitated, flitting from one spot to another as if it simply couldn’t sit still. 
 “Al?” You asked carefully, “is everything alright?” 
He turned to you, obviously trying to pass off the illusion of placidity, “everything is fine, my dear, why do you ask?”
“Well you just seem–” the lights around the house flickered, and you could hear a few of them bust in the other rooms, “...tense.” 
He kept up the mask for a moment longer, still trying to fool you, but it dropped soon enough and he let out an irritated sigh.
“...certain people need to learn to keep their insignificant little mouths shut.”
You set aside your notebook and gestured for him to sit next to you, a request he obliged. Almost immediately your hands went to his shoulders and you began massaging them, trying to alleviate some of the tension practically radiating off of him—drawing an almost relieved sigh from his mouth. 
You pressed a barely-there kiss to the back of his neck, “what happened, love?”
“Mimzy stopped by the hotel today and during her stay she decided to fucK̶̝̥̘̪͍̉͋́̈̅Ḭ̴̛̭̪͇̀͋̐̍͂͜ñ̷̡̤̩̖̰̈́͂̑̐͝G̴̞̯̭͈̘͋̒̑̅̚ ̵͇͕͓͕̗͆̃͛͊̂Ġ̶̝̱̪͈̘̽̌͗͝Ö̶̼̲̬̪̟̏̌̄̚͝§̴̺̱̲̫̝̍̈͆̃́§̶̧̞̣̼̮̂͊͋͌͠Ì̷̲̰̹̰͚͌̀̌̇̂þ̴̢̥̰̖̬͒́͌̏̿ ̸̝̺̪̟̈́͊̅̏̆ͅÄ̷͎̘͓̬͇̋̍͑̏͠ß̵̢̫͇̣̻́̊͆͆͝Ö̸̡̤̤̤͙̀̎̿͛͝Ú̸̟̯̺͈̪̇̓̊͐̊†̸̘̺͎͖̣̂̍̽̋̚ ̷̪̺̖̜͇̀͂͒̚͝Ö̴̮̯̗͙̑̆̽̄̚ͅỨ̸̫̯̰̺̼̈́̄̐͝R̸̨̢̧̭͓̒͊̋̇͘ ̵̧̥̗̰͖̅̌̒̿̃þ̶̦̞̫̙͕̈̒̀̿̚Ȩ̵̞̖̲͖̀͗̂̎͝͝R̸̢̪̟̜̮̉̌͒̉̃§̴̢̣͇̠̫̓̀̈͗̽Ö̴̟͕͓̤̀̈́̒͘͜͠ñ̶̛̙͍̼͖͔̎̓̐̋Ä̶̢̬͇͙̟̌͌̃̈͌L̴̨̪͎̟̦̄̇̈̓̿ ̶̨̧̰̼̮̈͒̀̒͝L̸͖̬̙̮̗̂̓̀͘̚Ì̴͙̠͈̺̣͌̓͊̓̓V̷̯̭̞̙͖͆̐̾͗̔Ę̴̪̻̤̀̾͑͆͜͝͝§̷̛͚̤͇̫̘̑͆̾͘.̵̡̥̪̫͇̽̋̑͝͝ §̶͎̣̝̳͓͋̊̀̌͆ð̵̢̼̖̝̭̏̇̕̕͝ ̵̘̜͚̠̫́͊̈́͐̽Ì̷̢̧͖͚͙̆̔̌̓̏ ̸̻̩̪͓̞̀͑͒̇͋†̴̧͉̯̻̳̒̽͋̾̋ð̵̟͙͍̳͈͒̈́̑̍̑ð̸̲̤̞̞̙̄̅͛̓͠k̷̖̪̩̭͇͋̒̀͘͘ ̶̢̛̗̞͍̱̒̅͐͘ï̸̢̢͕̩̰̍̍̽̈́̈́†̵̠̥̖̗̌̌̾̿͠ͅ ̵͙̹̦͎̬͆́̈͗͛µ̸̧̼̲̮̙͊͂̑̓͌þ̶̹̬̫̥̹̓̑̆͘͝ð̷̡̺͖̣̇̅̔͐͑ͅñ̸̼͙̦͕̼̏̐͗͘̕ ̵̢̱̺͖͋̄͌͊̊ͅṁ̸͉̜͙͖͍̓̍͗͝¥̶̨̠̜̮̜̑͑͗̎̌§̵̧̜͉̣̓́͛̇̓ͅḛ̸̠̲̝̤̂̓̎̓͌̈́ĺ̵̛̻̭͚̝̹̽͐̍£̵̠̫̲̹̬̍̊̾̍̕ ̴̧̭̘̞̀̀͋́̄͜†̵̨̰̠̫̖̎̋̃̂͘ð̴̨͍̭̤̙̄̑̎͝͠ ̴̯̟̟̖̜͒͂͌͒̉§̶̪̜̙͎͎́̒̍̾͝h̷̝̻̞̖̄̅̔̆̕͜µ̵̨̨̛̣̬͓̍̑͋́†̶̨̢̰̤͙̌̀̈̈́͆ ̴͔̟̻̫̐͊̓͑̉͜ĥ̴̢̯͔̯̈́̇̑͋͜ê̵̡̳̠͖̺͋͒͐̍̇r̸̝̘͍̙̂͑́̃͊ͅ w̷̸̼̠͓̟͍̣͓̪͚͊̈͗̉̄̊̍̍̇̀͜h̵̥͓͕̲͉̋̓͊́̈́ð̴̨̡͚̲̦̄̃̄̓͋r̸̖̲̮̮͐͌͑́̃ͅę̴͖͇͙̥̂̐͛͌͒̽ ṃ̷̨̱͈̭̀̃͂́͘ð̵̧̛͎̗̟̒̇̈̊ͅµ̴̨̛̖͈̱͈̑̋́̕†̵͚̝̜̟͍̔̈̀̈́̆h̵͚̞͔̗̖̀͒̀͛͘.̴̳̙̞̗̬͒́͆̂͂”
The sudden surge of static and shadow didn’t phase you, even as Alastor struggled to not shift into his demonic form—sharp cracks of green light appearing on the walls.
When you’d first found out about his…extracurricular activities, you had been afraid and confused, but now it was nothing more than background noise. He was still the man you fell in love with, still your husband, even if he occasionally killed and ate the degenerates of the world and anyone that pissed him off.
All things considered, you were just glad that you’d ended up in Hell with him, even if the things you'd had to do to ensure that were...distasteful. 
You wrapped your arms around him, nestling your head into the crook of his neck. A luxury that no one else enjoyed but you. 
“That does sound stressful. Is everything handled now, at least?” 
“Yes,” he drawled, leaning back further into you, “unfortunately I was unable to get rid of the other l̷̡͈̼̘̩̾͌̉͝͠ï̸̗̭̝̥̺̈́̓̐̿̚†̴̢̡͕͖̹͌͌̋̈́͗†̸̢̣͖͚͔̓̌̉̾̐l̶̡̪͙͕͗͐̍́̕͜ę̴̡̦͕̜̂͋̏̅͘͝ ̵̰̥̩̺̪̀̋̉͑̍§̸̖̥̦̗͓̏̋̉̈́̃h̶͓͙̯͔͇̎̏̾̕̚ï̴̧̡̱̗̻̈́͗͆̃̀†̴̣̖̯̭͉̂͐͒̍̀§̵̧̡̹̼̹͒̿̍̋͠, as Charlie has taken a liking to them, but I trust that I got my point across.” 
“Good.”
You pressed a chaste kiss to his cheek.
“Now…when do I get to meet these ‘little shits’ that get on your nerves so often?” you teased, drawing an amused chuckle from him. 
“Don’t even start, darling.”
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rhera · 2 years
Photo
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Lana Turner as Sheila Regan and James Stewart as Gilbert Young
Ziegfeld Girl (1941) - dir.  Robert Z. Leonard
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