#sigart

[beetlejuicier-for-your-pleasure]

Marker practice! I’m really trying to simplify my style.

[sitting-on-me-bum]

Panda

By Marie-Hélène Sigart

[fundgruber]

Wishful Mnemonics A major source of simple-mindedness in AI programs is the use of mnemonics like "UNDERSTAND" or "GOAL" to refer to programs and data structures.

Drew McDermott (MIT AI Lab), Artificial Intelligence meets Natural Stupidity, in: SIGART Newsletter No. 57 April 1976, p. 4

(via the metaphors of artificial intelligence)

[siggiee]

Your a squid now, your a Cat-Cthulhu now!

[kevinlacyphoto-blog]

Frothy coffee. . . . Shot with the SIGMA art 20mm. . . . #sigma #sigmaart #sigart #20mm #skysupply #stayandwander #awakethesoul #awakethesoul #adventureculture #folkscenary #folkscenery #instatravel #moodyvisuals #moody #moodygrams #visualsofearth #visual_magic #visualgrammers #lagrammers #losangeles_city #caligrammers #losangelesgrammers #california_igers #cali #vintage #californiadreamin #depthoffield #depthobsessed (at Seal Beach, California) https://www.instagram.com/p/Bwu4uqGhqdI/?utm_source=ig_tumblr_share&igshid=f2hvgwvuifl

[javinson]

The dog in the first Toy Story film emerged as a spectacular success at the time, demonstrating the possibilities and promise of upcoming animated films. The detail on certain parts of the dog's fur, however, was lacking. Compared to the cat seen in the latest installment, the distinction was clear and stark. However, improving the animation between the dog in the initial movie and the cat in the latest installment necessitated numerous rounds of technological breakthroughs. Based on the Toy Story 1 and Toy Story 4 films, it can be said that animation has grown over time. A variety of techniques used in both films could be contrasted to show the progress and development that occurred in the animation film industry. Characters in the series are rigged with movable skeletons to control their movement. This provides animators complete control over the characters' faces, joints, and other body parts. Characters in the new installment, however, seem to move even more precisely and intricately than in Toy Story 1. This comparison highlights the evolution of the rigging technique between the two films. Furthermore, neither the characters nor their sets in the first Toy Story have any distinguishing surface characteristics. As a result, the assets of the first film are nearly lifeless and uninteresting. Shading, on the other hand, was developed and improved in Toy Story 4 to give the movie's three-dimensional structures more visual variety and charm. Finally, enhanced simulation in the most recent Toy Story film allows animators to save time while still producing higher-quality movements of other complex components.

References

Henne, M., Hickel, H., Johnson, E., & Konishi, S. (2003). The making of toy story [computer animation]. COMPCON '96. Technologies for the Information Superhighway Digest of Papers. https://doi.org/10.1109/cmpcon.1996.501812

Porter, T. (1997). Creating lifelike characters in toy story. ACM SIGART Bulletin, 8(1-4), 10-14. https://doi.org/10.1145/272874.272876

Vinson, Joshua A. MS202

[booderdoodles]

Sigart

Cigarette Soupp

[cyclesofcirculation]

From Tale of the Three Storytelling Machines, Lem, Stanislaw, and Mike Wilber. "The cyberiad: fables for the cybernetic age." ACM SIGART Bulletin 47 (1974): 20-20.

[vrylium]

Power couple progress ❤️💪🏼

[sm0l-hands]

Random experimental vector doodles for sigart Though my pj art was stolen later. And that sucks ;~;

[vrylium]

wip of Tevos aka my sweetheart