#single ikat

[molkolsdal]

"Atmaran, Hindoo of Peshawar"

Coloured lithograph based on the work of James Rattray

"Atmaran, Hindoo of Peshawar" is the title of a coloured lithograph made by E. Walker (d. 1882), based on the work of James Rattray (1818-1854), who was based in Afghanistan during the First Anglo-Afghan war (1838-1842). Atmaram was a Hindu from Peshawar in modern northern Pakistan, who had become the 'minister' of a local Muslim and Uzbek ruler in northern Afghanistan, Mohammed Murad Beg of Kunduz.

The “Dewan Begi, Atma Ram”, was already a very powerful position when the British veterinary and explorer, William Moorcroft, visited northern Afghanistan in 1824. Another British explorer, Alexander Burnes, stayed with him in 1832, while on his way to Bukhara. When Burnes and his entourage left Kunduz and said goodbye to Atmaram, he "sent a khillut, or dress of honour…" Burnes tells that all of the affairs of Murad Beg were managed by Atmaram. He was a Hindu of low origin, a shopkeeper from Peshawar. The artist Rattray tells about Atmaram that he was “a sly-looking old fellow, countenance beaming with cunning and intellectual fire", and that he "never betrayed his master's trust".

He is wearing a beautiful turban of dark red material wound around a kalpak (a pointed cap particular to the Uzbeks), a magnificently gold thread embroidered mantle of the choga style, possibly with appliqué; a gown and a shirt underneath. The gown may be made of ikat. He has shoes or leather boots with high pointed heels and a single line of large white stitches on the heel, adding a decorative element. Behind him hangs his Indian style sword and a decorated shield. There is also a belt with various pouches attached, with embroidered flaps.

Interesting are the red lines painted on the man’s face. By birth this man was Hindu, and he apparently retained the markings of his caste, although at the same time wearing a turban and a kamarband, among the Uzbek at that time normally reserved for Muslims. Atmaram is sitting on the roof of a house, looking down into the courtyard, made pleasant by a pond and tree. The house may be his own. If so, this was perhaps the place where Alexander Burnes and his following resided when they were en route to Bukhara.

[apparellover86]

Gorgeous Patola Silk Saree

Gorgeous Patola Silk Saree History

With the fall of the Solanki dynasty, Salvis established a prosperous trade in Gujarat. Gujarati women and girls quickly began to associate patola saris with social standing, particularly when worn as part of stridhan—items that a woman can claim as her own. The history of patan art extends over 850 years. It is thought that the Bunkar people, who were originally from South India, introduced the craft of patola weaving to Gujarat. Originally made for the nobility and monarchy, patola sarees' elaborate patterns and decorations represented the wearer's social and cultural standing.

Origin of Patola saree

Special about Patola

This highly prized weave, which requires a very laborious and sophisticated technique of tie-dying on the warp and weft prior to weaving, is recognized by experts as an age-old and traditional art that must be conserved and fostered. Famous in Pathan, Gujarat, India, is the patola saree.

The Braid

Both the warp and weft threads are wrapped to resist the dye in the design that will be used on the finished woven fabric to make a patola sari. For every color that will be used in the finished textile, this tying is repeated. Double ikat is the term for the process of dying the warp and weft before weaving. Before dying, the thread bundles are carefully tied.

The Method used to weave Patola Silk Saree

The warp and weft technique is used in the resist-dying process to create patolas. It's costly and time-consuming, requiring three artisans to work on each saree for almost four and a half months. The length and complexity of the pattern determine how long it takes to manufacture a single saree.

Pattern and design

The Salvi community in Gujarat is the primary weaver of four unique patterns. Double ikat saris with complete designs of parrots, flowers, elephants, and dancing figures are commonly worn in the Jain and Hindu cultures. Muslim women typically wear saris with geometric and floral patterns, mostly for weddings and other special occasions. Brahmins from Maharashtra use saris with a bird motif known as Nari Kunj and simple, dark-colored borders and bodies.

[kspp]

Navigating Through Warp & Weft

In this picture is Mr. Narasimha and his weaving machine, called Maggam in Telugu. I had met him on my visit to the town of Pochampally, situated around 50kms from Hyderabad. It is known as the Silk City of India because of the gorgeous sarees woven in a distinctive design known as Ikat. Mr. Narasimha is a handloom weaver of Pochampally silk sarees, mastering this for the last 25 years and his family has been doing this for generations. Usually, it takes four days to weave a single saree while working on it for 6-7 hours each day: One person can only complete seven sarees per month. There are around 1600-1700 people who are into weaving these sarees in this town and most of them belong to a caste called Padmasaleelu.

Initially, this used to be a cottage industry, and all of them had the Maggam Machines inside their homes. Slowly, as the business declined, it became difficult for individual weavers to survive on their own & they became contractual labour in the hands of Master weavers. One of the reasons for this shift from a self-owned cottage industry to becoming contractual labour in the hands of a proprietor, is lack of working capital & the issue of Loan waiver. There is a scheme solely dedicated to the weavers called Weavers MUDRA Scheme. Under this scheme, the weavers can borrow money to fund their working capital. A few years ago, the government of Telangana had announced that they would waive off the loans for weavers. The likes of Mr. Narasimha were encouraged by the local elected representatives to not pay the loan and wait for the waiver. This waiver took around three years to concretize, and even then, only 20%-30% of the principal amount was waived off. Finally, it has led to a decrease in their credit scores, and the banks are now refusing them to give loans. Due to this, they have no option other than working for the proprietors.

As I ask Mr. Narasimha about the weaver community’s issues, he shares that one of the most significant issues is the volatile input cost, especially the silk thread. The thread is ordered from Bangalore, and some of it is imported from China. Due to COVID, the imports from China have decreased in the last two years, and due to less rainfall, domestic silk production has taken a hit. Also, Mr. Narasimha hints at forming a syndicate in Bangalore where this silk thread is being bought at a slightly higher price by the power loom companies to produce silk curtains. These are then exported to European markets. All of these reasons together, have led to the rise in input costs of the saree. As I nudge him towards inquiring what could be done by the government to ease their troubles, he hesitates, and his colleagues chip in with their suggestions. They ask for a minimum amount to be fixed on sarees so that the market forces don’t exploit them. They also want a higher subsidy on the input of nearly 20%; currently, the input subsidy stands at around 10%, but it’s only for the cooperatives. Finally, they want the process of direct procurement by the government to be made more efficient. There is a massive delay in the payments by the government to weavers, so most of them prefer to sell their products to private buyers even for a lower price.

While going towards the Pochampally, I came across a power loom industry in the outskirts, and I asked Mr. Narasimha if these power looms affect their business. He proudly says that this is one thing the technology or the power looms cannot snatch away from them. The intricate design of these Ikat sarees mandate a human touch. The power looms can only produce plain and straightforward products, mainly curtains. During the interaction with Mr. Narasimha and his fellow weavers, I also realized that this was more art for them than just an occupation. It’s a skill that is being passed on to them from generations. It isn’t just about money; it’s more of a cultural thing. To move away from this generational occupation is to lose their identity and existence.

As we moved towards the end of our conversation, I gathered the courage to ask my naïve question about why this Pochampally Ikat only has to be a saree. Why could it not be a shirt, and maybe it could be marketed as a new thing in the market? With a wry smile on his face Mr. Narasimha very patiently answered that if a shirt were to be made, each one piece would cost more than Rs. 5000, and he said to me, “Would you buy one at that cost?”

[ethnikala]

Moonga Patola Saree: A Timeless Elegance in Silk Weaving

Moonga Patola sarees, renowned for their opulence and intricate weaving, have etched a significant mark in the world of traditional Indian textiles. Originating from the heart of Gujarat, these sarees boast a centuries-old legacy of craftsmanship and cultural significance.

The term "Moonga" refers to pure silk, and Patola signifies a double-ikat weaving technique, where both the warp and weft threads are tie-dyed before weaving. This meticulous process results in vibrant, symmetrical patterns that mesmerize beholders.

What sets Moonga Patola sarees apart is not just their aesthetic appeal but also the labor-intensive craftsmanship involved. Skilled artisans invest months to create a single piece, showcasing their dedication to preserving age-old weaving traditions.

Adorned with intricate geometric patterns, floral motifs, and vibrant color combinations, Moonga Patola sarees are often worn during weddings, festivals, and other special occasions. The luxurious feel of pure silk and the timeless elegance of these sarees make them a cherished heirloom passed down through generations.

In conclusion, Moonga Patola sarees stand as a testament to India's rich textile heritage. Their unparalleled beauty, coupled with the artistry behind their creation, ensures that these sarees continue to be treasured as symbols of grace and tradition in the world of ethnic fashion.

[njean1980]

Check out this listing I just added to my Poshmark closet: Rebecca Taylor Balloon Sleeve Button Cuff Floral Print Ikat Top Size XS.

[crystalcharmz]

Check out this listing I just added to my Poshmark closet: 💋 BCBG MaAzria Bodycon One Shoulder Mesium M Dress RARE💋.

[shilphaat]

Handwoven, Blue-green single ikat patola silk dupatta with yellow, Orange and off-white motifs and golden zari border from Patan Gujarat. Dupatta has Green yarns at warp and Blue yarns at weft giving it multiple color-tones

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Buy at Shilphaat.com Category: Dupatta Sub-category: Patan Patola

Product link: https://shilphaat.com/product/turquoise-blue-patola-pure-silk-dupatta/ . . #patanpatola #patoladupatta #silkdupatta #dupatta #sustainablefashion #ikat #patola #પટોળા #weavesofindia #indiantextiles #shilphaat

[blogspud-jobs]

Stylish Cotton Round Neck Half Sleeves Ikat Printed Kurta For Women Regular Price :285.00 Offer : Flat 24% Off + Free Delivery & Easy Return Coupon Code: BLOGSPUD Buy Now : : https://www.blogspud.com/product/stylish-cotton-round-neck-half-sleeves-ikat-printed-kurta-for-women/?feed_id=36309&_unique_id=64d02e3d31e55 #saree #sareelove #sarees #sareelovers #sareefashion #sareedraping #sareesofinstagram #sareeblouse #sareelover #sareeindia #sareecollection #sareeinspiration #sareeseduction #sareeblogger #sareeshopping #sareesonline #sareeusa #sareeblouseinspiration #sareeshyderabad #sareegram #sareelove😍 #sareeday #sareeblousedesign #sareemumbai #sareelover❤️ #sareeblouses #sariindia #sareebeauty #sareeinsta #sarinah Stylish Cotton Round Neck Half Sleeves Ikat Printed Kurta For Women Color: Grey Fabric: Cotton Pack Of: Single Type: Stitched Style: Ikat Design Type: Anarkali Occasion: Daily Country of Origin: INDIA

[sheetalbatra]

Designer Kurta Sets with Dupatta: Defining your Ethnic Style!

Indian culture is filled with rich and vibrant designs and aesthetics. One cannot be questioned when talking about traditional clothing. It consists of some of the most luxurious attires and it looks so beautiful. Indian dresses speak volumes of glam and style and heritage all at once. Every single ensemble of kurta sets with dupatta definitely results in a beautiful visual narrative. Pakistani kurtas as well, possess a rich enough cultural capital that brings out the charm.

Kurta sets are outfits that are light and extremely comfortable. They make you look exquisite and special and you can accessorize the look further if you'd like. Dupattas are special Hindu and Muslim accessories that are used to represent modesty and austerity; however, designers these days have created vibrant dupattas that can complete an ensemble like a pro. Designer outfits have made it to the market like never before and it has made everything look quite beautiful and grand.

Typical Traditional Events Perfect for Designer Kurta Sets with Dupatta 

From pooja functions, cocktail parties and official meetings to weddings, and award functions, this juxtaposition of fabulous pieces allows women to enjoy the desired impact of trying something utterly classy. Women in Kerala look for mopka work, dog bites and mirror border dupattas while her counterparts in Bihar, UP and Kolkatta prefer heavy thread work jhumka,tikkis,tapani booti and Nakshi zardozi while selecting between tons outfits flooding the market. There's a range of possibilities in designing your ethnic wardrobe with alternatives in off-white, greys, reds, darker tones and traditional hues in designer kurta sets with dupatta.

Comfortable Fabrics in Designer Kurta Sets with Dupatta

Handloom cotton kurta comes in a variety of weaves such as thick and fine Khari, bandhej, ikat and many other special indigenous cloths. Some are even embellished with eardroppings, worklight, and ivory button detailing all in front of the kurta. These days fabrics such as chiffon, art silks, satins, crepes, poly georgettes and stretch can also be seen in bright and beautiful textures which naturally look great on anyone. You might also find fabric such as viscose, self-design, and frill detail raw silks in recent arrivals. 

Styling Tips for Designer Kurta Sets with Dupatta

Opt for wide V-necks teamed neatly with half sleeves and pleated necklines to opt ethnic look in your formal attires. A-line, anarkali, straight fit, mermaid kurtas, belted plackets, and asymmetrical silhouettes are some of the best options which outrightly flatter modern ladies turning a few heads at parties. It is creative accents such as mirror-work, gotta-work, and sophisticated accessories such as Dori work are inclined to make the garment look richer and supreme for functions. Together with all these patterns, this apparel grows along with creative aesthetics and increases the splendour of wearing it in the shape of Designer Kurtas with Dupatta. 

Quality as an Important Feature of Understanding Designer Kurta Sets

When it comes to understanding the trend for designer kurta sets with dupattas, kurta fabrics are an item that has to be discussed. It is an important aspect as this is the thing that will determine how the adorned fabric is moving. As we have already discussed the textual ideology of choosing the right fabric. It also somehow contributes to the formation of the shape after the look is done. 

In addition to that, the importance of dupattas cannot be negated. Designer pieces have added so much to the market of Indian wear and dupattas have become all the more colorful and luxurious. Mostly, designers carry a variety of dupattas that ranges from net ones to chiffon and Chanderisi. But materials like cotton are just as important. They make the whole look refreshing and it tends to look like a perfect summer pick. 

Where to Find the Most Stunning Designer Kurta Sets for Women

Looking for designer kurta sets with dupattas is quite effortless now as women's shopping anxieties have come to find shelter in online stores. Beautiful designs of embroidered kurta sets, alluring wearing options of modern kurta suits with dupatta and dupatta sets are now easier to access if seeking ethnic aesthetics make the most of shopping online ecommerce stores with platforms resplendent designs that will turn your wardrobe. Refined codes, majestic styling, and diverse selection make these websites worthy of shopping and worth investing in genuine traditional items

Conclusion

In the end, designer kurtas with dupattas make wonderful wear not only for traditional ceremonies but now, with so many fresh ideas, you can make them work for semi-formal gatherings too! Anything that blends comfortably with the latest trends in style, adding a dash of amazing colour stands out in the crowd and creates flattering aesthetics inspired by traditional subcontinent flourish should be the ultimate clothing goal. Shop from Sheetal Batra’s grand collection of designer embroidered kurta sets with dupatta and show off your enhanced style statement in any event!

[mdmamunurrashidshohagh]

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[narendarraj99]

Handwoven ikat sarees – A tale of trade and tradition

How are ikat sarees made?

The design of the saree is first plotted on a graph and then marked onto the yarns; these threads are then grouped and tightly bound together using a rubber band or any other waterproof material (called a ‘resist’), so that the dye can colour every part except those that are tied. This is called ‘resist dyeing’ and is done separately for every single colour in the saree!

After dyeing and drying the warp and weft separately, the weaver brings them together on the loom, matching their colours and patterns precisely. The level of skill required to perfectly align the threads is astounding, and takes years to acquire. Often, either the warp or the weft is resist dyed, not both. In this case, the garment is said to have a ‘single ikat’ pattern. When both the warp and the weft are resist dyed, a double ikat pattern emerges. This is quite a complex and time-consuming process, which is why double ikat sarees like Gujarat’s Patan Patola and Telangana’s Pochampally ikat sarees are so coveted.

Click here to know more about

[ghostlycreatorconnoisseur]

Pure Sambalpuri Cotton Saree

Bandha or Sambalpuri Sarees from Odisha are made throughout the state, not just in the present-day Sambalpur, but also in the former united Sambalpur communities of Bargarh, Sonepur, and Barpalli.The "ikat" or "bandha" form of weaving is one of the most well-liked weaves in Odisha. While both the warp and weft threads are dyed before sewing in the "double" ikat, only one of them is in the "single" ikat. It is a component of the State's historical connection with Indonesia, according to historians. The sambalpuri silk saree design is reflected nearly identically on both sides of the fabric thanks to this "bandha" or ikat designing method.

[georgiasstyle]

Check out this listing I just added to my Poshmark closet: Chico’s Modern Ikat Linen Green Jacket 3/4 Sleeve - Size 0 Small Single Button.

[uniquepatolaweavers]

Yellow Handloom Semi Patan Patola Pure Silk Saree . . . . . This Handloom Semi Patan Patola Saree is a single ikat Saree. It is mentioned as semi patan because the fabric and the design is same as patan patolas( which are double ikat weaved) but the weaving is single ikat. Single Ikat fabrics are created by the resist tie-dye method, with thread inter weaving of warp (lengthwise lay of thread) with plain weft (breadth wise thread weaving), or resisted weft yarns interspersed with plain weft. Patola means Queen of Silks. FABRIC: Pure Silk is widely regarded as the most luxurious textile on the planet. It is a natural fiber produced from the cocoons of mulberry silkworm via a process called Sericulture.Indian Silk fabrics are world famous for their exquisite colors and bold patterns. Pure silk is one of the finest varieties of Silk. It is created by twisting 2-filaments together to create a sturdier and more durable fabric. Due to the nature of its creation, it also makes an interesting texture background for any work that is to be done on the fabric to make it unique. It is known for its versatility, softness and comfort. It can be weakened by sunlight and perspiration. The elasticity of a silk fabric is poor, hence if stretched; it takes the shape as it is. It can be weakened if exposed to too much sunlight. It may also be attacked by insects, especially if left dirty. CARE: Dry Clean. NOTE: There may be a slight colour variation in the image from original product due to various reasons like configuration of computer monitor, colour scheme of computer, lighting of the photograph etc. Specification Colour Yellow Fabric Pure Silk Craftmenship Weaved Available_Size Approx 6.25 Mtr . . . . #traditionalpatola #patolafebrics #indiaethnic #handwovenpatola #silkpatola #patoladuptta #rajkotpatolaart #doubleikat #rajkotpatola #patanpatola #gujratipatola #patanpatolasaree #patolasarees #bandhanishowroom #traditionalfashion #patola #silksareeonline #delhishopping #madeinindia #patolashowroom #patolasaree #weddingsaree #mumbai _diaries #delhifashion #fashionindia #shopnow #handwoven #rajendra #rajkot_diaries #online (at Mumbai, Maharashtra) https://www.instagram.com/p/CpwN6qCy5YE/?igshid=NGJjMDIxMWI=

[milamiro]

These vegetable-dyed silk fabrics in geometric patterns have become synonymous with ikat weaving worldwide. They blend well as single cushions or in combination with patterns and tones of colors across the room 🌈 #handdyed #handwoven #silkikat #ikatpillow #silkcushion #prismpillow #ogeepattern #livingroomdesign #homedecor #milamiro (at Stockholm, Sweden) https://www.instagram.com/p/CnRnB2dIYvn/?igshid=NGJjMDIxMWI=

[crystalcharmz]

Check out this listing I just added to my Poshmark closet: 💋 BCBG MaAzria Bodycon One Shoulder Mesium M Dress RARE💋.