#so in a sense it was never goung to be what i expected because my expectations after almost a decade are inevitably unrealistic

[joyridingmp3]

interesting show. nice to hear songs that i've listened to for the last 6ish years live. was weird seeing him and his tattoos and outfits doing his little dances in the flesh because im so used to having seen him through my computer or phone for the last decade. felt surreal. harry picked up the rainbow and trans flags which i know he does like at every show but as someone who had otra harry rainbow flag as their phone bg before they were out to anyone it meant a lot to see it in person. kiwi and tpwk went off!!!! wish he did medicine but was still cool! idk though... he's lovely and kind but i felt like he didnt have the stage presence i expected. it felt very like....rehearsed and inauthentic and obviously manufactured (as youd expect most artists to be). but it's almost like you could see him saying to himself "you're on stage, don't forget to smile all the time because the cameras are watching" and things like "okay. now i'm going to do or say this so that everyone thinks x of me'" which like is fine and i'm obviously not hating someone who wants to be perceived well. esp with today's culture. he has done so much for me these last almost 10 years. but it didn't feel genuine and it's hard to even explain how you could Feel that, but i could. overall still a really cool show! but just different to what i anticipated i guess which is fine. very full circle moment though. i have no idea who daryl is though but everyone seemed to enjoy whatever all that was. never heard that song. the live guitar was INSANE though i was starstruck!! couldn't help but look at the crowd and the stage and hear the music and think to myself like 'i have to do this. i have to'

[warrioreowynofrohan]

Thoughts on Mistborn Era 2 (Wax & Wayne):

My main take on these was “ah, looks like Brandon’s taking some time off from his magnum opus to write pulp Western/detective/crime novels”, and I was very amused to look up Brandon’s comments and see a ton of interviews with him saying, “so, this is absolutely me having some fun writing pulp Western/crime novels”. It’s nice to have a writer who’s not too proud to - accurately - describe his own stuff as pulp yet still do a good job of it. They remind me a little of the Dresden Files in terms of the mystery aspects, the urban fantasy tone, the wit, the lack of diplomatic/political subtlety of the protagonists and, of course, the rampant property destruction. But Brandon’s a much more thoughtful author than Jim Butcher, and treats his female characters better.

On the topic of gratuitous property destruction: Wax, for goodness’ sakes, stop shooting the ground! That’s infrastructure, Wax! Fixing the streets takes work, Wax! You’re not a dusty dirt road in the middle of nowhere any more, Wax! Just drop a coin like they dud in the old days! Or a shell casing or bullet if you desperately need to be hardcore. But rampantly firing off weapons in urban areas just to get a base for your Allomancy is a terrible idea.

This was a wonderful follow-up to Mistborn because it was a lot lighter and the stakes were a lot lower, which is nice for a change. I was reading the intro to Elantris where it was talking about people in Brandon’s early writing group telling him he needed to raise the stakes, and personally, I like low stakes. Well of Ascension/Hero of Ages were a grind, much as I liked the ending, and I would be up for more stories like Dawnshard, with low stakes and the heroes resolving the plot by non-violent means.

Marasi and Steris are both very well-done characters - I was definitely shipping Wax/Marasi in the first book and had no expectations of the Wax/Steris engagement lasting, so I was quite surprised, but the switch was well done and I liked it. Marasi and Wax’s feelings were a crush/hero worship and a rebound, respectively. And it’s nice to see a relationship grow gradually like Wax and Steris’ did. What Brandon did with Steris, starting out with a portrayal readers are unlikely to lije and letting her grow on them, is risky (especially with female characters) because readers may hold to first impressions, but I thought it worked very well.

Wayne’s backstory and reaction to it hit hard and was one of the best elements in the series. Another entry in the diverse array of Sanderson redemption arcs. It’s interesting because Wayne both is and isn’t haunted by it - he takes it seriously, it affects him deeply, but he doesn’t habitually brood, and it doesn’t prevent him from being a generally lighthearted, funny, silly person most of the time.

Wayne is absolutely right about the value of certain goids being an arbitrary thing invented by rich people. I’ve had caviar, once (as a garnish on a nice pasta dish at a fancy restaurant). It tastes like nothing. Entirely nodescript. The sole purpose of caviar is to communicate “this dish is fancy (and so, by connection, is the person eating it)”.

I’m deeply protective of Sazed and get very affonted when characters criticize him. I think he’s done an excellent job. It’s hard to wrap my head around the sheer scale of Bleeder’s overreaction to the possibility of her boyfriend moving back to the city. Though on one level it makes sense in that the kandra are of Preservation: she is going to see maintwnance of an existing situation as inherently better and more desirable, even if a change could still turn out well and be something Wax enjoyed. And I don’t feel like Sazed telling him about Bleeder being Lessie would have helped anything - it just would have made the decision to kill her harder, not less necessary, because she was incredibly malicious, destructive, and dangerous and there was no other way of containing her.

The resolution of Shadows of Self is exactly the sort of thing I wanted to see, politically: the mass protests and risk of riot over poor wages, unemployment, and mustreatment of workers is resolved by a committment to address those problems, because the workers’ anger is legitimate and their cause is just.

I’m heartily frustrated by Wax, because it is his responsibility - it is literally his job, he has employees and a Senate seat! - to address the major political and economic problems of Elendel, and he neglects them. I don’t care if you’d rather be out shooting things! You have resposibilities! The workers in your factories are the source of the money and prestige that lets you engage in your gentleman-crimefighter hobby, and you owe it to them to see that the city operates in their interests. You can do far more good in that way than by shootin’ bad guys. Do. Your. Damn. Job. Steris seems to be nudging him in that direction, at least.

In general I’m impatient with a lot of the law-enforcement attitudes. Miles is a villain for whom I have absolutely no sympathy. Oh, so you’ve turned evil because, despite your 15 years of work in law enforcement, crime still exists? Yeah, maybe that’s because your belief that crime will stop existing if you shoot and/or hang enough people was never realistic. Likewise with Wax’s skepticism regarding Marasi’s ideas on how crime can be reduced through better urban planning and social policies - no, Wax, it won’t entirely eliminate crime, there will always be people who are just plain malicious, greedy, venal, or violent, but if you can reduce it by, say, 50-70% by better social policy, that would still be a good thing, right?

The period newspapers are great fun. I want a TenSoon plushie! Come on, Brandon, you’re musding out on a fantastic marketing opportunity! The one thing that bugged me was the ‘Pewternauts’ in The Bands of Mourning. In the first place, it’s a nonsensical name - real-world dreadnaughts, of which these are obviously supposed to be the equivalent, were called that because it literally meant ‘these having nothing they should fear’. The apex predator of military warships at the time, if you will. You can’t just create a random fantasy portmanteau amd pretend that it works - it’s like calling a scandal in a fantasy novel something-gate even though the Watergate scandal doesn’t exist in that world! Secondly, dreadnaughts were part of a massive military arms race in a world where European wars had been commonplace for centuries. The Elendel basin had never had a war in 300 years - these aren’t something that someone would invent just off the bat. Having similar technology to turn-of-the-century earth doesn’t mean it will be applied in the same ways, not with a completely different political context.

In general, New Seran’s complaints seemed overblown. Yes, the transit system treating Elendel as a hub and lacking effective connections between the outlying regions in aggravating. (It’s a provlem that plagues urban public transit systems even now - most routes are either local or feed into the city centre, with relatively few goung from one suburb to another, even as trans-suburban commuting vecomes more common.) But it’s not remotely the kind of thing you fight a war over! I feel like Brandon’s trying to recall the American Revolution, a bit, but the distances are so small (Elendel and New Seran are about as far apart as Ottawa and Toronto) as to make that ludicrous. What they really need is some kind of equivalent to a regional district authority, where representatives of multiple local governments can get together to work on issues of regional planning.