the geoff retcon is just so poorly done in so many ways. when i think abt it i just rly do have to roll my eyes because it wouldn't even be that hard to be like "actually, paul westfield was duped by agenda under orders from the contessa" and have that as the explanation for the introduction of luthor dna instead of paul westfield's, if you MUST include it. like that way it doesn't blatantly contradict the entire luthor plotline with mae in reign of the supermen, and it could've been a reveal to luthor himself, too. that couldve been fascinating ESPECIALLY in the context of lex having baby lena in that era, until the y2k event.
but fuckign. why do that when we can directly contradict kon's entire origin story which explicitly states he escaped before they were able to put control codes in his head. and when we can also just completely dismiss the ethics of "they [wanted to] put control codes in his head" in favor of "what if... some genes... make you BAD..." which is just very thinly veiled eugenics that the narrative entertains, for some reason. frankly, imo, lex was far more interesting as a character in every plot other than this, because he became so one-dimensionally evil in a very boring stock "manipulative" way. and we didn't even get a single mention of lena in all of his "my son" bullshit. using the contessa wouldve been such an easy and perfect way to tie it all together!!!! but sure. why do anything like that, right geoff.
89 notes
·
View notes
if killer ever went into stage 3 around horror i absolutely want horror to fuck around with him in it. killer would totally obliterate him yes. BUT horror's also smart enough to know not to fuck around (too much) and find out. i think it would be like animal control and a wild feral dog. horror would set up traps for killer to get stuck in and then he crawls out of them. he laughs when killer falls for them so easily because a normal killer wouldn't fall for them so savagely (s2 killer MIGHT purposely trigger horror's traps just to see what would happen but s3..... bro has no thoughts). it's a good time for him to test out what new traps he can try too because killer is stupidly determined enough to keep surviving even the most saw level traps horror comes up with. he could find a way to slice off killer's leg with a cool new funky trap that's basically a torture device and killer will just start chasing him on all threes
killer just has like rabies foam at his mouth and horror is actively laughing at him during all of it. there are several moments where killer almost kills him or fatally wounds him but horror's smart enough to use his limited magic to teleport away in time before killer ends up gouging out his stolen eye. he just finds it so funny because normally killer is a lot smarter than this. killer always has that empty look on his face and is precise and always speaks with that stuck up tone and like he always knows what he's doing and what's going on and now the only thing that killer can say is a bunch of rusyxushabdhshhgggherrrrrggrrrrrr like a dumb dumb little dog. and horror absolutely finds it hilarious as he watches killer climb out of the 30th spike trap he's set. dude is absolutely covered in blood but bro is just dead set on killing horror in s3. horror just finds his fall from grace so PATHETICALLY HILARIOUS!!! and then he falls for another trap where he gets stuck in a net and horror laughs at him all over again and it's just a never ending loop until killer calms down enough to go back to stage 2.
it's a surprisingly good way of dealing with killer's 3rd stage is what dust would say if he didn't watch horror almost get torn apart by killer several times before that and now he has to deal with killer's bleeding from like 40 different wounds
61 notes
·
View notes
Thinking about Orchid and her connection to my take on Gender (because this was meant to be about her and the Crew but it just devolved into a character analysis kinda??? More trauma-dumping maybe???) This is very much an oc/personal rant so feel free to ignore it 🫡
So, Orchid started off as a character I didn't really think much of (hear me out this is going to be relevant) because I wanted to add a 'girl' character but didn't know what to *do* with her, y'know? She was always going to be the strongest one there, she had the odds stacked in her favor with her parents. She was always going to be the gloomy side-character to match Reset's energy. But I think she's gone through every stage of Generic Woman I could possibly find.
At first she was angry and abrasive (think Fell!Sans) where every other word was a curse and she was likely to throw the first punch then laugh as she kicks her enemy while they're down. This was when Reset was a cartoonishly self-centered villain whose goal was simply to prove others wrong. Then Orchid became a sort of sisterly figure. This was short-lived, but she was the one comforting people who Reset would torment, but would ultimately follow his orders, because at this point he was actually a danger and sadistic. And then there was the phase where the story mellowed out and she became the token Goth Girl who, yes she was strong, but was heavy on the 'whatever' energy. Then there was her Era of deep self-loathing and anxiety about her worth that held her back and made her a much more timid and meek character who would only lash out on occasion.
Now, Orchid is the best of those iterations I've written yet. She's calm, level-headed, and a natural leader. Her father raised those traits into her. But she's very reactive, and can be silly, and when she's comfortable it's likely that air of importance transforms into something more comfortable and familiar. She laughs loudly and grins wide, she likes loud video-games but loves to read in the quiet. She's extremely disciplined, and normally no one can get through her tough exterior besides her best friend, Reset. She does what she does for her own enjoyment, sure, but she's thought of every angle and makes her choice to help Reset and control the others with her whole chest. She still worries she won't live up to her invisible expectations, and that and her loyalty are her two driving forces.
I know that Orchid is important to me because she's the longest-running female oc I've had. I have a rough relationship with womanhood/girlhood and I know looking back that Orchid recieved every ounce of my distaste for being a woman that I could shovel into her. That never made her less of a character, she was actually always one of my favorites, and rarely was she a 'punching bag oc'. I just... projected onto her a lot. And she's a good sign of how I've learned who I am. I've decided that my own femininity is something I could live without. I'd rather not associate myself with it, and I'd like to leave it in my past, focusing on a future where I'm not tied down with any gender roles or expectations. That won't happen, but I've come to terms with it myself. Orchid though? I figured out through her that I don't have to hate women characters. My own distaste for my circumstances doesn't mean I have to push it onto my characters (on God I've never expressed anything rude to actual people, that'd be rude as hell and uncalled for, but I have a bad habit of disliking fictional women in media). So, Orchid is a well-roubded character finally. She has motivations abd goals and a *lot* more depth than I ever expected her to. She's happy with being a woman, she's content. She's not treated differently for it in unfair ways by those she cares about, so she doesn't mind it. She likes to wear pretty outfits and lets Reset add bows to her ribbons. She doesn't let being a woman hold her back in the slightest.
So, yeah. Orchid is one of my babies. If I ever leave this Fandom behind for good, she's one that's coming with (Ichor, Orchid, and Pretender all have human designs I can use elsewhere lol-) but in the meantime I'll just rotate her around in my brain for a while longer.
If I'm right, she's been with me for nearly 5-6 years and I went through a *lot* with her as an outlet. So, she's kinda just like an old stuffed animal. A lil ripped, matted fur, maybe a stain or two, but there's a story there and that makes it important beyond belief.
16 notes
·
View notes
And Another Thing it's not like i Don't like roygarth or that i'm particularly Against the ship cause no. but i think their canon relationship is so much more interesting than this weird fanon version of them where they were always Best Buds.
like canon roygarth starts with them being angsty teens dealing with their own shit and fully refusing to understand each other. garth latches on to everyone who's even a Little nice to him and roy is stuck in his I Don't Need Friends They Disappoint Me stage. roy also has very high standards for himself and gets pissy with garth cause he feels like garth shouldn't be a hero. which obviously sets garth off because he Also feels like he shouldn't be a hero but the other titans were usually supportive and understanding whereas roy would actually say it and insult him directly.
And Then garth fucks off and only talks to the titans when they talk to him first, then he's Fine Again but goes through Rough Shit. meanwhile roy's life is Also falling apart. but they get older and they get more mature and they get to this point in their life where they don't Want to fight each other anymore. the titans are their home and they're constantly losing people and they don't Want to lose what little they have left. but they also won't apologize or talk about what happened because they're both emotionally repressed so they just never clear shit up.
it's obvious that later on roy Does respect garth and Does see him as a hero, but he never apologizes for what he said in the past so garth still has doubts. and garth starts to gradually leave the titans out of stuff and only update them once a fucking year so roy is like ?? What Are We??? and as adults you can see that playful banter and that familiarity they have with each other and yeah it IS genuine but it's also burying all the blood bad they never actually sorted.
they're just in this really weird zone where they're Family but they're not Friends. they would give their life for the other but they never talk. they pretend to understand the other but they don't know anything going on in their life. they're best friends and they're just some guys. like imo their canon relationship is so interesting and has So Many Layers that really highlight their individual problems but the fanon version is always like "yeah sometimes they sass each other :)". like.
50 notes
·
View notes
Hey big fan. How tall do you think the androids in DL are?
Not gonna lie, it's always a bit shocking to hear one has made anything to earn a 'big fan', but thank you very much nonetheless!
As for your actual question, though, I think they're roughly about human height, judging by art? Of course I've gone over how art sometimes varied wildly in height, but as mentioned in that post if you have seen that, Dragalia did seem to try and keep a 'comparison heights' straight, at least. They might not have kept straight if Euden was 4'11 or 5'9 but he was shorter than Ranzal and Luca, etc.
And what we see in the wyrmprints, they seem consistently human in size:
(Well, these are both with sylvans, but sylvans are human in height as well, ears notwithstanding, so the point stands).
As funny as it might have been if every android was big or really tiny, I think it probably makes sense that, being created and wished for them to be 'humans' by Maestro, they resemble humanity as much as possible.
Now, just because Laxi, Mascula, and the androids from their era are human sized, others might not be.
They're a recreation of the older models in another case of Dragalia's humans trying to resurrect older tech, the same tech that made the dragons Very Displeased 1k years ago.
Now, Eireene and Finni, who unfortunately have among my personal least favorite designs in Dragalia, don't really give any indication either of being a wildly different size than Laxi or Mascula. Like this art here, where they are about the same size as Laxi and in a similar 'dwarfed by Ranzal' category most everyone falls into to varying degrees.
That doesn't mean there aren't standouts.
Anassa, for example, seems to carry a much bigger presence in her art. Being something of a commander and command center for the 1k year old model androids, it stands to reason she might have more weapons built in, more data processors, or other things in greater quantity. While we don't have a model or comparative art to truly say for certain that she is bigger, she certainly looks it.
(Does she even have legs??? Is she a roomba that would be foiled by anything over a 15° incline or a sudden height change, ex, stairs??? I mean yeah, doesn't she fly and drop down the one time, but even then, there's any number of environments that might make it awkward or impossible to use it to navigate a hazard.)
Ahem. Anyways, the point is that the general androids, be it Maestro's recreations or their elder Nier:Dragalia -er, Ex Machina, a part of the Humanoid Liberation Agency/the ones living in the sky, seem to be human sized. But there might be a few special model ones out there like Anassa who serve a unique and important purpose to justify the time, energy, and resources designing and creating them to fulfill their goal.
Now, admittedly, androids in Dragalia would be a weak point in my general knowledge since they never really quite struck a chord with me enough to inspire a fixation on them, but yeah, as far as I can tell, they're human-sized with perhaps some rare exceptions. The most I can say that might not be wholly normal is their apparent tendency towards a sort of gaunt build, which, to be fair, it's not exactly as if they can build muscle to change that.
Hopefully that answered your question satisfactorily!
6 notes
·
View notes