#stuff. like again traumatized kid with abandonment issues and also tbh it really feels in this show like every damn time he starts to work

[ff2-soda-pop]

i feel like the stuff with lloyd and garmadon is really complicated and i looked in the tags for a couple minutes and i keep seeing people being like. making it like one extreme end of a situation or the other and tbh i dont like or get it-

[zeleniafic]

I don't know much Auriga, and that is a travesty cause I love hp ocs. Please tell me more about her so we can fix that!

I’ve never posted about her before!! Auriga has existed in word docs and emails and notes for several years but I’ve never posted anything about her/her fic. She’s very dear to my heart and it’s like... weirdly difficult to throw info about her up here now after just working on it in private for so long?!

Warning that this is INSANELY long even though I tried to condense it, I am so sorry lmao. Auriga means so much to me and I have a LOT of stuff for her from over the years... this really is the “short” version LOL

So anyway... Auriga is Sirius’ twin. She spawned out of a desire to explore the Black family dynamics, and have a character that is not so polarized as Sirius... and, in some characterizations, Regulus too. The story does address Sirius’ darker side (like, say, sending a schoolyard nemesis to potentially get eaten by a werewolf?! bro.......) but for the majority Auriga is the shade of gray in the middle of the brothers, in a sense. She never strays toward Voldemort like Regulus did at first, but she is not as stereotypically “good” as Sirius, as far as the general consensus of the wizarding world is concerned. The “light v dark” / “good v evil” system being SO SO RIGID in HP is something I passionately hate and I consistently reject it in my writings, even with more lighthearted characters. Auriga, in essence, was created directly because of that. She is not a “light” witch nor is she a “dark” witch, and in fact, she rejects that entire dichotomy as I also usually do. She’s just... Auriga. Not a goody two shoes Order member who won’t aim to kill if she needs to, but also not a murdering bigot like the Death Eaters.

Unfortunately, her willingness to get her hands dirty without remorse puts her at odds with the Order more often than not, while her refusal to follow Voldemort makes her a target. She very much gets stuck as a lone wolf figure, which... she kind of always was, tbh. She was very close with both Sirius and Regulus growing up, but the older they get the more fractured it is - she is always stuck in the middle of their fighting or unspoken tension at home, and her being sorted into Slytherin distances her from Sirius. She so desperately wants them to stop fighting and for the three of them to be a united front again the way they were as children, but it just never happens. As soon as Sirius is sorted, there’s a fault line between the brothers and she is left straddling the divide trying not to fall. Regulus’ death is something that fractures her as a person, and she sees it as her greatest failure in life that she could not save him. There is also some other stuff going on in her life, and some decisions she made with lasting repercussions, that make her feel like it is her fault he ended up where he did.

Auriga is... kind of repressed, tbh? The way she was raised, she’s just really emotionally stunted. Sirius and Regulus are too but it displays a bit differently for each of them, and for her it’s being the perfect pureblood princess and having trouble displaying her “improper” emotions or having agency for herself beyond the family’s uses and expectations for her as a daughter.

To be frank, I think her fic is the darkest and grimmest of any of my WIPs. It’s just a very ADULT story, in terms of the themes that play a big role in it and the difficult subjects it tackles, if that makes sense? It looks at a lot of aspects of pureblood culture that are just footnotes in canon, and it builds from there. Walburga and Orion’s parenting being directly abusive in several ways, and the psychological/emotional aspect of growing up in the culture and household that the Black kids did. It grapples with the commonly accepted sense of morality, and how it gets murky in wartimes. And it also tackles the patriarchal elements of pureblood society - betrothals, arranged or even FORCED marriages, and the potential lack of agency/lack of consent for witches in particular that stems from a blood/lineage/name obsessed culture. One of the rifts that forms between Auriga and Sirius as they get older is that he does NOT understand what it is like to be a pureblood witch from a family like theirs, and how different it is from his lot. They can commiserate about their family and their upbringing, but so much of his freedoms are not available to her. When he runs away to the Potters’ and she refuses to go with him, unwilling to abandon Regulus, this comes to a head. Walburga is furious about Sirius of course, and this is shown by how much more controlling she is over the two remaining children - Regulus being pushed toward Voldemort, and Auriga being pushed into a betrothal she was diplomatically resisting beforehand. This is a whoooooole fiasco and plotline that deals with forced marriages, lack of consent, and mental manipulation/use of mind-altering magic in order to trap Auriga into the marriage.

After escaping this, she’s... pretty traumatized, understandably. She changes fundamentally as a character after this, becoming less stoic and composed “pureblood heiress” and instead lets out all the anger that’s been collecting inside her all this time. She leaves the family after she’s mentally coherent again, in a pretty theatrical way, but she is VERY angry with Sirius and - illogical or not - she throws a lot of blame his way for what happened to her, so she refuses to show up at the Potters and instead makes her own way. This is a BIG fracturing moment for the siblings.

A lot of her seventh year is dealing with the repercussions of that forced marriage, both physically and mentally. She’s in a really bad place when the year starts. The silver lining is, she 100% gets her revenge on the fiance AND on Walburga for what they did to her, and eventually she starts to be more of herself - her true self, the one she was hiding behind the mask all those years. She finally is able to pursue the relationship between herself and Remus, which had been building for years but which she consistently denied because she was afraid to make him a target of her family. By the end of the seventh year, she has completely the family off and they are in a relationship.

The golden few years here in the middle, ironically, take place during a war. She has mostly patched things up with Sirius, and she and Remus are dating and sickeningly happy, she’s got true friends for the first time in her life. Things are really good on a personal level, even as they are fighting a war.

Unfortunately, things fall apart again. After Peter’s betrayal and Sirius’ framing, she has a falling out with Remus over his believing the story. Despite all the issues between herself and Sirius, she never EVER doubts his innocence. EVER. She completely cuts Remus off when he starts believing it, and the both of them are spiraling after that. This is worsened by the fact that shortly later she is wanted as a supposed accomplice of Sirius and has to go on the run. It’s not surprising - she was the Slytherin, she was always darker than him, she’d committed lesser crimes or toed the line of what the Ministry approves of... if they named Sirius Black, infamously defiant of his family and a loud and proud Gryffindor, as a Death Eater... it’s a lot easier to make the leap that she was one too. The public wholeheartedly accepts it and she is hated intensely, and is forever on the run after that. By the time it gets to Harry’s time, she’s a pretty dangerous character, even more so than before. She and Sirius reunite, and eventually she and Remus patch things up. There are some lasting complications from earlier plotlines I won’t delve into right now, and tbh their ending is... pretty fucking depressing?! They don’t ride off into the sunset in any way shape or form. But they do get closure, and they do find their own kind of peace before the end. And I think it suits them, and the story, in the end. Auriga’s story was never intended to be a fix-it fic or even really address major HP canon lot elements, it’s very much just about HER as an individual and the different dynamics of what it means to be someone like her in that culture, society, and world.

So basically I’m really mean to Auri but writing about and really diving into difficult topics through her POV is really cathartic for me for various personal reasons and despite her entire life being a FUCKING TRAGEDY, she’s been around for a long time for me and I love her so much and she means a lot to me!! :’)

[shima-draws]

Okay listen I really really enjoyed The Wonderland/Birthday Wonderland a LOT but there’s definitely like. Huge chunks of stuff that are missing from the plot that I would have loved to see;; SPOILERS AHEAD BEWARE

First of all let me say that this movie definitely would have worked better as a TV series. Why? Because the world itself is MASSIVE. There’s so much worldbuilding shit going on that they only got to touch a little bit of each section, and left so many things open ended. And then there’s the fact of the plot itself that leaves a lot of holes behind and unanswered questions.

Rest is under the cut so ya’ll can avoid spoilers if you so desire:

What the fuck happened with the sweater contest? They make it out to be such an enormous, important part of the plot that literally ends the moment Akane hands the sweater over. We see her protectively guarding it the entire journey to the city, and yet it’s never even touched upon if the sweater wins the contest or not. What happened bruh?? I want to know if it won, a lot of unnecessary screentime went into the development and story of that sweater! Don’t leave me hanging!

“Our world is dying”, Hippocrates says, as the majority of the land is still thriving pretty okay from the looks of it. Aight. There’s lots of gorgeous visuals in this film that are made clear through the gift of water that they’re living--and apparently there isn’t even enough water to go around for humans to drink. At that point literally everything else would be dried up, right? There is literally a giant pond--GIANT! With koi fish right outside the city. They just gotta learn to distribute their water better;; it’s a shitty system tbh lmao I mean there’s plenty to go around. They just don’t bother to try spreading it evenly, which is why some places are flourishing while others are not. They really should have spent more time showing how people are suffering from this rather than showing the remaining gorgeous parts of the land--that would have made the impact of saving that world that much stronger, made the stakes so much higher. If Akane had seen how bad it really got without water, maybe that would have driven her character development earlier on, and made it more significant.

Akane’s change. It felt...really...anti-climatic. Or maybe just rushed. It was a sudden, minor sort of thing that when I realized I was like “Oh, okay, she’s already come to the conclusion that she can be strong on her own, but I wanted to see that?” They didn’t execute it super well. It feels like we’re missing an entire scene where Akane finally breaks through her fear to gain courage and make her own choices. There was definitely a bit of that right before she made her grand speech to Zangu, but there was nothing that prompted it. The whole movie is a coming of age story for her, building up until the moment where she has her great breakthrough and is able to be confident with herself. But...they don’t show that. We don’t get to see that moment. I don’t know why, because it’s the most important thing of the entire film? They really could have handled that better.

I really wish they touched more on Midori’s involvement;; she was so minor I almost didn’t catch the connection between her and the previous Goddess of the Green Wind. I like that Akane feels closer to her because of this, but we never really get anymore information than that. How did Midori end up in Wonderland so many years ago? Was she a reluctant hero type like Akane, or was she determined to save the world? Did she meet Hippocrates way back then, or was it a different alchemist that lead her on an adventure? Was something wrong with the prince at the time which required her presence in order to make sure the drop rain ceremony went well, just like Akane? I don’t know! I want to know!

The ending was SO abrupt and short. Literally right after Akane and Chii get back that’s it bam roll credits movie over! I’m like. Whiplashed by it. I wanted to see how they were affected by the journey (besides Chii immediately going to take a nap which fandjksad MOOD), and how they’ve changed from their adventures. We obviously see a huge change in Akane at the end, but how does this affect her life in her own world? Does she start treating her friends differently? Does she ever make up with the girl she abandoned in order to be in the popular group (which is another huge thing they never came back to). Is she more determined to do things now, to be confident? Is this a change her mother notices? At least show the impact of what they went through;;

Halfway through the movie we’re introduced to a London-type city that’s really...not so fun looking. Dark, gloomy, and depressing, with obvious signs of poverty, where everyone looks angry all the time. It’s a very very clear outlier in the colorful Wonderland. I’d love to have seen more history on this city...why is it so different from the rest of the world, and so dark? Why do all the people seem so unfriendly, when those outside of its walls are generous and kind? How did this city come to be? It’s such an enormous mystery that they never talk about, besides hinting that this was where the prince had ended up once before he became Zangu.

Speaking of the lovely prince. I know we got kicked in the face with his backstory (and that shit hurted, this poor baby who also kinda deserved it but not to THAT degree), but I would have liked to see even more. Maybe I’m biased because he became my favorite character the instant his identity was revealed, idk. (And, to me, he feels way more fleshed out and rounded as a character regarding his development than Akane does, which is another reason why I like him best.) But while we were given his motivations in becoming Zangu, the personality difference between Zangu and his regular princely self is IMMENSE. I really don’t think the prince would have ever committed such acts--he may be a little shit and have a lot of anger issues (which, valid, I mean his parents died and he suddenly has all these huge expectations on his shoulders and he’s. He’s just a kid man, that HAS to be traumatic) but I really don’t think he would ever strike against his own people or openly threaten them. Sure, he’s definitely shown to be prone to angry outbursts, and is fond of pushing everyone who cares about him away, but he’s not purposefully malicious. And as soon as Akane transforms him back, he calms down immediately and becomes immensely selfless and heroic. So: why the enormous change of heart? I think something that could be canon that they never really mentioned is that, when he was transformed into Zangu, he became sort of a puppet. A lifeless doll without any real empathy, and the only emotions he could feel were a burning anger and a desire for revenge to those that wronged him and made him feel pressured to perform the drop rain ceremony. Being trapped inside a body like that probably just made those feelings escalate, resulting in all of the crimes he committed and all of the people he hurt. (And maybe they did touch on this but I just don’t remember since my memory is garbage lol)

Going off of that, I know this is the type of story where we follow the hero characters, and as soon as Chii and Akane made it home that was it, we weren’t allowed another peek into the Wonderland. But...what if we were granted that opportunity? Could we have gotten the chance to see how things changed after they left? Perhaps the prince began a journey traveling to all of the towns and villages he terrorized, and apologizing to the people. Maybe Ron starts to train under Hippocrates just like Pipo. Maybe the rain washed away all of the sorrow in that lonely city, which caused people to start to change it and make it brighter. Change, change, change! I want to see proof of Akane’s help! 

Why the fuck did the other alchemist/sorcerer (I forget his name and there’s no info on him anywhere MDAKMASD I’ll update this when I find out later) do that to the prince?? That was SERIOUSLY fucked up. “Oh yeah, to punish this child for being naughty and angry after his parents died, which is actually perfectly reasonable, let’s turn him into a doll where he can’t MOVE OR SPEAK and let him sit there in absolute torture until I feel like setting him free again, instead of trying to find an alternative way to confront him about his anger issues”. Dude;; No wonder he was so fucking angry and bitter when Ron finally allowed him to speak again. I would be too! Trapping children in naughty doll prison is not the answer!

I’m trying to think of more but I think I covered most of it :’) If ya’ll have anything to add, please do!

Like, overall, the movie was GREAT. It would have been even better if they didn’t shove so much information into it that ended up becoming irrelevant later on. It felt as if they were trying to cram a TV series into a movie, trying to cover all of their bases but failing. There’s just so many things they left open-ended and unanswered;; and you know me, I’m a slut for lore like this so I want to know EVERYTHING. And I only got little bits and pieces of it. I really would kike to know if they just cut out large portions of the movie to fit the time limit and the budget;; because that would make a lot of sense, because it feels as if I was handed a puzzle without all the puzzle pieces.

[atamascolily]

The cover of Junior Jedi Knights #5: Vader's Fortress by Rebecca Moesta features Anakin and Artoo dodging blaster fire while Tahiri does a bad-ass leap and Darth Vader looms in the background. So I guess this next field trip is to wherever the hell Vader's fortress is located... and given that this book was published in 1997, I'm pretty sure it isn't Mustafar.

Readers, I squealed with delight when I realized they were actually going to Bast Castle on Vjun.

[cut for length and discussion of Dark Empire]

Vjun's first appearance was in Dark Empire, but it's the main setting for Sean Stewart's Clone War-era novel Yoda: Dark Rendezvous (2004), which happens to be one of the best Legends books ever. Period. Drop everything and go read it now. Stewart's Vjun is a Dark side Gothic horror wonderland full of crumbling castles, crazed nobility, and flesh-eating moss. I love it, and you will, too.

Vjun also appears in various video games, with no less than Kyle Katarn describing it as "a big, dead, important rock". High praise, indeed.

Oh, and if you're curious, Wookiepeedia says Vjun is "pronounced as "VAH-JUHN" in Star Wars: Jedi Knight: Jedi Academy, but in Star Wars Battlefront: Elite Squadron, it is pronounced as "VUHN"".... so anything goes, really.

Anyway, so having dealt with his heritage by going to Dagobah in the last book, the logical next step is for Anakin to actually go and visit Vader's castle in person. You know, exposure therapy. Right?

Okay, let's see what the text says.

Anakin, Tahiri and Uldir are hanging out on the landing pad on Yavin IV waiting for Tionne to show up. Tahiri loves Tionne so much, she doesn't mind waiting around, and she wishes she could have gone with Tionne on this latest trip to Borgo Prime and I just... I love their relationship, okay?

Tionne has a new ship - the Lore Seeker! Anakin uses the Force to determine it's in great shape despite its odd appearance. (It has sails to harness solar wind, lol!)

“I’m glad to hear you say that,” the Jedi instructor said with a smile. “I thought so, too. But because the ship was so old, I was able to buy it from a Randoni trader for a song.”

“How much did you really pay?” Uldir asked.

Tionne shrugged.

“Just a song. Really. While I was looking for Jedi legends, I came across an ancient song that told about the very firstRan - doni merchants and the vaults where they hid their wealth. The trader was so interested that she offered me the Lore Seeker in exchange for the song. Now come help me unload my cargo, and I’ll show you some of my other treasures.”

DID I MENTION I LOVE HER???

Also, Tionne got some other stuff, too:

“You may carry this Twi’lek story-chain, Tahiri-each link tells a different part of a story. Please be very careful with it. Uldir, here is a holodisk. It holds a recording of some very old Jedi songs. Anakin, would you please carry this scroll? I’ll take the tapestry.”’

AHHHHHH, I LOVE THIS.

But Tionne found out something else important "in an old fortress on a planet called Vjun" and this is where I started SCREAMING because I know exactly where this is going and this is such a great set-up - especially since none of the kids have a clue.

Of course, they want to go, and Tionne's trying to be diplomatic about it.

“Does anyone live in the fortress?” Anakin asked.

Tionne shook her head.

“Not anymore.”

“Well, if it’s really that important, don’t you think you ought to go find it?” Tahiri said. “And don’t forget that you promised to take me with you this time.”

“I’d like to go along, too,” Anakin added.

“Yeah, it sounds like fun,” Uldir said.

Tionne frowned.

“I’m not sure Master Skywalker will approve. It could be a bit dangerous."

LOLOLOLOL, since when has that ever stopped anybody in this series?? But according to Tionne, the danger isn't Sith ghosts or anything like that - it's other people trying to snag a certain treasure first.

And what is this special object? the kids want to know.

Tionne’s face lit with a wondering smile, and she gave a happy sigh.

“It’s Obi-Wan Kenobi’s lightsaber!”

ITS A MACGUFFIN! Also, given all of Vader’s issues with Obi-wan, the fact that he kept his old master’s lightsaber in his hidden Gothic Drama Castle is... something. But I digress.

Cut to Luke, being Luke.

Luke Skywalker, dressed in a comfortable black flightsuit, sat on the stone floor in the room where he meditated and did his office work. At the moment, though, Luke was not meditating. Before him in the center of the room stood his barrel-shaped blue and white droid, ArtooDetoo. It was time for Artoo’s routine cleaning. Anakin’s older sister Jaina often helped Luke with this chore, but the Jedi Master didn’t mind doing it himself. He actually found it relaxing. With his tools neatly laid out on the floor and fresh packets of lubricant beside him, Master Skywalker opened ArtooDetoo’s front panels and got to work.

After checking the droid’s numerous electrical connections, Luke added a few gadgets and upgrades Jaina had scrounged up for Artoo: a retractable mirror attachment, a power booster for the comm unit, and a new focusing lens for the hologram projector.

I'm sure NONE of these upgrades will come in handy later on in the book. Nope. Nope. Nope. Move along, nothing to see here, just a boy and his bro-bot.

Ikrit is hanging out on top of Artoo's head during all of this, when there's a knock at the door. Luke asks him to open the door and Ikrit DOES and I don't know why I find this so adorable, but I totally do. More of this, please.

Luke looked up from the packet of slippery lubricant he held in his hand, then smiled when he saw who his visitors were.

“Come in,” he said, “all of you.”

His words seemed to open an invisible dam, because people and noises instantly flooded into his quiet room. Luke laughed as everyone tried to talk to him at once.

“Master Skywalker, I have wonderful news,” Tionne said. “You’ll never guess in a million years,” Tahiri added.

“Can I go with them?” Anakin asked.

“Yeah, me too!” Uldir said.

News of Obi-wan's lightsaber makes Luke have all kinds of Feels (and a handy flashback for those who have forgotten the movies). Luke's like, Oh, yeah, Bast Castle, I've been there before back in Dark Empire when things got weird, and Anakin FREAKS OUT. Tionne's like, huh, maybe that's why my contact said only family had a right to claim the lightsaber then.

Tionne wants Luke to come with her, but Luke is meeting with Leia for pressing NR business, so Anakin volunteers to go as the family rep. I love that Luke looks at Ikrit first, and only says okay when Ikrit nods. Of course Uldir wants to come too, and Luke is about to say no, but Tionne's like "he's just going to stow away, so you might as well and the cargo hold on my ship is too small for him plus our stuff" so Luke caves. DID I MENTION HE'S A SOFTIE?? And with Artoo and Ikrit to help, Luke feels good about it, but again, he insists on the parental permission first.

[Oh, no, I just realized that Luke might not want to go back to Vjun after all the traumatic shit that went down in Dark Empire, and that's ALSO horrifying to contemplate. Like, it's not dangerous anymore, so he's okay with sending Anakin there with supervision, but he might not be eager to re-visit it? MY HEART.]

We skip that scene, though, and jump immediately to everyone in the Lore Seeker, and Tionne teaches them about lightsabers. Nomi Sunrider is namedropped (queen!) but overall lightsabers are reified, and I don't know how I feel about that tbh, even though they are admittedly SUPER COOL LASER SWORDS BUZZ BUZZ BUZZ.

Fortunately, Ikrit's there to say "Not All Jedi," since I am not, which catches Tionne off guard, since she didn't know he was a Jedi master. Tionne is apologetic about treating Ikrit like a pet, but Uldir continues to be a jerk, especially when Ikrit starts sharing his own personal trauma. And then Ikrit declaims about Anakin and Tahiri's powers, but graciously includes Uldir once Uldir pokes him about it.

The skies of Vjun are stormy, so it's a bumpy ride down. They land outside the castle instead of on the landing pad at the top because the weather is so awful. Anakin did his homework, and explains the situation (Dark Empire recap!):

“Did Uncle Luke tell you anything about the fortress itself?” Anakin asked.

“I don’t know much about it.”

“Well, I found out as much as I could before we left. Apparently Vader built Bast Castle as one of his private strongholds; he was a powerful man. After both he and Emperor Palpatine died, some of the Emperor’s followers brought a copy of Palpatine’s body here-a clone. This second Emperor was defeated too. Since then, the fortress has been abandoned, as far as we know.”

“I still don’t get it,” Uldir said to Anakin. “Why would your grandfather choose to build in such a desolate place?”

Oh, you sweet summer child.

They spy another shuttle, and Tahiri is forced to wear shoes again so they can climb up in the rain. It's basically the Stairs of Minas Morgul from LOTR, only the rain is turning to sleet. Artoo hates stairs and Ikrit rescues him when he falls off - but he can hack the door open, so that's good. The hall has a giant, larger-than-life statue of Darth Vader toppled over on the floor, because... drama.

Then the laser fire starts, and everybody ducks for cover. Artoo uses his newly-installed reviewed mirror to deflect the laster bolts, so they can disarm the automatic security system. Tionne steps in with her lightsaber when Artoo gets shot, and she and Ikrit start tossing random objects to block them while the kids race for the control panels and it's epic. The statue explodes and Artoo manages to hack the system right before he powers down.

Uldir clapped one hand down on Anakin’s shoulder. “Not half bad for a kid,” he said.

Quiet, you condescending fuck. Yes, I know, he's like 14, but he's still obnoxious as hell here.

Anyway, they repair Artoo, except he can't climb any more stairs (I'm so confused how he did it earlier, but okay), and they debate whether to split the party. The smart answer is always "No," but they eventually do anyway, because plot. Tahiri's just happy not to wear shoes. You'll be happy to know that the bathrooms still work. This whole thing feels like an RPG dungeon crawl and I'm HERE FOR IT.

Tahiri notices the floor's texture shifts and that turns out to be a clue and I LOVE THIS. There's a secret pit trap full of spkes, and then suddenly they're attacked by monsters. But eventually, the others find them and deduce that they're holograms. Anakin IDs himself to a door and it opens into a secret chamber... and then this happens:

At the same moment, a puff of smoke erupted in the doorway, and a dark-haired man with a neat beard, tawny eyes, and a deep purple cloak stood before them. The man threw back his head and laughed, although Anakin couldn’t see what was so funny.

“The powerful Mage of Exis Station thanks you,” he said. “I would never have found the lightsaber without your help.” He snatched the weapon from Tionne’s hand. “But I’ll take it now.”

Tahiri starts pestering this guy with questions and he is startled enough to admit he's the Mighty Orloc. Tahiri realizes he's a stage magician, but even so, he manages to open a trapdoor, sending Tionne and Ikrit elsewhere. The kids rush him, but there's smoke and when it clears, Orloc has vanished.

Ikrit and Tionne are fine, and they start looking to rejoin the kids, who are searching for them and/or Orloc. Artoo and Uldir take a tunnel while Tahiri and Anakin go up stairs. Everyone keeps tossing the stale Imperial ration bars they picked up earlier to test for traps, and the RP gamer  in me approves.

“What’s this?” Tahiri asked, pointing to a raised platform that held a huge tube made of black plasteel. Wires and hoses snaked out from the cylinder in all directions. She ran a hand along its smooth side and found some sort of control panel.

“This looks like the tubes they use to bury dead people in space,” Anakin said.

It's actually Vader's bedroom! They find a little hidden hologram of a young Luke and I just... can't even...

Anakin opened his mouth to speak, but nothing came out. The little hologram of a young Luke Skywalker turned in a slow circle, so that they could see it from every angle.

...Anakin felt a lump form in his throat. “My mom keeps holograms of me and Jacen and Jaina on her desk at work, and Dad has one of me and the twins in the Millennium Falcon. I think Darth Vader was just doing the same thing.”

“So maybe he wasn’t all bad,” Tahiri said in a soft voice.

Anakin starts to feel better about coming to Bast Castle, which is good, because he has Deep-Seated Issues that need to be resolved.

Meanwhile, Uldir sees the lightsaber as a magical talisman that will help him become a Jedi. He abandons Artoo and confronts Orloc, who draws the blade on him. Orloc offers to teach Uldir his powers if he'll come with him. Orloc's looking for the Holocron in Vader's private quarters, and Uldir is tempted, but ultimately turns him down because he realizes Orloc is a fraud.

Anakin and Tahiri find Orloc and Uldir and Tahiri slides down a pole to confront him. Orloc attacks her with the lightsaber. Tionne and Ikrit show up, and Artoo uses a high-frequency blast to distract Orloc long enough for Ikrit to yank the lightsaber with the Force. Orloc disappears, and Uldir mentions the Holocron in Vader's private quarters. So Anakin and Tahiri take them back there.

Tionne's like, let's GTFO, but Uldir suggests they test it, which is a mistake, but Tionne agrees. OF COURSE Orloc comes back and snags it. They chase Orloc through the castle, and there's a lot of trap door shenanigans, but ultimately Artoo helps save the day and they get the holocron back, even though Orloc conveniently escapes.

(Maybe I've been watching too much Scooby-Doo, but I honestly expected Orloc to say "And I would have gotten away with it, too, if it weren't for you meddling kids and your talking [lagomorph]!" ...maybe in the next book?)

Ikrit suggests they use the ships in the hangar to fly down to the Lore Seeker instead of walking. Anakin suggests Ikrit keeps the ship, since he seems to enjoy piloting, and I don't know how Ikrit is piloting this thing since he's a lagomorph, but it makes him happy, and they all make it back to Yavin in two ships without incident, which means it's time for the inspirational moral!

“It feels good to be back,” he said with a sigh. Tahiri giggled. “That was certainly more of an adventure than I had bargained for.”

Tionne looked at her two students.

“Are you sorry you came with me?”

Anakin shook his head.

“The trip was worth making. I learned some interesting things about Darth Vader.”

“I learned to trust the Force and not just my eyes and ears,” Tahiri said.

“And we did find a lightsaber and a Holocron,” Anakin said.

“And a new ship for Ikrit,” Tahiri added. “So I think we’re glad we came along, but it may be a while before we go looking for adventures again.”

HAHAHAHA, right, kids. You just keep thinking that.

Ikrit names his ship the Sunrider after Nomi Sunrider, because he, too, stans a legend. Anakin and Tahiri ask if they can take the turbolift up to the Great Temple when Luke starts walking up the outside stairs, and Luke has NO IDEA WHY THEY HATE STAIRS, and... on that note, the book ends, with Luke being VERY confused. [I like that Moesta remembers the Great Temple has outside stairs, but... THE LAYOUT STILL MAKES NO SENSE!!!]

So, I don't know how to feel about this book. PROS: I love the character details with Luke, Ikrit, Tionne and Tahiri, and I like how all of the adults continue to be responsible while still allowing opportunities for the children to be competent and show initiative. It's great to see Bast Castle, and the whole thing has the feel of a classic RPG dungeon crawl. Yay for Artoo saving the day ON MULTIPLE OCCASIONS, lol.

CONS: Uldir is annoying, and I wish he'd stop being such a jerk. None of the characters have ever played RPGs and it shows in their lack of genre-savvy. And I guess we'll see Orloc again in the next book, because... it feels like there wasn't much resolution of that particular plot in this book... no resolution to who Orloc actually is, or what or why. I feel like this book is part one of a two-episode plot, and I wasn't expecting that, but okay.

It's unclear if Obi-wan's lightsaber has any further plot significance or if it's just a macguffin. Ditto the holocron. But given the next book is Kenobi's Blade, I suspect Orloc's going to try and snag both, and Uldir is going to have a Not-So-Secret Test of Character about it. (To be fair, he passed the one in this book, so he's not all bad, but he's so obnoxious, it's challenging for me to give him credit where it's due.)

This book also kinda sorta falls into the "Jedi lightsaber fetish" trope, which I hate. Don't get me wrong, I love the laser swords and they are freaking awesome, but I hate how everybody latches onto "Jedi = laser sword" business as a symbol of identity. I know, I know, Star Wars is really ambivalent about whether the Jedi are Space!Samurai or Space!Monks, and I just... lean more towards the latter than the former, I guess?? But like I said, the lightsaber is more of a macguffin here, and Ikrit at least lampshades the issue a little bit, so I feel better about it.  

Also, it just occurred to me it's unclear whether Tahiri hates shoes, sand, or stairs more, lol.

[lucispietate]

Dear Hurt/Comfort Exchange writer

Hello, fellow writer! First of all, I really want to thank you in advance for taking up the challenge to make something for me, I appreciate it so much. I really enjoy being surprised (especially with pairings where Canon leaves a lot to the imagination and everyone has their own headcanon) so you're absolutely free to write anything you wish and mostly take this letter as suggestions if you need inspiration.

I don't have much to say for likes, I have some fandom specific ones but overall I'm fine with anything. I tend to love heavy introspection, conflicted relationships and angst with an happy ending/bittersweet tone, but I'm really fine with anything. I also want to point out that you're free to combine my tags/prompts however you wish and that while I didn't bother to include "both hurt" for any of these ships, it's absolutely always allowed. As for dislikes: - any kind of dub con and on page rape unless otherwise specified. I can accept harassment and such, but not too graphic - AUs, especially fluffy modern AUs and supernatural ones (Canon divergence within the original universe is fine and encouraged) My only real exception is Romeo and Juliet where I do enjoy modern AUs as long as they still keep the violence/hate/gang war element of the play - sex described in any detail. I'm not bothered by it and I don't mind allusions, jokes or fade to black, but the scenes itself hold no interest for me - cheating (jealousy is fine and so is crushing on more than one person at once with all the guilt it entails, as long as it leads to poly, healthy or not, or stays a frustrated wish) - unrequited love that doesn't get resolved either by the two getting together or the pining person finding their true love - eating disorders or tbh even dwelling on appearance related insecurity is a no no

GOTHAM

I want to preface I'm a DC newbie, so I can't really appreciate crossovers or influence from other media and I wouldn't want futurefic, especially not involving BatCat, I just want to see them as kids For BatCat I would prefer something set between season 1 and the first few episodes of season 3, before they start their weird on/off relationship. The one exception would be the killing for the first time prompt, in relation to what Bruce does in the beginning of season 4, and that horrible plot line with Selina's mom since it's such an ansgt/hurt comfort goldmine . I think canon offers a lot of possibilities with them already, they do a lot of rescuing each other and I'd like anything that is cute and sweet. Something from their time living on the street together would be adorable too.

For Selina/Bridgit I would be happy with anything: a cute moment of them living on the streets as kids, Selina helping Bridgit to work through Dr Strange's conditioning, or something angstier while Bridgit still thinks she's a goddess and Selina her servant and Selina trying to show how much affection as she can while in that framework and things that blur the lines between comfort and act of service/worshipping like washing, taking of care of poor little Bridgit's burns etc.

For Oswald/Ed... Wow, there's so much potential. Any moment from their first meeting, a What If where Oswald regrets his deeds and decides to thaw Ed himself and then nurse him back to health, the two of them adopting Martin... Anything really, I haven't read much on these two

GAME OF THRONES

What I want with Yara/Dany is mostly something to give me joy after that godawful ending. So I would love something set post ending, with Dany being exiled/imprisoned, in a terrible mental state and only Yara who's still loyal/taking care of her. Though also Yara coming to terms with her last brother's death would be something wonderful

SIX OF CROWS

No particular ideas here. Any moment pre—book with them getting hurt in missions, Inej's first kill, the tattoo removal, or something like what happened in the prisoner cart, with Kaz having a serious breakdown and Inej being the only one to notice and try to comfort him, knowing most of her instinctive reactions would make everything worse because of his issues

INHERITANCE CYCLE

Murtagh and Nasuada are my childhood otp and I would honestly squeal to get anything at all about them would make me giggly. I like the idea of an AU where Murtagh is rescued early with baby Thorn in a tow before Galbatorix can completely break them with the torture, or something more emotional/psychological post saga, where they must help each other heal from their Shared Trauma and mental issues they both seem to have in the last few chapters. If and only IF you feel like it, this is the one fandom where I am ok with sexual abuse as a past event as I used to occasionally write Galbatorix as having had a relationship with Morzan in their former days and viewing Murtagh as a replacement in more than one sense.

ROMEO AND JULIET This is somewhat complex. First of all I want to say I made somewhat of a mistake in nominations phase by nominating some d ships as All media types while others nominated some as Shakespeare, but I'm absolutely ok with fic based on Shakespeare or any production of Presgurvic's musical. Exceptions are the 2010 revival and ensuing tour and Takarazuka productions. Also while I said I am okay with AUs here, I'd prefer they not be based on the 1996 movie in aesthetic/characterization, though the stakes/situation of the feud is a good example of what I imagine for modern au. Now going specifically about each of my prompts:

For the Romeo/Juliet ones I mostly want emotional hurt/comfort, either set during their wedding night or in a AU where they manage to leave together. It always bothered me that it's assumed they just went straight to fucking on their wedding night: I love the idea that they, well, somewhat fought over the Tybalt issue, snuggled, comforted each other for their losses and imminent separation and Romeo's obviously very traumatizing murder experience, maybe got to know each other a bit more and shared about their insecurities, their clearly a lot to unpack family baggage... There's lot of potential here. I am very attached to the play, so I do like to believe in them being soulmates/true love rather than a random fling, silly as that is, so I'd like the tone of the whole thing to be according, and I am pretty attached to the canon ages too (almost 14 as per canon for Juliet and please not too much older Romeo) so ofc the no sexual stuff beyond the vaguest throwaway mention rule holds especially true here.

Regarding the Montague boys anything tied to the pretty self explanatory prompts is perfectly fine, either set in the present or as a cute childhood flashback. I would definitely appreciate some kind of AU where they all live but are badly hurt or mentally scarred in the course of the events Now, for the various combinations of Benvolio/Mercutio/Tybalt... again, plenty of self explanatory tags. I think these three characters and which tags would best fit which of them are very dependent on personal headcanons and I don't want to limit that at all, especially for individual relationships as opposed to the ot3. I'm definitely very interested in exploring the dynamics of their love triangle and possible polyamory and the obvious hurtful effects it has, (I generally see Mercutio as the center with Benvolio and Tybalt somewhat disliking each other at the beginning, though that can absolutely change, later! ) jealousy, feeling of inferiority by each of the boys, guilt, abandonment issues, the like. My first instinct is to imagine Bencutio as together and Tycutio as bitter exes who may or may not go for another round at any moment, but the reverse or any other combination of Drama is fine too. I also love scenarios, for either individual ships or ot3, that explore the effect of the feud on their lives: someone having to be nursed back to health after a duel gone too far, someone being traumatized by their first serious act of violence, the unrealistic expectations/responsibility/toxic masculinity Tybalt and Benvolio are loaded by their families and so on. An AU where Mercutio survives the duel but is very badly hurt and Tybalt is guilt stricken by his own deed and starts to realize his feelings for him as he helps take care of him would be lovely.

[roguelibrarian]

Comfort Characters Tag

Tagged by @greenreticule

Odds are all of these are gonna be Trauma Faves so let’s see how much I can say about my feelings about all of them without dragging this down with too much of my Tragic Backstory(TM).

Parker (Leverage) She is Weird(TM) and she is traumatized and she had a bad childhood and neither the narrative nor her friends treat her like she Needs To Be Fixed.  She’s allowed to just exist and be herself.

Ezra Bridger (Star Wars) He’s a small traumatized kid in desperate need of a family and he gets that.  He gets pseudo-parents who so clearly love him and again, they never treat him like he Needs To Be Fixed.  Basically, Ezra got what I really needed when I was a kid and tbh I didn’t realize that that was The Reason until I was typing this post.

Sabine Wren (Star Wars) All I can really say is that sometimes when your abandonment issues and an associated emotional wound that’s recently been torn open again are getting you down, sometimes you’ve just gotta curl up in a ball and watch Sabine Wren try and fight her own feelings with a lightsaber.

Zuko (Avatar: The Last Airbender) Hey look a character who was abused as a kid who doesn’t turn out evil, and while he struggles not to repeat the pattern of violence he grew up with, it’s pretty clearly portrayed as an environmental thing and not something that’s inherent to him because he’s Broken(TM).  Can we have more characters like this please?

Eleven (Stranger Things) Abused kid.  Isolated from people other than her abusers.  Basic concepts like friendship are completely alien to her.  That hits me where I live.

Nell Crain (The Haunting of Hill House) Okay, how to concisely summarize my feelings about Nell when I have barely let myself process them yet.  Tbh the thing that makes her a Comfort Character instead of just a Trauma Fave is when she calls out Steven for profiting off of her trauma while telling her that it never really happened and she’s just “crazy.”  It’s the same kind of stuff I wish I could say to my mom, who doesn’t profit from my trauma, but reaps all the sympathy she can get for having a Crazy Kid(TM) while telling me that the things that made me that way didn’t happen. Also, Nell being so fed up with her brother’s bullshit that she flips her own coffin to get him to stop talking is a mood.

And as predicted, yes, these were all Trauma Faves so......there you go.

I’m going to tag @altschmerzes, @scribefindegil, and @astriiformes