#technical assignment writing

[oh-no-its-bird]

Since Ichigo dies at about 15, and Hatake get their marks at like 14? what do her clan markings look like? 👀

OHHH OK THIS IS ACTUALLY A WHOLE THING, SO,

Ichigo got moon stripes !! It's also known as the story teller stripes, and is the traditional tattoos of the Hatake clan's religious leader and story keeper. Which Ichigo does end up in training to become!

There's actually a bit of drama with the fact that Yuki, the current clan shaman, is so old (she's in her 70's, which is basically like being in her 120's for a shinobi), and she's only now picking an apprentice in Ichigo.

Yuki did actually have an apprentice before, who was fully trained and set up to take up the position whenever Yuki died— but they were one of the 5 Hatake to die to illness the winter before the Hatake were summoned to iron court (which is the event that got the ball rolling on the Hatake joining Konoha a year or two later)

Yuki settled on Ichigo being her next apprentice relatively quickly after that, but wouldn't actually tell anyone about it for some more years— stubbornly staying quiet on the topic even when pressed with increasingly stressed and worried questions about it. Ichigo was only about 8 at the time, but Yuki set to training her just a little bit under the table

It was easy enough, when Ichigo was always happy to listen to her stories and gossip about past and present events. Ichigo kind of ended up soaking in a lot of things she'd be expected to learn in the role (religious rights / mythos of spirits and gods / traditions and why they do them / stories passed down through the family / etc.) naturally throughout the years.

Finally, Ichigo turned 14 and lead her first hunt— the marker of a Hatake coming of age. Afterwards, it was Yuki's job to give her the stripes Yuki deemed to 'fit her best,' which is ofc when she gave her the moon stripes and officially announced her plans with a "teehee congrats <3"

It wasn't actually too much of a surprise to those who'd been paying attention to what had been going on, but still caught some off guard. Ichigo had been "training" for like, 6 whole years at that point, without even realizing it. So she was honestly pretty well into her education on the roll, and would probably only need a few more years afterwards to be deemed officially ready to take it on

But then ofc, she dies a year later. And Yuki dies in very quick succession. (Losing her third apprentice, and so old already, had done terrible things to her heart and spirit) And with both of them went a very large portion of the clans history.

Others in the clan, of course, still knew plenty. Yuki's teachings had not been for Ichigo alone, and many had sat by her side and listened to her stories as well. But no single person knew as much as they had or had been in the same position of authority to do things like honoring the spirits of their ancestors or assigning Hatake stripes to their young.

In their deaths, Haruka had to take up many of their duties, mostly by default via being the highest other figure of respect in that regard. But they lost a lot.

There's some sort of interesting point to be made that the Hatake's religious leader wears tattoos that symbolize a red moon. And that Kaguya-hime is among the gods they pay respects to.

I don't really have any real thoughts on it other than going "hmm." and writing that down to reference later, but like !! That's something

anyways Yuki herself is also pretty cute, I find myself enjoying her immensely, so take this art I drew for her the other day that I've been looking for an excuse to post:

[artigas]

gently and patiently sitting and perhaps waiting for an artigas the pitt fic drop

you don't know how much this made me smile!! i'm . . i'm four pages and 1400 words in. I don't even know what came over me this morning, because this literally couldn't be a busier, more inconvenient time to get into writing a fic but i just couldn't help it!!

you didn't ask for details but ... permission to yap?? i'm having so much fun writing them both in their 20's. i'm not usually a backstory girl, but i wanted to dig into their history because 1) we know they have a rich history together and 2) apparently the writers imagined that they were rivals before they were friends?? and so naturally i thought ... what if they hooked up before they became rivals before they became friends before they became co-dads to the pittsburgh trauma medical hospital. what then.

so, anyways, they're meeting in a sweaty lil gay club in the summer of '97 before robby leaves pittsburgh for his residency in nola and abbott enlists. and then, if i have the spoons (fingers crossed) and anyone gives a shit (fingers doubly crossed), I'd like to write their reunion in their 30's (part 2) and how their relationship shifts and changes up through the present (part 3)!! and if i'm any good at getting any of this done, i'm hoping it'll be sappy and emotional and saucy and full of pining (my fave)

[yandere-yearnings]

do u have any writing tips dar??? Ur stories are immaculate

nonnie?? that's so sweet of you to say, thank you😭🩷 in general, a lot comes to mind bc there's so many different components to writing (i.e dialogue, characterisation, structure,, even mindset!!) so if you want to hear abt anything specific pls lmk🥺 for now tho, i've summarised a few across the subject that i think are helpful, and they will be below the cut bc i'm shit at explaining things, so i ended up writing a lot hhh

i also wanna point out that these are just things that i've personally made note of over the years from my own experiences + being friends w/ other writers, but that doesn't mean they will apply to everyone!! more than anything, i always believe that you shouldn't let other ppl dictate how you do and enjoy things, so if smth works for you and you like it, there's nothing wrong w/ that even if it contradicts an opinion you got from some rando on the internet (a.k.a. me😔💔)

Know your game

I'd like to say that in writing, there's a vein of liberty that isn't echoed in very many other creative fields; a lot of the times you can go in blind, and still make something of it because the nature of fiction is liquid — if you can imagine it, it can work. So to say, I find that nine times out of ten, room for improvement doesn't necessarily lie in the content of someone's writing, and more so its execution.

You could play a desultory game of chess without knowing all the rules, but if you wanted it to be your best match, you'd have to be aware of every move you could make, no? What you do from there then becomes a matter of choice, and choice is a landmark divider between doing something and being good at doing something. There's a difference in omissions due to lacking the technical knowledge, and omissions made because you are aware they are optimal.

Knowledge on the fundamentals of literature will always serve you, and that isn't to say you have to study all forms and contexts, but if you want to write a story, for example, it will always help to know the common elements of one. Grammar, punctuation, structure — brushing up on those things will build your toolkit, and once you've got that, you have the self-autonomy to decide what to use from it. My three favourite writers only use commas and full stops, and their works are, on all levels, spectacular. Still, if you asked them how to use a semi-colon, they'd be able to tell you.

Appreciating the basics will also tie into your creative exploration as a writer, which is a cornerstone in developing your distinctive writing style. I doubt a person in any type of craft hasn't heard a variation of know the rules before you break them, so studying until you do, inside out, remains beneficial to both new and old writers alike.

2. Have a starting point

This tip is fairly applicable to a range of different types of writing, and how one would practice it depends strongly on individual preference and styles of working. Some people like to plan things out thoroughly whilst others, including myself, like to dive in headfirst, and there's nothing wrong with either approach. The commonality between both types of writer is that regardless, they will have at least a vague idea of where to start from — a scene that they've bullet-pointed prior, a lyric that resonated with them, a mental image, an emotion or even just a single word that everything branches from. What all these details achieve is writing that has motion, because you have something of substance to piggyback you to an end point (the establishment of which is also important, but I will not be covering in this post).

3. Decide a structure

Again, this can be done both comprehensively or as simply as just having the thought to adhere to a certain method. As you gain more experience as a writer, you'll begin to understand what works best for you and create a system of your own, but starting out, there are a number of templates that have already been established by writers that you can follow, and find by researching. What matters most is that by using one — whichever it may be — you're turning your text into a story.

As an example, I'll detail two that I use regularly, in their simplest forms for the sake of brevity:

A linear narrative moves from point A to point B, and from point B to point C, etc. and all subsequent points build on the previous ones until your goal is reached. It's a system that works well for shorter pieces because it has a definite structure, like a length of spine and its individual vertebrae (and although we're talking about writing here, I think Newton's Third Law of Motion sums it up very well: every action has a reaction.)

A coalescing narrative considers all points as separate elements that may or may not always interact, but all contribute to the end point to different extremes. It's a useful template for creating depth in a piece, but due to its complexity, is better applied to longer projects.

They are visualised respectively below.

4. Iterate

If you think of your first draft as a block of clay, everything you do to it will equate to it being moulded and shaped, and if you think of your first draft as a skeleton, everything you do to it will equate to flesh being put on the bones. If you want your piece to be the best it can be, there's a sort of detachment you must have from it, where you won't have the fear of changing it until it is in the image of what you have intended. Write and rewrite, add things, take them away, make a separate copy for every edit if that makes it easier for you, but keep working it until you are happy.

Iteration doesn't just apply to drafts — chapters, paragraphs, sentences and even singular words can be given the same treatment. When you pick up the habit, the process becomes second-nature and you'll find that the first lines you put down are the ones that make it into the final piece, and that is in light of sorting through the renditions unconsciously. Additionally, you don't have to do things in one sitting; sometimes taking a break and coming back to your writing with a fresh outlook is valuable.

5. Analyse and apply

One piece of advice I always see given when someone asks how to improve their writing is to read more, and though it is — at its core — a tip worth acknowledging, it always comes across as unserviceable to me. There is nothing that reading will change for you if you are not actively practicing the things you learn, or even actively learning to begin with. So to address it as a matter of semantics, I feel it's best put as studying the writing of others, as opposed to reading.

If you have a favourite author, go over their works twice — once as a reader to identify what you like about them, and then again as a writer to identify why you like those things. To put it into context, if I read something and decided that I enjoyed how clear and easy to understand it was, I'd do a second pass to figure out the attributing qualities. Perhaps it's the use of punctuation, chosen sentence forms or even the simplicity of words used. My first tip of knowing different literary fundamentals is complementary here, because it makes the analysis and application of isolated features that much more smooth, and also means you'd be able to adapt them into your own style instead of just copying the other writer, which is what you want to avoid.

(Some writers I personally recommend studying are @ozzgin, @monstersholygrail, @aayakashii and @urprettylildoe for readability and clarity in execution, @moyazaika, @carnivorousyandeere and @purerae for characterisation and dialogue, @suiana and @unhappy-last-resort for engaging plots and concepts, and @sabotsen and @lirational for word choice.)

[ratwithhands]

Character relations/opinions!

Alright before I post any more Battle Addict stuff I should probably explain what a League Council is. Here's a summarized diagram:

A Pokemon League is a region's network of specialized skilled trainers. It is run by the League Council, which includes finance, HR, marketing, PR, and other managing departments which are divided into different branches depending on who they work with.

This is all to say that everything gets messy very quickly when news of the diagnosis spreads through the network. Originally the diagnosis was supposed to be private information for only the Battle and League departments, however certain higher ups felt it was a safety risk and notified gym leaders as well in the event of future collaborations.

The network is mostly divided into people who are positive/neutral about the news, and people who feel negatively about the twins as a result. Coworkers who were already familiar/close with the two tend to be positive, or at least supportive, whereas those who didn't know them got another reason to avoid them. Some people think they should go on leave for "recovery", but some are more forward and want them terminated.

If you're wondering where Cynthia falls in this, she's a foreign top league worker (Sinnoh Champion) who is hosted in Unova. Basically she has dept. employees assigned to help her connect to people around the region and get different services if requested. She's basically watching everything unfold from the sidelines, with every interview about her opinion boiling down to "lol if you're scared of people stronger than you then get good". She does also bring up historic accounts of CM/HCCM though, mostly to clarify that CM is not a new or scary thing. She's not for or against the twins, rather just hoping to use this as an opportunity to teach others.

I didn't end up drawing her because I got tired but Elesa got the news too!! She actually got it before everyone else since the twins decided to go tell her beforehand. The general scene basically had Ingo and Emmet deliberating in the car, Ingo telling Emmet it's not too late to turn around and go home while Emmet was hesitant but adamant that they needed to tell her first. She probably took it the worst out of everyone but that's mostly just cause it caught her off guard that her friends would just randomly drop in to deliver the news. She's still rooting for them though, mostly trying to support the Subway with more collaborative events to make the twins look better after the hit from the media. She also tries to rework Emmet's restraints where possible, usually trying to make them look more cohesive with the rest of an outfit or trying to make them less visible (cause as much as Emmet says it's not a big deal it's still the first thing he looks at in his reflection).

Here's them in alt clothes :7

Man is cuffed under there (T_T)

Can't really think of too much to say so hope you guys like the art and see you later!

[ffcrazy15]

I need a whole fic where the Cerritos is mistaken for the Enterprise by some type of alien with very high intelligence but very poor visual recognition, for whatever reason.

And Freeman either can't or is too scared to convince them that they're not the Enterprise, so she starts desperately assigning everyone to various roles. Boimler gets assigned as Data, and since he and Mariner are the only people on the ship who play string instruments, the captain orders them to put together some sort of "symphony" because the aliens have heard that that's a thing on the Enterprise.

And it's just Mariner and Boimler frustratedly trying to figure out how to combine her electric guitar skills and his traditional violin skills into something suitably "symphonic" (i.e. thematically trying to combine her more lax/modern way of doing things with his more strict/traditional way).

[saaltskies]

every once in a while i remember that i wrote a joshneku essay that was a few pages longer than the max length for the final in my senior year english class in high school and honestly i was so right for that

[bookwyrminspiration]

got so caught up in writing about lesbians crawling into each others' skin I almost forgot to do my homework

[skibasyndrome]

the day before I go back to uni is for picking up all the cumulative slack of the past few weeks and maybe months, right?

... right?

[lavenderleahy]

Sometimes I bemoan how long it takes me to write fic but then I remember I have NEVER finished or posted a fanfic until this year. So I think I should maybe be proud that I'm posting fanfic at all, and the speed/skill will grow as I keep doing it.

[mystcryshcck]

HEAD-CANONS//

Stan drove without a seat belt for many years until the twins came and visited him. It was equal amounts them getting on his case about how dangerous it was/him realizing he needs to keep them safe and set a good example that got him to start wearing it regularly

He stopped celebrating his birthday somewhere in his late twenties because of everything that was happening in his life. Somehow Mabel found out and surprised him that summer, and he almost cried got frosting in his eye

He got his license before Ford did, worked every day that summer in the pawn shop, and finally saved enough money to get his own car that he used to drive him, his brother, and his then girlfriend around town all in the time

He sends Dipper and Mabel post-cards every few months when they're back in Piedmont from the various locations that he and Ford visit. Some of them are real places, and some of them are made up when he has the time to sit down and really get creative, knowing they'll probably get a kick out of it. Of course, this means that they can't get any back, but it'll be all the sweeter when they arrive back in Gravity Falls to a pile of letters from the kids.

There was talk of getting Gravity Falls taken off the bus route after they literally threatened the bus driver in order to break the rules, but somehow it never went through (plus Stan would probably drive down to their headquarters and threaten them with more violence if that happened)

[airenyah]

ooooof why did it take me about 3.5 hours to write about the very first fadelstyle scene alone. at this rate i'm never gonna finish the main text by sunday night (monday noon)

[elkian]

Like there is fun with subverting and playing around with tropes and expectations but if you don't like a genre and you're trying to make something New and Different in it it's worth asking: Who is this for? Are you going to have fun making it? Is anyone who likes that genre going to enjoy it?

[fletchlings-bow]

me when i forgot to get a new lab notebook and now that i've been given one i've filled 5 pages with writing near-instantly

[which-hospital]

had an idea for part two of “what if you were a PARAMEDIC in HOLBY and you didn’t have a HOUSE or a FAMILY and this guy from MANCHESTER wouldn’t leave you ALONE?!?” but i swore i would write and edit at least one paragraph of an essay today……….

[e77y]

It's just me and my plush carrot against the world

[hazellight11]

Tonight's a Full Bottle Of Sparkling Grape Juice (Directly From The Bottle) kind of night I think