So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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Hi! I hope you've been doing alright!
I was wondering if you could possibly write something for Valeria comforting reader having a bit if a meltdown. Something along the lines of reader being overwhelmed by their job and just the emotions that come with the end of the year, and having Valeria just hug them, maybe do something sweet like surprising them with their favorite treat, etc. because she had been noticing the way reader had been a bit off. essentially some fluffy hurt/comfort <//3
I don't know if that's a bit much, but you're welcome to say no! Anyways, I just want to let you know that your writing is incredibly awesome and I hope that the new year treats you well! You put out a lot of great content but i really hope you're not overworking yourself either, make sure to take breaks and take care of yourself and yeah, ♡
-☆
Anon, unless you tell me to either write the most gruesome thing imaginable or straight up something that is not meant for minors, then I have no problem with any request! I tried to make it good, but I've always struggled with writing dialogue, and for that I am genuinely sorry! I hope it's still enjoyable enough, though! It's more of a fic again than anything else, at a good 3.000 words! I'm wishing you a good 2024 and that the new year may treat you more kindly than the current one has! Best of everything to you, anon! And best of everything to everyone else too, of course!
Valeria Comforting Reader
You had always been a strong person in Valeria’s eyes. You had to be in order to be with someone like her, after all. Caring for someone so vile in many people’s eyes, knowing fully well of her business, it was in spite of all of that you stayed with her. The way she could come home to you, giving it your all at work, giving her that kind smile of yours she was certain she didn’t quite deserve, it made even someone of her caliber a bit softer than usual. For as little as she cared about anyone else, wishing to have most people’s head on a stake at this point, if you gave her the command, she’d burn down every inch of this sorry planet just to see you smile again, just to watch the flames of life dance in your eyes. And from the ashes she’d raise something new, something better than what was right now. Valeria knew she could count on you, no matter what, but she hoped you did the same for her too.
Your eyes used to be full of vivacity, so lively whenever you got to see her, there was you trilling a song like a nightingale when you made her a cherry pie, from time to time she had to shut you up considering you never stopped talking whenever she came home. Bloody Valeria, who knows how many people she has killed? How many people would continue to suffer because of her selfishness? She had been called many things, a witch, a wench, a worthless wanton. But in those beautiful eyes of yours? The way you’d call her over, using sickeningly sweet nicknames in Spanish you picked up from somewhere. “Mi alma, mi tesoro, how is the most beautiful wife in this universe doing?” Granted, Valeria cringed when you suddenly started speaking Spanish to her of all people, but even so, she had to admit, you were so adorable, leaving her no choice but to respond in nothing but Spanish for the evening to compensate.
But even among the lovely banter the two of you often found yourselves in, it wasn’t enough to keep the light in your eyes from extinguishing. Your beautiful voice became rarer and rarer until you only spoke when spoken to. Whereas Valeria would once need to tell you to stop hugging her in public, these days she was happy if you as much as grabbed her hand while you were both seated on the couch. What happened to you? She wanted to know, she needed to know, but you wouldn’t budge. Whatever weighed on you took its toll on you, it wasn’t something Valeria could just fix with money, it seemed. A forced smile, empty eyes. Ever since you started that new job of yours a while ago, it seemed to never end for you.
Even as she sent one of her trusted people out to check on you, you were wary, knowing fully well about the dangers Las Almas posed to anyone living there, especially Valeria. You did not hesitate to tell her about that odd person coming to your workplace, that man could have been anyone, could have killed her. She was grateful, to have you be this open with her on a matter that concerned her, but in the same breath she cursed you for not taking better care of yourself. If she could, she would have come to your workplace to kill your boss, your superior, anyone giving you a hard time yourself. But alas, Los Vaqueros were on her heels again. And thus, she fled for another few weeks, leaving you alone in your unbearable misery. By no means was Valeria a traditionally affectionate person, but if she had to be more “normal” in that regard to see your happiness again, she could try.
The new year seemed nice around this year, with the first of January being on a Monday. The beginning of the year was also the beginning of a new week. Valeria could have stalled for time, waiting until it was midnight, but she decided to come home to you without intervention this time. That she decided until she found a small bakery, run by an elderly lady and her husband, that she had known for a while. Evening of the 30th, the shop was just about to close up when Valeria drove by, stopping right in front of it. The couple didn’t seem to mind her being here this late, giving her the usual wishes for a new year. May she be healthy, may she be happy. Lovely, if only such a thing would hold true for you instead. The wares seemed promising, obviously homemade. The bright, white cake with the strawberries on top seemed to catch her eyes. There weren’t many baked goods left, namely some cakes, some cookies and some rolls, but that tres leches looked delicious.
It didn’t take long for her to have bought the little treat. Enough for you, enough for her. Maybe such could cheer you up, if just a little bit.
The night was cold this time, with the clouds not covering a single bit of the sky. The moon was waning once again, leaving behind the world for its own purposes, leaving it in the dark where anyone and anything could be hiding. For all Valeria knew, someone could decide to try and pick a fight with her right now. Someone would die, but it wouldn’t be her. Never her, she had someone to come home to, after all. Whatever slug decided to rob her on a night like this, they would come to regret their mother’s birth. However, as she got closer to your little abode, she couldn’t help but worry. What if it wasn’t her to get hurt, but you instead? By no means would that be likely, hidden away like the treasure you were, for her eyes only, but it wasn’t impossible. Valeria pressed harder on the gas pedal.
Only when she saw the lights on this late did she finally calm down a bit. You were home, everything seemed in order. With the cake in one hand and her keys in the other, she unlocked the door, pushing it open. She had every reason to be mad at the incompetence she had to work with on the daily, but somehow, she had even more reason to be worried about you. Her worries were only reinforced when she heard quiet sobs coming from the living room. Normally, she’d burst right in, her revolver in hand. But this time? No weapon in the world could fight your demons, she could only watch as you tried your hardest to fight another day, to make it through alive and somewhat well.
Slowly, she opened the door this time as well, making just enough noise for you to take notice of her. Like a deer in headlights, you stared at her, choking back another sob. Clearly, you didn’t expect her to be home this early at all, but it didn’t matter. You seemed scared, ashamed even, as your mouth hung open, trying to find the right words to say. Regardless of what it was that would leave your mouth, Valeria wouldn’t get mad, not this time. Having put down the tres leches, she turned to you, approaching you slowly so as to not startle you. Your eyes were red and puffy, your voice hoarse as you finally spoke. You wiped away your tears, giving her a forced smile, like you had been for a while.
“Valeria, welcome back! How are you doing?”
Your voice was barely above a whisper, trying your hardest to not make it as obvious that you had been crying. A futile attempt, but an attempt nevertheless. If she could have, Valeria would have wrung out your little heart, ridding you of your demons if just for this weekend, but alas. Sitting down next to you on the couch, she took one hand of yours in hers, the other arm slung around your shoulders.
“Cariño, what’s the matter? I’m not mad, I promise, I just wanna know.”
Your mouth formed an o, clearly trying to think of a bullshit excuse she wasn’t going to buy anyway. “Be honest with me!” Valeria’s voice was calm, even if she could feel the anger bubbling up inside of her. Whatever was eating at you, gnawing at your mind and your heart, you were going to tell her, preferably tonight.
Holding onto her hand, you squeezed it, looking away for a moment. She had her nails done that pretty pink again, the color you always liked so much on her. But even so, it was apparent you didn’t know what to say. Rather sooner than later, you had to come clean to her eventually. You had joked about it, but one of these days Valeria might just interrogate you for your mental wellbeing, counterproductive as that might be. Tears welled up in your eyes again as you bit your lips, hoping to seem just a tad bit less pathetic than before. Valeria was so strong, you had always been a joke in comparison.
“You know, you’re actually really tough, Valeria. You’re always on the move, always evading the bad guys, always doing what needs to be done in order for the both of us to have a good life. But look at me: I can’t even work properly without my co-workers trampling all over me. Every day I have to endure things that no one wants to put up with, every day I can’t say no to them even if I tried. Sometimes I do wish I was more like you, really. It’s just… I haven’t accomplished anything. Nothing I do seems to matter. This year was awful, and I have little hope that the next one will be any better. As much as I love you, Valeria, and you know that I adore you, I hope you’ll find someone better next year. Someone who’s worthy of having you around, someone who won’t bitch and cry over every single little thing. I’m a weak and pathetic little loser who’s nothing like you. Can’t say no, and it’s slowly killing me. I want to just run away forever, never to be seen again, and become a cryptid of sorts. I fucking hate myself, I hate this miserable, shitty planet I was born on, and I hope next year is going to be my last! I don’t think I can make it through another one.”
For a second, even Valeria was quiet, not thinking it was going to be this bad. She knew you were unhappy, but she didn’t think you were hoping to die this soon. You and her had your entire lives ahead of you, preferably together. There was no way Valeria could let something like this just slide. This was something big and important, not something you should just sweep under the rug and never talk about.
Valeria removed her arm and hand from yours, only to grab your face, cradling it somewhat roughly, to make sure you would look at her. Despite never having been an emotional person, this was important. You were going to look at her, no matter how much you protested, wanting to look away, and you were going to listen too.
“Don’t you dare say something like this ever again, you hear me? You’re going to live alongside me, and you’re going to live well. If I have to kill all of your co-workers myself, I will. You’re the last person that should die on this rotten planet. I had to live this long without you in it, you’ll be okay, I’ll make sure of it. But don’t you fucking dare ever think about dying again, alright? If your boss is a bastard, who gives a shit. Same for your co-workers. You need a job? A good one you’ll enjoy with nice people? Cariño, I can get you in just about anywhere. You wanna work at a bakery? At an elementary school? You wanna work an office job? Hell, if you want I’ll make sure you’ll get to do home office whenever you need it too, but you’re not going to leave me alone just like that. The next year is going to be good to you, and it won’t be a matter of if. It’ll be a matter of when, and at my command, a good year for you will start on Monday, and that’s final.”
Her voice was almost loud, she was clearly mad. Not at you, you could never do any wrong in her eyes, but at the people who made you feel this way about yourself, about everything regarding you. It scared you, you wanted to pull away, but her grasp on you grew stronger. She meant well, you knew that much, but never did you think you could make her this mad. You were gentle, you were kind, and that also showed in how Valeria would treat you. You weren’t some kind of replaceable lackey, Valeria would never find someone like you again.
Your eyes were wide in fear and Valeria’s expression softened up a bit. “Look, I’m sorry for scaring you like that. But I need you to understand that you’re scaring me too when you say things like that. We’ll get through this together. You quit your job, we’re gonna find you a new one with good people that you can enjoy. Nothing bad is gonna happen to you next year, that I’m going to make sure myself. I’ll try to take off more days, try to get more time for you so we can be together. But please don’t do anything too rash, please don’t do anything dumb. I wouldn’t know what to do with myself if I lost you. Alright?”
Once again, you teared up, but this time you couldn’t look away either, Valeria was still holding you.
“Alright?”
“Alright, fine. Valeria, I’m so sorry.” Your voice was quiet, broken by your current circumstances. When was the last time someone cared about you like this? Valeria was the most dangerous woman in the country, and yet here she was, comforting a little no one like you who happened to meet her by happenstance. You didn’t bite back your sobs this time, letting it all out instead. It’s not like it was the first time she had ever seen you cry, but you wished it would be the last time. This was humiliating, even if your wife had found you in much worse situations. You closed your eyes, letting your tears fall freely.
“Please don’t apologize.” She placed a gentle kiss on your forehead before giving you a long and tight hug. A token example of how she cared for you. Despite not being one for physical affection, even she couldn’t deny you a hug when you were downright miserable. Although she wasn’t usually very warm, something about tonight, maybe it was the feeling of being disposable, made you feel warmer than usual. Valeria was by no means a kind woman normally, but somehow, you got to see this side of her that was unknown to everyone else. You knew she was the one for you.
Maybe leaving her alone would have been such a cruel thing of you after all. The way she held you when she was drunk, the way she’d kiss you when she finally got home after months of not seeing you, the way she’d look at you when she thinks you aren’t looking, it was all reminiscent of a fantasy you dreamed about when you were younger. Maybe you really didn’t need a hero, the villainess worked just fine for you. She held you like you were the most worthwhile treasure in the world. A hero would never do that, a hero would likely die to attain some silly goal. Valeria was different from that, she would litter the world with the corpses of those who wronged you. It was a challenging sort of love, but it was love nevertheless. You wanted to show her the same kind of love. Maybe you weren’t ready to kill someone for her just yet, but if it ever came down to it, maybe you could try to live again. Perhaps not for yourself as you were right now, but for Valeria. She was worth more than a planet made of pure diamonds.
Eventually, your sobs turned to sniffles, your sniffles died down. Valeria never stopped holding you until you had finally calmed down. It felt surprisingly good, letting it all out for once, not having to worry about being judged. Not many words were exchanged that evening, but they were sincere. Valeria loved you, you loved Valeria, it was that simple. You were going to remind yourself of that fact for the rest of eternity if you had to. Until you never had to actively think about that again, until it was that ingrained into your mind.
“Do you want some tres leches? I got some just for you on the way back home.”
You still held onto her shoulders, giving her the first proper smile of the evening. “You spend too much money on me, and you know it.” You playfully and lightly hit her chest, giving her a bashful look. “But, you know, I wouldn’t say no to it either.”
“There’s that beautiful smile, mi bello amor.” Once again, she cradled your face, this time much more gently than before. Once again, she gave you a quick kiss to your cheek before getting up to get the cake. Naturally, you followed suit, allowing her to take the lead as she always had. “Do you want the big piece or the small one?”
“I want you to have the big piece for being the best wife out there!”
“Wrong answer, you get the big one.” And with that, two plates and two forks had been prepared, each filled with some delicious, beautiful cake.
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I know this may sound crazy but remember how in No Way Out, Sonic told Nine that he still considered him to be a friend while getting down on one knee and Nine calmed down? Later in Nine’s Lives, Nine says “Typical” when seeing Sonic run to the others and accused Sonic of betraying him when Sonic called the others his friends.
Nine was sort of acting like Sonic proposed to him and then cheated on him by being friends with the others.
Okay so first of all, I don't think you're crazy. During S3 there's actually plenty of evidence that Nine is jealous, both of the Tails variants and Sonic considering everyone else his friends.
One example that presents his specific kind of jealousy is during Episode 2 of Season 3, when Nine first appears to Sonic in New Yoke.
"Everything is collapsing... This is terrible!"
"Is it? That seems odd coming from you. As far as I can tell you only care about your own home."
Essentially what I'm getting at is this. I do believe that pre betrayal, Nine admittedly considered Sonic to be the most important person to him, and thought Sonic may have felt the same way. And the "betrayal" at the end of S2 hurt Nine very deeply. He had this image of Sonic in his head that was shattered by the finale, so he sort of instinctively switches to thinking the worst about Sonic because he can't trust that anything he thought before wasn't a lie. This is one of the reasons that he can't fathom Sonic caring about shatterspaces other than his own home.
But it's not just that he can't fathom it, it's that due to this deep hurt, Nine cannot allow himself to believe it.
Because if Sonic genuinely cares about the shatterverse as a whole, if he genuinely cares about saving all of these people, then to Nine, what made him the exception?
Sure, we the audience can see Sonic’s journey in Prime. We can see that by the end of S2, Sonic wanted to keep the shatterverse safe just as much as he wanted to bring back Green Hill. He wanted everyone to be alive and happy. But from Nine's pov here, he's just learned that Sonic lied to him, spoke honeyed words and manipulated him just to get to the prism. None of that is true, but he doesn't feel like Sonic actually cares for him or wants him. So at this point, for Sonic to put saving all of these people over saving his own home or genuinely worrying about their home makes Nine feel like the exception or that his feelings about Sonic must be wrong. Either one of those ideas he'd understandably like to avoid (because one means that Sonic is genuine with everyone except for him, and the other would mean to him that his feeling of betrayal and hurt feelings post S2 finale are misplaced and not allowed to be had, though he feels justified feeling hurt)
And that scene in S3 E3 No Escape is actually another big exemplifier of Nine's brand of jealousy and just how hurt he is.
"Don't worry. Beneath the surface, my new friends are far simpler than the flawed creatures you knew and loved. And all the more loyal for it."
Starting out strong, Nine takes a not so subtle shot at Sonic's friends while taking subtler shot at Sonic's loyalty, since Sonic had been his first and only friend.
"Ever wonder where we'd be if things had gone differently between us?"
"...Not anymore."
"I do. All the time."
"Not anymore." Implying that post the S2 finale he really had dwelled (at least for a time) on thoughts of how things could have been different. How he wished things could have gone differently.
And Nine gets visibly angry/frustrated when Sonic confesses he's always thinking about how things could have been different. Perhaps because it feels like a slap to the face, or feels hard to believe.
"Tch. You had your chance."
"...Right back at ya, bud."
And then, despite his anger, despite how he's been trying to get Sonic all along so he can drain his energy and save his home, Nine ignores Sonic's "should we get this over with". He puts on another one of those faces, similar to earlier when Sonic arrived and Nine talked about his "new friends". Perhaps to cover up exactly the way he's feeling in this moment with a veneer of superiority (he always did something similar when talking up Sonic to the Chaos Council).
"You know...after all this time...I think I finally understand you, Sonic."
...
"You wanna save everyone. Friends. Foes. Total strangers! You say it's because you're a hero and that's what heroes do, but deep down... After what you did—destroying your own home—it's the only way you can ever live with yourself. Even if that means you won't live at all."
And while I think Nine isn't incorrect—that there is a part of Prime!Sonic who's been acting out of selfishness, caring more about feeling like a good person than actually being one—these are still words from someone who feels betrayed by Sonic. I think there's a level to which Nine is seeing a part of Sonic no one else did, and also to a level which Nine is trying to recontextualize Sonic's more heroic/selfless seeming actions so he can reconcile them with how he feels about Sonic and sees him at this moment. In other words, while he's seeing a facet of Sonic he didn't see before, this is not all encompassing of who Prime Sonic is. It's just that perhaps by believing that Sonic's every seemingly selfless action is disingenuine, that all those nice words and intent to save people is just so Sonic can feel good rather that actually caring about anyone, then Nine doesn’t have to feel like the exception. Then he can see Sonic as someone who is pretending to care about all of this, and Sonic's other friends as fools who don't see what he (Nine) has seen.
But as I said, it's more complicated than that. Perhaps Nine is seeing a facet of Sonic that other people don't see or don't want to see, but Prime!Sonic is multifaceted. Perhaps he does want to hurry up and sacrifice himself in this scene because then he can finally feel like he's atoned for what he's done and he's absolved of/paid for his crimes, but that also doesn't mean he doesn't genuinely care about the lives of people in the shatterverse.
"If I don't make it, and you do, how do I know you'll keep your promise."
"Don't worry. Your 'friends' are safe. Once I have your energy, I can restore everything. They can have their silly lives in their silly spaces, as long as they leave me alone."
"Fair enough."
...
"And for what it's worth...I wouldda done the same for you."
"Don't lie to me..."
"I'm not–"
"DON'T!"
"Think whatever you want, but it's true. Even after everything you've done, everything we've been through. Together. Against each other. You're still my friend, Nine."
I really couldn't express more just how hurt Nine feels. That he doesn't believe Sonic would give anything up for him, even if he were to accept that Sonic would do that for everyone else. When he tells Sonic not to lie to him, frustrated, angry, voice wavering, I think it's because he can't take this again. If Sonic is lying just to manipulate him, if this isn't genuine, if he's just using him again, he can't take it again.
This is an incredibly intimate scene. With Sonic, standing face to face to Nine, inside Nine's safe space, his home that no one else has been into, behind the physical representation of the walls surrounding Nine's heart post betrayal, this is his first time all season really being allowed to speak to Nine directly. Here there's no one to perform to aside from each other.
But you can see that despite everything, Sonic still reaches Nine in this scene. It's not easy, but he reaches Nine's heart, leading Nine to start to believe in him again.
And that's why it's a pity the other variants show up when they do, using Sonic to breach Nine's walls. With the way Nine reacts after this happens, Sonic may as well have made Nine believe in that image of him again. Sonic may as well have made Nine believe that Sonic does care about him, that he'd do anything for him (or, at least, would give his life for him like he would for the others if it meant they could live), only to be the trojan horse that allowed the enemy™ to breach his safe space. The pretty lie.
At the beginning of S3 E4 Nine's Lives, Nine says "Predictable" when Sonic runs over to his friends. And, as anon mentioned, Nine says that Sonic has betrayed him for the last time, calling the deal off.
I wouldn't necessarily say here that Nine feels as if Sonic had cheated on him so to speak, but I would say that even if Nine doesn't see Sonic as a willing "trojan horse" here, Nine still feels like a fool for "falling for it again", for believing in Sonic. I think it's enough betrayal to Nine that Sonic would convince him that he cares about him and wants him to have a future too, only to then side with a bunch of people who want to beat Nine down and who would not let Nine be happy if Nine surrendered to them (from Nine's pov at least).
So in short, anon, I think you are seeing Nine's jealousy here. Even if he also has to believe Sonic is secretly fooling the others, to him this is a scene where Sonic is not only choosing them over him, but another example of Sonic (from Nine's pov) proving that he's a liar who doesn't care for Nine or his future/safety at all.
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