#that brief shared glance before she goes to help henry and sam

[uhyeahnoabsolutelynot]

the juxtaposition between how joel acts in the ep4 scene with the little girl clicker climbing into the car with ellie and how he acts in the hospital is delicioso

[thejollyroger-writer]

Heart and Soul - Part 1 - A CS Concert Series Fic

SUMMARY: Private music teacher Killian Jones wakes one morning to the sound of his ten year old neighbor playing the bane of his existence: the recorder. In order to keep his sanity, he offers to teach Henry to play any other instrument -- though partially because it means he gets to spend more time with Henry's mother, Emma Swan. 

TW: mentions of alcoholism, abusive parents, backstory that goes a little deeper than necessary 

a/n: This fic was inspired by waking up one morning over the summer to hear my neighbor playing the trumpet -- though, thankfully, Sam is a much better musician than a beginner recorder-player. I complained about it on discord, and bam! this story appeared, a joint effort between myself and Meredith (@captainsjedi​) . Even though she was unable to help me finish it because of her busy work schedule, her ideas are riddled through the story, not to mention the incredible art she made for it. 

Thanks to @csconcertseries​ and @clockadile​, who gave me a reason to finish this story! 

-- -- -- -- -- -- 

There aren’t many unusual things Killian truly hates.

Sure, he hates things like seeing horrific stories on the news, bigots, and people on the road who don’t utilize their turn signals. But those all seemed fairly normal within the realm of things that are passionately disliked.

The one standout thing he despises, however, is the recorder. 

His animosity toward the instrument — if one can even call it an instrument — feels like a betrayal to his career at times. He spends his weekdays teaching both children and adults to play music, helping them discover hidden talents and find as much comfort and happiness within the notes as he does. The piano and the guitar are his most popular contenders among students. But he’s also had a bit of experience teaching violin and harmonica, along with one memorable incident with the drum set in his basement that resulted in several complaints from the neighbors. 

Recorders? He intentionally keeps a fair distance from those.

If he’s being honest, it’s probably hindered his career a bit over the past few years. Since he moved to Storybrooke and word got out across the small town that he was a music teacher, he’s had countless parents approach him whose children had brought home recorders from school, asking him to give them lessons to improve their playing and put the rest of the family out of their misery. 

Killian has always declined. He’ll offer to help by teaching the child another instrument instead, but recorders are out of the question. It’s simply not worth his time, not when there are so many better options available. 

Needless to say, he’s less than pleased when he’s woken up before seven one morning by the sound of “Hot Cross Buns” being played on the dreaded instrument. 

Something’s not right. He has to be hearing things, isn’t he? The house to the left of his is vacant, and the one to the right is the home of his neighbor and her son, the latter of whom should be resting as much as he can before the beginning of his school year. 

What reason would he have to be playing the recorder this early in the— bloody hell, he thinks to himself. Yesterday was the first school day for the year. He should have remembered considering the extensive adjustments he's had to make to his schedule from lessons over the summer. 

Killian doesn't know all that much about Henry Swan and his mother. They'd moved into the house next door last fall and the lad had introduced himself not long after. He knows that Henry is about nine or ten years old, is a student at Storybrooke Elementary School, and is a Star Wars fan, judging by the number of printed t-shirts he's seen him wearing when they come across each other arriving to and leaving their respective houses.

He knows just as much, if not even less, about Emma Swan. Only that she works as a sheriff's deputy for her older brother, and favors beanies and leather jackets during the fall and winter months. Killian assumes that she’s single considering she and Henry are the only two occupants of the house, and he’s never seen any visitors there aside from her family.

Which is a relief, because he's also infatuated with her. 

Perhaps that’s a bit of a stretch considering the few interactions they’ve shared. Killian is aware that he doesn’t exactly know her well enough for any type of infatuation to really exist. But that doesn’t change the fact that she’s managed to make him feel like an awkward schoolboy who can’t maintain some sense of dignity around a girl. 

Their most recent interaction had taken place the Monday prior; he was getting ready for his morning run when Emma returned from what he assumed was the night shift at the sheriff’s station. She’d given him a brief smile and waved as she unlocked her front door. He was so surprised that he tripped and almost fell over his shoelace that he’d forgotten to tie thanks to the unexpected gesture.

(It was hard to tell whether she noticed. He’s hoping the answer is no.)

All of this to say, he likes the Swans. But he’s not sure just how long he’ll be able to tolerate what has to be Henry and his recorder, especially this early in the bloody morning.

Of all the songs in the world, what would bring him to choose “Hot Cross Buns” anyway?

 Killian gets his answer a few weeks later. Every afternoon since the end of the school year save one or two (plus a few choice mornings), he’s been treated to the sound of Henry attempting to play a number of different songs, each one a tad more annoying than the last. There’s been “Yankee Doodle,” “Skip to My Lou,” and, oddly enough, “Jingle Bells.”

Something has to be done before Henry tries to learn “Baby Shark.”

He knows he should act his age and learn to embrace his young neighbor’s new hobby. (Or buy a good pair of earplugs.) After all, Henry’s a child, and Killian is glad he’s chosen to dedicate part of his free time to learning music.

But he really needs to choose a different instrument.

It’s what leads him to knock on the Swan’s front door on a Saturday morning a month into the school year. Emma and Henry are both home judging by the yellow Volkswagen Beetle parked in the driveway and the squeaky recorder notes coming from an open window on the second floor.

Emma answers the door. Her blonde hair is tied into a messy knot on the top of her head, and she’s sipping coffee from a bright red mug and wearing running shorts and a faded t-shirt that he’s willing to bet are her pajamas. 

He’s never felt more attracted to her. But that’s not the reason he came by.

“Oh, hi, Killian,” she greets him, eyebrows shooting to her hairline. Her reaction makes him consider if he should have given some kind of notice before coming over. 

“Good morning, Swan. I’m sorry to bother you this early, but I heard the lad playing and assumed you were both up.”

“Yeah. He’s been at it for a while.” Emma bites her lower lip and glances back and forth from him to the staircase he can just make out behind her. “I’m really sorry if he’s been annoying you with the music recently. I’ve suggested he only play later in the afternoon, especially since I've been trying to have the windows open more often so we don't have to keep running the air conditioning, but he always makes some comment about liking to start his day off with music, and I hate to discourage him when he’s finally found a hobby he’s enjoying.” 

Hearing these words causes Killian to feel guilty for being irritated with Henry’s playing, but it also makes the reason he came by seem even more appropriate. “Think nothing of it. I’m quite happy to hear the lad has taken an interest in music. But if you don’t mind my input, lass, I think he could do well with a more versatile instrument that allows him to explore his capabilities even further.” It’s the nicest way he can think of to discourage her son from ever touching a recorder again.

Emma is quiet for a moment, brow furrowing as she contemplates his suggestion. “I don’t think I understand— oh!” A look of realization crosses her face. “That’s right. You’re a musician, aren’t you?”

“Yeah, and he’s great!” The face of Henry Swan pops up behind his mother; he’s already almost as tall as she is. “Hi, Mr. Jones,” he says. Killian smiles at him before he turns back to Emma. “Remember, Mom? He played with some other parents at the last school fundraiser. You were there.”

Killian remembers the night in question vividly. He and a handful of other parents who played music had been asked to perform a selection of songs at Storybrooke Elementary’s annual spring event. (Emma had worn a tight red dress and heels. He was playing the piano and had come close to butchering the opening of their first song when he’d noticed her.)

She remembers the event, too, if the blush on her cheeks is anything to go by. “Yeah, kid, I remember. I just...haven’t had enough caffeine yet this morning.” She takes a long sip from the mug she’s holding as if to prove a point. 

“Aye. Well.” Killian pauses, the shift in conversation having made him briefly forget the purpose for his visit. “I was just telling your mother, Henry, that I’m quite glad that you’re interested in playing music. I didn’t know how you felt about possibly trying other instruments as well? Guitar, piano, saxophone, triangle…” he trails off. 

He knows the bare minimum about saxophones and doesn’t think Henry would actually want to play the triangle. But he’ll offer to give him harmonica lessons so long as he never touches a recorder again.

Henry considers his suggestion. “I hadn’t really thought about it. Miss Greene just gave us the recorders to take home so we could practice.” (Killian knows of the Miss Greene he is referring to, and resists the urge to message Tink and suggest she not guide her fourth graders in that direction ever again.) “I guess it would be cool to play something else though.” He smiles up at Killian. “Do you think if I tried to play the piano that I could be as good as you someday?”

Killian’s heart swells with pride at the boy’s admiration. Truth be told, he’s been complimented for his talent on numerous occasions by all kinds of people from different walks of life. But something about hearing his abilities praised from a ten year old with excitement in his eyes means more to him than any recognition has in quite some time. 

“Perhaps,” he tells Henry. “If you utilize as much practice and dedication as you seem to be doing for that recorder, I’m sure you’ll be a seasoned pianist in no time.”

Killian is so thrilled by the smile that spreads across the lad’s face that he almost misses the wince that crosses his mother’s. 

Almost. 

“Henry…” she starts, her eyes turned down to the ground, and Killian’s eyes are drawn to her hands wringing in front of her. 

“What, mom? Mr. Jones wants to teach me how to play the piano, please let me learn how to play the piano!” 

The shadow of a smile crosses over her face, but it doesn’t stay. “It’s not—” she pulls her bottom lip up between her teeth, gently sucking on it for a moment before releasing it and finally raising her eyes to meet Killian’s. “We don’t have a piano, and, well… I don’t think we can afford to get one for him to practice on.” 

Henry’s expression, his shoulders, his excitement, physically fall. “But mom, don’t—” 

Killian doesn’t even let the boy pose his argument, because he already has the solution — hopefully a solution that works for all three of them. “That’s really not a problem, love,” he says, his smile growing when her bright green eyes start to sparkle with the hope he is giving her son. “As it happens, I just bought a new piano for the studio, so I have one that I’m hoping to get rid of. If you want it, it’s yours.” 

It’s not quite the truth: he has his baby grand in his living room, the one that he practices on himself; and he has the two uprights in his studio, one much newer than the other, and as much as he has wanted to replace the older one with an updated model, he hasn’t gotten around to it. Getting rid of one of them wouldn’t be the worst thing in the world, and it would certainly clear up some space in the basement, though it would keep some of his students from practicing while he’s in another lesson.

But with the smile that grows across Henry’s face, and Emma’s to match it, the little white lie seems like the worst of his problems. Because, gods above, he has it bad for this woman. 

Moving the old upright piano from his basement to the Swan’s living room the following Saturday proves much more difficult than lying to them about it. It’s an adventure that requires his brother, Emma’s brother, and Emma — and not, he doesn't fall to notice, the man who he assumes to be Henry’s father, who shows up with the boy right as they’re struggling to get through the front door. 

Killian hates him before he even opens his mouth to speak, seemingly the only one to notice his run-down dark green pick-up truck parked by the curb while he stands in Emma’s entryway, trying to keep the piano from tipping over. The only one to notice him, sitting in the driver’s seat and making no motion to get out, even as Henry jumps down from the passenger seat and begins collecting his soccer gear from the back seat. 

“This thing really doesn’t look like it would be this hard to move,” Emma’s brother — David — grunts, trying his hardest to help ease the piano up over Emma’s front step. 

“Oh, come on, Nolan,” they all hear from behind them, everyone else finally noticing. “You having a little trouble with that?” 

“You know, Cassidy,” David calls out, and Killian notices a vein in his forehead popping out as they try to lift it from the bottom and up the single step. “You could always get your ass over here and be helpful.” 

Emma laughs from the other side of the piano. “Yeah, right.” 

The guy in the truck laughs louder, turning his head in a way that makes Killian sure that he’s staring at Emma. His words make him even more sure: “I prefer the view from where I am, actually.” 

“Asshole,” David says, either a bit louder than he meant or exactly as loud as he meant; Killian has a feeling it’s the second. 

“Is there anything I can do to help?” Henry asks, dropping his soccer stuff on the porch behind Emma. At least the lad has manners, Killian tells himself, finally guiding the piano into the entryway. He gets them from his mother. 

“Just stay out of the way, bud,” David tells him between gritted teeth, the three of them pushing the piano the rest of the way through the door. 

“Are you the lucky lad who gets to play this piano?” Liam asks once they’ve all made it into the entryway, Killian tossing one last glare towards Henry’s father pulling away from the curb as he closes the front door. When he turns to Henry, he’s beaming. 

“Yep! Killian offered to teach me so he could stop hearing me practice the recorder every morning!” 

The bluntness of Henry’s statement pulls a laugh from all of them.

 Henry takes to the piano like a fish to water, which doesn't surprise Killian in the least. The lad is bright, Killian has learned that just from talking with him during their time as neighbors, but when he is able to play most of his scales and "Twinkle, Twinkle, Little Star" by their second lesson, he knows he has stumbled upon true talent. 

And spending time with his mother certainly doesn't hurt, either. 

(The way her laughter carries through the open windows when Henry plays through a song brightens up his days in ways he didn't think was possible anymore, as well, but that's a secret he plans to keep to himself for a while.) 

But by the end of September, four o'clock on Tuesday comes by slowly, especially since his and Emma's schedules have apparently shifted so they're never coming or going at the same time, but when she answers his knock on her door, he immediately feels a calm wash over him. Sure, he feels his heart in his throat, and when she smiles at him and takes a step back to let him in the house, he can swear that he has never seen a more beautiful sight in his life. 

Shit, he's in deep. 

"Hello, love," he says, returning her smile as he steps through the doorway. 

"Hey, Killian," she says back, leaning back against the door to push it shut. "I, uh, thought I already said something to you, but Henry's not here right now." 

"Oh." He tries not to let his upset show on his face. This time that he spends with Henry Swan and his mother has become the highlight of his week, but since Henry isn't here, he assumes that means he should go home. 

But neither of them move. 

He can feel his heart pounding in his chest, as it does every time he's found himself in this gorgeous woman's presence, and he counts the moments that pass through his heartbeats: one, two, three, four. 

"Where is the lad, if you don't mind me asking?" 

She shrugs, still physically blocking him from leaving. "He's with his dad." 

"On a Tuesday night?"

She looks down at the floor, holding out her hands out into her line of vision. "We’re going away next weekend with David and Mary Margaret, so it’s to make up for the time he’s missing. But believe me, he would much rather be here with you." 

“I’ve only ever heard him say good things about his father.” 

“Do you really think that he would tell a stranger about the bad things?” she snaps, and he reels back immediately, regretting ever bringing it up in the first place. Biting the tip of his tongue between his teeth, he tries to push memories of doing the same thing from his mind, tries not to think of all the times he wanted to tell someone other than his brother of the way he was being treated — and he, of course, remembers the embarrassment that came whenever someone tried to bring it up. 

Killian thinks back to the only time he’s met Henry’s father, after helping move the piano into their living room, and he begs once again that this man is nothing like Brennan Jones. 

“Of course,” he says finally, his voice soft with regret and the memory of his own father’s drunken escapades, and he swallows the memories down like bile. 

A beat passes between them, long enough to make Killian sure that he should simply excuse himself and go home, but it’s the last thing he wants to do. 

“Do you want to come in for lunch?” she blurts, her eyes quickly flitting away from his when he tries to find them. 

“Pardon?” He’s not thrown off by the question, really, as much as he is the sentiment. 

“I just — I feel bad that I forgot to tell you that Henry’s with Neal, and now you don’t have anything to do for the next hour, and I was already reheating some of Marg's soup and making sandwiches, so I can — you know what, just… forget it, forget that I asked—” 

“I would love to.”

The look on her face when she finally brings her eyes to meet him makes him sure that his acceptance is the last thing she expects. 

Her kitchen is much more welcoming than his, bright and colorful with the fitting smell of chicken soup wafting from it. "Grilled cheese alright?" she asks, moving past him towards the fridge after gesturing for him to take a seat at the table. 

"Is it ever not?" 

The twinkling laugh she lets out actually seems to brighten the kitchen even further, which he would not have thought possible. 

"I knew I liked you for a reason." 

If the words affect her nearly as much as they do him, she hides it well, moving daintily through the kitchen to gather the rest of the supplies for the sandwiches. He is thankful for the moment of silence that passes between them, noticing for the first time the soft music coming from a small speaker on top of the fridge — he half-recognizes the song, he thinks from Harry Potter? — as he regains his composure, settles the pounding of his heart in his chest. 

"What made you start playing music?" 

And just like that, the pounding comes back. It's an innocent question, one that he gets asked a lot, and one he usually brushes over with a mention of his mother and her affinity for the piano. But, in the welcoming warmth of Emma Swan’s kitchen, he finds himself wanting to tell her everything, wanting to tell the whole story for the first time in a very long time, all the broken bottles and broken promises and broken wrists, the happy songs and the sad songs and one too many damn funeral marches, the drunken spat with the drunken man that almost made him lose his hand, and the life of sobriety that he swore himself into, exchanging his hatred for one parent with his love for another. 

And then he hears the words coming from his mouth, a poisonous story uninvited into this space, into this wonderful woman's life, but it becomes the edited and abridged version as quickly as he can save it: "My father wasn't the nicest man, though he treated my mum the worst of all of us, and in order to find some semblance of peace in the world, she taught herself how to play the piano. And she taught me, too. Tried to teach Liam, but he was never very good at it. So it became a stress relief for me, and I just kept finding new instruments and learning how to play those to keep myself from spiraling, and when it came time for me to figure out my place in the world, music was the obvious answer." 

She hums from her place at the stove, slowly stirring the small pot of soup with a wooden spoon. The movement of her nodding head is small, almost enough that Killian wouldn’t have noticed if he wasn’t watching her so intently. Somehow, he can tell that she wants to say something, maybe has a story like his own that she’s trying to piece together into a semblance of something normal, and he doesn’t push her. 

“I get that,” she says finally, still not turning her attention away from the stove. He doesn’t mind; he’s not sure that he’s ready for that level of intimacy, for looking at each other while sharing their backstories — quite the jump from the casual neighborly hello’s and short conversations they have shared by this point. “That’s why I run, even though sometimes it makes me want to die. It was the only time I had alone when I was in—younger, and it’s still the only time I can do something and not be drowning in my own thoughts the whole time.” 

He wonders about her slip of the tongue, the eloquent way she caught herself —  and the way she straightened her back slightly as she corrected herself. 

But the last thing he wants is for her to question anything that he said, so he’s certainly not going to say anything, only watch her as she reaches into a cabinet to pull out two bowls, pouring some soup in each of them. 

“That’s how I am with the piano. When I sit down in front of it, it’s like my whole brain shuts down and there’s nothing except the music. My mum told me she was the same way when I got a bit older, and it explained why I would wake up in the middle of the night sometimes and hear her downstairs on the old upright the church donated to us. And Liam says the same thing about being behind the wheel of anything.” 

When she finally turns towards him, a bowl of soup in each hand and a smile on her face, he knows that he has finally found someone to understand. 

And he could not be more ecstatic that it is Emma Swan.

-- Part Two will post as soon as I finish it! --

tags: @let-it-raines​ @shireness-says​ @wellhellotragic​ @ultraluckycatnd​ @stahlop​ @kmomof4​ @teamhook​ @profdanglaisstuff​ @thisonesatellite​ @superchocovian​ @carpedzem​ @darkcolinodonorgasm​ @resident-of-storybrooke​ -- if you want to be tagged in part two, let me know; if you no longer want to be tagged in my works, just send me a message!