#the cattleman just feels a bit more... regular

[engagemythrusters]

W A I T

[writings-of-a-hufflepuff]

Never Mess With a School Teacher

Fandom: The Mandalorian

Collection/Series: Western AU- Putting Down Roots

Pairing: Sheriff Din Djarin x Female Teacher Reader

Writer: @writings-of-a-hufflepuff​ aka @hufflepuffing-all-day-long​

Rating: M 

Warnings: Violence, oh my god, the violence. Also swearing, derogatory language. Threat of violence towards kids, but no actual violence, all violence is actually centred on the adults. 

Summary: He curses himself for getting so complacent, soft, it shouldn’t be this hard to chase down a thief. The thief should never even have made it to the steps of the schoolhouse, let alone inside. Luckily for your kids, an angry school teacher is worse than a pissed off sheriff. 

Notes: Someone said they wanted angst...well, I have delivered angst and fluff, hurt and comfort in one piece. 

Archiveofourown

Generally speaking Din’s job as sheriff had been pretty quiet and tame. An easy job. Navarro did not get a lot of crime and generally speaking the only people in his cells were the few regulars at the saloon who always got a little bit too indulgent with their alcohol and then started fighting over whichever girl they’d both decided they wanted that night. He hadn’t dealt with a murder, rape or assault his whole time here. He hadn’t dealt with major crime, not even horse theft. His life had become relatively...domestic and safe, compared to his previous. He’d gone from hunting down some of the most dangerous criminals around to simply wrangling a couple of drunks on a night and the occasional robber who tried his hand at a petty crime. 

He liked to think he was a competent sheriff, that part of the reason for the quiet was that he was just that good, the truth was in a small mining town nothing much happened. So he’d never had to worry, not about Grogu or about you or about the little ones you taught or any member of town. You were as safe as you could be. Navarro was probably one of the safest places around, it made his job as sheriff a damn sight easier that’s for sure. 

“Osik! Kolar! Get over here!” Which is why he’s feeling a little more winded than he used to when he runs through the centre of town after a lousy thief waving a gun in one hand and a bag of stolen credits from the mayor’s office in the other. He can feel a stitch pulling in his side and his knees don’t feel like they used to. 

He hasn’t had to run like this in a couple months, not since moving into town and perhaps he should have been going on daily runs because he’s feeling his age all of sudden. It shouldn’t be this hard to catch up to the guy, he’s not even that fast and he runs like a donkey’s shebs, all arms flailing about and no sense of his own centre of gravity. If he could just reach him then he’d be easy to tackle to the ground. Din was at least twice his size and even with that damn cattleman revolver being waved about he’d be easy to take on. But, of course Din’s getting old and of course he’s been complacent, not been working himself as hard as he should have been. Of course he feels like he’s about to bust a lung just from running for 5 minutes. He feels older than his years all of a sudden and can’t understand how he used to chance criminals down all the time with success.

He pushes his legs even harder when he realises the direction the thief is going in, “Haar’chak!” He hasn’t sworn this much in months, but he recognises the path towards the school and it’s the middle of the day. School is in session and he wants to just grab the guy before he causes more trouble. He has images of you standing at the front of class, radiant and warm, turning to fear as the man storms in. The thought makes him try harder.

“Get you’re fucking no good ass back here! Boy, don’t make me shoot you!” He’s reaching for his gun at about the same time as the schoolhouse comes into view and Din can feel all the blood draining from his face, fear gripping his heart tighter than any lasso at the thought that you’re in there, the little ones are in there and this di’kut is about to go storming in with a goddamn gun.

“I said don’t make me shoot you!” He’s got the gun out now, his trusty pistol, not his preferred rifle, but he’d left that in the sheriff’s office in a rush after hearing yelling and a commotion he wasn’t used to. He’s never leaving it behind again he decides, this has been a wake-up call, he’s gotten lazy, complacent, too soft. This town has damn near domesticated him. He needs to keep himself in shape and his wits about him if he wants to be a decent sheriff. Maybe he’ll telegram Cara, get her to come back him up as deputy or Paz, whichever wants the quiet town life more. 

He hesitates because of his recent domestication, his increased softness of heart...because if he shoots he’ll put a bullet in your schoolhouse and he knows it could go straight through, could hit one of you inside. But, mostly because he knows how much you care about that damn schoolhouse and he can’t bring it in him to damage it knowing you’d be devastated. Paz would laugh at him if he saw him now, tell him he needed to pull his trousers up and get on with the job. He’s never been very good at that. He curses kicking a rock nearby as the thief runs straight through the schoolhouse door with you inside. 

He’s panicking, he can feel it well in his chest, clutching at his throat and he’s not sure what to do. If he storms in it’ll be a mess, little kids and you, all at risk, but if he stays outside he can’t do a damned thing. He can’t begin to imagine how you’re feeling in there, probably panicking, the kids are probably scared, that’s soon confirmed by the terrified little screams he can hear. There’s a panic inside and it just swells his own until he feels like he’s choking. 

“Come out! Leave them the hell alone, boy! Do not test me!” They’re empty words because he can’t do a damned thing, but if that thief lays a hand on any of you he isn’t going to bring him in warm, he’ll be in a jail cell, cold, waiting for the coroner to come and collect him. That he’s certain of, a single hair out of place, a single bruise or mark and that man won’t be breathing for much longer. 

                                                   --------------------

“It’s a well known fact that we’re all acted upon by a force we call gravity! Now gravity-” The door to the school slams open with a supreme force that shocks you so hard that you jump from your place at the front of the class, chalk falling from your hand in a perfect demonstration of the force you’d been discussing. The children react in an instant, jumping from their feet then all clamour towards you like a stampede of panicked animals and it is all you can do in that moment to grab the yardstick you use in mathematics and occasionally in science and hide it behind you. 

He’s wild looking, the man who storms into your school. Bulging big eyes roaming over the lot of you with a snarl, almost foaming at the mouth with aggressive energy, gun clenched tightly in one hand. He’s red in the face, huffing and puffing from running from god knows where. You can hear Din outside, he’s cursing and blinding, you can hear the panic, you can taste your own on the back of your tongue like a sour candy, like cough candy, the ones your father used to love and you used to hate so desperately. 

“Now, sir, I-”

“Shut up!” It’s in this moment you realise that you cannot deescalate this situation, this man is like a wild dog, he is ready to bite at the slightest sound or provocation and the children are your main concern.

Panic gives way to anger, that bitter resolve, that feeling of indignation at this man’s brazen act. That he felt he could come into your domain, your space, that he could threaten you and your children. That he could point a gun in their direction. It’s the gun that angers you the most, it’s not pointed at you, like any sane person would do, it’s not pointed at the one adult in the room, but at Jerome who is shaking so hard you can hear his teeth clattering together. He’s barely a boy of fourteen, not a threat in the slightest. 

You wait, wait as he takes steps closer and closer, drown out the sound of Din’s panic outside, drown out the sounds of your own children, the adrenaline making you feel like your skin is buzzing, like you’ve touched an electric circuit, but there’s no electricity in the schoolhouse at all. You’re shaking, that’s just how much energy is buzzing within you, you’re shaking like a leaf on a windy November day and you can’t physically contain it, stop it. 

When he’s mere feet from you, you lift your chin defiant and angry, mouth opening in a tirade of angry words, as you rush forward in what you’re sure would be a stupid act if you weren’t so desperate for him to ignore the children and focus on you. 

“How dare you come into my school and threaten my children!” It’s almost a scream, you’re so angry, so scared, that you don’t even think when you pull the yardstick from behind your back and swing with both hands for the hand holding the gun. It connects and for a moment he fumbles, you’re sure the gun will fall from his hands, but he catches it at the last second.

His hand comes up, “You bitch!” and clocks you across the face with the butt of his gun. One hit, hard enough for your ears to start ringing. You can feel blood drip from your lip which stings as it splits itself open, your teeth clatter together and by some miracle you stay on your feet, swaying back and forth. The children have begun to cry behind you and you can hear the sounds of roaring anger from outside. Din’s voice, clamouring louder than you’ve ever heard it. 

“You lay a hand on her and you’ll wish you never came to this town!” It’s too late for that you think, he’s already laid that hand and if Din doesn’t get to him first you’re determined to deal your own blows. 

The yardstick is ripped from your palms and you’re sure for a moment that he’ll simply throw it away, out of reach but he doesn’t. Whatever anger he is feeling boils over and the slab of wood hits you in the stomach, the ribs, the back. A hit to the face has your nose bleeding, your jaw feels like it might be broken and your only thought is ‘stay up, stay standing’. Your only relief is that the attention is on you now and not the children. 

“Nar’sheb!” You spit it out, the pronunciation is awful, but the one insult that Din had taught you tumbles from your lips, hoping to keep his attention on you, hoping the provocation gives Din some time to think, to plan. Even, if you feel like he might actually kill you, like he’s capable of it. 

“What the fuck did you just say to me?” 

“I said shove it, you filthy nerfherder!” It’s enough of a push for him to grab you by the front of your blouse and pull you forward, one arm coming underneath your neck, hand gripping your jaw painfully tight, especially with how broken it already feels, no doubt his fingers are going to leave bruises, while the gun is pressed to your temple. 

The fear comes back in full force this time as you hear the children crying louder at seeing you being abused, seeing a gun to your head. But you know you have to be strong because they are your children and you have to protect them, that’s your job, it’s your duty. So you’re almost relieved when he spits at you.

“Let’s go see that sheriff of yours, huh? He seems mighty concerned for you.” It relieves you because you’re beginning to move inch by inch towards the door and you know the older kids will take the younger ones out the back door, usher them quietly out of the schoolhouse and to somewhere safe. You can breathe easy because even if you die today those children are going to be safe, you’ll have done your job. The most important one. Keeping them safe. 

He sees you first, you’re blinded by the light blinking at the midday sun, but, Din? He can see you clear and bright and he has never been so angry in all his life. Your lip is busted open, blood running down your chin, staining your white blouse, there are bruises over your jaw, your nose is leaking more red and he can see by the way you carry yourself that your ribs hurt. The thief’s dirty hands are on you, one clutching your jaw so tight that he can see the indentations his fingers make even from a distance away, the other holding that damn cattleman revolver to your head. It makes him want to beat the guy black and blue, forgoing guns, just give him his bare hands and he’ll ring the guy's neck. Just let him go absolutely feral on the man, let him tear him apart. Din clenches his hand tighter around his gun, the other tightening into a fist, he widens his stance. If it is to be a fight then that’s fine, so long as you’re not in the middle of it. 

He looks scared. That’s the first thing you think when you see Din. He looks scared and angry, his gun is pointed but you know he won’t trust himself to shoot it, his brow furrowed, wet eyes, and teeth biting into his lip hard enough to bleed. He looks raging and scared and wild. This is a side of Din you have never seen, you are so used to the calm, the quiet, gentle Din. But, this Din doesn’t scare you, it fuels your fire again, that this man would make Din feel like that, that he would make this kind man scared and angry. You can feel that rage welling up, shaking you physically. He thinks you’re scared, you can tell by the laugh and little comment ‘oh don’t be scared now’, that he whispers into your ear, his breath hot against your skin, making you shy away in disgust. It crawls over your skin in a most unpleasant way. 

“Now, Sheriff, i’m going to make you an offer that I wouldn’t refuse, not if you want this pretty little thing to come out in one piece that is.” That name angers you even more, how dare he condescend you, how dare he call you that, it’s worse than being called a bitch or a cunt or any other number of derogatory names. 

You don’t even give him the chance to make his offer. You slam the pointed heel of your boot into his foot, hard as you can, before bringing an elbow back into his stomach and using what little you know about the centre of gravity to off balance him and shift him over your head and in front of you. The gun goes flying and your hands reach for the heavy metal pail you keep in front of the school house for collecting water, thanking God that you’d decided a cast iron one would do better than tin as you heft it over your head and across his face with a ringing smash and a crunch of bones. 

You stand over him, chest heaving, “You come near my children again and I will kill you, do you hear me! I’ll show you what a pretty little thing like me can do, sir!” For good measure your swing the pail down again, the man groans and far from being disgusted with your show of violence, you feel better than you have all week at knowing the threat has been dealt with.

You look up breathing heavy, blood dripping from your lip to see the children had made it outside, watching you with wide eyes, almost as wide as Din’s, but not quite. The gun is slack in his hand and he is watching you with a heat you’ve never seen before, it makes you swallow hard.

Din’s sure he’s in love. That’s what he thinks it feels like as he watches you, your chest heaving in anger, your features twisted from their usual soft and delicate countenance. This is love, this feeling like you’ve reached into his chest and grabbed his heart in your bare hand. You are the picture of a mother bear protecting her cubs and that part of him that is deeply Mandalorian cries out for you, cries out to grab you and hold you close. You are in that moment more Mandalorian than he is, mandokarla in every sense of the word. You have the spirit of a true mandalorian, the spirit of a mother, strong, brave, prepared to do what needs to be done. Undefeated. The man beneath your feet groans and it spurs him to action. 

Pulling handcuffs from the back of his belt, Din closes the gap between himself and the thief. He’s rough as he rolls the man onto his front, pulling his arms far behind his back and locking them together. He knows he’s rougher than he needs to be, but the man’s lucky. Lucky that he can’t bring himself to hurt him more with you stood there. 

“You’re lucky I don’t put a bullet in your head right now, osi’kovid. I should kill you for what you’ve done.” He means it too, he wants to just do it, but he knows it’s not right. Not when the man is incapacitated, unable to defend himself. Not when the little ones are watching on, many of their parents having made their way through town at the sound of the disturbance, clutching at the little ones with relief and shock. 

“Then why don’t you, big bad sheriff?” Din hauls him to his feet roughly, presses his mouth close to the thief’s ear not wanting the others to hear him.

“The only thing keeping you alive right now is the woman standing in front of you. If she wasn’t here I'd tear you limb from limb. You’re lucky she’s there.” He means it too. He won’t hurt him, not like this, because he knows you wouldn’t approve, because he knows no matter how angry you are you’d never be okay with him hurting an unarmed, handcuffed man. But, god if he isn’t close to snapping. All that panic has turned into anger, anger which he focuses on the man as he roughly drags him towards the cells. 

You think you weren’t supposed to hear it, the threat, but you did and it is both scary to see him like this and a mite attractive.  Your gentle sheriff is showing a harsher side than you’ve ever seen and it should shake you to your core, make you distance yourself, but it doesn’t. Did you not just show the exact same side of you? Did you not just consider beating the man to a pulp yourself? All because you loved your children, wanted them safe. You think this anger from Din is a reflection on how much he cares for you and the children, how scared he had been and it warms something inside of you. Your chest aches with a longing that you don’t understand as you watch him roughly walk the man away. 

“Are you alright, Miss!” It’s Mr Hewitt, concerned for your welfare, but you just wave him off and make your way to the children, hand clutching at your ribs. 

“I’m perfectly alright, Mr Hewitt, don’t you worry about me!” The children, for the most part are with their parents, all of whom have congregated after commotion drew their attention and word spread quickly through town. They’re crying into their mother’s skirts and their father’s trouser legs and it breaks your heart. They should never have had to witness or experience that, it should never have happened. 

“Children!” Their heads snap up instantly, ever attentive to your teacher's voice; they watch you with focused eyes even while they hiccup and sniffle. “I think we’ve earned the rest of the day off, don’t you? Go home, rest, play and I shall see you bright and early tomorrow morning!” 

Truth is you need to sit down. You can’t even begin to think about teaching right now. So sending them home seems your only option. 

Parents smile at you, wish you well, tell you to look after yourself as they escort their children home. The only little one left is Grogu who runs towards you with panicked eyes, and despite the pain you kneel on the ground in front of him. The little one wraps his arms tight around your neck before pulling back, little hands patting over your cheeks and hair, as if imitating an adult checking your injuries. It brings tears to your eye because in that moment you’re reminded of what could have happened, what could have been lost. It’s not fear for your own life that has tears falling, but fear for him, for all the little ones and their youthful innocence. 

“Cabur...cabur” It’s said to you, little hands framing your face, big brown eyes serious as he looks up at you. It isn’t a word you know, mando’a you are sure, and it’s not a word you’ve ever heard leave his lips before. A quiet child he had only recently begun to start talking and often in one or two words only. 

That’s how Din finds the two of you. You’re kneeling in the dirt, skirt stained probably beyond repair, blouse bloody, face bruised and cut. Grogu is in your lap, your arms wrapped around his little chubby body, his hands cupping your face as he says it over and over again. ‘Cabur’. Guardian. Protector. It warms him from the inside out, that his ad, his son sees you as such, that his son cares about you so much and that you care about him just the same. He has no doubt that you were prepared to die for those children and it scares him and warms him in equal measure. 

You hear his footfalls, dirt and gravel crunching under well worn boots, spurs clinking lightly as he comes to crouch next to you. Warm fingers reach out to gently graze your jaw, taking in the dark mottled bruising and deep swelling.

“What does it mean?” Wide eyes turn on him and he can’t help but smile softly at you, moustache twisting upwards at your curious nature, always so eager to learn, always wanting to engage more with the world around you. 

“Protector, guardian, cabur’ika.” You wince slightly when he presses around your nose, checking to feel if it is broken. It’s not, but it will swell and bruise along with most of your face. The blood has stood spilling from it and that reassures him that it isn't too serious. It still hurts to see you like this, to see you hurt in any way. 

“Ika?”

“Little.” He can already see your brows furrowing, lips setting into an offended scowl as you glare up at him. At the diminutive suffix, not fully understanding the nuances of mando’a yet.

“Little!”

He laughs at your offence, not because it’s funny because it does not mean what you think it means, “It’s a...a familiar term. It’s not because you’re little.” He hopes he makes sense. He doesn't call you a little protector to make fun of you or tease you, but because it shows familiarity, closeness. You are becoming part of his clan without realising it and the familiarity feels good to show. Just as when he calls Grogu, Gro’ika. 

“Oh.” The annoyance metals from your features as quickly as it came and he continues his prodding of your skin, carefully assessing your injuries. Your jaw isn’t broken, he tells you, but it is badly bruised and he tells you to talk less in class, although he gives you a look that says he understands that is unlikely to happen. A gentle finger pulls your lower lip from between your teeth, you hiss, but he’s gentle as can be when looking at the split lip. Badly split and still bleeding red over your chin and blouse. 

Din rises to his feet, offering you a hand, “Let’s get you clean up, cabur’ika”. He helps you stand, Grogu letting go and sliding from your lap to instead hold your skirt hem as the three of you walk. 

Din wraps a strong arm around your waist to help you walk, your pace is slow, careful and it takes longer than it really should to get across town to your small house. It’s not much, just 2 rooms; the main living area with your kitchen, wash basin, tub and a bedroom separated from the rest. But it is home. Cosy, he thinks, like you. It screams home, lived in, a place to live, not just rest your head. 

He eases you onto your settee, propping up pillows behind your back as he urges you to lay down. He even plumps a few in his hands like a mother hen, clucking around you as he unlaces your boots and gently pulls them off to make you more comfortable, grabbing a throw and tucking it around you. He’s filling a washbowl with water from your tap, the one luxury you have, being a plumbed-in kitchen sink. 

“Din...you don’t have to do this.” He should be dealing with paperwork, probably writing a telegraph for someone from a local prison to come and collect the man currently in the jailhouse. He shouldn’t be here with you, he has better things to do. 

“Yes. I do. Someone needs to look after you, cabur’ika.” You watch him grab salt from the side mixing it in with the water, just enough to help keep your wounds clean. Watch him decide which cloth on your countertop is the best to use. He feels the fabrics, which is too abrasive, which is softest, gentlest, before deciding on one and dropping it into the washbowl. 

Grogu is sat by your fireplace watching as his buir shifts you slightly so he can sit on the edge of the settee, washbowl placed on the ground. His fingers are gentle as they rest underneath your chin and urge you to look up at him, calloused but soft on your skin, careful of any pressure that might hurt you. 

The salt water stings, but the cloth is soft and he hushes you quietly at every hiss or groan of discomfort you make. Carefully cleaning your wounds, wiping the dirt, sweat and blood from your skin. 

“It’s okay, Cyar’ika. I’m sorry….i’m sorry.” It’s more than just a sorry for the temporary pain of cleaning your wounds, it’s more than just sorry that I am causing your wounds to sting. There is a deep pain in his voice that strikes you to your core and you shift, hands wrapping around his wrist as you sit yourself up despite the pain in your ribs. 

“You don’t have anything to be sorry for, Din. Listen to me,” you tug on the wrist, pull it towards you and hold him to your chest, urge him to look you in the eye. You can feel the guilt rolling off of him in waves, “You didn’t do anything wrong. It’s not your fault.”

“You wouldn’t be like this if I was better at my job...I got complacent, lazy, I should have been able to catch him before he even got near the schoolhouse! You shouldn’t have ever been put in that position, you and the little ones…” It’s the break in his voice, the tears welling in deep brown eyes that has you wrapping your arms around his head and pulling him to rest his cheek on your chest. Rubbing circles in the back of his neck, twisting dark curls between your fingers. 

“You did everything you could. You are not at fault and I will not have you blame yourself for something you had no control over. You are a good sheriff, Din. You are so good. Please don’t blame yourself for this, darling.” You scratch careful circles into his scalp with your nails, rub soothing lines over his neck and under his jaw, whisper gentle reminders that he is the best thing to happen to this town. That he provided you with a school. That he has made this town safe. That he is not at fault for this. But, you know, deep inside you that he will carry this moment with him, that he will not forget what happened and what could have happened. This guilt will weigh heavily on him, and will follow him.

“You could have been killed. The little ones could have been hurt.” He has always been a man of emotions, quiet emotions, but emotions nonetheless. You’d known from the start that he had a protective streak, that that extended especially towards children. That the mandalorian in him, his upbringing, urged him to keep them safe as much as your own duties did.

“But they weren’t. Keeping them safe is my job, Din. Don’t add it to your worries.” But, they weren’t his responsibility. When they were in your schoolhouse they were yours. The last thing you wanted was him to take that responsibility onto his shoulders when he already had so much, that guilt. It was your responsibility to protect them and while scared and shocked, none of them had a hair out of place or a scratch on them. They were okay. 

“You could have died, cabur’ika. You could have died.” 

“I know. I know,” It hits you. Like being trampled under horse hooves and the wheels of a carriage, like the yardstick to your ribs, full force and winding as you finally understand. You could have died. You could have died. 

It is your turn to cry as your breathing becomes uneven and your mind tries to make sense of the fact you nearly died today, just doing your job, just in your schoolhouse. That there is so much you have not achieved, so little you’ve seen or done and you could have lost the chance to ever do. “Din…” You’re clutching at him, fingers digging in his back as he pulls you tighter to him. 

There is a moment where he worries that you cannot breathe, that the force of your tears will choke you in his arms and so he holds you tighter, barricades you in his arms. Walls shielding you from the world. He brings a hand to the base of your neck cupping it to tilt your head up as he presses his forehead to your own. A comforting gesture, a keldabe kiss, he wants you to feel safe again. Wants to impress upon you your importance in his life even if he is not ready to say it yet.

He can feel your breath evening out with the gesture, your lungs relaxing as his presence comforts you. It pleases him to know he can calm you. He is the only thing present in that moment, not what happened, not the wild eyes of your assailant, not the fear, not the kids, not the room around you. Just him. His warm forehead pressed into yours, gentle, but firm enough to ground you. Large hand cupping the back of your neck, the other arm wrapped entirely around you to keep you close. 

It is a little movement behind your back and two small arms wrapping around your back, unable to truly wrap around you fully that bring you back into the present. 

It’s a little voice saying ‘Cabur’ into the fabric of your blouse, little hands gripping at you, trying to soothe you that makes your heart ache in an entirely different way. You pull back from Din, enough so that you can reach around you and pull Grogu into your lap, between the two of you, shielded by you both. It should scare you, how it feels like you have your entire world on your settee, how it feels like family. It should scare you what you would do for Din, for Grogu. What you would do to keep them safe, happy, healthy. Instead it warms you, to know that you’ve found somewhere to belong that isn’t just a schoolhouse and a classroom. 

“It’s okay, Ad’ika. I’m okay. I promise.” You run a hand through his dark curls, boop him on the nose to make him smile and feel a true smile creeping on your face even if it hurts. You’re not lying either. You’re okay. You will be okay. With this little child who cares for you deeply, with his father who is always there to look after you, you know you are okay and will be okay. 

“Ori'haat,” Din says to you, lifting your eyes back to him and the soft little smile playing at the corners of his mouth, “I swear. You said you wanted to learn more.”

“Or-e-haht?” You are back to your little game. The one where he tells you a new word and you try to pronounce it, but the unfamiliar words twist wrong in your mouth, coming out butchered to his amusement. He enjoys it, you know he does. It is easy to see because his eyes always twinkle with humour and his face softens, some of the harsh lines fading away. 

“Oh-ree-haht.”

“Oh-e-haht?” You always concentrate hard and it is this fact that makes your mispronunciations cute, copikla, rather than frustrating. He does not mind you making mistakes because you try earnestly to correct them and always practice the words till you have it right. He enjoys teaching you because he enjoys hearing his language from another person, enjoys the familiarity, the homeliness of it. 

“Oh-ree-haht!” This time it’s Grogu who announciates it, loud and clear with a little grin on his sweet little face as he looks between you and his buir as if waiting for praise. 

“Very good, Gro’ika,” Din ruffles the boy’s curls before turning his eyes back to you. The boy preens under the praise, little grin growing in size as he sits between the two you. How he always manages to get it right on the first try you don’t know, you’re a little envious of the boy's knack for seemingly everything. He is a quick learner in school and out of it. 

“Oh-ree-haht?”

“Jate, good.” You smile proud of your efforts and shift a little in your seat, ribs pulling and causing you to let out a pained breath. It's going to be sometime you think before you are fully back to how you were, without pain or bruises. You have yet to look in a mirror but are sure that you look terrible.

“Would you like to stay for dinner?” You extend the invitation, knowing you don’t want either of them to go just yet, even though Din probably has things he needs to do and it is selfish to ask him to stay when he has his duties to get on with. 

“You’re not making dinner, cyar’ika. I’ll make it.” He untangles himself from you, grabbing the washbowl to empty in your garden. The view of you with his son cuddled up to you makes his heart warm, even with the mottled bruising and cuts across your features. 

“Din…”

“I will not argue about this with you, i’m taking care of you and you will rest, cabur’ika.” His tone brooks no argument, demanding for the first time, truly, that you listen and do not fight him on this. You should be resting, not standing cooking dinner. You are in too much pain and he would sooner tie you to your bed then let you hurt yourself in an effort to be the hostess. 

With a heavy sigh, you conceded defeat. “Okay, but I’m not happy about it, Din Djarin.”

“I know.” He says with a smile.

                                                  --------------------

Mando’a Translations:

Nar'sheb - contemptuous comment, like saying shove it.

K'olar! - get over here!

Cabur - guardian, protector 

Cabur’ika - lit. little guardian/protector, but the ika shows familiarity, making this more of a pet name, friendly term. 

Haar’chak - damn it

Shebs - butt, ass.

Di’kut - idiot.

Mandokarla - having the *right stuff*, showing guts and spirit, the state of being the epitome of Mando virtue

Osi’kovid - shithead

Ori'haat - I swear

Cyar’ika - sweetheart, darling

Jate - good

Copikla - charming, cute, typically not used for women, but for animals and children. But honestly, I think the reader wouldn’t be offended like a typical mandalorian might by being called copikla. 

Ad’ika - Little one.