i'm a jatherine truther in that i don't think they would have a super healthy long term relationship but them falling for each other was real and important and had a lasting impact on both of them both in their relationship with each other and their relationships with themselves and their understanding of life. like. i personally think long-term they'd end up not working out romantically but being best friends because of how I choose to understand them. but jack falling for Katherine and feeling for the first time like he's worth the attention of somebody he would usually see as above him. and Katherine falling for jack and actually living the theoretical ideas she's had about class divides and social structure. it's good for them. Katherine gets a glimpse at the world she's never truly understood before, puts her own privilege in perspective while also having the chance to get them to see it's not truly us vs them when there's also so many layers to being a woman in 1899, especially a woman with career ambitions and a controlling father with the ability to kill her career with a single word. even being an heiress doesn't stop your father from being an asshole who wants to ruin your life because you don't want to play by his rules. and jack gets to see that there is kindness and softness is the world for him, and not just the kindness and softness he has to fight his way to. he gets to experience somebody who knows him and knows his flaws and failures and the way he crumbles under too much pressure from himself and still chooses to love him despite all of that, he gets to have a soft place to land and also a place to learn and grow from somebody who parallels him in a lot of unexpected ways. they but heads and argue and maybe it isn't always smooth sailing and maybe they realize eventually that their love has settled into something other than romantic, but those changes and lessons and life experiences are there forever and changed them and made them better.
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throwback to a couple of my favourite backhanded sets of compliments that casey and valentino threw each other's way
“It’s difficult to say who is the most talented rider,” Stoner said. “Valentino has talent in several things that I lack, for example in dealing with the media. In some aspects he is more talented than me, in others I am more talented. It’s a speech that applies to everyone. Lorenzo has shown that he is more talented than Valentino, and he showed it when they both had the same bike. Dani [Pedrosa] also has great talent, and if he manages to have a great season, without injuries, everyone will have to deal with him.”
“We [riders] are all here for the same reason,” the Australian added, “we have the same passion. We all take the same risks and we have to respect each other: there is no reason for hatred, for hating an opponent. We are mature people and we have to realize that. I have great respect for the riders who ride clearly, without doing stupid things. We know that there could be an accident at any time, and we know how difficult it is to stay at the front every week, the effort that this requires. I have great respect for Lorenzo, he is a great fighter. The same goes for Valentino, Dani, Andrea…”
(from 2012) the one-two punch of the media comment and the jorge comment to shit on valentino's talent is really strong stuff. bunch of obvious insults couched in language that's barely trying to hide it but is JUST enough for plausible deniability, like yeah he really did get way better at this whole media schtick bless
“Stoner did an amazing job at Ducati. When I looked back at his telemetry I used to wonder how he’d achieve such times!” Rossi said. “People used to think he was very quick – but not particularly intelligent. And that’s why, eventually, he was successful. The reality is that at Ducati he had to go beyond the limits. Go quicker and quicker. And, if you ride like that, you eventually crash!
“We had completely opposing paths in our careers: he’d always ridden for one manufacturer, Honda, under the guidance of Luca Cecchinello. When at Ducati I think he must have thought: ‘Stuff that! This bike is good. I have to win!’
“I, on the other hand, had come from years of success with Honda and Yamaha, and I immediately realised that the bike wasn’t the best. I’m certain that, were Stoner to climb onto Dovizioso’s Ducati tomorrow, he’d still manage to finish a race in 6th place. He used to ride in an incredible way. He’s unique.
“Do I miss him? On the track, yes. He has fantastic talent and was difficult to beat. But off the track, no I don’t miss him. Without him there is much better camaraderie between the riders.”
(from 2013) kinda the last time he spoke about casey in any depth for close to a decade, but it's a personal fave interview because there's a really neat 50:50 split between compliments and insults. incredible tonal whiplash in every line
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I don't get why you and so many others make up all these edgy dark headcanons for S/V characters it's literally the most lighthearted games in the Pokémon library. That's why I like them. Giacomo especially is a comfort chatacyer for me and it's disturbing to see you create this "fandom version" that is so full of edge. I'm sending this message to you with the hope that you'll reconsider the way you write Giacomo. The rest of the fandom would benefit from being less edgy too, I don't get what it is with roleplay blogs and the need for dark drama
Hi my name is Giacomo Uchiha the Hedgehog Linkin Park-Crawling Lyrics Video and I have spiky black pineapple hair (that's how I got my name) with a white hat with play button symbols that sits on the top of my head and stony grey eyes like broken concrete and a lot of people tell me I look like Grimsley (AN: if u don't know who she is get da hell out of here!). I'm not related to Piers but I wish I was because he's a major fucking hottie. I'm a Team Star leader but also a dark type specialist. I have pale white skin. I'm also a trainer, and I go to a Pokémon school called Naranja in Paldea where I'm in the seventh year (I'm seventeen). I'm a DJ (in case you couldn't tell) and I wear mostly black. I love Hot Topic and I buy all my clothes from there. For example today I was wearing a black jacket with matching backpack on my back with glow in the dark straps, black skinny jeans, red headphones with a Pokeball on them and white high top shoes. I was walking outside Naranja. It was snowing and raining so there was no sun, which I was very happy about. A lot of preps and Director Clavell stared at me. I put up my middle finger at them.
"Hey Giacomo!" shouted a voice. I looked up. It was........................... Mela!
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Amber Run - Amen
oh, is there a heaven?/ you’d know now you’ve been
you know this show makes me crazy but one of the most interesting things it does is, simply, giving us Mary
this character who is bereaved from the very start, and we cannot possibly understand her grief. can’t even grasp at the edges of it.
& it’s so powerful because Shannon is a gaping wound ripped through the narrative, but we can’t see it. we can feel the blood dripping onto our backs, in our periphery. but we're stuck with this outline of her, a body ripped open not once, but twice. plundered for its treasure. only Mary goes and searches it for answers.
maybe out of habit, because it's where her answers have always been
and, with no body to keep her contained, Shannon is scattered everywhere.
in Beatrice, flinging herself at armed men in a kind of strained imitation of Shannon, because we learn bad habits too.
people sometimes say that Bea's whole 'trust your team' speech is ironic, coming from her, but i think she trusts her sisters. her issue in s1 is that she knows what she can trust them to do. she knows that Shannon would have wrapped her body around their bodies; that she would have carried any of them through fire.
she hates that and she resents it but, again, we learn bad habits most especially from the ones we love.
Lilith, who must at least be motivated somewhat by the thought of Shannon, perforated, brimming with blue light and telling her, with that sudden set of her jaw. that elusive steeliness to her voice, ‘you’re ready.’
Mary. i always think of her standing in Vincent’s office that night, and how incredibly kind she is to Ava. what we’ve seen her do before that - shoot a man in cold blood on a cliff, hold a knife against the tangle of veins in a wrist, telling a man how quickly it is possible to bleed out.
& then we see her in standing in the sunset at Cat's Cradle & she's something else. she's a container for all the grief we aren't ready to see.
Ava, who spends so much time running but can’t escape.
something about how you can’t run from a ghost when the ghost is inside you.
I can't help blaming you/ for leaving me here, what am I supposed to do?
thinking about how episode 1 takes its title from the Book of Psalms. episode 1, and the first thing we hear Mary say which is
'i need somewhere to put her down'
it always makes me think, oh Mary, you never will
this passage from psalms 23 & what it says about her,
Mary and the places we see her most often: on the docks, on the plateau where Ronda perches, on a bridge with Ava when Beatrice picks her up.
liminal spaces. between land and sea. between the earth and the sky. a bridge (between). what i think that says about where Mary is standing the whole time and where she ends up.
where she ends.
standing between her sisters and the world that wants to eat them.
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