#the former production designer of victoria

[dweemeister]

The Abominable Dr. Phibes (1971)

In the late 1950s and 1960s, American International Pictures (AIP) was a minor Hollywood studio with an outsized reputation. AIP, which made nothing but low-budget pictures and B-movies during its existence, focused on cornering the market for teenagers and young adults. Rather than making an endless string of superhero movies, AIP instead relied on its Beach Party series and related films (1963-1967) and inexpensive horror movies (usually involving producer/director Roger Corman). One of AIP’s mainstays for its coterie of horror films was none other than Vincent Price. A longtime character actor for 20th Century Fox, Price had only begun to regularly feature in horror films beginning with House of Wax (1953). From there, he became a regular on AIP’s Edgar Allan Poe adaptations (very loose adaptations, mind you) under Corman’s direction. No matter how dastardly Price’s characters schemes were in his numerous horror films, Price’s almost effortless charm always pored through, to the point that one cannot help but root for his schemes to succeed.

Though Roger Corman was not involved in The Abominable Dr. Phibes (Phibes rhymes with “bribes”), a portion of Price’s fans point to his performance here in the title role as the Vincent Price-iest of all. In this darkly comedic horror film directed by former production designer Robert Fuest (the 1961-1969 TV series The Avengers, director on 1970’s Wuthering Heights), the film’s deliberate campiness demands more absurd motivations, plot developments, and aesthetic choices than some viewers might be comfortable with. In short, this is not the ideal introduction to Vincent Price or AIP’s horror movies. To enjoy the first Phibes film is to be in on the joke, to accept the film’s inherent silliness.

The opening credits help set that mood. As they roll, Dr. Phibes (Price) ascends from beneath a flight of stairs, playing on organ Felix Mendelssohn’s “War March of the Priests” from Athalie. His only company in this fiendish lair are his tall, silent assistant Vulnavia (Virginia North) and his animatronic band, the Dr. Phibes Clockwork Wizards. Reported killed in a Switzerland car accident in 1921 alongside his wife Victoria, Phibes (who carries heavy facial scars and lost his speaking voice in the crash) is hellbent on seeking revenge against the British doctors who presided over Victoria’s failed surgery. Instead of going to therapy, Phibes murders the doctors instead. One after another, the doctors die in increasingly elaborate ways – each homicide inspired by one of the ten Plagues of Egypt as described in the Book of Exodus. After the third doctor dies, Scotland Yard finally begins connecting the dots under Inspector Harry Trout (Peter Jeffrey). Trout soon realizes that the deceased were all directed by Dr. Vesalius (Joseph Cotten). This revelation only begins to unearth Phibes’ wicked plot.

Elsewhere, Hugh Griffith plays a helpful Rabbi and Terry-Thomas plays one of the doctors. Derek Godfrey and John Cater play Inspector Trout’s superiors, Crow and Weaverly, respectively. Aubrey Woods, whom most know as Bill the Candy Man from Willy Wonka and the Chocolate Factory (1971), plays an eyewitness named Goldsmith.

The screenplay by William Goldstein (who returned for the sequel), James Whiton (his only major writing credit), and Fuest, is no one’s idea of sensible, intelligently structured writing. The transitions between the scenes involving Phibes, his assistant, and the victims to Scotland Yard and Dr. Vesalius are untidy. Goldstein, Whiton, and Fuest attempt to make more of a mystery out of this film than they should, but it only serves to make the investigatory half of the film as a dumping ground of expository dialogue. The scenes with Phibes are the zanier, far more interesting parts of the screenplay – even though the character can no longer speaker (the writers engineer an inexplicable workaround, but this unlikely development can have a pass in the context of this bizarre work). For the scriptural scholars among us, some of the stylish killings of the unsuspecting doctors take liberties with the stated Ten Plagues of Egypt. Though perhaps unacceptable to those demanding strict adherence to the holy texts, the thematic divergences of those murders are still so cockamamie that most viewers probably do not mind.

Dr. Phibes’ murders would make Jigsaw from the Saw series (2004-present) proud. To be clear, The Abominable Dr. Phibes is not a slasher film (a subgenre that was beginning to find its foundations by the early 1970s), but it contains elements that would become slasher hallmarks – an individual committing several revenge killings due to a past event, a sort of catharsis (in later slasher movies, sexual gratification) in the act of killing, and unusual manners of murder. Instead of horrifying the viewer with the wanton death, it is Vincent Price’s performance that keeps The Abominable Dr. Phibes within the confines of comedic horror. Due to reasons that I do not wish to spoil, Price’s Phibes scarcely makes a facial expression aside from his default, neutral gaze. His gait is deliberate and steady. Without the possibility of any facial muscular contortions or Price’s trademark smirk, so much of Price’s performance is through his eyes. From his thousand-yard stares, contemptuous gazes, world weary looks, and bemused glances, Price provides an enormous amount of the film’s soul and tenor with so little of his body. This sounds like a silent film director’s dream, but Price’s performance is a commanding one, in any era. His Dr. Phibes may not be in full control of his movements (thanks to Trevor Crole-Rees’ excellent makeup design), but Price is always fully in control of his acting. No surprise to anyone who knows Price’s work – always dependable to provide his utmost effort, no matter how dire the material.

The screenplay, nevertheless, keeps some emotional distance between the audiences and the title character. Though the film’s absurdity allows the viewer to scrap their sense of morality while watching Phibes slaughter each of the doctors, Phibes’ psychology is inaccessible until the film’s second half. The filmmakers, by not prioritizing Phibes’ mindset as much as they could, continually frame him as the villain amid bumbling detectives, the privileged victims (ensuring that the viewer cares not too much about their deaths), and the prideful Dr. Vesalius (whose hubris erodes as the film progresses, revealing his desperate humanity).

If anybody could be considered a co-lead here, that would be Joseph Cotten as Dr. Vesalius. The underrated and undermentioned Cotten, not at all known for his horror work and more for his collaborations with Orson Welles (namely 1941’s Citizen Kane and 1942’s The Magnificent Ambersons), performs ably here. Cotten replaced Price’s friend, Peter Cushing (Grand Moff Tarkin in 1977’s Star Wars, a regular as Baron Frankenstein and Van Helsing in Hammer horror movies), after Cushing fell ill. Cushing would have been ideal in the role, but never does Cotten act as if the unconvincing dialogue is beneath him, even if he doesn’t attempt to hide his American accent. As Dr. Vesalius, Cotten wonderfully inhabits his character’s desperation as his colleagues meet their ends, as if prophesied.

Set designer Brian Eatwell (1973’s The Three Musketeers, 1976’s The Man Who Fell to Earth) runs rampant with his design to Phibes’ lair. A curious combination of art deco and the garishness of 1970s colors serves the film’s ludicrousness. I am not sure how livable Phibes’ abode is – there are nary any bedrooms or any other amenities depicted – but the central chamber could be an ideal place for a raucous, demented soiree. Vulnavia’s ever-changing wardrobe in each of her scenes is also a delight, thanks to costume designer Elsa Fennell (1964’s Goldfinger, 1971’s Diamonds Are Forever). Perhaps there isn’t too much of association between campy costumes and sets with heartrending motives for murder, but that is exactly what transpires in The Abominable Dr. Phibes.

In addition, a laughably anachronistic soundtrack of swing jazz and Great American Songbook standards dot the film. I was not prepared for the appearance of either Mendelssohn’s “War March of the Priests” nor the legendary song that rounds out the closing credits. Phibes’ introduction while playing the former on organ readies the viewer not to take everything that is about to unfold seriously. For the latter song (again, I dare not spoil this), a brilliant solo trumpet takes the easily recognizable melody and swings it. Lyrically, this song’s placement in the end credits is fitting for what happens to Phibes. But I could not help but laugh the moment I heard the opening notes – a fitting send-off to a gleefully daft movie.

When The Abominable Dr. Phibes arrived in theaters, its poster showed the mutilated Dr. Phibes appearing as if he is about to kiss a woman. Above them read the tagline: “Love means never having to say you’re ugly.” This was a reference to Love Story (1970), with its (in)famous tagline and in-movie quote: “Love means never having to say you’re sorry.” The marketing for The Abominable Dr. Phibes confused audiences – was it a romance? horror? parody? – and the film struggled initially before AIP retooled its advertising to market the film as a horror film. On its low budget, the film was successful enough to warrant AIP to greenlight a sequel, Dr. Phibes Rises Again (1972). That sequel marked the beginning of the end of Price’s association with AIP, due to conflicts over his pay (while AIP’s box office fortunes were dwindling), his lack of satisfaction with the scripts coming his way (not even Price wanted to star in two Dr. Goldfoot movies in two years), and AIP’s plans to replace him with Robert Quarry as their primary horror star.

In the years since the film’s debut in cinemas, The Abominable Dr. Phibes has garnered a deserved cult status. There was no stopping Vincent Price from leaving AIP, but AIP – with their Robert Quarry plans not even a secret – somehow undervalued the actor who was their principal attraction through the 1960s. An essential in Price’s filmography, The Abominable Dr. Phibes defies genre conventions, genre categorization, and any semblance of rationality. For those looking for some bloody horror as the mercury drops, look no further than here. The first Dr. Phibes films guarantees murders with a wink and, though not a smile, an animatronic band playing hits that have yet to be composed.

My rating: 7/10

^ Based on my personal imdb rating. My interpretation of that ratings system can be found in the “Ratings system” page on my blog. Half-points are always rounded down.

For more of my reviews tagged “My Movie Odyssey”, check out the tag of the same name on my blog.

[ojcobsessed]

Oliver Jackson-Cohen and Doctor Who and Victoria actress Jenna Coleman have been announced as key cast on Northern England-set action thriller Jackdaw, the debut feature of Jamie Childs, whose drama directing credits include The Sandman and His Dark Materials.

Jackson-Cohen, whose recent credits include Emily, The Lost Daughter, stars as a former motocross champion and army veteran, now caring for his younger brother.

Broke, he agrees to do an open water pick up of a mysterious illegal package in the North Sea. A resulting double cross and his brother’s disappearance set him and his old bike on a violent nocturnal odyssey through England’s northern rust belt.

Anton has fully financed the production with the support of North East Screen and will launch worldwide sales at the upcoming EFM.

The company has released a first look of Jackson-Cohen in the film which was shot in various locations across England’s Northeast coast.

Jamie Childs, who also wrote the screenplay, said inspiration for the film grew out of a desire to create a thriller set in in his home region.

“We see so many American films set in atmospheric towns that don’t tie themselves to local, kitchen-sink stories. I thought, why don’t we do this in Britain?,” he said.

“We set out to push the envelope of what was possible stylistically and tonally in the region. Its clash of pastoral and industrial worlds is the perfect setting for an exciting, pulpy chase thriller,” he said.

The film is produced by Sebastian Raybaud (Greenland, Canary Black) and Callum Grant for Anton, Kate Glover (47 Meters Down, Black Mirror) and Jamie Childs. Childs directs alongside his regular DOP Will Baldy (The Sandman, Willow).

“We’re thrilled to be part of Jamie’s feature debut. The calibre of our cast and crew speaks to the unique quality of his script and commercial vision for the project,” said Grant.

“Like Ridley and Tony Scott, Jamie grew up in the post-industrial heartland of this film and we are paying homage to their early work in Jackdaw. As an action piece, it will take audiences somewhere they haven’t been in contemporary British cinema.”

Stunt work on the film is being designed by industry leaders Dave Judge (Dune, Inception, The Dark Knight Rises) and Ian Van Temperly (Tom Clancy’s Jack Ryan), with production design by Matt Gant (Gangs Of London, Shadow and Bone).

Casting was by Jessie Frost (Triangle of Sadness, Little Planet, Borg vs McEnroe).

Rounding out the cast are Vivienne Acheampong (The Sandman), Joe Blakemore and BAFTA Breakthrough Performer 2022 Leon Harrop.

guess allan mustafah wasn't kidding when he said oliver was playing his carer after all : )

[byneddiedingo]

Marie Glory, Jean-Louis Trintignant, Christian Marquand, and Brigitte Bardot in ... And God Created Woman (Roger Vadim, 1956) Cast: Brigitte Bardot, Curd Jürgens, Jean-Louis Trintignant, Christian Marquand, Jane Marken, Jean Tissier, Jacqueline Ventura, Isabelle Cory, Marie Glory, Georges Poujouly. Screenplay: Roger Vadim, Raoul Lévy. Cinematography: Armand Thirard. Production design: Jean André. Film editing: Victoria Mercanton. Music: Paul Misraki. For an exploitation film, which is what Roger Vadim's ... And God Created Woman surely must be called, the director and his co-screenwriter, Raoul Lévy, certainly devote a lot of attention to crafting something of a plot and a smattering of characterization. But what the movie is really about is Brigitte Bardot's body, which upstages everything else, including a determined performance by the young Jean-Louis Trintignant, on the brink of a distinguished career. Trintignant struggles to make sense of the infatuated Michel, but there's not much written into the character beyond his status as the middle of three brothers, caught in a hormonal web. Bardot's Juliette is so obviously meant to mate with the virile oldest brother, Antoine (Christian Marquand), that the film seems to be marking time before the consummation of the obvious. And when that happens, there's little else for the story to do but either erupt in a violent fraternal conflict or trail off into unhappy uncertainty. It does a feint at the former before fizzing out into the latter, substituting an extended scene of Juliette flaunting her stuff for some musicians as the real climax. Bardot had genuine acting talent, as her work in Jean-Luc Godard's Contempt (1963) would reveal, but it was usually hidden beneath the other gifts that nature gave her, and Vadim did his worst to keep it hidden. Cinematographer Armand Thirard seems constrained by the aspect ratio of CinemaScope, frequently grouping his characters on one side of the screen while filling the rest with inessentials, like the staircase on the right side of the scene shown above, although he occasionally pulls off some interesting deep-focus compositions with this approach. Still his work on the film is probably most famous for a screen-wide shot of the nude Bardot that American censors slashed at ruthlessly.

[ljones41]

"PERSUASION" (2022) Review

"PERSUASION" (2022) Review The years between 2009 and 2020 saw a few television and/or movie productions about various Jane Austen novels. Yet, these productions were either sequel, spoofs or other takes on her novels. Then 2020 arrived and two straight up movie adaptions appeared for Austen fans - "EMMA" and "MODERN PERSUASION". Another two passed before the streaming service Netflix released its own straight Austen adaptation, namely "PERSUASION".

Anyone familiar with Austen's works should also be family with the plot of her 1818 novel and this movie. Eight years before the story's beginning, a baronet's daughter named Anne Elliot had fallen in love with a young Royal Navy officer named Frederick Wentworth. However, her godmother Lady Russell, had convinced her to reject Frederick's marriage proposal out of family duty and his lack of social rank and fortune. During the eight years that followed, Anne had become an ignored and faded spinster. When her father, Sir Walter Elliot, finds himself in financial debt, and Anne's older sister Elizabeth move to Bath to live in style with less finances. Sir Walter also leases his estate, Kellynch, to Frederick's older sister and brother-in-law, Admiral and Mrs. Croft. Anne visits her married younger sister and brother-in-law Mary and Charles Musgrove at the estate of the latter's family, Uppercross. During her visit to the Musgroves, Anne becomes re-acquainted with Frederick after eight years and becomes convinced that he has emotionally moved on from being rejected and from her. When I saw the trailer for "PERSUASION", I never thought I would like it. What can I say? I had not been impressed by the film's trailer. It seemed to emphasize the film's worst aspects. And if I must be honest, this version of Austen's 1818 novel, like the other adaptations, had its issues. I did not care how screenwriters Ronald Bass and Alice Victoria Winslow occasionally utilized modern English in the film's dialogue. It felt out of place, and I am thankful that it did not dominate the movie. I rather enjoyed Stewart Scudamore and Agni Scott's natural portrayals of Admiral and Mrs. Croft. This is why I was very disappointed by their lack of appearances in the film's Bath sequence, especially since it was the former who had revealed an important piece of information about his brother-in-law, Frederick Wentworth. I also had a problem with the portrayal of Henrietta Musgrove in the film. I did not have a problem with the actress who portrayed her - Izuka Hoyle. I had a problem with how Bass and Winslow had re-written her character. Henrietta went from a slightly shy and reserved young woman to a more self-assured and forthright personality. Why did they change her personality? Nor did I see the need for a brief scene featuring Anne Elliot preparing to take a piss near some bush before overhearing a conversation between Louisa Musgrove and Frederick. I really did not need to see that. There were other minor aspects of "PERSUASION" that I did not like. I had no problems with Marianne Agertoft's costume designs for the film - with one exception. I did not care for some of Dakota Johson's costumes. With the exception of a few, most of them seemed bland in compared to the costumes for the other female characters. They brought back memories of Sally Hawkins' costumes in the 2007 adaptation. Considering Johnson served as the film's leading lady, I found this particularly irritating. One of her costumes looked as if it was suited for a period drama set in the early 1910s, instead of the mid-1810s. Yes, I could tell the difference. Also, Johnson's hairstyle seemed to be all over the place in some attempt to infuse a loose modern take in her hairstyle. Why? Perhaps the filmmakers wanted to single her out in compared to the other actresses due to her being the leading lady. Or perhaps Johnson did not want a strict early 19th century hairstyle. Whatever the reason, I disliked her hair. I had considered pointing out Cosmo Jarvis' day-growth beard. However, I discovered that the Royal Navy has always allowed its men to wear beards. So, Jarvis got a pass. Almost. I believe he should have worn a full beard or be clean shaven. That day-growth beard looked a bit too modern in my eyes. Many have issued other complaints about the movie. However, I found myself disagreeing with them. I had no problem with Johnson's Anne Elliot breaking the fourth wall every now and then. In fact, this narrative device had been used in the 2007 adaptation with Sally Hawkins, but with less frequency. The same could be said for using Anne as the story's narrator. Again, the 2007 adaptation used narration a lot less than this adaptation did. But I must admit that I found Anne's narration in this movie at times entertaining and rather poignant. Speaking of Anne's narration, many have complained about the character's sense of humor, pointing out that she seemed less like Austen's Anne Elliot and more like the author herself. One, I thought Johnson handled Anne Elliot’s wit with such subtlety that the character did not come off as a Jane Austen 2.0 like the Fanny Price character in 1999’s "MANSFIELD PARK". Even the Anne Elliot character in the 1971 adaptation of Austen's 1818 novel had expressed flashes of wit every now and then. Also, Anne had only expressed her wit in those moments when she broke the fourth wall. I take that back. There were a few moments when she tried to be witty with her sisters, but they tend to either ignore her, criticize her humor or take her words seriously. Although I had complained about the lack of Admiral and Mrs. Croft in the Bath sequences, two other characters from the novel were missing - Anne's old school friend, Mrs. Smith and the latter's aide, Nurse Rook. If I must be honest, I did not miss them at all. I have never liked the scenes featuring Anne with this pair. Only her defiance against accompanying her family to Viscountess Dalrymple's house in order to visit her old friend was the only aspect of Mrs. Smith I liked in Austen's story. But one would point out that Mrs. Smith had served as the catalyst for Anne's discovery about her cousin William Elliot's villainy. My response? Who cares? One of my major complaints about "Persuasion" had been the portrayal of William as a villain. I have always found it unnecessary. And apparently, the filmmakers, along with screenwriter Nick Bass and director Carrie Cracknell felt the same. That is correct, I have never cared for Austen's portrayal of William Elliot as a villain. Nor have I ever saw the need for such a portrayal for the character. I thank God the screenwriters had decided to simply portray William as a roguish man who enjoyed tripping up with his sharp wit every now and then. More importantly, William openly admitted his intent to prevent Sir Walter Elliot from ever marrying Elizabeth Elliot's companion, Mrs. Penelope Clay in order to remain the older man's heir to Kellynch and the baronetcy. One might believe this admission went against William's pursuit of Anne in the story's second half. But William has always been genuinely attracted to Anne - in the novel and in all of the adaptations. If Louisa Musgrove could be a threat to the potential Anne and Frederick reconciliation without being a villainess, surely William could serve a similar role without being the story's villain. For me, the true barriers to Anne and Frederick's romance have always been her rejection of his first marriage proposal and Frederick's long-lasting resentment of her rejection, not Louisa Musgrove or William Elliot. One scene that had never been featured in Austen's novel appeared in this movie. It featured Frederick's attempt to establish a friendship between him and Anne at Lyme. In this scene, Frederick gave a speech to Anne, expressing his "desire" to end the resentment and regret between them and become friends. I thought it was one of the most deliciously awkward moments I have witnessed in a period drama. This scene was capped by one of my favorite lines spoken by Anne: "But a heartbeat ago, there were no two souls more in rhythm than Wentworth and I. Now we're strangers. Worse than strangers. We're exes." In other words, Frederick had just friend-zoned Anne. And it was the film's only moment in which I had no problem with its use of modern dialogue. Aside from my complaints regarding Dakota Johnson's costumes, I had no problems with the film's other artistic and technical aspects. I found Marianne Agertoft's costume designs for the other characters solid and properly aligned to the movie's mid-1810s setting. But I could not think of a particular costume that blew my mind. However, I was very impressed by Joe Anderson's photography. The movie's scenes featured sharp colors and engaging vistas of locations such as Salisbury, London, Lyme Regis and Yeovil in Somerset, and Bath. And I am utterly grateful the movie did not feature dark interior shots that made it difficult for me to see a person or object. I realize I might attract a good deal of flack for this, but I found Carrie Cracknell did a better job in filming Louisa's accident at the Lyme Regis Cobb than any other adaptation of "Persuasion". I kid you not. There seemed to be something about that particular scene that led previous filmmakers to film it in the most awkward manner. As for the movie's performances, I managed to enjoy them. I have already commented on Stuart Scudamore and Agni Scott's warm portrayals of Admiral and Mrs. Croft. The movie also featured solid performances from Lydia Rose Bewley as Penelope Clay, Izuka Hoyle as Henrietta Musgrove, Jenny Rainsford as Mrs. Harville, Nia Towle as Louisa Musgrove, Gary Beadle as Mr. Musgrove, Eve Matheson as Mrs. Musgrove and Edward Bluemel's very outgoing portrayal of Captain Harville. But there were performances that I particularly enjoyed. When I first viewed "PERSUASION", I had judged Richard E. Grant's portrayal of Sir Walter Elliot as a bit over-the-top. Upon my second and third viewing, I finally appreciated how entertaining and hilarious he was as the self-involved baronet. And . . . I thought he had one of the best lines in the film. I found both Yolanda Kettle and Mia McKenna-Bruce's portrayals of Anne's sisters - Elizabeth Elliot and Mary Elliot Musgrove - to be equally entertaining and funny. Ben Bailey Smith gave a very amusing performance as Mary Musgrove's long-suffering husband, Charles Musgrove. Nia Towle's portrayal of Louisa Musgrove struck me as both charming and ebullient. Nikki Amuka-Bird gave a warm and poignant performance as Anne's godmother, Lady Russell. I might as well say it. Henry Golding's William Elliot has proven to be my favorite version of the character. I have already expressed my pleasure at the screenwriters' decision to avoid Austen's more villainous portrayal of the character. But I also enjoyed Goulding's funny, yet sly performance as Sir Walter's heir. Golding had projected so much charm into his performance that he made it easy for me to see why Anne would briefly consider a future with her cousin. Cosmo Jarvis gave an interesting performance as Captain Frederick Wentworth . . . and I mean that as a compliment. I thought he did a fine job of weaving between the charm and wit Frederick directed at the Musgrove sisters, his continuing anger at Anne's past rejection through the occasion sharp barb or caustic criticism of her character. Once Frederick's anger began to dissipate, Jarvis skillfully managed to convey Frederick's awkwardness at trying to hide his love for Anne via friendly dialogue. I was especially impressed by that moment when he tried to place Anne in a friend zone. Many critics and Austen fans have criticized Dakota Johnson's for being too modern and too witty. I have already complained about the movie's use of modern dialogue and Johnson was not the only actress or actor who used it. As for Anne's wit, I have already discussed Johnson's portrayal of Anne's sense of humor. But I also enjoyed how the actress occasionally utilized facial expressions to convey her amusement or any other emotions toward her family and other characters in the story . . . while breaking the fourth wall. I really enjoyed that. Yet, I also enjoyed Johnson's portrayal of Anne's frustrations and despair over the continuing wall between her and Frederick and the possibility of continuing loneliness in her life. I was almost inclined to regard Henry Golding's portrayal of William Elliot as my favorite performance in this film. But you know what? I have to give that honor to Dakota Johnson's performance as Anne Elliot. How can I put this in a nutshell? This new version of "PERSUASION" is not perfect. It has flaws that include some modern dialogue, the transformation of the Henrietta Musgrove character and some of the costumes worn by the leading actress. But despite these flaws, I still enjoyed watching "PERSUASION" very much. I enjoyed it as much as I had enjoyed the 1995 and 2007 adaptations. Only the 1971 miniseries is superior in my eyes. It is a pity that the movie had received so much negative reactions upon its release on Netflix. But I have no control over that situation and frankly, I do not care. I know how I feel about "PERSUASION" and I look forward to many re-watches of it for years to come, thanks to the screenwriters, director Carrie Cracknell and a wonderful cast led by Dakota Johnson and Cosmo Jarvis.

[lavenderplain]

Untitled Transformer project

Alright ladies and gentlemen, I have an announcement to do, since I am a fan of the transformers franchise, I've decided to create my own transformers story. It came up to me when I was listening to a song while also waiting for Transformers: Earthspark. Anyway, here comes the plot.

Plot: An autistic human girl name Victoria discovers a spear that are alien in origin. After touching the weapon, her DNA becomes coded to the weapon which caught the attention of two races, the autobots and the decepticons. The spear was also the locked key to a spark which was later freed. After being rescued by the autobots from the decepticons, Victoria must protect the weapon from the decepticons while she learns more about the two races from a former decepticon.

Alright, plot out of the way. I got the humans designs out of the way. But not the robots, cause 1. I suck ass at character designing and 2. I can't draw robots Anyway, I was thinking of hiring someone to design the autobots and decepticons. Or you could DM me for a hiring. Here are the main autobots and decepticons that are going to appear (their bios are coming soon).

Autobots:

Optimus Prime

Bumblebee

Arcee

Ratchet

Skyfire

Swerve

Blurr

Wheeljack

Decepticons:

Megatron

Soundwave

Shockwave

Slipstream

Barricade

Kickback

Lockdown

Tarn

Neutral:

Starscream

Okie dokie, after the I found the designer for the robots, we will discuss what they're going to look like. Anyway, I can't wait to show the humans. Also, one more thing, I can't figure out the name for the project. I want something that hasn't been taken. If you can come up with something, let me know.

Anyway, can't wait to start production on it someday.

[leonsdrycleaners]

Revive Your Leather: The Art of Professional Leather Cleaning in London

In the vibrant streets of London, where style and sophistication converge, the importance of maintaining leather goods in pristine condition cannot be overstated. From designer handbags to beloved leather jackets, these timeless pieces deserve nothing but the best care to ensure they retain their beauty and durability. Enter professional Leather cleaning London, where skilled artisans utilize specialized techniques and premium products to revive and rejuvenate leather goods to their former glory.

London's esteemed leather cleaning establishments boast a wealth of expertise in handling a diverse range of leather items, from classic to contemporary. Whether it's a vintage leather briefcase, a luxurious leather sofa, or a treasured pair of leather shoes, these professionals understand the unique characteristics of each piece and tailor their cleaning approach accordingly.

Central to the process of Dry cleaners Victoria leather cleaning is the delicate balance between thorough cleansing and gentle preservation of the leather's natural properties. Expert cleaners employ specialized products and techniques to remove dirt, grime, and stains while nourishing and conditioning the leather to prevent drying and cracking. This meticulous attention to detail ensures that leather goods not only look immaculate but also remain supple and resilient for years to come.

Moreover, London's top-tier leather cleaning services often offer additional treatments to address specific needs. Whether it's color restoration, stain removal, or leather conditioning, these establishments go above and beyond to ensure that every aspect of the leather's appearance and integrity is meticulously attended to.

Beyond the exceptional quality of service, convenience is another hallmark of London's professional Suit dry cleaning London. Many establishments offer pickup and delivery services, making it effortless for clients to have their leather goods expertly cleaned without disrupting their busy schedules.

Furthermore, environmentally conscious practices are increasingly prioritized within London's leather cleaning industry. Many establishments utilize eco-friendly cleaning solutions and methods to minimize their environmental footprint while delivering outstanding results.

In conclusion, professional Leather cleaning London represent the epitome of excellence in garment care. With their expertise, dedication to quality, and commitment to customer satisfaction, these establishments ensure that your cherished leather items receive the care and attention they deserve, allowing you to enjoy them for years to come in all their beauty and splendor.

[wikiuntamed]

On this day in Wikipedia: Tuesday, 27th February

Welcome, karibu, laipni lūdzam, ողջու՜յն (voġčuyn) 🤗 What does @Wikipedia say about 27th February through the years 🏛️📜🗓️?

27th February 2021 🗓️ : Death - Ng Man-tat Ng Man-tat, Hong Kong actor (b. 1952) "Richard Ng Man-tat (Chinese: 吳孟達, 2 January 1952 – 27 February 2021), commonly called Uncle Tat (達叔), was a Hong Kong actor originally from Fujian. He was a veteran with dozens of awards in the Hong Kong film industry, including Best Supporting Actor at the 10th Hong Kong Film Awards for his role in..."

27th February 2019 🗓️ : Event - Pakistan Air Force Pakistan Air Force JF-17 Thunder downs Indian pilot Abhinandan Varthaman's Mig-21 in an aerial dogfight and captures him after conducting airstrikes in Jammu and Kashmir. "The Pakistan Air Force (PAF) (Urdu: پاک فِضائیہ, romanized: Pāk Fìzāʾiyah; pronounced [pɑːk fɪzɑːɪjəɦ]) is the aerial warfare branch of the Pakistan Armed Forces, tasked primarily with the aerial defence of Pakistan, with a secondary role of providing air support to the Pakistan Army and Pakistan..."

Image by Pakistan Air Force vectored by FOX 52

27th February 2014 🗓️ : Death - Aaron Allston Aaron Allston, American game designer and author (b. 1960) "Aaron Dale Allston (December 8, 1960 – February 27, 2014) was an American game designer and author of many science fiction books, notably Star Wars novels. His works as a game designer include game supplements for role-playing games, several of which served to establish the basis for products and..."

Image licensed under CC BY 4.0? by Larry D. Moore

27th February 1974 🗓️ : Birth - Carte Goodwin Carte Goodwin, former United States senator from West Virginia "Carte Patrick Goodwin (born February 27, 1974) is an American attorney and politician who served as a United States senator from West Virginia in 2010. A member of the Democratic Party, he was appointed by Governor Joe Manchin on July 16, 2010 to fill the vacancy created by the death of Robert Byrd...."

Image by U.S. Senate

27th February 1923 🗓️ : Birth - Dexter Gordon Dexter Gordon, American saxophonist, composer, and actor (d. 1990) "Dexter Gordon (February 27, 1923 – April 25, 1990) was an American jazz tenor saxophonist, composer, and bandleader. He was among the most influential early bebop musicians, which included other greats such as Charlie Parker, Dizzy Gillespie, and Bud Powell. Gordon's height was 6 feet 6 inches (198..."

Image licensed under CC BY-SA 2.0? by Jean-Luc

27th February 1816 🗓️ : Birth - William Nicholson (Australian politician) William Nicholson, English-Australian politician, 3rd Premier of Victoria (d. 1865) "William Nicholson (27 February 1816 – 10 March 1865) was an Australian colonial politician who became the third Premier of Victoria. He is remembered for having been called the "father of the ballot" due to his responsibility in introducing the secret ballot in Victoria...."

Image by The original uploader was Adam Carr at English Wikipedia.

27th February 🗓️ : Holiday - Doctors' Day (Vietnam) "National Doctors' Day is a day celebrated to recognize the contributions of physicians to individual lives and communities. The date varies from nation to nation depending on the event of commemoration used to mark the day. In some nations the day is marked as a holiday. Although supposed to be..."

Image licensed under CC BY-SA 3.0? by Stethoscopes

[bestthc-gummies]

Melbourne Shopping: Getting a Bargain in Melbourne

When individuals transform their thoughts to shopping in Australia, many people think of Melbourne, as this contemporary and vibrant city provides a vast array of purchasing options to fit all tastes. While site visitors that like to maintain their cool in modern-day mall will locate offerings in all locations of the city, there are likewise plenty of markets to be discovered right here, which offer just about everything from in your area expanded fresh fruit and vegetables to crafts and also arts thc gummies. Queen Victoria Market Typically referred to in your area as the Queen Vic Markets, the Queen Victoria Market is one of Melbourne's significant sites. This outstanding open air market covers an area of 17 acres and also is named after former majesty Queen Victoria. This is Melbourne's only staying 19th century market, as well as the advantage of buying here is that a wide range of different kinds of products can be located all within one location. St Kilda Located simply seven kilometres from Melbourne's CBD, the St Kilda area is a beautiful bayside area that features a long sandy beach in addition to a superb range of dining establishments and also various other features. There are also a lot of shops to be found below, especially along Fitzroy Street, while the close-by Acland Street is recognized for its abundance of publication, independent songs and also used shops. Block Arcade The lovely and also huge Block Arcade is the excellent location for those that are interested in background and also society to shop. This remarkable purchasing game was constructed back in 1891 after being designed by engineer David C. Askew. The building was based upon the commanding Galleria Vittoria in Milan, and the six-story building has actually been recording the hearts and also minds of buyers for years with its lovely mosaic flooring, glass cover and sculpted rock finishings. Bridge Road Conveniently located near a number of cheap Melbourne hotels, Bridge Road is a terrific area to purchase hand-crafted clothes. While lovers of haute couture will certainly find outlets of shops stocked with items from big names such as Gorman, Esprit as well as Country Road, dressmakers additionally supply to make fits as well as other clothing to gauge. Enthusiasts of shoes will additionally be in their aspect right here, as shoes by names such as Alberto Piazza, Batsanis and also Aquila are easy to come by. Myer Melbourne Christmas is the most effective time to go to the Nyer Melbourne buying location, which was established in 1900 by a Russian immigrant. The Myer Christmas Windows have actually been drawing huge crowds of individuals to this area of the city considering that they were first introduced back in 1956, and each year people of every ages wait in wonder to see what scenes will be displayed. Toorak Road Bordered by the lush leafy residential areas of the areas of Armadale, South Yarra and also Malvern, Toorak is the perfect place to run away from the hustle and bustle of the city as well as really come down to some severe purchasing Also called the Toorak Village, this area of the city contains a special island that is jam-packed packed with quality fashion shops along with publication as well as homeware stores. Flight terminal shopping. An excellent variety of shopping outlets can be located in Melbourne's huge global flight terminal, and also this is the ideal place to grab keepsakes and also presents to repossess residence. Every little thing from designer fragrance and also jewellery to inventions can be found below, as well as checking out product as well as various other travel basics. Commonly referred to locally as the Queen Vic Markets, the Queen Victoria Market is one of Melbourne's major spots. This is Melbourne's only continuing to be 19th century market, as well as the advantage of buying here is that a wide range of different kinds of goods can be located all within one area.

[taruntravell]

Best Things to do in London

London is a vibrant and diverse city with a plethora of activities to suit all interests. Here's a list of some of the best things to do in London:

Visit the British Museum: Explore a vast collection of art and artifacts from around the world, including the Rosetta Stone and the Elgin Marbles.

See the Tower of London: Discover the history of this iconic castle, which has served as a royal palace, prison, and treasury. Don't miss the Crown Jewels exhibit.

Take a ride on the London Eye: Enjoy stunning panoramic views of the city's skyline from this giant Ferris wheel on the South Bank of the River Thames.

Stroll through Hyde Park: Relax in one of London's most famous parks, where you can rent a boat on the Serpentine, have a picnic, or simply enjoy the greenery.

Explore the Tate Modern: Immerse yourself in contemporary and modern art at this renowned museum housed in a former power station.

Wander around Covent Garden: Experience street performances, boutique shopping, and a wide range of restaurants and cafes in this bustling district.

Go to the West End: Catch a world-class theater production in London's famous theater district. Musicals, plays, and performances cater to all tastes.

Visit the Houses of Parliament and Big Ben: Admire the stunning architecture of the UK's political hub and the iconic clock tower (currently under renovation).

Tour Buckingham Palace: Witness the Changing of the Guard ceremony and explore the official residence of the British monarch during the summer months.

Take a cruise on the Thames: Enjoy a unique perspective of the city's landmarks, including the Tower Bridge, London Bridge, and the Shard.

Shop on Oxford Street: Indulge in retail therapy at one of the world's most famous shopping streets, featuring a variety of stores, boutiques, and department stores.

Visit the Natural History Museum: Explore fascinating exhibits on the natural world, dinosaurs, gems, and minerals, all housed in a stunning Victorian building.

Discover the Victoria and Albert Museum: Marvel at a diverse collection of art and design, ranging from fashion and textiles to ceramics and sculptures.

Explore the Camden Market: Experience an eclectic mix of food stalls, vintage shops, and alternative fashion in this lively market area.

Dine at Borough Market: Savor delicious street food, fresh produce, and artisanal products at one of London's oldest and most renowned food markets.

Take a day trip to Windsor: Visit Windsor Castle, the oldest and largest inhabited castle in the world, located just outside of London.

Experience the Southbank Centre: Attend concerts, exhibitions, and cultural events at this riverside complex featuring the Royal Festival Hall and the Hayward Gallery.

Roam through Notting Hill: Explore the charming streets, colorful houses, and quirky shops in this trendy neighborhood, known for the Portobello Road Market.

Tour the Royal Observatory in Greenwich: Stand on the Prime Meridian line and learn about astronomy and navigation in this historic location.

Cruise the canals in Little Venice: Enjoy a tranquil boat ride through this picturesque area where the Grand Union and Regent's Canals meet.

Remember that this is just a snapshot of the many incredible things to do in London. The city offers an endless array of attractions, neighborhoods, and cultural experiences to suit all tastes and interests.

[trendynews2023]

Guardians Of The Galaxy Vol. 3 Cast & Crew

Guardians of the Galaxy Vol. 3 is one of the most highly anticipated movies in the Marvel Cinematic Universe. Directed by James Gunn, the film promises to continue the adventures of the ragtag group of heroes, as they travel through space to save the galaxy once again. Here is a rundown of the cast and crew of Guardians of the Galaxy Vol. 3:

Director: James Gunn returns to the director's chair for the third installment of the Guardians of the Galaxy franchise. Gunn has become a fan favorite for his unique style and humor, which has made the previous two films such a success. Fans are eager to see what he has in store for the third movie.

Cast:

Chris Pratt as Peter Quill/Star-Lord: Chris Pratt returns to play the role of Peter Quill, the charismatic leader of the Guardians. Pratt's portrayal of Star-Lord has been one of the highlights of the previous films, and fans are excited to see him reprise the role.

Zoe Saldana as Gamora: Zoe Saldana returns as the deadly Gamora, the adopted daughter of Thanos. Gamora has a complicated relationship with the other Guardians, especially with Peter Quill, and fans are eager to see how that relationship evolves in the third film.

Dave Bautista as Drax: Dave Bautista plays Drax, the fierce warrior who seeks revenge for the death of his family. Bautista has become a fan favorite for his comedic timing and his ability to balance humor with action.

Bradley Cooper as Rocket Raccoon: Bradley Cooper returns as the voice of Rocket Raccoon, the sarcastic and mischievous member of the team. Cooper's voice work has been a standout in the previous films, and fans are excited to hear more of Rocket's antics in the third movie.

Vin Diesel as Groot: Vin Diesel provides the voice of Groot, the lovable tree-like creature who can only say "I am Groot." Despite his limited vocabulary, Groot has become a fan favorite for his innocence and childlike demeanor.

Karen Gillan as Nebula: Karen Gillan plays Nebula, Gamora's sister, and a former ally of Thanos. Nebula has a complicated relationship with the other Guardians, and fans are eager to see how her story unfolds in the third movie.

Pom Klementieff as Mantis: Pom Klementieff joins the cast as Mantis, a new member of the team with empathic abilities. Mantis was introduced in the previous film, and fans are eager to see how she integrates into the team in the third movie.

Crew:

James Gunn wrote the script for Guardians of the Galaxy Vol. 3, and will also serve as a producer on the film. He will be joined by fellow producers Kevin Feige and Victoria Alonso, who have been instrumental in the success of the Marvel Cinematic Universe.

The film will also feature the talents of cinematographer Henry Braham, production designer Beth Mickle, and composer Tyler Bates, who have all worked on the previous Guardians of the Galaxy films.

In conclusion, Guardians of the Galaxy Vol. 3 is shaping up to be another thrilling and hilarious addition to the Marvel Cinematic Universe. With the return of James Gunn and the talented cast and crew, fans can expect an epic adventure through the cosmos.

Here you can Download Guardians of the Galaxy Vol. 3.

[glowfitlife]

Best celebrity skincare routines and the products they swear by

As consumers, we often look to celebrities as a source of inspiration for all things beauty and fashion. From their red-carpet looks to their everyday routines, we can't help but be curious about their beauty secrets. One area that garners particular interest is their skincare routine. After all, celebrities often have access to the best skincare products and treatments that money can buy. In this blog, we'll take a closer look at some of the best celebrity skincare routines and the products they swear by. Jennifer Aniston The "Friends" star is known for her flawless complexion and youthful appearance. Aniston credits her glowing skin to her simple skincare routine, which includes cleansing with a mild facial wash, using a toner, and moisturizing with a lightweight lotion. She's also a fan of facial massage, which helps to increase circulation and promote lymphatic drainage. Aniston has said that her go-to skincare products include Aveeno's Positively Radiant Daily Moisturizer and the brand's Clear Complexion Foaming Cleanser.Jennifer Lopez is known for her ageless beauty and glowing skin. Her skincare routine includes a mix of high-end and drugstore products. She revealed in an interview with InStyle that she loves using the La Mer Moisturizing Cream, which is a luxury skincare product that is known for its hydrating and anti-aging properties. She also revealed that she loves using the L'Oreal Paris Revitalift Derm Intensives 1.5% Pure Hyaluronic Acid Serum, which is a drugstore product that is known for its hydrating and plumping effects. Rihanna The pop star turned beauty mogul is known for her radiant skin, which she attributes to a consistent skincare routine. Rihanna's routine includes double cleansing, using a toner, and applying a serum and moisturizer. She's also a fan of facial oils, which she applies to give her skin an extra boost of hydration. Some of her favorite products include Fenty Skin's Total Cleans'r Remove-It-All Cleanser, Fat Water Pore-Refining Toner Serum, and Hydra Vizor Invisible Moisturizer. Rihanna has always been known for her flawless and glowing skin. She revealed in an interview with Harper's Bazaar that her go-to products include the Cetaphil Gentle Skin Cleanser and the Proactiv+ Skin Smoothing Exfoliator. She also revealed that she loves using sheet masks, specifically the ones from her own brand, Fenty Skin. Victoria Beckham The former Spice Girl and fashion designer is known for her love of luxury skincare products. Beckham's routine includes a combination of high-end products, such as La Mer's The Treatment Lotion and Augustinus Bader's The Cream. She's also a fan of facials, which she gets regularly to keep her skin looking its best. Beckham has said that she believes in investing in good skincare products and taking care of her skin from the inside out by eating a healthy diet and staying hydrated. Victoria Beckham is known for her chic and modern style, and her skincare routine is no exception. She has revealed that she loves the Lancer Skincare line, specifically the Method: Cleanse and Method: Polish products. The brand was created by Dr. Harold Lancer, a celebrity dermatologist, and features products that are designed to exfoliate, hydrate, and protect the skin. Chrissy Teigen The model and cookbook author is known for her down-to-earth personality, and her skincare routine is no exception. Teigen has shared her love of drugstore skincare products on social media, including Neutrogena's Oil-Free Acne Wash and Bioré's Deep Pore Charcoal Cleanser. She's also a fan of facial treatments, such as dermaplaning and microneedling, which help to exfoliate and promote collagen production. Kate Hudson The actress and entrepreneur is known for her natural beauty, and her skincare routine reflects her laid-back personality. Hudson's routine includes cleansing with a gentle facial wash and using a toner and moisturizer. She's also a fan of facial steaming, which helps to open up pores and promote circulation. Hudson has said that her go-to skincare products include Osea's Ocean Cleanser and Hyaluronic Sea Serum. Kate Middleton The Duchess of Cambridge is known for her flawless complexion and radiant skin. She reportedly swears by the beauty brand Karin Herzog, which features oxygen-infused skincare products. Her go-to products include the Karin Herzog Vita-A-Kombi 1 moisturizer and the Oxygen Face cream. Gwyneth Paltrow Gwyneth Paltrow is the founder of the popular lifestyle brand, Goop, which features a range of skincare and wellness products. Her own skincare routine includes a mix of high-end and natural products. She revealed in an interview with Harper's Bazaar that she loves using the Tata Harper Regenerating Cleanser, which features natural ingredients like apricot seed powder and white willow bark. She also revealed that she loves using the Vintner's Daughter Active Botanical Serum, which features a blend of natural oils and botanicals. These are just a few examples of celebrity skincare routines and the products they swear by. While these products may work for some, it's important to remember that everyone's skin is different and what works for one person may not work for another. It's always a good idea to consult with a dermatologist or skincare professional before starting a new skincare routine. These celebrities have different skincare routines and products, but they all have one thing in common: consistency. Regardless of the products they use, they all stick to a routine and take care of their skin every day. So, if you're looking to achieve glowing, celebrity-worthy skin, consider adopting a consistent skincare routine and finding the products that work best for you. Read the full article

[k00280903]

Artist Research

Shannon Wilson

Shannon Wilson is a Canadian fashion designer, businesswoman, and philanthropist. She is best known for her former role as lead designer at yoga-apparel company Lululemon Athletics where she designed some of the company’s most successful products, including the groove pants and logo hoodie. She remains a mentor for the current designers at the company. Wilson received her BFA in Fashion Design from theUniversity of Victoria. I chose Shannon Wilson to research as I wear a lot of lululemon products when I run. Id love to work with a brand like the someday to get a real insight on how they design and create their activewear.

[dtferrando]

Unfolding Pavilion: Rituals of Solitude - Act III

Exhibition

Online / January 2022 - ongoing

In the summer of 2020, a group of twelve architects spent one week of artistic residency locked inside of a ruined House built on a small island in the Venetian lagoon: one per room, in complete solitude.

The House was an almost exact replica of what was previously thought to be an unrealised project by John Hejduk: his House for the Inhabitant who Refused to Participate. Built in the 70’s by an eccentric Contessa, without Hejduk’s knowledge, the House was on its way of being demolished by the new owners. Their plan was to build a luxury glamping resort in its stead. The Unfolding Pavilion made an agreement with them, by signing a contract that allowed the temporary occupation of the House and the realisation of twelve site-specific installations inside of its rooms, on the condition that everything was to be kept secret before the demolition of the building took place. Everything went accordingly and sadly, in December 2020, the House was razed to the ground.

The incredible story of the replica of John Hejduk’s House for the Inhabitant Who Refused to Participate is the subject of Rituals of Solitude, a transmedial exhibition in three acts curated by Daniel Tudor Munteanu and Davide Tommaso Ferrando, on the occasion of the 17th Venice Architecture Biennale.

Conceived in the middle of the global lockdown, Rituals of Solitude is an expanding exhibition about the inversion of the traditional relationship between private and public space; about the paradoxical rituals by means of which homes are inhabited; about the ways in which visual technologies are domesticated and used as tools for self-representation and bonding; about the accumulation, fetishization and exhibition of objects in domestic interiors; and about the conditions of solitude that are generated by forced acts of isolation.

Unfolding Pavilion: Rituals of Solitude is organised in three acts:

Act I, presented in December 2020, is an online exhibition that documents the site-specific works produced during the residency in the House.

Act II is the offline and itinerant instance of the exhibition, first shown in Venice in May 2021 inside Contessa's former boat, moored at Punta della Dogana during the opening of the Architecture Biennale.

Act III, launched in January 2022, is a virtual environment that digitally reconstructs and reinterprets the spaces of the Venetian exhibition.

Credits

Curators: Daniel Tudor Munteanu, Davide Tommaso Ferrando Exhibition Design and Model Making: ErranteArchitetture (Sarah Becchio & Paolo Borghino)

Web Design and Development, Sound Design: hund (Ernesto Bellei, Federico Bergonzini, Antonio Alessandro Di Cicco, Simone S. Melis), Andrea Cappi

Photography and Video: Laurian Ghinițoiu; Stefano Di Corato (atelier XYZ)

Illustrators: Giovanni Benedetti, Marialuisa Montanari

Graphic Design: Magda Vieriu & Octavian Hrebenciuc

Photogrammetry and Digitalization: Cenk Güzelis; Uwe Brunner Narrator: Alina Mihăescu

Production: Marco Ballarin; Carnets (Matteo Vianello, Davide Cecconello, Caterina Barbon, Marco Andreatta); Elisabeta Rabiniuc Mocanu, Ana Victoria Munteanu

Sponsored by: Italien Zentrum, Innsbruck University; Department of Architectural Theory, Innsbruck University; Dean’s Office, Innsbruck University; Office of the Vice Rector for Research, Innsbruck University; Faculty of Design and Art, Free University of Bozen-Bolzano.

https://www.ritualsofsolitude.com/

https://unfoldingpavilion.com/

[byneddiedingo]

Persuasion (Carrie Cracknell, 2022)

Cast: Dakota Johnson, Cosmo Jarvis, Richard E. Grant, Nikki Amuka-Bird, Henry Golding, Mia McKenna-Bruce, Nia Towle, Yolanda Kettle, Lydia Rose Bewley, Edward Bluemel, Afolabi Alli. Screenplay: Ron Bass, Alice Victoria Winslow, based on a novel by Jane Austen. Cinematography: Joe Anderson. Production design: John Paul Kelly. Film editing: Pani Scott. Music: Stuart Earl.

Persuasion is not as bad as I'd heard. I knew it had been described as a kind of mashup of Bridgerton (non-traditional casting) and Fleabag (breaking the fourth wall), and that Austenites were appalled. There are two ways to adapt a classic novel to film: follow it as faithfully as you can, reproducing the substance of the story and the milieu in which it takes place, or use the story as a springboard for a modern adaptation -- e.g. the translation of Emma into Clueless or of Pride and Prejudice into Fire Island. Carrie Cracknell's Persuasion falls somewhere in between, taking the bones of the Austen novel and its Regency setting, and viewing them through a contemporary sensibility. It doesn't work here, but it might have. Armando Iannucci came closer with his Dickens adaptation, The Personal History of David Copperfield (2019), which also used non-traditional casting (including Persuasion's Nikki Amuka-Bird) and has a 21st-century sensibility clearly operating throughout. Iannucci may have succeeded in part because he didn't go as far as Persuasion's screenwriters in mixing today's casual speech with the author's period dialogue. Jane Austen's contemporaries would never have referred to former lovers as “exes,” for example. Persuasion is a misfire, but it's often fun to watch. 

[endyedesonnews]

Yakubu Maikyau Sworn In As 31st Nigeria Bar Association NBA President As Olumide Akpata Tenure Ends ............ Yakubu Chonoko Maikyau has been sworn in as the 31st president of the Nigerian Bar Association. Maikyau was sworn in by his predecessor, Mr Olumide Akpata, at the close of activities for the 62nd Annual General Conference of the association held at Eko Hotel, Victoria Island, Lagos on Friday August 26. The new president who commended the former administration for the giant strides it recorded at the NBA in the last two years, made a commitment to not only sustain the laudable achievements and projects of the Akpata administration but to also build on it. GUYS, WHAT DO YOU THINK? ,..,..... #nba #lawyer #lawyerstatus #lawyerlife #lawfirm ............. LINKS YOU MIGHT LIKE ( OPTIONAL TO CLICK) 1. Visit My Blog For More News : www.edesononlinenews.com 2. I Register Business Names, Limited Liability Company, NGO, Social Clubs, etc At Corporate Affairs Commission. I Do Nationwide Newspaper Publication. 08136125128. 3. I Design Websites, Blogs & Graphics. I Publish Apps On Google PlayStore. 4. Know More About My Products And Services On My Company Website: www.edesoninfotech.com.ng 7. Connect With Me On LinkedIn : linkedin.com/in/endy-edeson-54a55819b 8. Follow Me On Twitter : twitter.com/endyedesonnews 9. Follow My Official Facebook News Page : Edeson Online News 10. For Enquries Or Business Deal Message Me On WhatsApp 08136125128. .... (at Lagos, Nigeria) https://www.instagram.com/p/Chx4H1Lseu5/?igshid=NGJjMDIxMWI=

[bankshill3]

hermes crocodile bag 29

Christies To Public Sale Hermés White Crocodile Himalaya Kelly Bag In Asia “It actually depends on which brands and models are trending in recognition or if there are specific fashions which might be extraordinarily limited in production. Most of the time, costs are decided by demand and scarcity,” mentioned Ng. Besides purses, treasure hunters are additionally turning to pawnshops to hunt out coveted watches and jewelry from brands such as Cartier, Bvlgari and Rolex at pawnshops. Louis Vuitton and Gucci, reported declines of around 16%. Although Hermes has seen some decline in gross sales, it hasn’t been as drastic as other luxurious manufacturers. This image grew to become popular throughout the globe and was on the front cover of numerous magazines. hermes crocodile bags Kelly helped the bag turn out to be a standing image amongst celebrities, and was much more wanted by fashionable girls all through the United States and parts of Europe. The purchaser, whose name was not disclosed, will be a half of a small, well-heeled club of bag collectors who also sport Himalaya Birkins. Victoria Beckham is reported to own 100 of the purses, while supermodel Kate Moss and singer Jennifer Lopez are different excessive profile fans. She desires the French luxurious style house to take away her name from the Birkin Croco "till better practices consistent with international norms could be put in place." This bag is part of Hermès Haute Bijouterie assortment and solely three had been ever made, making it a really useful collectable, certain to increase in worth exponentially over time. To personal this artwork, you'll have to spend over R35 million. Boasting a new perfume division in addition to a multitude of well-known followers including Grace Kelly, Princess of Monaco, Hermes standing as a style staple was assured. The bag is highly coveted and has been reputed to have a ready list of as a lot as six years. The rarity of those luggage is purportedly designed to increase demand by collectors. Hermès presents a "spa therapy," which is a reconditioning remedy for heavily-used bags. Kate Bosworth wore a pink disco ball Dolce & Gabbana robe to the 2016 Golden Globes. In addition to the possible counterfeits that all well-known manufacturers are subject to, fake Hermès bags—including the Birkin bag—are alleged to have been made by a bunch including seven former Hermès staff. Ten people went on trial in June 2020, alleged to have made dozens of counterfeit baggage that offered for tens of hundreds of euros every, for a total profit of over €2 million. The crime was found by police investigating unrelated stolen merchandise. Four of these on trial have been expert leatherworkers; the luggage had been made utilizing Hermès stitching strategies. Leather offcuts, instruments, zips, and defective baggage that had been to be destroyed had been stolen from Hermès. Accentuating the vert fonce shade is the palladium hardware found on the base studs, clasp, and lock of the bag. Setting up store in Pont Audemer, a little north of Paris, the pinnacle of the Hermes’ family took up leather making and harness crafting, along with his beautiful pieces quickly wanted by the good and the good. In the Seventies, Hermes officially changed the name of this purse to Kelly to commemorate this story. The Kelly is Hermes’ most classic purse – its origins may be traced again to the early 20th century with the discharge of the Haut a Courroies bag. In phrases of 12 months, size and presence/absence of diamonds. Christie's Hong Kong's autumn auctions began this week, and delivered beneficial outcomes. Mightychic provides a timeless Hermes Kelly Cut bag featured in vivid Braise Niloticus Crocodile. This exquisite lipstick purple Hermes clutch is ideal day to evening. Long wallet in matte patina alligator in gentle green with 12 bank card slots, 2 bill pockets, zipped change purse, external pocket and palladium ’H’ tab closure. Long wallet in matte patina alligator with 12 bank card slots, 2 bill pockets, zipped change purse, external pocket and palladium ’H’ tab closure. wikipedia hermes crocodile Another limited edition bag was sold at public sale in November 2021. A White Faubourg Sellier was offered for $305,100, making it some of the costly Hermes luggage in 2021 – 2022. Very few of these baggage have been created, making these extremely onerous to come back by. Unsurprisingly, luxury resale or secondhand fashion has taken a hit through the Covid-19 pandemic. Since more and more people have hung out indoors, there has been much less of a demand for status purses. An established reseller of genuine Hermès bags, signal up to our monthly newsletter and you will at all times be the first to learn about our latest Hermès purses and equipment in addition to our latest offers. Finding a hermes crocodile purse on the market for women must be straightforward, but there are 120 pieces available to browse for males as nicely. MAGNIFICENT Kelly 35 bag from the House of HERMES in shiny black porosus crocodile. BRAND NEW / STOREFRESH Hermès Birkin 30cm in colour black and glossy Porosus Crocodile skin with palladium hardware. This week we’re looking at Hermès Birkin luggage crafted from uncommon and unique crocodile skin. These bags have been years in the making as crocodile skin must totally dry out earlier than production, making it the material which requires the longest process in any Hermès handbag. The three luggage we’re placing under the spotlight this week are the Hermès Birkin 30 Himalayan Niloticus Crocodile Bag, the Hermès Birkin 35 Bougainvillea Porosus Crocodile Bag, and the Hermès Birkin Vert Fonce Crocodile PHW. Guaranteed authentic Hermes Birkin 30 bag rich Orange Feu in niloticus crocodile. Comes with the lock and keys in the clochette, sleepers, raincoat and...