#the gambler: james webster

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Who goes there...?

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Anthony Valentine: Actor who made his name playing a hitman in Callan and a Luftwaffe officer in Colditz

Valentine exuded charm and sophistication but made his name in psychopathic and ruthless roles in the 1970s

Anthony Valentine exuded charm and sophistication but made his name on television as psychopathic Toby Meres in Callan and ruthless Nazi Major Mohn in Colditz. Both roles, which brought him fame in the 1970s, typecast him as a screen "nasty" for years. "There must be something in me that other people see," the former child star once told me. "They must have a sixth sense that says, 'He looks a bit dodgy,' or, 'I don't like him.' I find that strange because, inside, I feel just as warm and friendly as the next guy."

Alongside Edward Woodward's title character in Callan (1967-72), a brutal drama set in the world of intelligence and intended as an antidote to the James Bond films, Valentine chillingly portrayed fellow agent Meres as a cold-blooded licensed killer, an upper-class thug who enjoys his deadly work.

He brought the same sadistic qualities to menacing Luftwaffe security officer Horst Mohn in the final series of Colditz (1974), based on Major Pat Reid's memoirs of his time in a German prisoner-of-war camp. Valentine also proved adept at depicting another side of Mohn's personality with his pathetic attempts to get the PoWs to testify that he treated them well as the Third Reich's imminent defeat becomes clear.

He played a more debonair character, albeit on the wrong side of the law, as the gentleman jewel thief in Raffles (1975-77), adapted from EW Hornung's short stories. AJ (Arthur) Raffles was a cricketer and amateur cracksman and, unlike Valentine's previous notorious characters, disapproved of violence.

He was born Tony Valentine in Blackburn, Lancashire, where his parents, Mary (née Walsh) and William, worked in a cotton mill. When he was six, the family moved to south London and Valentine's mother, a fan of Fred Astaire and Gene Kelly film musicals, enrolled him in dancing lessons.

At the age of nine he was spotted tap-dancing in a stage version of Robin Hood at Ealing Town Hall and chosen to act in the film thriller No Way Back (1949). Then, while training at the Valerie Glynne Stage School and attending Acton County Grammar School, he appeared in the film The Girl on the Pier (1953) and had various roles on television, including Trout in Emil and the Detectives (1952).

On leaving school, children's TV kept Valentine busy, casting him as Humphrey Beverley in The Children of the New Forest (1955), JO Stagg in Rex Milligan (1956) and Lord Mauleverer (1955), then Harry Wharton (1956-57), in Billy Bunter of Greyfriars School. He also sang in the children's magazine show Whirligig – accompanied by Steve Race on the piano – and for two seasons in operas at Sadler's Wells Theatre.

Making the successful transition to adult acting, Valentine performed in repertory theatres around the country. He also enjoyed invaluable experience at the Royal Court Theatre in 1958 with roles in John Osborne's Epitaph for George Dillon and Arnold Wesker's Chicken Soup with Barley. Back on television, he played Gerald Quincey in the Francis Durbridge serial The Scarf (1959) and, switching to the classics, took a dozen parts in An Age of Kings (1960), the BBC's Shakespeare anthology series.

Fame in Callan led Valentine to be cast in two other thriller series, playing Vickers in Scobie in September (1969) and Philip West in Codename (1970). He also acted barrister James Eliot (1974) in the final series of Justice, a popular legal drama starring Margaret Lockwood.

This celebrity made him a popular panellist in television game shows such as Call My Bluff (between 1974 and 1981), but he began to find good, strong starring roles hard. So he simply made guest appearances – as streetwise gambler Maurice Michaelson in Minder (three episodes, 1979-83), charming black marketeer Squadron-Leader Dickie Marlowe in Airline (1982) and evil sorcerer Baron Simon de Belleme in Robin of Sherwood (1984 and 1985).

He then bounced back with several leading roles. After acting sinister Tony Slater, one of the partners in crime, in The Fear (1988), he was cast in Body & Soul (1993) as Stan Beattie, the stubborn manager of an ailing north of England mill coming into conflict with the young nun (played by Kristin Scott Thomas) who takes charge of it after the death of her brother. Then came the part of smuggler George Webster (1994-96) in the Customs & Excise drama The Knock.

Guest roles continued, including a 36-episode run in Coronation Street as George Wilson (2009-10), the grandfather of Simon Barlow (Alex Bain) and father of Lucy Richards (Katy Carmichael), who had died after splitting up with her bigamist husband, Peter Barlow (Chris Gascoyne). On discovering his newly found grandson, retired builder George spoiled him and offered to pay for a private education, to the annoyance of Simon's other grandfather, Ken Barlow (William Roache).

Valentine's occasional film appearances included Joey Maddocks, a bookmaker contending with James Fox's east London gangster, in Performance (1970), SS Major Volkmann, the sadistic town commandant, in Escape to Athena (1979) and the British ambassador in Jefferson in Paris (1995). On the West End stage, Valentine acted in The Shifting Heart (Duke of York's Theatre, 1959), Two Stars for Comfort (Garrick Theatre, 1962), Half a Sixpence (Cambridge Theatre, 1962), No Sex, Please – We're British (Strand Theatre, 1971-72), as the assistant bank manager, Peter Hunter, Sleuth (St Martin's Theatre, 1972) , Hans Andersen (London Palladium, 1977) and Art (Wyndham's Theatre, 1999-2000).

Valentine, who was diagnosed with Parkinson's disease in 2012, was married to the actress Susan Skipper (née Cook), who met him when she guest-starred in Raffles. They also appeared on screen together in the 1979 television production of the Ivor Novello musical The Dancing Years.

Tony Valentine (Anthony Valentine), actor: born Blackburn, Lancashire 17 August 1939; married 1982 Susan Skipper; died Guildford, Surrey 2 December 2015.

source: independent

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All shall be well, I'm telling you, let the winter come and go / All shall be well again, I know...

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just a couple of creepy 18th-century innkeepers talking shop!

[featuring @borisyvain's lazarus mcclure and my own james webster]

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would you stay at her ominous motel

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Lamplight, firelight, ghostlight.

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And so time passes by...

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I only just saw the message, so I hope it's not too late for OC questions! I want to learn everything about your butch ghost highwaywoman. What's her (his? their?) favorite song?

WELL it does seem that the people wish to know about James and Kate!! and I do realize that I have quite the habit of not ever properly introducing What Goes On In The Exciting World Inside My Head -- perhaps it's time to get a little more specific about these two and what they get up to.

in this particular story, it's the force of external expectation that creates ghosts. places that you believe are haunted are haunted, people that you think should haunt do haunt. this is not necessarily a good thing.

so when an innkeeper drags the body of his highwayman lover down from the gallows and brings her home, a ghost is already beginning to be spun up, and with that step into the web of necromancy, that haunting just can't stop once it's got James's belief to power it. you think your ghost needs to be bound to their body? now you've got a mummified hand and a soupy corpse to take care of. and you think this ghost can act on her own terms and her own power, and that that stealing hand of hers still has got skill that now is certainly more than mortal? well, now you've got a situation where your best girl is incorporeal, visible only to you, and developing a tendency to crawl around on the ceiling just for the fun of it!

...in short, this is not something that really encourages business at the Sign of the Cross-Roads.

and in much the theme of the rest of their tale, Kate is something of a murder ballad enthusiast! here's her rendition of 'Willie's Fatal Visit,' a tune that might be a little more apt for their situation than either she or James yet know...

[haunted by your hand also has a playlist if you want to hear more jamesnkate tunes!]

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Kiss prompts #30, ala Haunted By Your Hand

30. A kiss to the palm of the hand.

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hello! hello! who are you!

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james webster in heartaches perhaps oh this is wild tumblr isn't letting me type a question mark right now

She burns until she's gone...

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HELLO please tell me which of your ocs would be best and worst at poker, and if any of the others have particular favorite/least favorite card games

...autism vs autism battle between james (incredible prowess at the cartes) and tamsen (does not have the patience to memorize what the rules are) is not going well.

poker isn't actually existent yet in either of their eras, so james is a whist and piquet enthusiast, and very good at both! being methodical and math-minded serves her well here -- that 'gambler' in her title isn't just because she's also putting those calculating skills into futzing around with the financial records at her inn job!

as for others, moth and luna are both patience / fancy solitaire enthusiasts on account of The Joy of Sorting Cards Into Patterns, and flammable, as a stage magician, certainly has more exciting things to do with cards than play that sort of game with them!

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but still I keep your hand, as a precious souvenir...

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a moment's pause along the way

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sei bella da schiantarsi!

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I'll have no check upon my glass / But the hours of joy and laughter pass...