okay you guys got me started on dishonored (the series) fucking IMMACULATE art direction. I'm going to try and sum it up but I'm honestly better with art than words so I'll try my best.
dishonored is fucking unparaelled when it comes to art direction. from when you first start the game, each level has a distinct style, color, and vibe. dunwall is dominated by cool greys, towering, imposing structures like dark sentinels watching over the land. twisting, rotting trees and an ever-present smog that overtakes the city. dunwall is inky blue darkness.
HOWEVER, from a gameplay perspective, there are visual points of interest still that stops you from getting lost in a wash of blue. dishonored is a master of using lighting and color to lead you to areas that it wants you to go.
for example, in the corner of a window you might see glowing purple lighting. these are void shrines - where the outsider will appear and share knowledge harass you. usually around shrines there are walls of writing, strange twisted words that lead you further into the mystique surrounding what the outsider is and what he *does*.
you might think the game is just awash in dull colors, but its not. one of the most beautiful and striking levels takes place in lady boyle's mansion, and it's INSANE how different it looks, because it's supposed to be a stark contrast. surrounding her mansion are the remains of a dying city destroyed by a plague. within her mansion, however, is decadence and debauchery gone awry.
it's amazing with a game that was made TWELVE YEARS AGO how this still holds up and looks fantastic. this is because they went for a stylized art direction. it's stylized, almost painterly. it looks fantastic. here is some of the amazing character design
(this is from dishonored 2, done by Sergey Kolesov )
LOOK AT THIS ART. IT'S SO FREAKING AMAZING AND THE THING IS THE CHARACTERS LOOK SO CLOSE TO T HIS IN GAME. its a masterpiece. if you haven't played dishonored, please play it. all of them.
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So about Netflix's the Last Airbender....
I am literally so confused you guys. You made me think I would HATE this show. And I LOVED it. Me. Known perfectionist and hater.
Katara was lovely. Yes, she started as a more soft spoken character than her cartoon version, but she was still passionate and hopeful throughout, just visibly unsure of herself. I think people were thrown off by this actress' natural way of expressing herself, which is Different from animated katara for sure, but not bad. Then she spends the whole season growing in Confidence and Fire. I Adored her fight with Paku, it really did feel like a payout of the whole season's development, and the bending kicked ass!
The Bending Kicked ass!!! The martial arts was fun and fast and creative and exciting! It looked SO good. That alone would be enough reason for me to watch and enjoy any show.
Zuko's actor was fantastic. He really captured the rage and confusion of this 16 year old banished prince. And there were so many Added moments between him and Iroh wich to me enriched their relationship. Like YES! This is why I'm watching, to see more of them, to see things done a little differently.
Iroh facing the consequences of his actions at Ba Sing Se!! That's what I'm here for!
Zuko's relationship with the men on his ship! That's what I'm here for!
The Extra layers we get to Ozai manipulating his children!
Also no one is talking about Admiral Zhao, who I had SO much fun with. I feel like they slightly fleshed out his character in a really dramatic way, really developing the hubris and frankly insane grasping ambition of someone who would kill the moon. I completely enjoyed this wilder, less controlled version of him, who comes up through the season from basically nothing and no one!
I am OBSESSED with King BUMI and his anger and disillusionment with the world! Like this was SO real. Living a hundred years of futile war would do that!!!! It is one of my favorite changes to the whole series. This new layer of emotion and character depth is what I'm here for!
Sokka was SO funny. He literally had me laughing out loud so often. That actor GETs Sokka, and GETS the way his humor is delivered. And is also able to tap into the more vulnerable side of him. People said he was "obsessed" with leadership. WHAT? That is a young person trying desperately to do his best and to try and find his place in the world, to figure what he has to offer. I loved his pride at hearing the Mechanist say that he would make a good engineer, and the sweetness of the moment that Yue's father says that he can be a hero without being a warrior. Sokka does so much growth in this series, in understanding himself and life.
And his chemistry with Suki was adorable!! I even like him and Yue (who was a totally unexpected sweetheart, despite her terrible wig)!! Like he has that same ability that Sokka has in the original to Connect with people.
Aang was great! He WAS fun loving and sweet and funny. I don't know what you guys wanted. Cartoons are always bigger and more exaggerated than live action. People's eyes swell up an, birds fly around their heads, and there are funny sound effects. That larger than life quality is the strength of animation! You have to look for different strength in live action. Like the SUBTLETIES of the acting choices. This little actor brought so much kindness, innocence, and strength to Aang.
And I FELT his frustration at being asked to do this at 12, his fresh hope anytime it looked like someone more experienced would be able to help him and no one did, and that's why he didn't learn waterbending this season, because he kept waiting for an freaking ADULT to show him the way, to help him carry this immense burden, but every adult he meets asks him for help instead, asks him to carry it himself, and then the finale hits and he realizes that there won't be any adults helping, he does have figure this out himself, and he makes the hard choice, takes on responsibility more than his years and offers himself to the ocean spirit, and he might have been lost entirely if not for Katara!
And that counter running theme to the show pays off: that he doesn't have to do it alone. He may not have more experienced guidance, because the adults have let him down again and again, but his friends will be with him, and they will figure it out together!
This is there throughout the series! Katara tells him this about learning waterbending, when he says he still wants to wait. Bumi tells him this in the palace at Omashu, and Aang sees the faith he has in his friends repaid!
I like these changes! And the show still found time for silly fun adventures and character building moments.
The show was never going to be the animated original. That is already a Masterpiece, and it frankly did NOT need to be adapted at all. I did not WANT a live action adaptation. I was adamantly convinced I would hate it. But the changes that they netflix show gave are what I Iike most about it. If I want to see Zuko say "you rise with the moon, I rise with the sun," I will go watch the animated original, because that version is perfect. And now, if i want to see Zuko say "Lu ten would have been proud to have you as a father," and see iroh pull him into a tight hug, I can watch this live action version, which is very good too. I'm going to disagree with most of the people on here and say that the Netflix's Avatar: The Last Airbender, DOES capture the heart of what we liked about the original show. It's spirit, fun, excitement, and characters. And the changes made are the reason we should be watching.
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