#there are probably official terms for some of these concepts

[justatalkingface]

Breadth and depth.

You know, I was going to talk about the villains, but I realized it was going to bleed into this if I didn't get this off my chest, so... await that another time, I guess.

As time has passed more and more people are starting to call Hori a bad writer, and... I'm not sure they're wrong, but I don't think that's right, either. My Hero, for all of its flaws, is huge. If Hori was a bad writer, it never would have gotten this far.

What I've come to realize is that Hori is... for lack of a better word, an incomplete writer.

Let me explain.

First off, yes, I realize the manga isn't over yet. That's not point. When something in the story reaches a certain point in it's arc, a climax, big dramatic moment, whatever, there has to be build up. Let's look at AFO's big Kaminio intro, for example.

Hori didn't just throw AFO at us, he built up to that moment. First, he introduced him, with All Might and the face in the TV directing Tomura. But after that All For One kept showing up, and that's the crucial bit. It wasn't all big things, most of it was some plotting or sinister laughing here, or some teasing shapes in the TV screen there, but it reminded us, the audience that, A, AFO existed, B, that He Was Important, and C, we should really be afraid of him.

Then he showed up in Kamino and that build up? All the time Hori spent subtle reinforcing AFO's brand in our mind? It payed off in spades. All For One was epic. He was menacing. He dominated the scene.

All For One's intro was a great example of build up, A++, Hori hit that out of the park. The problem is that that is one of the few examples of build up done well. Honestly, Hori, for whatever reason, seems to have a lot of problem with that. I don't know why; maybe he can't focus, maybe it's lack of interest, maybe it's that unholy Japanese work schedule you hear so much about, but the fact of the matter is he flubs it more than he pulls it off.

In fact, I'd go so far to say that most of the things people criticise about his writing, ballpark of a good... 70% of everything before the War Arc (because that's where everything went to shit), is because of that.

Here's where I go back to my title though, breadth and depth. In general, breadth is about how broad your understanding of something is, how many topics you know about, while depth is about how deep your understanding is, how much you know about a topic.

For the purposes of this rant, these both apply to world building and character development, AKA how much of it there is, and how deep does it go.

The thing is? Breadth wise, Hori is golden. He, in the span of one chapter, introduced the audience to a wide, fascinating world that instantly grabbed the audience's attention, with vast room to build up off it in all sorts of directions. Depth, though, depth is what is holding him back.

Let's analyze a bad example of build up with that in mind: the mutant discrimination mob Spinner... thing. Yeesh. I'm going to burn two bridges with one torch and go over this, and rant about how shit it was, while also proving my point.

Interestingly enough, Hori had the start of this from as early as the first day of class: Shoji and his mask, who was afraid of scaring people with his face. It was a small mention, not big enough to disrupt the narrative but enough to be a good start of it.

Think of it as a seed. Hori sowed a lot of seeds in MHA early on; almost everything, even in the later arcs, probably has something somewhere that implies it was possible in the first... what, twenty chapters or so?

Hori sowed a lot of seeds, but he never watered them, though. We had Shoji, and we had Gang Orca (and oh, he had some potential, he did, but let's wait a bit before we go back to him), but after that? Mutant racism never came up again. The closest we've seen about that, really, until that mantle was shoved onto Spinner as Hori frantically backtracked, was if anything Shoto insulting that police chief. He called him a dog, I think? I've seen people bringing that and Dabi being a dick to Spinner as proof that the Todorokis, probably via Endeavor, are racists, but...

...Did the police chief care? Because if that was Shoto being racist, you'd think he be upset about that. He wasn't though, because back then, that wasn't actually a thing. Shoto was just being rude because he was upset. Dabi.... let's be honest, Dabi's kind of a dick in general. Him insulting Spinner really wasn't anything speical.

See, that's the thing: if you want to harvest your seeds, if you don't want them to die, you need to water them. More than that, you need to water them regularly. Hori didn't do that for the mutants, just as he didn't for so many other things; there was no depth to them.

So, when Spinner lead an angry army of mutants, we, the audience, weren't swept up in the narrative. We didn't feel for the poor oppressed people, or feel conflicted as the heroes faced them.

We wondered where the fuck that came from, because that wasn't a thing before.

Character wise, look at Shoji. We had that mask thing, but again, his big, overarching trauma wasn't a thing. He retroactively opened to his classmates about his horrible childhood, there were tears, apologies... all in a fucking flashback.

If that, if any of this, was something Hori had planned out, then he would of, or should of, anyways, have been hinting about for years now. We should have seen build up for this, and it wouldn't have been that hard. Shoji is afraid of showing his face; good, show that. Tell us, the audience, that it's there, and why.

Mutants are oppressed? Where? Where do you tell us about this? Where do we see it? Is it in the internships, when they patrol on the streets? Because that would have been a great time to start demonstrating that.

Remember Gang Orca? He's a high ranking hero, and he scares children because he's a scary mutant. He hates that, because he loves children. He's a mutant in a high level of power, when that should be hard for him. Here's something that I came up with a while ago, as a sort of primer introduction about the mutant thing: in the same way Hawks takes Tokoyami as his intern for being bird like, Gang Orca should have interned Shoji, and Koji, if he's part of all this, because they're mutants.

It would have been great for world building and character development; Orca could have explained how mutants have a hard time in the media oriented hero industry, that a lot of them end up as underground heroes due to lack of sponsors, how he struggled to get where he is now, and he that makes a habit of trying to help fellow mutants get off the ground in heroics. Then Shoji and Koji could have opened up about their experiences, which would have built up their characters, and given Hori an easy way to introduce both the characterization and world building to 1-A as a whole.

I came up with this idea after about ten minutes of trying to word how frustrated the Spinner hospital bullshit made me last month. How long has Hori had to prepare for this moment again?

So yeah, this mutant thing is incomplete. Hori's trying to collect the payoff for something that isn't there yet, because he never built up to it, the same way he did with the traitor, with Nighteye's death, with Mirio getting his powers back, with almost every character he's ever made.

Hori is an incomplete writer, who just doesn't finish one step in the process before he moves on to the next, and that's why everything he's trying to build keeps falling down around him.

And it's why My Hero Academy is a field filled with seeds left to die.

[ratgingi]

thinking abt alex and bernie again. they mean so much 2 me

[alpaca-clouds]

The history of Solarpunk

Okay, I guess this has to be said, because the people will always claim the same wrong thing: No, Solarpunk did not "start out as an aesthetic". Jesus, where the hell does this claim even come from? Like, honestly, I am asking.

Solarpunk started out as a genre, that yes, did also include design elements, but also literary elements. A vaguely defined literary genre, but a genre never the less.

And I am not even talking about those early books that we today also claim under the Solarpunk umbrella. So, no, I am not talking about Ursula K. LeGuin, even though she definitely was a big influence on the genre.

The actual history of Solarpunk goes something like that: In the late 1990s and early 2000s the term "Ecopunk" was coined, which was used to refer to books that kinda fit into the Cyberpunk genre umbrella, but were more focused on ecological themes. This was less focused on the "high tech, high life" mantra that Solarpunk ended up with, but it was SciFi stories, that were focused on people interacting with the environment. Often set to a backdrop of environmental apocalypse. Now, other than Solarpunk just a bit later, this genre never got that well defined (especially with Solarpunk kinda taking over the role). As such there is only a handful of things that ever officially called themselves Ecopunk.

At the same time, though, the same sort of thought was picked up in the Brazilian science fiction scene, where the idea was further developed. Both artistically, where it got a lot of influence from the Amazofuturism movement, but also as an ideology. In this there were the ideas from Ecopunk as the "scifi in the ecological collaps" in there, but also the idea of "scifi with technology that allows us to live within the changing world/allows us to live more in harmony with nature".

Now, we do not really know who came up with the idea of naming this "Solarpunk". From all I can find the earliest mention of the term "Solarpunk" that is still online today is in this article from the Blog Republic of Bees. But given the way the blogger talks about it, it is clear there was some vague definition of the genre before it.

These days it is kinda argued about whether that title originally arose in Brazil or in the Anglosphere. But it seems very likely that the term was coined between 2006 and 2008, coming either out of the Brazilian movement around Ecopunk or out of the English Steampunk movement (specifically the literary branch of the Steampunk genre).

In the following years it was thrown around for a bit (there is an archived Wired article from 2009, that mentions the term once, as well as one other article), but for the moment there was not a lot happening in this regard.

Until 2012, when the Brazilian Solarpunk movement really started to bloom and at the same time in Italy Commando Jugendstil made their appearance. In 2012 in Brazil the anthology "Solarpunk: Histórias ecológicas e fantásticas em um mundo sustentável" was released (that did get an English translation not too long ago) establishing some groundwork for the genre. And Commando Jugendstil, who describe themselves as both a "Communication Project" and an "Art Movement", started to work on Solarpunk in Italy. Now, Commando Jugendstil is a bit more complicated than just one or the other. As they very much were a big influence on some of the aesthetic concepts, but also were releasing short stories and did some actual punky political action within Italy.

And all of that was happening in 2012, where the term really started to take off.

And only after this, in 2014, Solarpunk became this aesthetic we know today, when a (now defuct) tumblr blog started posting photos, artworks and other aesthetical things under the caption of Solarpunk. Especially as it was the first time the term was widely used within the Anglosphere.

Undoubtedly: This was probably how most people first learned of Solarpunk... But it was not how Solarpunk started. So, please stop spreading that myth.

The reason this bothers me so much is, that it so widely ignores how this movement definitely has its roots within Latin America and specifically Brazil. Instead this myth basically tries to claim Solarpunk as a thing that fully and completely originated within the anglosphere. Which is just is not.

And yes, there was artistic aspects to that early Solarpunk movement, too. But also a literary and political aspectt. That is not something that was put onto a term that was originally an aesthetic - but rather it was something that was there from the very beginning.

Again: There has been an artistic and aesthetic aspect in Solarpunk from the very beginning, yes. But there has been a literary and political aspect in it the entire time, too. And trying to divorce Solarpunk from those things is just wrong and also... kinda misses the point.

So, please. Just stop claiming that entire "it has been an aesthetic first" thing. Solarpunk is a genre of fiction, it is a political movement, just as much as it is an artistic movement. Always has been. And there has always been punk in it. So, please, stop acting as if Solarpunk is just "pretty artistic vibes". It is not.

Thanks for coming to my TED Talk, I guess.

[markantonys]

i already made a joke post about it but genuinely, the whole "wot s1 sucked, which was 100% the show's fault and not the source material's, but now s2 is so much better! shocking! who could've seen that coming!" narrative is SO annoying

like, the eye of the world is boring as shit! it's generic as shit! of COURSE an entire season based on it is not going to be the most groundbreaking or thrilling fantasy television you've ever seen in your life! how on EARTH can the readers who've been saying for decades that the books don't start to hit their stride until book 2 or 3 or 4 fail to grasp the correlation with season 2 being better than season 1? but even so, s1 alone IS more groundbreaking and thrilling than book 1 alone, because the showrunners knew that book 1 is boring and generic as shit and did their absolute damnedest to pull in as many unique elements from later books as they could conceivably fit in this early on.

second, s1 had to do a HUGE amount of heavy lifting in terms of setting up characters, relationships, lore, and worldbuilding. s1 did all this groundwork so that s2 could have the payoff you're enjoying so much, s1 constructed the basic building blocks so that s2 could explore the more advanced concepts you're gushing over. s1 ran so that s2 could soar! put some respect on its name!

third, stakes tend to get higher, characters to get deeper, and plotlines to get more exciting as you go along in a story. this is how stories work. why are you shocked that s1 only built the basic foundation of the story and s2 has the space to grow and deepen that story? that's how stories work, that's how TV works, and that's most certainly how the WOT books work.

fourth, practical constraints s1 had that s2 had less of

budget: s1 was starting from scratch, whereas s2 had more budget to spare since some things could be reused from s1 AND it got a bigger budget than s1 in the first place.

experience: second seasons almost universally tend to be better than pilot seasons, simply because everyone involved in making the show has gotten into the groove and solidified how they want to do this thing. this is how television works.

covid: it should go without saying that s1 would have been One Million Times more difficult and expensive to make than s2 due to covid stuff. whatever effect we may think covid had on s1, the true effect was probably astronomically higher than what we imagine. the majority of "looks too cheap" "looks too empty" complaints likely come down to this (notice that most of those complaints are about episodes 6-8 and not the early episodes; 6 was filmed pre-covid, yes, but i wouldn't be surprised if some covid-related restrictions were starting to rear their heads before production was officially shut down).

the worst part is the people who end their above-mentioned take with "they must have listened to audience criticism of s1 and made changes accordingly." [moiraine voice] the arrogance. s2 had already been written and filming was WELL underway (if not finished or close to finished?) by the time s1 even started airing. if you're impressed by what a great season they've delivered, the credit for that lies entirely with the people who made the show, not your stupid ass.

[notnights]

So obviously it's still too early to properly analyze the exact relationship dynamic between Jax and Gangle in canon. I promise this is less of me trying to find legitimate proof of any character speculations, and more just a string of very quick, messy personal thoughts on the topic. Context and motivation for their behaviors are likely to be explained in future episodes, and until then there's still quite a lot of uncharted territory left to explore. (Although I will say that both these characters are surprisingly more active and engaging with each other upon rewatch. aka, their willingness to be around one another seems mutual, the bullying is not.)

The only information that we can currently gather about Gangle are her canon appearances, the preview screenshot Glitch posted on the official account and to a lesser extent, Gangle's concept art sketches: Alot of it being about her fixation and dependency towards her comedy mask. We don't know whether she's fixated on the actual sensation being happy 24/7 or just the ability to appear joyful around everybody else just yet, or What her real-world equivalent of the mask was, or even if there ever was a real-world equivalent to begin with. But, Personal indictment is that she does genuinely want long term companionship and meaningful connections with other people. Or at the very least, not be subtly ostracized out of social convention. I think she believes that curating her outward demeanor might change the way others perceive her, and hopefully the way they interact with her as well. It doesn't really help that each of the circus crew are all a bit too much in their own heads to notice, one way or another. Even if they do mean well at the end of the day, it's never quite what she's really looking to accomplish. (It also doesn't help that her digital design is so detached from being human either, she's essentially a flat face on a piece of string. One can't really blame her for trying to make the most of what she's able to display tbh.)

So far, we know Jax is apathetic, violent and generally antagonistic towards everyone in the main cast, sometimes deliberately towards the girls. I think it isn't all that farfetched to believe he latched on to Gangle because she was malleable enough to target without facing most of the consequences. Subsequently, there's also the idea of him relating Gangle's tragedy mask to her willingness to comply: It's an emotional vulnerability for her (She already sees herself as less deserving of human interaction in this state, she won't have anyone else to go to, she doesn't seem to like being left alone). It's not farfetched to assume Jax sees the tragedy mask as a more "complied version" of Gangle, more entertaining and easier to string along. Me thinks he prefers it, but again. It's too soon to tell. Anyways something something designated role in group activities something something internalized self-worth I think Gangle and Ragatha have very similar philosophies when it comes to people pleasing and it almost makes me believe in the theory that they secretly don't get along even more.

(btw plz feel absolutely no pressure to respond to any of this at all - Again, very messy thoughts that I barely had time to collect. Ribbun is an unexpected infection with unfortunately very thought consuming brain fodder to me personally. Have a nice day.

I like these thoughts! It'll be really interesting to see how the Comedy and Tragedy masks work for Gangle.

I do agree Jax probably prefers Tragedy Gangle as even if it's only as deep as "she's funnier like that." And Gangle is the easiest victim for him in that state.

We've seen everyone (but Kinger, who Jax kind of doesn't bother too much, and you could argue it's because Kinger doesn't give an entertaining reaction) fight back against Jax's behavior in some way. Ragatha yells at him, Zooble isn't afraid to get physical, and we can tell Pomni had death on her mind when he threw her off the truck. The most Gangle has done is timidly resist for a few seconds before compiling. Steps on her mask, pushes her, grabs her and puts her in the drivers seat, she doesn't say anything.

She has a couple of bite back words, but then Jax just bites back and it shuts her down. Which is interesting because when Ragatha yells at him it's clear he thinks its funny and merely snarks back at her, often getting her to yell more. He gets different reactions out of everyone in the group and picks different entertainment from that. Gangle might be the one he knows he has proper control over.

As for the Ragatha and Gangle thing, I was really interested in the fact no one cared when Gangle broke her mask in the pilot, not even Ragatha who is our outwardly most caring. You could say it's because she had tunnel vision on Pomni, but I immediately interpreted it as, yeah Gangle's mask breaks all the time, she's crying all the time, eventually people stop caring. The boy who cried wolf, etc etc.

Even if Ragatha doesn't have direct conflict with Gangle, the fact Ragatha is someone who internalizes everything, and projects a positive outlook, I imagine someone like Gangle would make her pretty uncomfortable.

Here Ragatha is trying her darnest to keep it together and remain positive, meanwhile Gangle is crying all the time behind her.

"It's not so bad here Pomni, I promise!" as Gangle cries in the background.

Gangle being a constant reminder of how Ragatha, and maybe all of them really feel about being stuck here. Too early to say if Ragatha resents Gangle for this, or how she really feels about it. But if she does that's so sad because (we also don't know yet) Gangle has no control over these feelings, it wasn't her choice for her avatar to work like this.

Which honestly could be a good allegory for how certain people view mental illness in the real world too. Ragatha being a loved one who's uncomfortable with Gangle's moods, or even believes if Gangle just tried hard enough like her (example: keeping her comedy mask safe) she'd be fine. Ooh sad comic ideas.

[shihalyfie]

It's a loaded topic that I generally try not to bring up much because of the various controversies surrounding it, and a few years ago, I was hesitant to mention this in public because there was no way to frame it in a way that didn't sound like a hate post. (That, and admittedly, I probably was not in the right mental frame to handle it well back then; a lot of things have changed in the last few years.) But now this has been on record and even alluded to via official sources, and I don't see a point in being touchy about it anymore, so here's something I really wish more people would understand when they talk about tri., Kizuna, and 02TB:

Between tri. and Kizuna/02TB, almost the entire production system was overhauled, and there are almost no key staff members in common.

I know it's tempting to treat "Toei" like it's some kind of monolith, but it's very important to remember that any stylistic differences in approach or concept between tri. and Kizuna/02TB aren't just because of answering critical reception, but also because almost the entire production system was scooped out and redone from scratch. The one key member they have in common is Kizuna/02TB producer Kinoshita, who was brought onto tri. as late as part 5 and has explicitly stated that he wasn't involved on its story.

The reason this overhaul happened also wasn't just because of something like "people didn't like tri. (in terms of story content)". For one, tri. was subject to a lot of troubled production behind the scenes -- and I'm not making this up, it's on record that they ran out of budget halfway through and had to rewrite the rest of the plot. But another important thing that may not be as clear to people who only learned about it after the fact is that tri. was a downright PR disaster at the time it was going on, such as:

The infamous "nade-nade" incident (ask anyone who was present during the tri. announcement and they'll probably be able to tell you the details)

The director openly saying things like the fact he deliberately does not look at the source material when making adaptations because he sees it as too limiting, accompanied by a number of other inflammatory statements in magazines, etc. suggesting that he probably had never seen the original Adventure to begin with and saw it as a series he needed to make as more "mature", even to the point of rejecting character-accurate scripts for it (that said, it is very important to remember that a series is far more than just one staff member, and there are other staff members who did say they watched it and clearly did their research, so the point I'm making is that the director's attitude naturally made a lot of people in the audience very angry and is a big reason he started currying a bad industry reputation during and even after tri.'s run)

Magazine interviews with staff members and other Q&As generally being so vague and unwilling to answer questions clearly that it got people upset (for example, when a social media campaign soliciting questions for a Q&A session was held for a screening of part 6, it was said to be "suspiciously" too dark to actually answer the questions)

So when you see discussion about tri. being controversial because of "contradictions in the setting" or whatnot, it's not people getting petty about characterization, it's because the production system for tri. managed to make a ton of public relations decisions that unilaterally pissed a ton of people off, so having contradictions in the lore and characterization came off as being due to carelessness and negligence more than anything.

Right now, the series has been over for more than five years, so I'm not bringing all of this up because I want to start an angry mob against the series or anything (I myself have a lot of favorite things that had clearly troubled production issues and controversial statements from staff members, so I'm not saying this alone should be grounds to evaluate a series). The point I'm making is that I see way too many people talking like tri. and Kizuna/02TB were made under the same mentality by a vaguely-defined concept of "Toei" and that any differences in approach are from some bizarre hypocrisy where they keep contradicting themselves. What happened here was that they saw the public relations fallout, realized it wasn't a good idea to continue getting people mad, and completely overhauled everything with entirely different people and an entirely different approach -- and the fact they did not do a similar complete overhaul between Kizuna and 02TB is conversely why they share more in common.

[megoomy]

got a request for my vesperia berseria au designs and i do have character sheets for them so: everyone is free to draw these if they want! credit is nice but, well, these all heavily reference official tales designs so i dont want to take too much credit for them lol. you can also write about the au and take any amount of what we've come up with, i really don't care, it's all for fun.

UNDER THE CUT: a vague summary of the concept. warning for Profound Self Indulgence and Somewhat Half-Assed Worldbuilding (world...changing? world editing? whatever)

okay basically flynn and yuri met as kids in a village that basically serves as the lower quarter of the au, but after spending a few years together daemons attack the village and nearly everyone dies. yuri survives, but in the process he’s become a daemon. flynn also survives, but is deeply traumatized and gets picked up by the exorcists (conveniently too late to save anyone in typical form). neither knows the other survived. to make matters worse, flynns trauma causes some memory loss…he still definitely remembers that time in the village but its very fuzzy now and as he gets older that only gets worse. and like he thinks all those people died so hes not really trying to remember them.

flynn becomes an exorcist (some flavor of legate) and is going around eradicating daemons when he runs into yuri. he doesnt recognize yuri but yuri is pretty sure he recognizes flynn. but yuri isnt about to say that when flynn is trying to kill him LOL. the general arc is that yuri keeps slipping away and flynn keeps seeing more about him in his efforts to hunt him down, realizing that this strikingly handsome strangely familiar daemon is actually...very kind? takes care of children? helps people for no gain? and this calls into question everything that he thought he understood about the world which is quite troubling.

you can think of them as similar to velvet and eleanor. but I think when flynn joins yuri it's by choice, not because yuri's forced him to be a vessel or because flynn's a spy or anything like that. or at least, he's been thrown out by the abbey for one reason or another and joins yuri instead. (we've tossed around quite a few versions of this. we love playing in the space.)

we've bounced around ideas about the rest of the cast but i only have a sheet for estelle, who is a malak controlled by the abbey ala phi. assigned to flynn, ends up with yuri one way or another. i think rita sees that malaks are people and while she wants to coordinate with them to use their strength she doesn't like how they're treated as tools (the way she feels about blastia more or less).

if you're curious about why flynn and yuri have different fates, like, in terms of lore compliance. i think yuri seeing the thing he holds most dear, the community that cared for him, destroyed in an instant, would probably fill him with malevolence no matter what, especially depending on the circumstances. (like, if the abbey was manipulating things to create daemons or therions) yuri's like...a deeply conflicted character full of self loathing, so, being a daemon really suits him. i think that malevolence would only grow as he sees the world and the abbey for what it really is. unlike someone like rose, yuri NEVER feels unconflicted about Doing Murders.

flynn in canon is pretty conflicted himself of course but i see him as similar to eleanor who can sometimes produce malevolence but has a certain purity of heart that keeps them as pretty good vessel material. nowhere near someone like sorey or rose, and definitely wouldn't have had enough resonance pre-artorius' plot to see anything. also i think the brain trauma and being picked up by the abbey leads to him having very clear purpose and a black and white view for some time, so that helps. (look, let me be real with you, half of the impetus for this au was "it would be funny if flynn had like, religious trauma")

design notes not on the sheets: - yuri's daemonblighted skin is cooler to the touch than his regular skin. but he's a guy with cold hands regardless - i've got purple highlights in his eyes but i think of them as glinting purple in the light. like an animal i guess? - yuri's outfit is mostly inspired by his spirit gear in rays, aside from his normal game canon outfit. - estelle is pulling from a lot of different abbey associated characters but mostly her own design...i didn't want to give her something weird like A FUCKING COLLAR especially bc she's not given to A WEIRDO EXORCIST but i wanted some kind of symbol of captivity so i went instead for a golden mask. pulling from the common malak's gold mask/helmets and seres' mask. in canon a lot of estelle's arc is about being sheltered so i feel like covering her eyes feels, appropriate? idk. - i think yuri still gives estelle her nickname but she wouldn't start out as estellise so its more like yuri gives her a name - you may notice she has the flame of purification (does that have a different proper name? blanking on it) which kind of implies that she's connected to innominat. please don't ask me to elaborate on that point because i literally don't know yet. i think if i were to make her a normal elementally aligned malak she'd be water like her spirit gear in rays, but it feels like she should be Special just like how she's a child of the full moon in canon. we just, haven't really figured out, does the berseria cast still exist, are we replacing them, what would that look like, etc. sorry that stuff should be more important to the concept but we are simply playing with the dolls. teehee

[yanderes-galore]

Yandere hybrid twins? Would they be conjoined since their both part Zippleback. . . But them x reader :>

Httyd

I suppose this AU didn't have enough body horror, huh? Sorry for the long wait... here's some HCs. It's mostly just me playing around with the idea.

Yandere! Zippleback Hybrid! Twins Concept

(Ruffnut and Tuffnut)

Pairing: Romantic/Platonic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Body horror, Manipulation, Possessive/Protective behavior, Stalking, Violence, Murder implied (On accident), Kidnapping, Mentions of hermaphroditism, Dubious companionship/relationship.

Honestly, no matter how I look at this, they would have to be conjoined, wouldn’t they?

Both of them share a body due to being a Zippleback hybrid.

I don't really have an official design in mind... but it's probably disturbing.

They no doubt have the abilities of a normal Zippleback.

They have the sparking ability, they have the gas ability, and they're volatile in ability and emotions.

Like normal Zipplebacks they often fight with one another.

I also imagine taming them would be similar to the original dragon, too.

Perhaps like the Hiccup hybrid fic... you save them from being hunted?

Which you know what that means... life debt.

Until they can return the favor... they'd both be obsessive about you, even as a hybrid.

They'd be loyal towards you.

Even more so if you provide them with attention and/or they view you as a mate.

I imagine the twins are an interesting case.

Their heads retain their genders.

So I imagine they as a hybrid are... what's the word... a hermaphrodite?

Do with that info as you will.

They are probably the oddest hybrid I can think of in this AU.

Well... any Zippleback hybrid would be, actually....

You probably came across them injured, the two bickering bitterly with one another as they try to fly again.

When you reveal yourself, a normal human... they panic.

Are you going to hunt them!?

They can easily nuke this area, don't come any closer!

Yet... you don't harm them.

Instead you offer food and try to get close enough to offer supplies.

Well... after that the two can't seem to leave their new human alone.

Honestly... conversation is a bit weird at first, but you begin to see them as an ally of some sort.

You learn the female head is named Ruffnut and the male head is named Tuffnut.

They are a unique Zippleback hybrid with mischievous tendencies.

They see you as a friend since you helped them.

In fact, it's in their nature to be loyal towards you... all due to what you've done for them.

Despite them being classified as "intersex", they can still see you as a mate if you want.

I find it funny if both head have two different opinions of you.

Maybe one views you as a friend while the other wants to court you?

Awkward, isn't it?

Even funnier if only one of them wags their tail.

I imagine they'd be fiercely protective and possessive of you, often squabbling with one another on what to do for you to show they care.

You're given fish as a gift... often.

That and they stare down other hybrids, humans, and dragons....

They're like (sometimes stupid) bodyguards.

You can never have a,conversation with one head, the other is always there.

For example, maybe one of them is courting you... and the other just likes to sabotage them.

It's... all a chaotic mess, really.

Since they hate leaving your side, even if you ordered it, they'd stalk you.

They're big too, so it isn't like they're going to hide very well.

The two may kidnap you... but it's very dysfunctional.

Eventually they may trap you in a cave, alone from others, but they're still bickering.

It's luck they even succeeded.

They fight over your attention but can sometimes work with one another.

The whole hybrid is a chaotic mess... just like them normally.

In terms of would they kill? They could.

Their abilities are explosive... set them off and someone's in trouble.

They'd attack to protect you... but may accidentally cause someone's demise in the process.

Overall, these Ruffnut and Tuffnut would bicker but be as loyal as any other Zippleback...

Which soon proves to be problematic to you and your freedom.

[olderthannetfic]

I feel like a while back I might have seen you (God I hope it was you) talk about a style of writing that I think you called 'ao3 house'? As in the style of writing native and recognizable as being influenced by ao3 even when it's not on the platform. Can you tell me more about this style and what defines it? I've been wondering about it ever since it was mentioned.

--

I am far from the only one who has used the term 'AO3 house style' (and 'slash fandom house style' and the like before it), but yes, 'twas probably I.

The concept boils down to "Lots of fic on AO3 sounds similar". There's no hard and fast definition of official AO3 style or anything.

This "fandom style" has been a subject of discussion for decades. It tends to include things like:

Sounds like genre fiction prose of the simple, clear kind rather than more intentionally literary prose

Lots of focus on feels and emotional catharsis and less on twisty intellectual plots

May use specific over-used vocabulary popular in whatever decade of fandom (e.g. 'laved')

Possibly has epithet disease ("The taller man")

Maybe some tedious Whedon-wannabe "snark"

Honestly, none of it is restricted to fic. It's the kind of vibe you get from plenty of YA or romance-y urban fantasy. When I encounter original work that sounds like this, it doesn't always mean the writer is into fanfic.

[chussyracing]

f1 news, rumours and interesting facts from the last few days

Alpine is parting ways with Director of Racing Expansion Projects Davide Brivio at the end of 2023 despite his contract running into 2024, there are rumours he will join Repsol Honda motogp team as a team boss

Aston Martin got approval for a new research and development facility in Silverstone

Either Andrea Stella is joking or smoking crack because he thinks in equal cars, the three best drivers on the grid would be Max, Lando and Fernando

Jannik Sinner scored a partnership with f1 to attend some races and promote the sport (and then visited Maranello)

Kubica is confirmed for ferrari's third hypercar and Shwartzman said he is interested in the seat as well - but he also tested indycar with Ganassi

Sainz says new ferrari 2024 car (or protect rather than a car at this point) behaves differently in the sim to the 2023 one

Aramco signed 5 year extension with am and they will be named aston martin aramco f1 team

Alfa Romeo is now Stake F1 Team Kick Sauber..... (and alpha tauri added the "RB" to their name which could be racing bulls but also red bull)

Merc is finally leaving the no side pod design to allow more event distribution and less drag

Charles won the overtake of the year with his move on Perez in Las Vegas!!!!

Fia changed rules about misconduct (and officially changed maximum fine to 1m euros, prohobited the use of flares on grandstands and shortened the right to review from 14 days to 96 hours aka 4 days)

Rbr did a pit stop in dark for some kind of dick measuring contest and got 2.84s which is just faster of ferrari's normal pit stops (if we have all 4 tyres ready)

Button to hypercar with Jota in 2024

Alpine finished the shares selling to us investors (the reynolds guy thingy)

Max went on about how absurd his fee is despite his team saying they will pay for him so... um 🤐

Fia hired more staff for in factory check ups to visit every 2/3 weeks but they wanna start visits with little to no notice where they call the factory and immediately visit in 10/15 mins

Rbr will start making a new wind tunnel in Milton Keynes that should be finished in (or was it by?) 2026

Ferrari confirmed the previously rumoured date of 2024 car presentation for 13th feb (Fred also said the car will be 95% different which supports Carlos saying the car concept is very different in sim and Fred saying they completely skipped two upgrades this year to focus more on 2024, among other stuff Fred also said both drivers will start on equal terms during the new season start)

Audi is rumoured to be keeping tabs on Lawson besides Ocon and Hulkenberg

there is a new ferrari challenge with matt gallagher from shell (someone remind me to watch it along the math challenge when I have time, also shout out to shell because I love the mini playing car from them i got) and the secret santa was posted (it is kinda boring this year ngl)

Also! The head fortuneteller Mika Hakkinen said yesterday that he thinks mclaren will take another step ahead in performance for 2024 and challenge red bull closer that merc or ferrari, but he also said that ferrari are finally on a correct path and Fred is the one team principal under which they will win a championship again "sooner or later"

While I knew f1 drivers are prohobited from doing dangerous stuff (unless you are Charles Leclerc and can make puppy eyes, then you can run half a marathon, wall climb, ice wall climb, scuba dive, ride and water scooter and what not), but I did not know red bull (and probably other drivers) have it specified in their contract they can't even drive a motorbike - which some of them wanted to do at Honda thanks day seeing Marc Marquez on his bike

Ben Sulayem is playing some weird game i do not like taking a dig at jean todt for leaving the fia operating with a loss (completely disregarding that's counting the covid years where motorsports events often couldn't even take place and lawsuit fees for the use of halo) and saying how under him the non profit organisation will get balanced sheet by 2025 (also said how fia must focus on safety and reputation which... hmm)

There are some rumours about the fia and its integrity and governing abilities (I just learned about how they fucked up wtcc and then wtcr after making the championship with close fights and easy rules where more teams could get in too exclusive opening chance for Citroën only to get ready for new rules so they dominated everything and adding huge spoilers which created dirty air and kept overtaking close to zero. Sounds scarily similar to f1 these days?)

[pocketpennytm]

INESCAPABLE

The story where everyone is doomed from the start. (Ft. FATEBREAKERS) Chara (they/it) - SOUL of Pain Plaster (he/they) - SOUL of Patience Omlet (she/they) - SOUL of Kindness Talon (he/him) - SOUL of Bravery Oxalis (they/them) - SOUL of Justice Sonata "Breve" Stardust (she/her)- SOUL of Integrity Litany (he/him)- SOUL of Perseverence Frisk (they/them) - SOUL of Pain Bear witness to my takes on the six fallen humans! I love these silly lil fellas. My main focuses have been envisioning "UNDERTALE: Open Wound", of which Plaster is the protagonist, and "UNDERTALE: Simmer Down", of which Omlet is the protagonist, but I've got ideas for everyone else too. Which I will detail down here lets gooo; Plaster is an anxious overthinker, thinking that they're always doomed. His patience manifests as analysing his enemy's patterns and behaviour, waiting for the right moment to strike... Either emotionally or physically. Omlet is a rude, abrasive person, who thinks the kindest, most selfless thing they can do to people is tell them exactly what she's feeling. Though she seems distant, she does have a warm and caring side- expressed through their cooking. Talon is a very plucky individual, whose bravery manifests as completely pushing down all fear and pretending that he's fine when he's really not fine. He projects outwardly a very cool, calm and collected persona, never breaking a sweat at anything. This trait of his just might be the death of him, as he moves on ahead with reckless abandon- never asking for help, when that just might've saved him. Oxalis seems unemotional at a distance, but they do have occasional moments of goofiness that break through the cold facade. They play as a cowboy embodying justice to cheer themselves up, but it's really only made them seem slightly scary from a distance. Sonata "Breve" Stardust doesn't take shit from anyone. She stays true to herself, no matter what- with her rough-and-tumble-yet-oddly-elegant style. Though perhaps being unaccepting to changing the path one is barreling down is as much of a strength as it is a weakness. Litany is a caring and nurturing person, playing out the fantasy of being a doctor with a clipboard. Always writing down notes on his "clipboard" (journal), clutching onto it for dear life. He only really wants to help others, and he keeps going to achieve this goal no matter what. MISC NOTES: Sonata's form of "game" would likely manifest as a rhythm game sort of thing, justifying it in-universe as this "bizzare trend going around the underground." Stay with the groove, or die! (metaphorically) It's been my headcanon for nearly two years now that the "Red SOUL trait" is PAIN. It is not all too logical. I am sticking by my guns.

NAME LOGIC: I was inspired by Clover from UNDERTALE: Yellow being named after the fact that once pacified, the gun fires clovers. So, I extended this philosophy to everyone else- while also seeking to capture that odd jank the names "Chara" and "Frisk" have.

Plaster is named that because the knives turn into bandaids, and plaster is an alternative term for a bandage, or something that patches up a wound. Omlet is named that because the fire turns into omelettes, and I decided to shorten it for some reason. I think it's charming like this, though. If anyone else mentions how they "aren't really omlettes", i will sob. Talon is named that because that's the most convoluted way I could reference the concept of hands. Which is what the bravery soul phase attacks with. Oxalis is named that because Oxalis Tetraphylla is the official name for a four leaf clover. Though she probably uses Alis as a nickname. Sonata "Breve" Stardust is named that bc the musical notes eventually heal you. a Sonata is a form of music, a Breve is a type of note, and she attacks with some stars. it's also sort of an Equestria Girls reference whoopsie. She's the only one with a lastname bc I feel like "Breve" captures the sort of janky charm I want, but Sonata is a name that I just found legitimately really pretty Litany is named that because that's the most convoluted way i could say "words", in reference to how the soul phase... attacks you with words. It means a funeral procession recited for the dead, but also something that's overly long and needs to be practiced several times- exactly like the cycle of the fallen humans. Or a long and lengthy ramble, like an indecipherable journal.

DESIGN NOTES: I really wanted each of the fallen humans to use their trademark items in an unusual fashion- or just generally "break the mold" a little, ie having Omlet be a rather rude seeming person, while most personify kindness to be a gentle little angel. So, I'll go into that just a smidgen more here. Instead of wearing the Faded Ribbon like an actual ribbon in his hair, Plaster wears it like a bowtie. Omlet wears the apron around her waist, since she's outgrown it but it still holds quite a lot of sentimental value. Most people just?? forget that the worn bandanna is supposed to go around your neck?? since it's got abs drawn on it, and it's like, the whole joke is that it's supposed to look like you have abs- It's a hat. Sonata was such a fun design to make for me. Everyone always chooses to make Integrity a dainty little ballerina girl, so I chose to give Breve a whole-ass varsity jacket. She looks like she'd beat you up and I love it. My logic for Litany's design was entirely "okay... who wears glasses... and takes notes- DOCTOR". So that's what I did. Chara and Frisk were difficult for me to redesign. My friend Cacote suggested Chara be wearing an oversized sweater alongside messy hair, which I quite like. Plus, their hairstyle is a partial reference to Chara from Fanontale, which is always cool. They look adorable. My friend Cacote suggested Frisk be wearing some bizzare fashion, somewhat akin to futuristic clothing. This manifested as me... giving them a weird suit/trenchcoat combo. And a sticky bandage on their nose. They look kind of like a huge asshole, and I love it.

[fwoopersongs]

[Book Rec + Reaction/Thoughts] The Lantern and the Night Moths 灯与夜蛾 by Yilin Wang

An anthology of translated poems by five modern or contemporary poets and accompanying essays by the translator, @yilinwriter.

You can find the pronunciation guide and list of corrections here!

The cover art, a beautiful expression of the tone of this collection, is by Taiwanese artist Ciaoyin (check out her gorgeous insta!). I'm looking forward to the arrival of the physical book as my tab absolutely does not do it justice xD

Anyway! The official release date is 02 April 2024 though there have been some very thoughtful reviews by early readers already. Here, here, here and here.

(It was an ARC that I received too… though in the time it took to put this together, the ebooks have already gone out to readers >.< typical snail yj!) 

Instead, I’ll tell you who I think would be interested in this book or might benefit from reading it, then share things that are cool about it from the perspective of a bilingual hobbyist translator + lover of ancient poetry and lyrics.

Who should read it?

If annotations, translator’s notes and reflections spark joy for you...

If you’ve ever read poetry translations and been intensely curious about what goes on under the hood...

If you’re a translator yourself wanting to hear another voice...

Definitely check this out!

Also if you’re CN+EN bilingual and have ever read something in English that references Chinese terms and concepts etc. except ONLY in English, pinyin or wade-giles and been utterly frustrated by the ensuing guessing game (like me) Fear Not.

That will not be a problem here.

I really appreciate how Chinese words are used naturally where needed for concepts and quotes - they are also translated for those who can't read Chinese so no one is left out. It made this book of and about translation (and more) super comfortable to read! The solution is so simple, so direct, so rarely used that I am amused.

Oh, but do note that the Chinese characters are in simplified though!

The poems are organised by their writers who are listed here by order of birth year, not appearance in the book:

秋瑾 (Qiu Jin, 1875 to 1907)

废名 (Fei Ming. 1901 to 1967)

戴望舒 (Dai Wangshu, 1905 to 1950)

小西 (Xiao Xi, 1974 to _)

张巧慧 (Zhang Qiaohui, 1978 to _) 

Altogether, that covers nearly the last 150 years up to now. I’ve never really been into poetry by poets in such relatively recent times, in part because I’d been holding on to this stereotype of them spurning Classical Chinese and ancient poetry in the first half of the 20th century (not entirely true, as I came to realise xD). It made sense and was understandable, but felt sad.

Yet am I the target audience for this book?

Very much so.

In ways I didn’t think I would be too! It was so much fun to experience this both as a reader and a translator that I thought I’d share it here, where we are appreciating Chinese poetry together.

If you didn’t think you’d enjoy modern Chinese poetry, hey, give it a chance!

Oh yeah - on the way home a while back, I was talking to a friend about translation and was surprised to hear that her impression was that it ought to be a straightforward process. Like isn’t it a 1:1 conversion? At some point, ‘what’s the difference between something google translate might return, and how you would say it?’ was asked, and oh that was a delightful question to my ears! I showed her one of my comparison sheets where an original text is laid out alongside multiple translations line-by-line, briefly explaining some common and unique choices and how the people who had translated those probably arrived at the various interpretations. She was pretty amazed to see that the answer to her question was: very different. Hey, it’s a complicated process!

But there’s only so much one can explain in the space of a train ride. That’s why The Lantern and the Night Moths is a book I would also rec to someone like this friend of mine - open minded and curious but never having the chance to think about or encounter the craft of translation.

Like Yilin says, ‘the meaning of a word cannot be fully expressed in one single translation, nor through a series of translation attempts’. She then explains why with great attention to detail and some solid examples from one of the poems with word choices loaded with subtle connotations :D

What's interesting about it?

Okay, for one, Yilin shared a playlist of music that she listened to while working on this book. Here is the link to the spotify one and the one on youtube. Check them out! They sure put me in the mood to read xD (favs: 别知己, 小神仙 & 去有風的地方) Afterwards, this made so much sense like - ah! an audio moodboard.

She's also putting together these adorable mini profiles of each poet along with a cmedia and tea rec to match their vibes. Go see them on her instagram xD

Now to business...

structure

What really helped keep the reader’s focus was the way each section is organized, how the poems and accompanying essay were presented and finally the short bio of each person right at the end. 

The poets are first introduced through five or six of their poems, works well suited to this purpose. Their voices, distinct through the vision, ambition and emotion of their words, are brought across by Yilin’s sensitive, thoughtful and poetic translations into English. These translations were also creative and transformative in a way that made so much sense after reading one of her reflections on the process, how she ‘must guide it with gentle hands to ensure its spirit is kept alive and intact during this transformative, and often excruciating process’. A rebirth into another language!

Personally, I’ve come to think of reading translations as looking at a work through another’s eyes. So it’s delightful when the translator’s presence is discernible, and even more so when the reader is given insight into their intention and process via commentary. 

Yilin’s essays coupled with the poets’ bios at the end provide a means to go back and appreciate their works in context of their circumstance and inspirations. Similarly, to read the translations with a changed perspective.

I don’t know how much of a thing this is with translated poetry anthologies in English - can count the number I’ve read with both hands lol, and they’re all of the ancient chinese poetry variety - but I really like this design.

drawing on poets who came before them

Remember how we’re always recognizing traces of inspiration from ancient works (to them) in poetry of the various dynasties? 李商隐 Li Shangyin of Tang for example, was influenced by 楚辞 Verses of Chu and folklore and mythology such as that in 山海经 Classic of Mountains and Seas, 李白 Li Bai frequently references poets and history of the 魏晋 Wei-Jin era, and 王维 Wang Wei was clearly familiar with Buddhist scriptures which were translations themselves! 

Just like the late Táng poets whom he praised for boldly deviating from the voices before them, Fei Ming used popular references and tropey shorthands ‘in contexts utterly different from the original, reimagining them anew’. Dai Wangshu, too, ‘boldly re-envisioned what modern poetry could look like by revisiting the classics’. In fact, in his very relatable ‘To Answer the Visitor with Classical Imagery’, I see Li Bai’s 春夜宴桃李园序, Qu Yuan’s 离骚 and lots of - as the title says - classical imagery, as if pulling out painting after painting to describe a feeling.

And Dai Wangshu’s faith in the translatability of poetry, that ‘poetry isn’t what is lost in translation, but rather, what survives it’ reminds me of what a friend, @xiakeponz, said that I agree with so much - because readers can ‘experience something in their own individual way through (your) shared humanity rather than language alone’.

poetic tradition and beyond

Between the lines of contemporary poets Zhang Qiaohui and Xiao Xi, I can really see the charm of plain vernacular, how it can be beautiful, incisive and clever in turns. Even as it seems to have moved further than ever from the structure and language of literary Chinese, the themes that inspired common motifs remain a part of life. Mother and divinity, homesickness, finding oneself, tributes to admirable spirits and the issues that trouble society - just in a new form and with different ways of expression.

Qiu Jin

So many FEELINGS about what Qiu Jin was doing - ‘I awaken the spirits of women, hundreds of flowers, abloom’. I would love if she could see the world now. So many things for her to rouse and fight against, but at the same time just as many to be proud of. I am so in awe of her, but now hearing her loneliness and struggle there is a soft spot in my heart for those too. 

conclusion

So so so…

Qiu Jin’s admirable fire and lonely resolve. Zhang Qiaohui’s precious ability to express beauty in the mundane and in pain. Fei Ming’s utter delight! He is having so much fun and when* I’m vibing, I feel it too. Xiao Xi’s critical eye and keen observation of the world. Dai Wangshu’s whimsical charm and passion for translation. Finally, Yilin Wang, the connecting thread wound through them all, bringing them together so that we may be acquainted. 

*Reading his poetry is like unwrapping a seamless, many layered present. A gift that keeps giving - if only you have a key 😅 Fortunately, Yilin has halved our struggle 🤣

I’ve had such a great time with them all. And if you come, I hope you will too!

[flokali]

Mori, I think this is an okay topic based on the rules but I'm not totally sure so I'm gonna list out key terms if I've step over a boundary. If I have, I am very sorry, please let me know so I can avoid any repetitions in the future.

Also, perhaps spoilers for the latest plot development in Genshin.

Topics: Jealousy, Scaramouche's affection for Haypasia, Avoiding as Punishment, SAGAU, mentions of betrayal (it's Scara)

I've been frothing at the mouth at this one. You know how Haypasia is Scaramouche's first follower as a god thus he has verbally expressed his affection for her? In the SAGAU, just imagining you overhearing him express his affections for another made your heart twist and your stomach drop. It wasn't as if he was your official consort but you had affections for the Balladeer and hearing him express the same affection but not towards you, stung your sweet soft heart.

Then, you decide to busy yourself from thinking about what you've heard him utter by spending time with other acolytes. You've been really enjoying the company of some residents of Inazuma. Kazuha has been doing a good job at keeping you entertained while Thoma has been nothing but a sweetheart. His meals are always impeccable.

You avoiding him wasn't as subtle as you thought it was as he immediately noticed how when he sought you out, you had always just conveniently left a minute or so before with someone else. Ever the snarky one, he just made some offhanded comments before stomping away. But snark can only last as long before worry and fear sets in. It didn't take too long before the Balladeer felt the familiar thorns and vines of betrayal prick at him.

You were his reason to continue and yet you were slipping away from him. The fear of being abandoned by you, the god that brought him warmth and acceptance, felt bone chillingly frightening. To be abandoned by his mother, his first family, and his friend, he could stomach but to be left behind by you is a fate worse than death.

His pride prevents him from grovelling on his knees for you to not abandon him but now by just tugging at your clothes and sleeves feels just as desperate and pathetic. You looking away from him as he's doing so feels like a wash of freezing water. He doesn't know how he affects you so. He self sooths by rubbing his face into the crook of your neck, placing gentle yet needly suckles and kisses on spots you could never hope to hide. He can't help the worry bubbling in his stomach. It is so unlike him but he is anything but the people's Balladeer in front of you, oh no, in front of you, he is Kunikuzushi. He lets you see through him. Every emotion, every fear, every happiness. Everything that he is or has is yours.

You can't help but feel selfish. Of course he would have affection for the first follower but you cannot help what you feel. You feel unreasonably or reasonably angry at him. You hiss out through your teeth. "I am a selfish person, Kunikuzushi. I do not share what is mine."

He sseks forgiveness wordlessly as he sooths your rage and jealousy with needy touches of his skin and lips. He does not speak. He knows better. He knows any words will not be heard no matter what but what speaks to you is actions. That is why he is so shameless with touching you despite your rage.

You are his as he is yours. He feels ecstacy coursing through his veins as you both consume eachother in your fierce, dark, and consuming love.

------------

TL;DR: you get jealous of Haypasia so you avoid him by hanging out with other people, he gets jealous, so you two just fuck it out. 16/10, would probably do it again.

Sobbing and crying because this is literally so perfect ??

I have like, literally no words anon this is so good? I can’t bring myself to add anything because it’s all so good and agghhh;; I love this concept so much it’s actually insane TT;

[wasyago]

some rambles about gillion trans headcanons and other stuff

im realizing that i write these posts because i have no one to talk about riptide with, so this is like a monolog that is meant to be a dialog? sort of? the point is, the thought process is unpredictable and this is just everything that goes through my head and not like a structural point or anything and some things are random and not uhhh pretty(?). i dont even know why im writing these disclaimers, no one cares probably?

anyway. so, if gillion was a trans man, how would that work?

did he know from the young age, before the elders even, that he was a boy? was it just an obvious thing for him and his family? was he loved and accepted? and when the elders took him away, did they accept him as well? did they even see him for a kid/a person he was, or did they only think about the prophecy and didn't care what gender The One was? when gillion got older, did he get his top surgery inside the walls of the palace without anyone questioning him or looking down upon? or did he have to sneak out? probably definitely not sneak out, im not sure gillion ever left the palace or seen the world outside much. did he even get top surgery?

that's an interesting question to me actually, because if tritons (in this campaign at least) hatch from eggs, do females even have bigger boobs? technically no, right? do they even have boobs? i mean, they do have chest muscles and stuff, but do they have nipples? the one time i drew gill without a shirt i didn't draw him any, so im gonna say "no" for now. sorry im huge bore when it comes to these types of questions, i don't even know why actually... is it weird?

uhh what was i talking about... so i guess yeah, if female and male tritons don't have that different of a body structure, gillion probably didn't even need a top surgery to begin with. and maybe he didn't experience much in terms of dysphoria, which honestly? good for him, he had enough going on already...

but if gillion wasn't trans before the elders? if he was fine with his gender, he was only five after all, he had better fiveyearold things to worry about. what happened after he was taken away? was it his own realization, just at an older age?

or was it forced on him by the elders? (its definitely a darker concept and would be out of character for the elders, but as an alternative universe I think its interesting as well). because "the chosen one", the hero of the prophecy, the one who will decide the fate of the world and who will protect the undersea, in the eyes of the elders could've only be a man (if they were misogynistic). and when they come to this family and they see a 5 y.o. girl, what can they feel except disappointment? they will try anyway though, because what are they supposed to do? and if they need a man for a prophecy they will get him one way or another...

again, a darker concept, and i think i like it like an au better than a headcanon for the main campaign. because it's ooc and brings up slightly different topics from the original.

at the end i think i wont headcanon gill as trans? (although who knows, maybe I'll come around eventually, we'll see) maybe as nonbinary or a secret third thing though. gillion to me doesn't feel like a "man" man, his gender is "a guy" i don't know how to explain it hdgsbbs (maybe im just projecting idk o_o)

I love it when people hc him as trans tho, its very sweet!!!!!!! and i believe he does have the top surgery scars in the official art? so like, pop off king lets go???? (actually i just checked and no he doesn't, but im gonna think he does anyway)

im a little scared to re read this post and i think i'll delete it later probably, but uhhh yeah... again, just rambling and thinking out loud (not out loud but you get what i mean. writing all this down or drawing something really helps me to think and figure things out, so that's why)

[fictionadventurer]

It's time to start thinking about this year's Inkling's Challenge. There are a few things to address before I make anything official, and I'd like to bounce it off of you guys first.

Interest

Is anyone interested in doing this?

Themes

As in previous years, I'd like to have a list of seven Christian themes for writers to choose from to inspire their stories. This encourages people to think about the Christian element, and provides some guidance without being too rigid. I got the impression that last year's images worked better for people than the previous year's list of Christian concepts. I'm trying to figure out which direction to take with this year's list.

Options include:

Keeping last year's imagery list. Makes it easy for me, but I would like to shake things up to give each year's Challenge a unique feel.

Coming up with a list of new images. My first thought is images that have been applied to God (shepherd, father, king, bridegroom, servant, etc), though that may be too narrow and limit people to stories involving blatant Christ figures. At the moment, I can't think of anything else that goes beyond the major Christian images in last year's list.

Coming up with a new list of more abstract Christian themes. Virtues? Gifts of the Spirit? Books or Sections of the Bible?

I'm open to any ideas that anyone might have because I'm stumped.

Team Chesterton's Technology Category

Each team in the Inklings Challenge gets a fantasy and science fiction genre assigned to it. The split has been pretty even with stories written for Team Lewis and Team Tolkien, but after two years, we've yet to have a single story written for the Technology genre of Team Chesterton. This suggests there's a major problem with the concept, so I should probably switch it up.

The best solution depends on what exactly the problem is. Is the category too broad? Does the title make it seem too technical--like you have to be an expert in technology and write about it realistically? Does it not have a genre attached to it that inspires stories? "Space travel" and "time travel" both suggest going places, which naturally sparks stories. And they evoke certain not-necessarily-hard-sci-fi genres.

There is a possibility that it's chance--maybe Intrusive Fantasy, with its urban fantasy and fairy tale possibilities, is just too appealing to this crowd in comparison to any sci fi genre. But to have no stories in the genre (with Team Chesterton always sparking the fewest stories) suggests a deeper problem.

How to fix it?

Options include:

Choose a category name related to travel like the other two are. There are lots of stories you could tell based on air, land, and sea travel that still involve sci-fi technology (and the concept matches things included in Chesterton's work). But what to call it? "Earth-based travel"?

Choose a certain type of technology to focus on. Say, Biological Technology. Or Robots. This may have some of the same too-technical-sounding problems of the Technology category.

Choose a technology-related subgenre, like Cyberpunk or Steampunk. (Or all the -punks if I could figure out a decent term for it). This still fits Chesterton's work, but may be too limiting or may still not draw writers--after all, these were always options under the original genre category, and no one wrote any.

Any feedback in this area would help.

[elderscrollsconceptart]

I've commented on this before, but concept (and official) art of Sotha Sil is rare to come by.

Ive posted probably 90-95% of all official Sotha Sil art and probably most of what exists for Vicec and Almalexia as well.

I think a large reason Sotha Sil has such little art is because he's not really..*ahem*..Active.. In Morrowind.

Beyond what ive posted of him, I thought there would be more concept art from Sotha Sil's appearance in ESO. Unfortunately if there is, it is hard to find or hasn't been published.

Basically in terms of all available concept art the order is like this:

#1 Vivec (has a fair amount)

#2 Almalexia (some but not a lot)

#3 Sotha Sil (very little)