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orionsangel86 · 4 years

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Sam & Eileen - A Supernatural Romance.

I am quite clearly over the moon about 15x06 and Sam reunited with and bringing Eileen back from the dead. I was so over the moon in fact, that I burst into tears when Eileen stepped out of the bathtub and took Sam’s hand. That was… wow.

That was the most romantic moment in this show since 13x05 “it’s never too late” (also a return from the dead!)

So I was inspired to write an homage meta post celebrating Sam and Eileen’s romance looking back at everything canon has given us on this epic pairing.

It turns out, despite all my usual grumbling, there is still one het ship out there that I can totally get behind, and no one deserves love more than our dear Sam Winchester.

11x04 - Baby

This is where I believe the story started for Sam.

“You don’t ever want something more?”

(x)

“You know, with a hunter? Somebody who understands the life?”

This question, from Sam to his brother at the start of Season 11, has shaped so much of the subtext in the seasons following. It’s significance to the Winchesters individual development arcs, their hopes, their dreams. It blatantly spelled out for the audience what both these boys desire and what they deserve for each of their endgames.

Not a white picket fence, not the apple pie life, just something. Something that suits them. Something to share with someone else, romantically, who might fit that particular box. Let me be very clear here and stress that Sam certainly wasn’t talking about him and Dean finding that something with each other.

Dean’s journey towards finding that something has been building for even longer than this particular moment in canon, with the other stand out scene being his confession in 10x16 where he talked about having things, people, feelings, that I want to experience differently than before, or maybe even for the first time. Dean’s journey is something we have discussed at length, and as every meta writer in fandom knows all too well, it only leads in one particular direction - towards a certain dreamy blue eyed angel.

Sam’s journey has not been discussed as intensely as Dean’s, but 11x04 did lay groundwork for the writers to build upon. It hasn’t been as smooth or as obvious in the subtext as Dean’s either, with certain writing decisions appearing to come out of left field and confuse the path. But it seems that Dabb has course corrected and brought us back on track.

This episode was the first time in canon in a long time that we heard Sam textually voice his desire for a romantic relationship of some kind. I therefore immediately got excited and locked this moment away in a pocket in my heart to pull out again if ever the show would introduce a character who could fit those requirements for Sam.

The show did not disappoint.

11x11 Into the Mystic

GOD I forgot how full of delicious layers this episode was! It was written by the same writer who wrote 11x04. Robbie Thompson clearly had something in mind for Sam when he first wrote that script, and he gave it to us (and Sam) in this episode.

Eileen is introduced in 11x11 as another Hunter on a quest for vengeance - to avenge her murdered family.

It isn’t a surprise that we basically immediately shipped Eileen with Sam after this episode first aired, because her entire backstory is written to compliment Sam. Within the first 5 minutes of getting to know her, she already fulfills the requirements from Sam’s wistful speech in 11x04. She is a hunter, she is someone who understands the life. But more than that, she is all of the following:

She is on a revenge quest

She has murdered parents

She was raised by a Hunter or rather “trained” to be a Hunter rather than raised (in a scene which implies a similarly strict hunter upbringing to Sam and Dean)

She continued hunting alone after her guardian died

Her grandfather was a Man of Letters, making her a MOL Legacy, just like Sam.

Her mother was a lawyer, so she makes a joke about studying law which prompts further bonding with Sam due to his Stanford law education.

Eileen catches Sam’s eye almost immediately, and it is surprising I didn’t pick up on that on my first watch at the time, but Eileen is literally disguised as the cleaner in order to go unnoticed. Sam had no reason to be suspicious of her, and I think at the time we all assumed that he just wanted to question a potential witness - but even so, there was no need to interrupt Mildred to go speak to her. Could Sam’s distraction have been a bit more than strictly professional? In hindsight I’m gonna go with YES.

Their next meet is cute simply because by this point the audience is misled to think that she is actually the banshee. The ominous music tones, the shots of Eileen watching the Winchesters from a window. We believe that she is the villain, and then when she uses magic to pin Sam and comes at him with a dagger it’s practically a romantic trope used in enemies to lovers fics. A case of mistaken identity (another trope) and Sam and Eileen are able to reveal each of their truths. They bond immediately with both Sam and the audience learning all of the above. the checklist requirements indicating their compatibility is so blatantly obvious its almost too on the nose. But then het romance always seems that way doesn’t it?

The real kicker in this episode that made my heart sing at the time was this:

“Feel free to drop me a line if you ever need anything. Or even if you just wanna hang out”

“you can’t call me though, I mean you could call but I won’t answer.”

(x)

FIRST OF ALL - HOW DARE YOU KILL ME WITH FEELS SAMMY OVER THAT GORGEOUS SMILE

Sam’s line here though was SUCH A LINE. “Or even if you just wanna hang out”

I see you Sam Winchester. Hoping for Netflix and Chill right? I know you have Netflix. You gave Cas your password. :P

This little interaction at the end of this episode was pure flirtation and it was gorgeous to watch (and to rewatch, with hindsight, knowing what happens in 15x06 to totally deepen their relationship. Urgh. I guess I really am a sucker for a good old fashioned Supernatural Love Story!)

The other big takeaway from this episode is that meeting Eileen rejuvenated Sam. He starts the episode unable to sleep, haunted by his Lucifer trauma and feeling so down and broody that Dean steps in constantly to ask if he’s okay and try to engage in talking about feelings (always a bad sign for a Winchester to get to the point where they feel they need to ask the other to talk about feelings!)

But the end of the episode marks a significant change in Sam. He smiles, he opens up to Dean, he textually states that the case helped him. He opens up a keepsake box (that we never knew he had before this episode) and puts the retirement homes leaflet in there - an indication that he actually has hope that he might live to see a happy retirement (a wonderful sign for someone who just 40 minutes ago was acting like a total nihilist.)

The case alone wasn’t some spectacular revelation, so what else could have possibly caused Sam’s change of heart? The answer is obvious. Eileen did. She acted like a beacon of light this episode for Sam, and in a perfect bookend to how the episode opened, Sam curls up in bed, turns off his light, and is able to sleep. It is only Dean who spends the night restless and haunted.

This was the first time that Eileen acted as a “win” for Sam just by meeting him.

Unfortunately, we don’t meet Eileen again until a whole season later in

12x17 - The British Invasion

This episode is a far cry away from 11x11′s layered genius. Messy, overly plot heavy, too many various character stories causing mental whiplash, too much focus on unnecessary side characters, LUCIFER existing in general, an unnecessary sex scene between Mary and Ketch (eww), a bloody death scene, and moments of utter stupidity from the lead characters.

In other words it’s a CLASSIC BUCKLEMING.

Do yourselves a favour and if you ARE planning on re-watching this episode, just skip to the parts with Dean, Sam and Eileen (the Dagon and Kelly stuff is relatively good as well - the rest is utter garbage).

Anyway, pushing aside my hatred for the terrible duo for a moment, I will say that as per usual, what they lack in subtlety and intelligent subtextual layering, they make up for with a sledge hammer to the face in terms of trying to get a point across. So when it comes to Saileen in this episode, well, it might as well be canon already.

Practically every time Sam and Eileen interact in this episode, they are framed as a flirtatious couple in the early tentative stages. The smiles and playful flirting, the smirks when one does something to make the other proud. It is very clear, even if it is still technically subtextual, that both Jared and Shoshannah are playing this like these characters are attracted to one another, and are building on that relationship.

Hell, even Dean teases Sam twice about Eileen in this episode (though once was in a deleted scene that they should have kept instead of the Lucifer crap):

(x)

What we also find out from this opening scene, is that Sam and Eileen have been communicating off screen since 11x11. It is textually confirmed that the two of them have been developing their relationship previously, and we just haven’t seen it. Did Eileen visit the Bunker previously? Because she certainly seemed comfortable there this episode. Have her and Sam cuddled up to watch movies previously? (We know another pairing that textually do this even though we’ve never seen it on screen - Dean and Cas). Dean feels comfortable enough to tease his little brother in that playful typical sibling way, so clearly Eileen at this point has become a more frequent character in Sam’s life. It’s just a shame we as the audience have never seen anything of it until this episode.

This episode might be the first time we have seen her again since her introduction, but it certainly isn’t the first time Sam has seen her since. This is canon.

The rest of this episode continues this theme of displaying with zero subtlety that Sam and Eileen have something more than friendship. One of the easiest ways to truly see the effect of this is just watching Sam in scenes with her compared to Sam at any other time. Like in 11x11, Eileen manages to light Sam up and have him grinning like a puppydog. It’s kind of adorable and also quite shocking when you realise how rare it is to see Sam smile (or any of the characters in this angstfest of a TV show for that matter.)

Just look at the above cheesy smile in the car scene. Look at Sam’s bashful face here when Dean teases him in front of his girl:

(x)

Look at this smug face when Eileen snaps back at the irritating guy:

(x)

Jared hits every mark playing a loved up Sam Winchester.

By the end of this episode, a tragedy strikes and Eileen is scared off. Their relationship here ends on a comforting hug, because meaningful relationships in this show are almost always first signified with comforting hugs following traumatic events, and tentative hand holding.

The way he strokes her hair gently is just SO touching and intimate.

(x)

When all is said and done Eileen leaves, terrified of the British Men of Letters. When Dean asks Sam where she was, he tells him she went back to Ireland, and Sam looks so dejected at that thought. I don’t see how anyone can possibly read his reactions towards Eileen as anything other than romantic affection.

As a bonus point - I will mention that due to Bucklemings sledgehammer approach, it is quite clear that Eileen plays a Cas mirror in this episode. All of her scenes with Sam are paired off against Dean who spends this entire episode trying and failing to get hold of Castiel. In the Winchester’s final scene, Sam greets Dean in the morning and immediately asks his brother about Cas. Sam does this a lot in season 12, because Dean’s concern for Cas is present throughout every episode in which he is absent. Dean admits he is worried, but changes the subject, instead asking Sam about Eileen (note that it is the next morning so Dean assumed she had stayed the night).

Both brothers revert to the other when it comes to their respective partners. Sam leaves it up to Dean to contact and worry about Cas, and Dean does the same with Sam about Eileen. By this being a common pattern throughout pretty much all of Carver/Dabb eras, both brothers subtextually acknowledge that they each have a strong emotional connection with their respective potential romantic partners and therefore any contact or communication about each partner must come from the brother closest.

12x21 - There’s Something About Mary

Another Buckleming episode and the less said about this one the better. I won’t even mention the extremely insulting and inappropriate way to kill off a disabled character (almost as bad as killing off a lesbian by having nazis butcher her) I also won’t comment on the letter that Eileen sent Sam which whilst it did have romantic undertones, was clearly written by a 12 year old girl and did not marry with Eileen’s character at all (Eugenie showing her misogyny again).

The one good thing that came out of this episode (the only good thing) was Jared’s understated grief over Eileen’s death.

(x)

His performance dealing with her death in this episode was beautiful. It was understated, but clearly portrayed as heartbreaking. Unfortunately Sam had to push it down and bottle it up.

Eileen’s death was a huge shocker to us all as it didn’t make any sense at that point to cut short a story that seemed so clearly to be on a specific trajectory. We often talk about how Eileen’s romance with Sam at the time was tied to Dean and Cas, and that their relationship paralleled Dean and Cas’s in the narrative. This is all true, especially the death of Eileen coming as foreshadowing for the death of Castiel at series end. Just looking at that above gif of Sam where he looks at her corpse bears an extreme resemblance to Dean pulling back the sheet and looking down at a dead Castiel in 13x01.

However much I squee and love that these relationships are clear mirrors of each other though, I need to stress how Saileen, how Sam and Eileen’s canon relationship, is so much more than that. They may have mirrored Destiel, but they are also totally different, on a different course, and with a totally different backstory. Eileen doesn’t exist just to give Sam his own version of Cas to run off with. She is not there just to push up a separate ship. Sam and Eileen’s romance stands alone in this story. It may mirror DeanCas at times, but its purpose is not for DeanCas. It’s purpose is for Sam and Eileen.

Right from the start she ticked all of Sam’s boxes, and the clear attraction between them made it obvious. Yet Eileen was not written to just be a love interest either. She is an ally, a capable hunter, who is written deeply, with her own trauma’s and tragic past. Yet she keeps fighting, all whilst owning her disability and making it work for her rather than hold her back. She is hardly a Lisa, or an Amelia, both of whom had zero depth of character and were more or less written to look pretty and concerned as the Winchester boys basically treated them terribly. Eileen stands out as an individual character far beyond her relationship with Sam. She was full of potential which is why her quick death was an absolute travesty.

Eileen should not have been killed off. I believe even the writers are well aware of that, and this is why they brought her back.

Which brings me to:

15x06 - Golden Time

We knew long before this episode aired that Eileen would be back as Dabb revealed her return at SDCC. He made comments at the time ensuring that any characters he brought back would not be fanservice, that they would be characters chosen because the writers felt their stories ended too quickly, and that they had more stories to tell. Something I believe that DabbBerens are doing in particular in this season is righting the wrongs of the past. Eileen’s death was a clear “wrong” and I think its highly likely that DabbBerens’ were aware of this and saw Eileen as a no-brainer to bring back. As I said at the start of this post, Dabb is course correcting, getting his endgame plans back on track, and ensuring that he hits certain markers in order to do that.

Once again, we are at a place in the story where Sam is grieving, and suffering deeply from all of the loss and trauma that he has faced. Being God’s personal puppet, losing his mother, losing his son, and losing someone he was close to in Rowena by his own hand, has left him in a dark place. Sam’s arc in early season 15 plays out very similarly to Dean’s arc in early season 13. A Winchester in desperate need of a win.

Eileen was Sam’s win in this episode.

Given the time that has passed since Eileen’s last episode, and how the narrative has progressed since then, I was worried that Eileen’s return would seem like fan service, and would therefore fall flat (I felt this way with AU!Charlie and never warmed to the character because of it). I was also worried that whatever potential relationship might have been building between her and Sam in seasons 11 and 12 might not have shone through in this episode. But thankfully the writers played it pretty damn perfectly and Eileen’s return wasn’t just a small side plot to an otherwise jam packed episode (like Kevin’s return in 15x02). No, her story was the A plot as Sam devoted himself to finding a way to save her from a terrible fate.

My concerns about their potential romantic relationship not being played as it was in 12x17 were also completely unfounded. From the moment Sam saw Eileen’s ghost whilst on a jog the romance was immediately back and I have no doubt that Jared and Shoshannah are once again fully playing up the connection and romantic attraction between the two.

I am so convinced of the romance being put across here, and I want you to see why I adore this so much (in case you don’t already see it). So here are my biggest and most important takeaways from Eileen and Sam’s scenes in this episode and WHY I feel these stand out as significant elements towards proving the writers intentions for this to be an endgame canon relationship:

1. Aside from the obvious similarities between Sam and Eileen that were written into 11x11 in order to ensure that Eileen was able to stand as Sam’s equal, the one other thing that we have long discussed that Sam needs in a partner is someone who at least somewhat understands the trauma and pain that he has experienced in his life. Sam has predominantly bonded with people via shared trauma. Before her death, Eileen had had her fair share of traumatic experiences growing up in the tough hunter lifestyle, but spending an eternity being tortured in Hell is a different level of trauma entirely.

This episode cleverly once again elevated Eileen to the same level as Sam. They are equals now, both through good and bad experiences. Eileen was dragged to Hell, and only escaped when Chuck released the souls. Given that 1 year on Earth is 100 years in Hell, this means that Eileen was in Hell for 250 years give or take. Her trauma, her pain over this, is something that she can’t talk about just yet, but this significant connection between her and Sam was textualised clearly:

SAM: “I’ve been there too. Hell… long time ago. You try and forget but it gets inside you. Talking helps.”

EILEEN: “I can’t. not yet.”

SAM: “I understand”

And he really does. It is something that we can argue is a shared suffering that can create a (forgive me for this) profound bond between two people. The only other people who can understand just what he has been through were Dean (via years of Hell torture), Cas (via shared Lucifer possession), and Rowena (via shared Lucifer torture). Eileen now makes that very small list.

2. The other big factor that this episode made clear to point out textually was that this is not a Chuck manipulation. This really is Eileen, and her return from death is not part of Chuck’s story:

SAM: “Rowena got it, she didn’t know the details but she knew the game was rigged so this. Magic. This is how she kept control.”

The reason I do not believe that Eileen is part of Chuck’s manipulations is this very pointed line right here about Rowena. Along with many other things in this episode that indicate that it isn’t guided by Chuck, Sam specifically clarifies that Rowena used magic to maintain control over her own universe.

Whilst I fully believe that Rowena will be coming back as Queen of Hell (because whatever happens to Heaven and Hell at the end, they will need balance, and someone to play caretaker and Rowena has just been set up for this role far too perfectly for me not to at least consider the option), this episode so beautifully respects and honours her character, to the point that Rowena, even in her absence, is able to control and play architect to all that happens. Rowena effectively is given Chuck’s role over this particular narrative, but instead of being framed as something villainous, it is portrayed as a precious gift that she has given to her protege Sam.

Rowena rigged the system for herself, as Sam textually explains. Her use of magic, was her way of escaping Chuck’s control, and it is through Rowena that Sam is also given this power. The power to bring back someone he loves - who was most likely taken from him by Chuck’s own dark and poorly written story (yes I do believe that Meredith was throwing shade at Buckleming in the deep subtext - pretty much all the other writers do this all the time if you pay close enough attention :P)

Rowena’s journey from villain, to reluctant ally, to friend and then finally to family, is one of the most beautiful and epic journey’s on the show (rivalled only by Castiel in my opinion). She remains one of my all time favourite characters, and her tribute in this episode, that even after death she could bestow such a precious gift to Sam, is one that I think will remain one of the more touching stories this show has given us. This is yet another reason why I believe that Sam and Eileen are endgame. Because it is a gift from Rowena, and I believe it is a gift that will be honoured by the writers.

3. It’s a small moment, but it is IMPORTANT. Sam confirms that he was teaching himself ASL after he met Eileen. In a moment of adorable flirtation Eileen beams at him and a bashful Sam smiles and bounces on the spot like a giddy schoolboy. This is yet another reveal of moments in the lives of the Winchesters that we just don’t see in 40 minute episodes. That it is canon that Sam spent hours of his life teaching himself ASL so he could more effectively communicate with Eileen is so precious. There is no way to argue how much she meant to him.

But it isn’t just evidence of Sam’s affections, it proves to be a useful tool to the hunt in this episode as well. When Sam is unable to speak due to the witches curse, he is instead able to sign “My brother” to Eileen so that she knows to go and get Dean. It is Sam’s knowledge of sign language, which he learned due to his affection and interest in Eileen, that saves his life in this episode.

One point that I HAVE to mention here is how the writers gave so much thought to their depiction of Eileen as a deaf person, and how wonderful her return is as representation for deaf and hard of hearing people everywhere. In both this episode, and also in her first episode 11x11, her disability was not treated as a set back, but as a tool that enables her to get ahead. The only time the writing displayed an insulting and frankly ableist light was Bucklemings 12x21 which isn’t really surprising. We expect such things from Buckleming. The other writers have proven how much more compassionate and caring they are.

The idea that Sam Winchester could end up falling in love with a beautiful, deaf woman in Eileen is practically unheard of in TV media. When do the protagonists ever end up with anyone less than “TV perfect”? It is groundbreaking that Supernatural in it’s 15 seasons has grown so much and come so far. That it started with the fridging of two women, that it’s cast remained predominantly white men throughout its entire run, that it was blackened by excessive misogyny in its early days, as well as ableism via the treatment of Bobby Singer’s paralysis in season 5.

Supernatural has faced heavy criticism throughout it’s run, but it seems like the writers have listened and are learning. By allowing Sam and Eileen to have a happy endgame, they are doing a wonderful service in truly putting this show on the map for progression and representation - They just need to make sure that they follow through on that other big important thing too…

4. Rebirth and new beginnings. I am reminded of 13x05 and the brilliant Steppenwolf song “It’s Never Too Late To Start Again” as I rewatch the bathroom scene for the hundredth time. If the rest of the episode hasn’t already had you crying out how desperately these two should be together I fully believe it was Meredith’s plan (along with the entire production crew and Shoshannah and Jared), to have us all bawling our eyes out in happy tears that Sam and Eileen get to be together now!! (well, I certainly cried. A lot. and ruined my mascara. and squeaked at such a high pitch only dogs could hear me. The only other time I have had that reaction was in 13x05… oh, and 12x19. It’s RARE okay!)

I think the most significant point here is the touching of hands, which calls back to an earlier painful moment in the episode when ghost Eileen reached out to try to comfort Sam as he despaired about being a cosmic joke, and found she wasn’t even able to touch him.

It is a romantic trope that was most famously used in the film Ghost, where touch was a big part of the on screen relationship. Supernatural displays this same trope rather perfectly here when the big win of the episode takes place, and Eileen emerges from the bathtub alive and whole, and tentatively reaches out to take Sam’s hand again with vastly different results.

(x)

Sam is so hesitant to touch her back, so fearful that this isn’t real, that he isn’t being allowed this. The overwhelming sense of relief and warmth that radiates from him when he finally does take her hand was exactly what made me burst into tears. The moment is so extremely breathtaking, so intimate and touching that your heart just aches for them to have that happy ending. It’s rare that Supernatural gives us moments like this, but when it does give them, when it allows its characters a win, they are immediately memorable and stand out as bright spots in an otherwise dark show. It’s moments like this that make watching these characters suffer so much worth it in the end.

The hug that comes after the touching of hands is just as intimate. This is portrayed as a lifeline. Something for Sam to grasp onto and breath. Something that inspires him to change his outlook, to gather his determination, and to convince his brother to join him and fight for the happy ending that both of these boys so desperately deserve.

(x)

The entire bathroom scene was a testament to how well Supernatural can work romance into its narrative. How these talented creators can easily provide us with a romantic scene to tug on our heart strings. Anyone screaming that romance doesn’t belong in this show I will now point at this scene and tell them exactly how wrong they are. This scene is EXACTLY what this show needed.

For anyone denying the romance here (yeah funny how the bronly’s are so anti Saileen - I wonder why...) I’ll spell it out for them:

This is how you set up a romantic scene in TV Production:

1. Candlelight. Check.

2. Soft focus (dates back to the 1930s when films would use soft focus to portray the dreamy emotional uplift of happy couples in love - see Meet Me In Saint Louis for a very clear example). It is almost always considered a filming technique to portray romance. Check.

3. Chivalry. As if any of us didn’t expect Sam to be a perfect gentleman! But the fact is that the way he turns his back and waits with bated breath to see if the spell had worked is shown as anything other than platonic. He is almost shy, knowing that if and when she emerges from the water she will be naked, but he turns to preserve her dignity. Check.

4. Leading on from that, this is literally a naked woman emerging from a bathtub whilst Sam awkwardly stands in the room. It could have been highly sexualised. They could have used that god awful 70s porno music they like so much in this show. Sam could have made a joke to dispel the tension. If this was a platonic friendship, any of these things would have given it away. The fact that none of this happened, that the scene remained tense and intimate but not overly sexualised only further validates the romantic reading. I mean LOOK AT THIS:

CHECK

5. The music. Music is such an important part in any story. It always plays a vital role in signifying the correct atmosphere, and the correct tone of a scene. We talk about music a lot in relation to Dean and Cas and the sweeping melodic notes that usually compliment any heightened emotional DeanCas scene. The music during THIS scene though? Well it was beautifully romantic in every way. If in doubt, just go back and listen to it with your eyes closed. Play this music track over another random scene of two people sharing a moment, and it will make the scene read as romantic. I guarantee it.

CHECK AND MATE.

Overall, this episode was the most romantic and most intimate Sam and Eileen have ever got yet in canon. It is a clear indication that their relationship is heading in a positive direction. I couldn’t be happier with how the writers are portraying this and am jumping for joy at the thought that Sam might actually get what he desired all those years ago during 11x04 when he tried to bring up the topic to Dean in the Impala.

We know from promo photos, that Eileen is still staying with Sam in 15x07. That she comforts him. With images like this to go on:

I’d say with some confidence that we will get to further watch their relationship grow, and I couldn’t be more excited for it.

I fully expect there to be darker moments coming up, and potentially Eileen will be sent away for a period of time (my money is on Chuck “dusting” her the way he did with Becky in 15x04 because I don’t believe that kills people and I do believe that they can be brought back from wherever he sends them too - plus “dusting” makes me think of Avengers Endgame which I find amusing because the “dusted” all returned at the end. I wouldn’t be surprised if Supernatural played around with that as it so often likes to play with pop culture references). I think that post Mid Season Finale we will be back to a period of utter loss and despair for the Winchester boys, and that therefore those who they feel strongly for (aka Cas and Eileen) will have to be separated from them.

However, the point is that it is always darkest before the dawn. In this story, 15x06 has laid the groundwork for Eileen to be Sam’s romantic endgame. It’s now up to Sam, and Eileen, to make sure they fight to get what they both so desire.

Bring on the finale show.

(If you liked this meta run through of Sam and Eileen’s building relationship, please leave a comment for me. It took forever to complete! Also, please click the links under the gifs and go give the gifmakers some love! The gifsets I have used are all wonderful and deserve your reblogs. (Gifs that don’t have links are my own)).

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