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#this has been beta-read but I'm down for further corrections
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Marauder Film has purchased the cinematic rights for Primordia, which is really cool, but to my dismay the promotional poster they showed for the announcement is, to mine and a few friends' observations, AI generated: the art style and anatomy is heavily inconsistent and there are a lot of nonsense details / artifacting. It doesn't look like WWS is aware of this, either:
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And WWS' coder denying it, I'm going to assume out of ignorance:
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I also looked a bit into the studio (initially to figure out whether this was a running trend with them), but frankly it's really difficult to find any concrete information on them at all; most of their website is made up of dead links and profiles that haven't been updated in at least two years. Even the link to Primordia on their "projects" page has been there unchanged since at least 2020, according to the Internet Archive. That isn't necessarily a problem, considering the purchase of the cinematic rights is just the first step and I assume WWS will keep in contact with them, but from a layman's perspective it's weird how this studio doesn't have much(or any) presence film- or social media-wise. I'm very excited to see what comes next from them, but I'm also hesitant. I'm really hoping Primordia gets the adaptation it deserves.
Here's a breakdown of a few AI tells I noticed in the poster art:
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generalsmemories · 1 year
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Hello author! Can I request from angst prompt the angst sentence #2 and angst scenario #4 with Jing yuan? This is my first time doing stuff like this. I don't know if I'm doing it right😅 if not feel free to delete! May you have a wonderful day!
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A shoulder to lean on
✧ jing yuan x gn!reader
✧ prompts: breaking down mid-hug, "can you call me that again?" and "you haven't changed" "...do you mean that in a good way or a bad way?" || 1k event
✧ contents: hurt/comfort, a miniscule of high cloud quintet lore, my personal hc that jing yuan was a tiny bit of a crybaby when he was younger (it's mentioned briefly you could barely notice it)
✧ a/n: after jingliu's companion quest the need to give this man a hug just increased by tenfold. but you did everything correct dear anon, thank you for participating in the event! not beta-read cause the idea kicked me in the face at like 1 AM so i had to hurry before i lost it. though i did struggle trying to incorporate the last sentence LMFAO.
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"Do you accept this new position as the general of the Luofu, Jing Yuan?"
Sometimes he wonders if things would've gone differently if he said no that day, had politely declined the offer. He had dreams after all, dreams that wasn't limited to the Luofu - a dream that was to reach the stars, and further than that.
"It would be my honor."
But as fast as those worries came, it quickly faded away with time. Forgotten amidst the chaos that immediately happened the moment he took the mantle of the General.
"General, there's another meeting with the Six Charioteers."
"General, the Marshal is requesting your presence."
"Even if you've became the general, we would still need a strategic mind and another sword out on the battlefield, what do you say?"
He didn't mind at first.
"General! The high elder has...!"
"General, we have succesfully captured Imbibitor Lunae, what are the High Preceptors orders for him?"
"General! The swordmaster has succumbed to mara!"
If he could serve the Luofu to the best of his abilities then he would. He loved Luofu after all. It would be no greater honor than to be able to govern it and protect it.
"General! There's an urgent message from the Xianzhou Yaoqing and Xianzhou Fanghu!"
"General, we will keep losing more men to the Denizens of Abundance at this rate, the only way to stop this war once and for all is through the Reignbow Arbiter!"
But after centuries of the same title being called out, of the same courtesy and respect given to him at every corner and at every second of his life, he starts to wonder.
"General!"
When was the last time he heard someone call out his name?"
"Jing Yuan."
He sucks in a deep breath, eyes snapping open upon hearing his name. There's a warm hand cradling his cheek with a thumb stroking his skin patiently - but no words have been said after someone had uttered his name.
It's quiet - the noise inside his head had seemed to morph back into the same mild headache he's gotten used to ignoring every day. A pain that makes him realize he's no longer forced to witness what had happened in the past, the warmth from the hand on his cheek confirming the fact he's back in the present.
Back in today's Luofu - a peaceful Luofu not plagued by any war, a Luofu he had managed to keep in peace for centuries.
He let's out the breath he didn't realize he was holding, his eyes finally adjusting to the room around him. His vision is a bit hazy, but he can still make out the interior of your shared house.
There's a bed underneath him, a blanket covering half of his body and the sound of the breeze blowing through the wind chimes which makes them make a clear sound. And when he averts his gaze from the ceiling to the presence beside him, he finds himself locking eyes with your own - a gentle smile painting your lips.
"Good morning, I take it that you didn't sleep that well tonight?" you ask, and Jing Yuan opens his mouth to say something, whispering something so quietly that you couldn't even hear it even when you're this close to him, "I won't be able to hear you at all if you continue to whisper like that, you know?"
"... Can you call me that again?" he finally manages to utter after a beat of silence, the requst making you cock your head to the side in confusion - but it doesn't take long before your eyes widen slightly in realization, before immediately softening.
"You haven't changed at all, have you? Jing Yuan."
And that's all he needed to hear before he finally breaks. You can hear a low whimper come from him before you flinch away in surprise when he suddenly rises to an upright position. But you're not able to move back fast enough before an arm hurriedly wraps around your waist to force you closer to him.
"... Do you mean that in a good way or a bad way?" he breathes out, voice finally returning to him after hearing you call out his name again.
His free hand cradles the back of your head, pressing you closer to his neck while he almost shrinks into you, trying to press you closer than you already are.
Almost as if wants to protect you - from what you don't know.
But he's shaking, the arms enveloping you in his embrace are trembling slightly and you can feel his voice shake whenever he breathes in and out, his own face pressed against your head.
"A good way, what else? Because even after everything you've gone through, standing tall as the general of the Luofu-"
You ignore how he physically flinches upon hearing you say that title.
"You're still the same crybaby of a Jing Yuan that I fell in love with way before you even got your infamous nickname."
He doesn't say anything, freely letting you cup his cheeks to pull him away from your head, giving him a smile and a quick peck onto his cheek before you readjust him to rest his head on your shoulders - to which he quickly buries his face into your neck. And it's only when you wrap your own arms around his shoulders tightly that you feel tiniest of tears dampen your clothes.
You can only squeeze back, bending your head down to press your lips onto whatever part of Jing Yuan you can reach.
"It's okay to cry, Jing Yuan."
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another similar ask that got incorporated
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Bookmark my Heart
Bradley 'Rooster' Bradshaw x Reader
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Description: You're not the audiobook type. You much prefer reading over listening to books. It would just be your luck that an audiobook got you into this predicament. His eyes are piercing as you fumble with your phone to mute the volume, his voice blaring from the device.
Warnings: None! (Though I do believe Flirty!Rooster is a warning I should call out.)
Themes: Meet-Cute, Flirting, Coffee, Books, Smut Books
Word Count: 3456
A/N: So, if you all aren't aware, today is the lovely @roosterforme's birthday! I couldn't think of a better way to celebrate Em and all of the amazing things she does more than to write some Rooster for her. Happy Birthday! I hope your day is as wonderful as you are! So without further ado, I'm pleased to present you all with Bookmark my Heart, a fic where Bradley Bradshaw is an audiobook narrator and the reader, nicknamed Paper, runs right into him! All my thanks to @horseshoegirl and @desert-fern for beta-reading this fic and catching all of the places where I've missed commas as well as updating my phrasing!
My Masterlist
AO3: Cross-posted Here!
Wattpad: Cross-posted Here!
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You’re not the audiobook type. Something about having someone read the pages, providing inflections and changes of tone to the otherwise inflectionless words tends to kill your imagination. So you much prefer reading over listening to the books you’re in the mood to peruse. It would just be your luck that an audiobook got you into this predicament. His eyes are piercing as you fumble with your phone to mute the volume, his voice blaring from the device. But maybe you should back up a little bit.
It all started, like it usually did for you, with a book. Unlike normally though, you aren’t talking about Keats, Byron, Shelley, or Austen. This time, the book that was your downfall was something you’d usually classify as chick-lit. Not that chick-lit is a bad thing. There are quite a few romance novels which are beautifully written and that you enjoy reading and re-reading. It’s just not normal that a romance novel, something smutty and provocative, would end up being talked about on podcasts and the news. That’s not considering how all of your female colleagues seem to be talking about the very same book. But that’s the other interesting thing. They’re not even discussing the book’s contents. More like they’re discussing the narrator’s voice in the audiobook edition - how deep and smooth and raspy it is.
It hadn’t even been a full day before the curiosity got the better of you and you purchased the book from Kindle Unlimited. It took you the better part of two weeks before you actually screwed up the courage to listen to it though. Maybe you shouldn’t have picked a Saturday morning when you were running errands to listen to the book. In your defense, there was no better time to listen to the book other than a day when you’d be spending quite a long time in the car with nothing else to do. You’d definitely miscalculated. Dear lord, this man’s voice?! It’s deep and raspy, something smooth and dark in how he voices the syllables. It’s the kind of voice you’ve once heard referred to as panty-wetting - an epithet you’ve never understood until now.
The book has you squirming as you walk through the grocery store. There’s sweat dripping down your spine as he talks about something involving fighter jets and the men (and women - you always feel like you have to correct) who fly them. You’d never have thought that flaps and ailerons could ever be that alluring. You have to take a minute as you leave the grocery store, sitting in your car in silence practically heaving just at the way the word “Doll” had dripped off of his lips. Maybe you can buy into the hype a little bit. It’s not often that you find a romance book in the male perspective after all. As far as finding the pilots sexy goes, though, what can you say? You’ve seen Top Gun - both movies - those boys in their dress whites are awfully sexy.
You send a little prayer of thanks to Rooster Bradshaw, whoever he is, for narrating this book. Just his voice has already made your boring Saturday running errands a thousand times better. You don't even mind that you're melting in the San Diego heat without the air conditioning on as you collect yourself. At least there is only one thing you have left to do today. As a reward for finishing up your errands, including odious activities like going to the bank and post office and grocery shopping, you'd vowed to treat yourself with a romp through your favorite bookstore.
Like you mentioned earlier, it all started with a book. What can you say? You're nothing if not predictable. The Breezy Bean is your favorite coffee shop and bookstore. It's a small shop nestled right in the midst of cobblestone streets and overshadowed by apartment buildings on either side. It's always a zoo trying to get parking, but you can't regret the competition for parking when the books are as good as they are and the coffee is even better.
Lara's not at the counter, but her business partner and best friend, Emily is, and you wave at her absentmindedly as you tangle the cord of your headphones around your index finger. The entire shop smells like coffee beans, paper and ink. You could spend forever here, and you're sure you have, at the very least, spent the entire day in the shop before. The shelves tower over your head, creaking under the weight of everything they hold. You're not a woman on a mission today, content to just meander until a cover catches your fancy. The eyes eat first, after all, isn't that what they say? If only you knew how true that statement would be.
The whole time you're listening to the book, tasting the words on your tongue seconds after Rooster says them, teasing the syllables out like you're trying to snatch them from his lips. Is it any wonder that after about four hours of listening to his voice, you're starting to imagine what the main character of the book looks like based on how Rooster sounds? You're only human, after all. It's quiet and dim in the back of the store, the shelves lit only by the small lights shining from the wall sconces. This is your favorite section of the store. There's a squashy green armchair here with a small table, and this is where you usually sit and wile away the hours.
It's rare that anyone ever ventures into this corner of the store. So it's a surprise when you see a man standing right in front of your favorite chair. He's tall and ridiculously handsome, wearing an eye-wateringly bright Hawaiian shirt and slim-fitting jeans. Like everyone in California, he's got Ray-Bans flung into the neckline of his tank top. The truly unique part of his look is the mustache he's carefully cultivated on his upper lip. He’s holding a book in long-fingered hands, lips pursed as he scans the pages, leaning gently against one of the shelves.
You try your best to squeeze past him in the narrow aisle, wondering if Em and Lara have squeezed more shelves back here or if you've just gained weight when it happens — your headphone cord snags on the buttons on his open shirt. You try to untangle it, unsuccessfully, but then your phone falls out of your pocket and rips your headphones right out of the jack.
You were just getting to a good part, something filled with innuendo but not quite at the sex. That's your only silver lining. Because when your phone nosedives to the, thankfully, carpeted floor sans your headphones, the audio keeps playing way too loudly for the hushed environment. To add insult to injury, your phone is closer to him than it is to you, and well, you've embarrassed yourself enough. The last thing you need is to get eye-level with a stranger's dick while your phone is narrating smut in a bookstore.
“Good book?” There's a smile on his face, and you nod timidly as he hands you back your phone. You pause the app and turn the volume all the way down before his words, or well, you should say, the sound of his voice sinks in.
If you weren’t mortified before, you're even more so now. Obviously, your brain does not compute, so your brain-to-mouth filter isn't working as you blurt out, “You're Rooster Bradshaw.”
It doesn’t surprise you at all when he starts laughing - a full body, belly laugh which fills the stacks with the mellifluous sound. If you had any doubts before that you'd run into the Rooster Bradshaw at your favorite coffee shop before (which you didn’t - see your intimate knowledge of his voice from earlier), you wouldn’t have any now. His character had actually laughed not fifteen minutes ago in the book. Well, now what are you supposed to do? You feel hot, embarrassment crawling its way up your throat as you shift your weight back and forth. Rooster's smiling at you as he stands back, lounging against the shelf like he's waiting for you to get your shit together. You'd hate to break it to him, but you don't think that's possible.
“I'm sorry.” You try your best to hide your face because he does not need to see what your facial expressions are doing.
“What do you have to be sorry for?” You shrug a shoulder as you busy yourself by turning around and trying to force yourself to read the titles. “It's not every day I run into pretty girls in my favorite bookstore, listening to me narrate a book about US Naval Aviators.”
Flirting shouldn’t be the thing which puts you at ease in this situation. There really must be something wrong with you. You’ve never done anything like this before. What happened to the girl who would have run away the minute the phone fell? She might not be facing down the sexiest man she’s ever seen, but at least that version of her isn’t at risk of heart palpitations.
“I hate to break it to you, Rooster, but a lot of pretty women are listening to you right now. This book has made its way onto podcasts and PBS. The author herself has been interviewed gushing about your professionalism and how you say the word “aileron.” Despite your mortification, you find yourself mirroring his relaxed position against the shelves. “Though I do have to correct a part of your statement there. What about yoga pants, glasses, and a messy bun makes me pretty? Because I’d call myself a mess.”
“Well, I wouldn’t go so far as to say you’re a mess, pretty girl.” Rooster grins as he tugs the shoulder of your cami up from where it is sliding down your arm. “Don’t you know exactly how devastating you look in those yoga pants?”
You’re left dumbstruck, reeling as he leans even closer to you. All of a sudden, you’re inundated with the scent of his cologne as he crowds into your space, and you’re forced to tip your head up to keep eye contact. Of course, the motion makes your glasses tip on your face, and you can’t lift a hand up to resettle them on your face without brushing up against every inch of the man, nearly squishing you into the shelf. There’s a scant few centimeters between you as you try to string words together.
“What makes you think I don’t know how good these pants make my ass look?” You smirk just a little, screwing up all of your courage to peer up at him. “But really, this outfit is comfortable.”
“Comfortable is not how you’re making me feel, honey.” There’s a heat in his gaze as his voice rasps out the words. “But maybe we can both get a little more comfortable and have a cup of coffee together?” 
Only two people will ever know if your hand strays right over the seam at the front of his jeans as you walk away. “I’d love to, but maybe you need to take a few minutes in seclusion, Mr. Chicken.”
You feel giddy as you walk away because things like this don’t just happen to girls like you. You don’t flirt with men you've just met. And you definitely do not brush over the dicks of men you've just met! The counter is nearly empty as you walk up, and you know Em has clocked onto the fact that your hands are surprisingly empty of books.
“Hiya, Paper!” You roll your eyes only a little. Buy a stack of paperbacks once a week from a bookstore for months, and this is exactly what you’ll be nicknamed. “No books today?”
“Hey, Em. Can I get a latte, please? And whatever the gentleman in the Hawaiian shirt orders is on me.” You grin at the sight of her eyebrows ticking up until they’re nearly in her hair.
“What has our sweet little Paper been doing today, huh?” You shrug just a little, grinning as she hands you your drink. “I’ve been reading, Em!”
“Of course you have!” You’re laughing as you make your way to a table for two in the corner.
You’re smiling outright when Rooster swaggers out of the shelves a few minutes later, and Em clocks the Hawaiian shirt on his broad frame. She’s half drooling when he orders an Americano. As she turns to make his drink, you get the messages in short order.
What the fuck, Paper!
This is the man you’re buying a coffee for?
Damn, girl! I’m going to need all of the details. STAT!
You put the device away only when the chair opposite yours slides out, and Rooster settles in. You'd promised a full detailing of the encounter to Em, and you wouldn't be surprised if Lara interrogates you the next time you see her as well.
“So, obviously, you come here often, then.” He’s smirking as he sips on his coffee.
“Yup!” You’re just as chipper as you blow over the surface of your own mug.
“You come here often enough that one of the owners just threatened me with the loss of my…” He pauses like he’s not sure if he should laugh or cry as he says the words, “...crown jewels…” and grimaces before continuing, “...if I hurt you.”
“She also called you Paper. Why’s that, Honey?”  
You lean forward, feeling just a little more confident as he mirrors your position. “Tit for tat, Bradshaw, if that even is your last name. You tell me something about yourself, I tell you something about myself.”
“Deal?” You stretch your hand out and gasp when he takes it and sets it down to the side of the mugs.
“Deal.”
“I’ll start.” Your faces are inches apart from each other. He's whispering, and you have to lean forward even further so you don't miss a single word. “My name’s Bradley Bradshaw. I didn’t want to use my real name while narrating those books.”
“And Rooster was what you decided on?” His chuckle and yours rise into the air in perfect harmony.
“It was a nickname I got in college. I was always the only guy in the dorm up before 9 A.M.”
You take turns sharing your life stories and quite a few secrets until your coffees are long gone. You find yourself telling him all about how you got your nickname and how you’ve been feeling stuck for the longest time. With Bradley, it doesn’t feel like another boring first date. If it weren’t for the faint hiss of the espresso machine and the clank of mugs and cutlery you wouldn't think there was another person in the room but the two of you. There are butterflies in your stomach, and your entire body shudders when he hooks his ankle around yours and tugs you closer. That point of contact has your blood turning into molten lava in your veins as his hand trails gentle patterns across your upturned palm.
“Hey, Paper?” It takes an inhuman effort to drag your eyes away from the magic Bradley Bradshaw is committing just with your hands in his own.
“Hey, Em.” As you say her name, you realize how dark it is. “The store’s closing, isn’t it?”
“Yup. It actually closed an hour ago. You looked so cute together that I called Lara, and we made an executive decision to let the two of you keep talking for just a bit longer.”
Your face feels extra hot because Em’s looking at you like she’s liable to start laughing at any moment. You don’t want to know what your hair looks like now, not after hours of running your fingers through it. It’s probably even more of a mess than it was when you literally ran into Bradley hours ago. A great first impression, right?
“Let me settle up then, Em.” If your voice is hushed and a little more subdued, it’s because reality and panic are settling in.
“No, sweetheart.” Bradley’s voice is even firmer as he stands up and places a hand on your arm. “Today is on me, I insist.”
You know exactly when Em puts it together, because her eyes widen to a comical degree. She was the biggest reason why you bought the book in the first place. “You’re Rooster Bradshaw!”
For the second time today, you find yourself laughing along with Bradley, though the sounds of his laughter doesn’t put you at ease in quite the same way as it did earlier. Em’s laughing too, and she looks gorgeous in the golden light. At least she’s put together in a way you’re so obviously not. Maybe you should have taken your mother’s well-meant advice when you were younger - dress to impress, for you never know who you’re going to meet. But you haven’t taken that advice, choosing to dress simply and comfortably. It works when you can’t wear any makeup when you work in a laboratory and when all of your nice clothes would be at risk of chemical spills at worst and covered by a lab coat at best. So you walk through life in a swirl of well-worn jeans, tee-shirts, yoga pants, tank tops, camisoles, sneakers and sandals. There are a few dressier items in your closet, but they’re so far in the back that you haven’t worn them in probably a year and a half. Em’s cute outfit and wavy, non-greasy hair probably feel like a breath of fresh air to him. The same goes for the timber of her voice and how she sounds so elegant. 
If you didn't know any better (because you know Em, you do), you'd think that the words the two of them are sharing by the counter now are flirtier than settling up a bill. It doesn’t help the green, envious monster sitting on your shoulder, though. Nor does it help when you run to the restroom and take a look at yourself in the mirror. You look worse than you thought you did. Your face is wan and pale, the bags under your eyes have bags, and your hair is so greasy that it lays limp when you release it from your bun. Your lips are chapped, and fuck, how did you manage to drip coffee onto yourself?! You only drank one cup! What's left to show you that you've made a huge fool of yourself?
Your hands shake as you splash water on your face and put your hair back in its sad bun again. Just a little longer and you'll be home, wallowing in peace at yet another failed potential relationship. At least the water has brought a blush to your cheeks and cleaned the worst of the smudges off your glasses. Bradley probably has Em's phone number by now, right? It's probably best not to get your hopes up too high, else you find yourself falling from a prodigious height.
Instead, you're pleasantly surprised to see him still in the shop.
“Hey!” His face lights up when he sees you, and you're sure your earlier pep-talk about managing your expectations hasn’t worked at all. This is going to hurt. “So, I know talking to a stranger for hours at a coffee shop probably isn't the best first date. So would you maybe want to go on a real one sometime soon?”
“Y-you're serious?” He smiles and hands you his phone, unlocked.
“Put your number in there, Paper.” Your mind's not working at all as you type the ten digits in. 
“Why me?” 
His smile is warm and fond as he takes the phone back, types something and hits send. Your notification tone goes off soon after. 
“It's not every day I run into a pretty girl listening to me reading a romance novel who doesn't fawn all over me once they realize who I am. It's been nice talking to you. I feel like you're the first person in a long time to see Bradley, not Rooster.”
He holds the door open for you, a hand finding its way to the small of your back as he walks you out to your car. He even opens the door for you, a chivalrous action which has your heart flip-flopping in your chest. “Baby doll?”
“Yeah?” He takes advantage of the height difference between you to tip your face up as he feathers a kiss across the apple of your cheek.
“It helps that your ass looks damn good in those yoga pants!” 
You're laughing despite yourself as you drive away. Maybe audiobooks aren't as bad as you think? Or, well, at least their narrators aren't.
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I DO NOT CONSENT TO HAVE MY WORK POSTED, TRANSLATED, OR PUBLISHED ON ANY SITES OTHER THAN HERE, ON WATTPAD, OR ON AO3 BY ME. IF YOU SEE MY WORKS ANYWHERE OTHER THAN HERE, ON WATTPAD, OR AO3, THEN THEY HAVE BEEN POSTED WITHOUT MY PERMISSION AND I WILL BE WORKING TO TAKE THEM DOWN.
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Taglist:
@desert-fern @horseshoegirl @dakotakazansky @sarahsmi13s @teacupsandtopgun @footprintsinthesxnd @roosterforme @beyondthesefourwalls @mak-32 @thedroneranger @chaoticassidy @shanimallina87 @kmc1989
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sybaritick · 8 months
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Writer asks! 😁 10, 12, 18? 👉👈
(for the weird questions for writers ask game!) thank you for sending 'em! 10. Has a piece of writing ever “haunted” you? Has your own writing haunted you? What does that mean to you?
There def pieces of writing that "haunt" me in the sense that they have stayed with me for being so darkly emotionally affecting: the lyrics of the climax of Joanna Newsom's Only Skin have been meaningful in my heart for over a decade at this point. same with Invictus, it's a cliche but I encountered it at a rough part of my life so it meant a lot to me. More recently it has been Salvage that keeps coming to mind: I feel grateful for it, for being so bluntly honest about a feeling that is so difficult to talk about.
My own writing? The one that I keep coming back to is HANDLED just because I think I did a good job explaining the "vibe" in a way that feels salient to me, though I'm not sure it's effective communication to anyone else!
12. If a genie offered you three writing wishes, what would they be? Btw if you wish for more wishes the genie turns all your current WIPs into Lorem Ipsum, I don’t make the rules
hm, what counts as a writing wish. did you know someone once asked me a "three wishes" type question on my old tumblr like 6 years ago and i said i'd wish to be omnipotent
i wish that 1) i eventually finish my long-form original, PRMH, to my satisfaction and edit it into something nice that my friends can read, and 2) i write a bunch more lyrics in 2024, i like writing lyrics, and 3) i get better at writing more and weirder kinks in my erotica (both fandom and original) :D
18. Choose a passage from your writing. Tell me about the backstory of this moment. How you came up with it, how it changed from start to end. Spicy addition: Questioner provides the passage.
Let's steal something from the dinner from Tephra Year ch1 since that's fresh in my mind!
"This is all delicious," he commented after a second helping. "I almost want to ask if the chef is of Waterdhavian background, because from what you've said, you're a Baldurian to the core." Enver shook his head, amused. "My tastes are varied, but I'll admit your suspicions are correct. I only wanted to ensure they'd get a bit of practice. I wouldn't want you to get homesick.” He gave Gale a soft, modest smile. “You should let me know of your favorites." "You're too kind," Gale said, before realizing what a tremendously comedic thing it was to say without further context. "I'm happy to hear it. If you aren't being kept in greater luxury than you were accustomed to in your seaside tower, I've failed as a host." It was after Gale had finished his third glass of wine and his second story about Tara that a servant brought out a dessert— a beautiful tart, heavy with ripe, glistening slices of pear. Gortash took a generous piece for himself, and Gale felt permitted to follow suit. 
so the general vibe here is, of course, that Gortash is trying to get on Gale's good side very hard and make this little business arrangement feel friendly and enjoyable so that Gale lets his guard down a bit and is more cooperative instead of feeling like he's being forced (he's not gonna be as effective if he's thinking about "I am doing a horrible thing for a horrible man" the whole time!)
interesting notes: There used to be a line in here that literally said that Gale hardly noticed he was only talking about himself, which I was on the fence about including-- wonderful beta reader (@slipintosomethingsoft hi) encouraged me that it wasn't necessary and I could keep the show-don't-tell approach and add a couple more details like having Gortash smile after his comment about homesickness to make it all the more obvious he's being weird right now. also I love describing food (and i have a little bit of a thing about gale eating for the 0 of my followers who aren't aware). I wanted to have Gale cautiously surprised by the aggressively-pandering menu-- yet enjoying it all anyway! supposed to be a sort of echo of his general vibe of "i know i should be watching out, but i'll watch out, and in the meantime i can enjoy myself, right? might as well". gale, essentially, sees what's happening and thinks he's more than clever enough to manage to snap up the bait without setting off the trap. :3
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ahiddenpath · 1 year
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Hiya Hidden, I hope your day is going well! I want to improve my writing, but I don't have a beta and I'm not ready to join a group, right now I'm a bit to thin-skinned for that. I picked up Stephen King's book and that's been helpful, are there any other resources you'd recommend?
Hey there, glad to hear you're exploring your options in a way that works for you!
For other readers, Stephen King's On Writing is the one writing book I recommend because it teaches editing quickly and effectively. Your local library almost certainly has it, if you're interested.
And speaking of local libraries, I've read pretty much all of the writing books mine carries. About 70% of them are mostly cheerleading/support books, without much in the way of practical advice or exercises. Of these, I recommend Anne Lamott's Bird by Bird, as it's masterfully written.
I always recommend reading the best of what's out there, too. Obviously this is highly subjective, but if you are interested in my picks: here. Read diversely, seek out view points that are new to you (I love biographies for this reason).
I recommend Googling around for what's out there for free or low cost right now, in terms of lessons. Your fave authors might have a podcast or a lecture series for a fee. These days, people tend to use socials to promote themselves, so you might be able to learn direct from your favorite horse's mouth, so to speak! There are also online class series for a fee, but obviously you'll want to google those for reviews first.
I'm going to quickly toss some practical things that work for me beneath the cut, but disclaimers apply (I'm a hobbyist, what works for me might not work for you, etc).
1.) Drafting is one small part of writing
I get the sense that, when folks say they are writing, they are referring to drafting- getting words down on paper. Drafting is a small part of creating a finished piece. There's also planning, researching, editing, and inevitably scrapping/rearranging/rewriting/retooling/etc. These days, I personally spend about a month out of the year making a 50,000 word draft in Nanowrimo, about a month planning and researching before that, and the rest of the year editing/rearranging/retooling/discovering what my story actually is. Of course, I do end up drafting new scenes and filling gaps in there, too.
From listening to other creatives and watching how they track progress (mostly word counts), I get the sense that editing and refining are often overlooked in favor of further production. Basically, quantity over quality.
I don't know what the correct percentages are, and I doubt they exist. It's totally possible to obsess over every word to the point where you don't draft anymore, which is equally a problem. Just remember that there's so much more to the process than drafting, and it's normal/common for your draft to be taken apart and reassembled before completion.
Which leads me to...
2.) First draft are bad
Don't sweat quality in draft one. Draft one is always trash compared to the final product. Perfection anxiety can remove the joy of writing and paralyze writers. Worry about polish when you edit, but you can't edit something that doesn't exist. Bang out that bad first draft and nurture it from there.
I have a little essay on combating writing paralysis with successive drafts here. My advice always changes over time, lol, so who knows if I'd still agree, but it could be worth giving a read with a critical eye.
3.) Make working on your writing project a habit
In my opinion, the best thing you can do as a creative is make creating a daily habit. "The muse" and "inspiration" are fickle. Putting your butt in the chair and making stuff because it's make stuff o'clock is reliable. My advice is to show up for a set amount of time every day (start with as little as 15 minutes) and make stuff, with no care for quantity or quality. Just show up and do the thing and call it a win. It takes time, but once you establish the habit, you will become a creative force. People I think tend to underestimate how far you can go taking one small step a day. The time will pass regardless, so why not break down the thing you want to do into tiny, daily chunks?
I have an essay loosely about this here, although it's from the perspective of self care through daily creative habits.
4.) Leave distractions behind when you create
Turn off the internet on your computer and leave your phone in another room if it is safe to do so. If you sit in a room with nothing else to do but write, shockingly, you tend to write much more than if you have Tumblr within arm's reach.
Obviously some distractions can't be helped, and my goal is never to shame anyone for those. But try reducing those you can control. For me, it makes a huge difference. I adore distraction free writing tools for this reason! The most affordable I know is an AlphaSmart neo2 used (aim for about $40 total, ignore the price gouge ones, make sure it has the printer cord to connect to your computer, and you will need 3 AA batteries). There are modern alternatives, but they are pricey, and frankly I hate the company that makes them (yes, I'm talking about Astrohaus).
5.) Strive for completion
It's common in both fanworks and original projects for new writers to have 5+ fics or novels with a few chapters on their hard drive, effectively generating a graveyard of stories that never progressed past the opening portion. All this teaches us is how to start a piece.
I'm not suggesting that anyone torture themselves over a piece they don't want to work on anymore, but the only way to learn how to craft narratives is to... Well, craft complete narratives.
My advice is to make sure you know how you want your story to begin and end, and some idea of the dreaded middle bits, before you put too much effort into drafting. It's so easy to get excited and launch yourself into a frenzy, only to hit a wall and drop things completely when that initial inspiration fades.
But as mentioned in 3, inspiration is fickle. Habit is not!
Those are my favorite bits of writing advice, but I do have more! As I mentioned above, I tend to change my mind over time, but that leaves room for you to be critical about what I say and take and leave things as you choose.
-A video of my editing process
-Combating writing paralysis with successive drafts
-Dishing with an artist
-Tips for Fanfic Authors
-More Tips for Fanfic Authors
-Tips for Winning Nanowrimo
-Even more tips on writing fics
-Digimon Adventure/02 references
I hope something in this mess is helpful, lol!
Also, you mention being thin-skinned. My dear (I know using that may sound condescending, but I mean it with kindness and affection, because I have been there too), that is so common, especially for very young people. I was thin-skinned myself and only began... shedding? Toughening??? That skin around age 30. I am absolutely nowhere near being 100% tough yet, lol!
But I do want to say that moving in that direction is so, so wonderful. For me, personally, being thin-skinned was part of my upbringing. I was raised to assume everyone was dangerous, so of course I had a tendency to take everything personally and in the worst way possible. With time, therapy, and good 'ol 'no longer having the energy to get up in arms about everything,' I began to see that being thin-skinned is actively damaging to me. Like, it can hurt the people you snap at who were genuinely trying to help or joke around, yeah, but it always hurts me.
Being thin-skinned stands between people and the help they might need. It causes people to reject advice that might help them grow. It can make other people afraid to be real with someone, because that person might respond so negatively to an honest attempt to help or connect.
Literally everyone has these feelings sometimes, so I'm not saying this to attack or condescend. In fact, it's mature that you recognize this aspect of yourself. But I might gently suggest that working on this could be as helpful to your writing as the best writing book in the world, whatever that book may be.
I'm no therapist, but a cognitive behavioral therapy technique helps me a lot with this. If I feel a strong spike of emotion, I stop to question it before acting on it. Why did I feel so upset when Bob said x? According to my therapist, events don't cause emotions (such as Bob's possibly problematic comment). What causes emotions is how our belief system processes the event, which is why different people respond to the same event differently. Often, in the process of translating events to feelings, our belief systems sort of... Distort the message, or make it far more personal than the speaker intended.
Practicing this skill is easy online- just walk away from the computer for a bit. In person... Not so much. It's a difficult, active, not-fun process. I personally think it's worthwhile, even though I have a long way to go, myself.
But do also remember that some advice is just... bad. Some of my advice might be bad, or simply wrong for you. Never turn off your critical thinking!
I'm rooting for you, my dear! Please take care and keep writing and growing, you are amazing!
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How talking to your plants might improve your happiness (Farah “The Fern” Dowling x Reader)
Fandom: Fate: The Winx Saga
Summary: You swore you would support your wife in sickness and in health. Unfortunately, she had other plans for your relationship and she made you a surprise. At the same time, she forgot that she had married a person who could not keep even a cactus alive. The marriage vow is now under threat.
A/N: Hello! To start with, I would like to say hello to anyone who wants to read this. While until recently I was quite often active as a reader and fanfics lover, now I decided to create something myself. The idea itself does not belong to me, the plot of this story is based on an absolutely brilliant post created by: @simplytheevebest. I am so grateful that she allowed me to write my own version of this story based on it.
I would also like to thank @multifandomfix who has been a writing inspiration for me for a long time and offered to help as a beta reader to increase your reading comfort.
Enjoy! :)
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People face many difficulties and challenges in their lives. They raise doubts about the correctness of the decisions they made, which led them to a given moment.
Until now, I used to think that my life was going well, aside from functioning in a relatively dangerous reality, and I had nothing to regret myself, except when I had to admit to my wife that I accidentally flushed my wedding ring down the toilet. 
But yeah, so far I haven't had much to complain about, which has further aggravated my anxiety and stress in the present moment. Usually, in moments of doubt, I reached for some professional guide containing answers to the questions that haunt me. Sometimes I was looking for solutions on the Internet and thus I discovered how many people there are who know as little about life as I do. It happened to be uplifting, and I remembered it at times when all other methods had failed, and I had to refer the matter to my wife.
At this point, I was in a situation where I was trying to implement plan number three. With an emphasis on tried because all the signs in heaven and earth indicated that I would not succeed. What's more, I can bet on that wedding ring I pulled out of the sewer before, that the whole universe is now treating me like an idiot. It’s not every day you see a person persistently trying to get any answers from the fern sitting on the desk.
No, I'm not trying to solve a criminal case, and this plant isn't the prime suspect in a drug smuggling case at all. Although you never know with Farah, after five years together I don't think anything will surprise me anymore.
Oh yeah, Farah. My lovely wife, whose health and happiness are my top priorities in life. As a result of an unfortunate twist of events, she became my nuisance, because she took the form of things that I cannot take care of, no matter how hard I try.
At times I think that she did it on purpose to make fun of me. How else could I define the current situation in which the person turned into a fern is dependent on a human who would probably be able to kill artificial flowers?
I looked at the pot and tilted my head to judge the angle of the sunlight.
“Honey, could you please let me know if you are burning alive right now?" I asked with some uncertainty in my voice.
No reaction. I didn't even notice the slightest movement of the leaf that would mean… I'm not sure myself. Confirmation? Negation? Expressing your last will, moments before facing painful death at the hands of the worst florist in the history of the world?
There was a reason why we never gave each other flowers as a gift, as somehow my very person automatically took away all the plants' will to live.
However, the current situation was serious, so I armed myself with techniques to overcome my problems. They mostly relied on all the books I was able to collect, the knowledge of specialists on the Internet, and Terra's phone number on a speed dial should I inadvertently create a deadly threat. Which initially happened at least once a day, but with time I started to cope better with caring for the fern.
I wouldn't consider myself a specialist, or even an expert, but nothing has burst into flames - either from my magic or my incompetence.
I was already able to deal with this one particular type of plant, which gave me the opportunity to look for ways to restore Farah to her human form. What could have gone wrong?
5 minutes later
The students were just walking through the school corridors to move to their next classes or meet their friends during the break. There was no indication that anything would disturb the peace and quiet of the day.
Some of them, however, were close enough to the teachers' dormitory wing that they could hear a desperate scream.
“HOW DID YOU MANAGE TO CHANGE YOUR FORM? I CAN’T LOOK AFTER ANYTHING BUT FERNS!”
~.~.~.~
I studied the plant in front of me.
I've spent the last hour trying to find the species I'm dealing with. How did Farah choose the plant whose form she just took?
“My love, if you are able to control what flower you become,” I started, bringing an open book close to the pot, “then please, please turn into something easier to keep alive. According to this book, you are currently an azalea. The name may be cute, but do you realize that providing you with ideal conditions is almost impossible?"
The plant in front of me was still imperturbable, but I was sure Farah was laughing at me right now. Can plants make fun of you? My life has become a jumble of countless questions combined with a total lack of answers.
However, I realized that this is the moment when I have to face another dilemma.
Should Farah change her location? Would that mean moving somewhere that I can't keep an eye on? What's worse – should I give my wife a temporary vacation in a greenhouse or garden?
What does that say about me as a human?
Probably nothing good, and I myself will be reborn as a plant after death, and end up in the hands of my future heir. One who will inherit my stupidity and lack of talent for plants, which will make me follow the fate of many of those whom I have tried to take care of myself.
On the other hand, I should mainly be thinking about the present form of Farah. I looked at her and muttered under my breath.
“Hope you still enjoy traveling more than – wait for it – putting down roots in one place,” I said proudly, clearly finding my joke successful.
At that moment, one of the flowers of the azalea in front of me fell, and I swallowed nervously.
“This situation will end in divorce at best.” I sighed heavily and took Farah to another part of the school, hoping that she would at least consider it a trip on a par with flying to Iceland.
~.~.~.~
I felt like a proud but still incompetent parent. I was able to educate and learn a lot about the care and meaning of flowers. I had reached the stage where I felt equipt enough to face this challenge. Ben and Terra stopped seeing me in my pajamas in the middle of the night in a panic trying to get answers to new questions that kept multiplying.
No no, end of bad moments, I stopped posing a direct threat to my wife's health and life.
I had a set schedule of classes and activities that I did in her company so that she would not feel completely excluded. I was just returning from my classes to her office, where she had been staying for a week, after being turned into a peace lily. I decided that she has transformed into such an elegant plant to proudly welcome students and other guests.
So I was heading towards the office to clean up the paperwork in Farah’s company and eat a meal together, because it was the day of watering her.
Nothing could spoil my mood that day.
Except for one detail.
Upon entering my office, I quickly realized that Farah wasn't where I left her.
I took a deep breath and walked briskly towards the west wing. I knew our friend Saul should be there now. We recently agreed on alternating care to give Farah more variety in her free time. And she had too much of it and was starting to be picky about how she spent it.
I turned into a corridor on the left and almost collided with someone who was just passing by. I was relieved to recognize Saul, and without unnecessary prolongation, I asked the question that haunted me.
“Saul, did you take Farah with you to class today?”
The man looked at me a bit worried, then shook his head no. I suddenly felt faint.
We felt it would be best to ask students who sometimes helped with caring for her. We didn't have to look long, because before we got to their dormitories, we ran into Sky and Riven, holding a flowerpot with a peace lily in their hands.
I breathed a sigh of relief, then walked over to them and asked what the situation actually meant and why they abducted Farah without asking.
“We wanted to take her for a walk outside the school and show her what has changed over the last few months,” Sky replied, then added, “We're sorry for forgetting to mention it, but we couldn't find you.”
I nodded and took the pot with a lot of relief and little satisfaction that the boys had good intentions. But something didn’t feel right to me. I smelled the pot and noticed a fairly strong smell of tobacco or some similar substance.
The boys were already starting to make their way towards the other end of the corridor, so I called after them, “Guys, why do I get the impression that you smoked something in front of her?”
Sky quickly replied, “Riven wanted to see if, as a peace lily, she was actually purifying the air of toxic substances. If you were curious, the answer is yes!”
"Wait, WHAT?"
But they were already gone.
~.~.~.~
The sundew was standing proudly on Saul's desk, and it seemed as if she was staring at him.
I shrugged, letting him understand that in some ways he might have expected this to happen.
“I didn't say anything wrong,” he tried to defend himself, which probably only made the situation worse.
I sighed loudly, rolling my eyes in the process, “Saul, by this point you should know by now how important the no-spoiler rule is when it comes to Farah. The Winx girls showed her this series, and she was clearly drawn into the plot. You spoiled her fun for the next 15 episodes.”
The man felt bad, thinking that his chatter had spoiled the pleasure of watching some soap opera for his friend. It was evident on his face that he would like to apologize somehow and compensate for his mistake.
Meanwhile, I was walking towards the exit door with the intention of leaving the room.
“Wait a minute, where are you going?" Saul asked, clearly confused
“You brought her to this state, now it is your responsibility to provide her with food," I replied seriously, “You can also try to bribe her with music to change her form.”
I smiled broadly and as I left I added, “She has a taste for country recently, so... good luck, my dear!"
~.~.~.~
The Halloween party was an amazing experience. The students outdid themselves, preparing both decorations and original snacks. Loud, slightly spooky music was coming from the loudspeakers, which only intensified the atmosphere.
I reached for my glass of soda, which was a slightly weird green color. I decided that you only live once and at worst I might wake up in the morning in the form of an ogre.
I exchanged a word with a few people standing nearby and decided it was time to go back to my room.
On the way, I passed a few students who dressed for the occasion and used their skills to create beautiful makeup. I have barely recognized some of them. I decided that the next day I would ask Stella what makeup tools she used to look so convincing as a vampire.
I opened the door to my room and turned on the light. I headed towards the windowsill with a large pumpkin.
“I hope you were able to see anything out of the window. Forgive me for not taking you downstairs with me, but I was afraid someone would mistake you for a real pumpkin and start carving you,” I replied almost apologetically, because the very thought made me cringe.
I started to wash off my makeup, and when I was done, I looked at Farah with a big smile on my lips.
“I have good news for you. You have great timing with taking on new forms. Terra's cousin, Flora, returned to school. You probably remember her. She shared stories from her travels. She also told about a friend named Mirta. And I have more good news for you. There is a chance that you will regain your human form soon.”
I had the impression that the plant in front of me had taken more color. Just the thought of it as Farah's excitement made me smile to myself.
I put my hand on the pumpkin as if I wanted to stroke Farah's cheek, then added, “Luckily we're not part of some teen show. And you are definitely not played by a certain actress who currently has other professional commitments. So we'll see you again soon. But remember, no pressure. Take your time if you need it. I... We'll all wait as long as it takes for you.”
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aimfor-theheart · 3 years
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COIN TOSS– PART III
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(18+ MINORS DNI)
PART I → PART II
PAIRINGS: Tomura Shigaraki x Reader, a little Shouta Aizawa x Reader
SUMMARY: As you fall asleep, you wonder faintly, almost sadly, if you’re the first thing he’s fully touched without losing in a long time.
You are Eraserhead’s troubled protege with a Quirk that cancels out others the moment they touch you. Tomura Shigaraki takes great interest in you.
(Enemies to lovers, a lot of angst, some hurt/comfort)
WARNINGS: Unhealthy/complicated relationships, age gap/power struggle, violence, gore, Tomura’s trauma specifically, (in later chapters) murder, smut, some blurred lines, rough sex, a smidge of a spit kink, a smidge of somnophilia (let me know if I’ve missed anything!)
If you are under the age of 18, you should not be reading or interacting with this!
↳ A playlist I made for this fic, if you're interested!
A/N: here is your final part to this series! again, thank you @randomrosewrites for beta-ing this!! and thank you guys so so much for your support and comments, they mean so so much to me!! i had a lot of trouble with this last part, there was a lot of scenes i cut out and alternative endings before i settled on what is there now and i'm not even fully happy with it still lol. i have a lot of Thoughts about this, so feel free to reach out if you want to know more or just chat!! i hope you guys enjoy this!!
Read on Ao3
***
Shouta apologizes to you soon after. You sheepishly get out your own apology, even though you’d planned on holding a grudge a little while longer.
Still, Shouta confides that he also had his doubts and worries as a young hero and that he shouldn’t have dismissed yours. He talks in a soft, low voice for you, sits beside you on the edge of the couch.
You hate it because it’s easier to be at odds with Shouta lately, easier for your conscience. He put distance between the two of you, but you forced it apart further– if only to keep him in the dark. Maybe if only to spare yourself all the lying, all the pretending you’d have to do.
He says, “You know, you can always come to me. Whenever you need me.”
You have to swallow hard around the lump in your throat.
“I’ll always be here for you, despite everything.” he promises gently, trying to catch your eyes. Your gaze ducks away, out of his line of site.
Still, you hug him, tuck your face into his shoulder so he can’t see the guilt written across your face. Your secrets will constrict around you if you’re not careful. You know Truth is tricky and likes to reveal itself with Time’s help.
Once more, you become acutely aware of the clock ticking away on your relationship with Tomura.
But this time, you also realize how much trouble you could get in. You realize that you’re endangering Shouta now, too. You swallow hard, try to keep all of that down inside of you, but you feel nauseous suddenly. Bloated with guilt.
You wonder if you would’ve confessed to him then, if you would’ve spilled your guts the way you’d wanted to, if it would’ve saved you the heartache of it all.
Instead, you’d just clung to him, little fingers twisting in the back of his shirt, praying that you’d never need to make good on his promise. Praying you’d never need to test how far he’d go for you.
(It’s far– you’ll realize, further than it ever should’ve been. And you’re all the worse for it.)
***
Tomura thinks one of the troubles with heroes is their willingness to sacrifice anything for their greater good. He doesn’t think there’s anything noble in it, there’s nothing glorious or good in leaving their friend behind because they think it will save more. Nothing honorable in facing down a threat you know you can’t win against alone. What good is their world if they’re willing to sacrifice all that’s good to them in the process?
Everytime he watches you patrol, go up against other villains, maybe yakuza members, throw yourself in harm’s way needlessly, he realizes the Hero Commission uses heroes’ bodies as collateral damage. You are nothing to them. Even to other heroes; your sacrifice is expected. He knows it isn’t wanted, per se, but it isn’t surprising.
It doesn’t help that you have a streak of recklessness in you. You are quick to danger, just as quick to flash teeth and stand your ground, to fight mercilessly.
You struggle against large, powerhouse types. He watches you nearly get crushed or strangled some nights. Your Quirk doesn’t do much for you when your opponent has strength and weight to defeat you with a singular blow.
Your mentor is often pulling you out of danger with his capture weapon, yanking you away from a massive swinging arm or a curled fist about to smash you into the ground. But if it came down to you or the greater good, he knows what your mentor and your heroes would pick.
He thinks it’s strangely unfair, for you to give them your loyalty over him. He’s more loyal to you, isn’t he? There is very, very little he wouldn’t destroy for you. They would sooner let you be destroyed for the sake of their world.
Destroying the hero society that is so careless with you now feels, in part, like his gift to you. Freedom from the world that only cared about you when they realized you could be useful–
There is a night you become not just useful to your heroes but imperative.
It starts with your sacrifice, just as you were trained to do. You shove a civilian out of the way of a villain’s Quirk– it’s something with tusks and teeth that jut out from his body, sharp and ready to gut you.
Your mentor is busy with this villain’s accomplice.
Tomura watches when he shouldn’t. He was supposed to meet with Kurogiri, but he knows you patrol in this area and when there’d been commotion, he couldn’t help but watch from the shadows.
He watches one of those tusks jut towards you, your hand reaching out in hopes of disengaging the Quirk. But it’s a physical Quirk, not something like Dabi’s fire or his disintegration. And he doesn’t know if this Quirk disengages with it’s user or if it’s just his body.
Tomura feels his heart drop, the trapdoor given way to all icy fear as he watches one of those tusks pierce into your stomach.
Tomura stops breathing.
You grab hold of it, a scream getting caught behind your clenched teeth. Your fingers are tight, near frantic as you press into them– hope with everything in you, in him, that his Quirk disengages with yours.
Your broken off scream is wretched from your struggling body when another tusk rushes to crash into your shoulder.
You’re the only thing between the civilians behind you and this villain.
Your other hand reaches for the tusk at your shoulder, digging fingers and nails into it desperately.
Your eyes are bright and feverish with the hot pink of your Quirk.
Tomura stutters towards you, before the villain let’s out a pained groan. Your teeth are bared, blood bubbling up in your mouth, but you’re still standing, vicious and undeterred.
The tusks begin to crack where you grip them, splintering apart–
A sudden fission of light through those crevices, same fire pink as your eyes, arcs throughout the villain. A flare of it that makes the villain almost see-through, the lines of his bones burned by light, an x-ray flash, as if you’d struck him with lightning for a moment.
Eraserhead shouts for you.
When the flare dies, there is a scream of pain and it’s not yours.
The tusks shatter, splinter apart into gleaming bone that flies through the air.
You’re left standing, blood oozing from your stomach, your shoulder, but still standing, your eyes crackling and too bright.
The villain, tuskless, crumples at your feet, smoking. A normal, Quirkless looking man.
Did you–?
“What happened?” he hears the distant voice of your mentor, laced with worry, whose already reaching to staunch blood, blood that seeps so dark out of you. Tomura’s stomach rolls, twists suddenly, but you’re still standing. You’re okay– you’re okay–
“I-I don’t know.” you manage, but you sway into your mentor’s arms and Tomura has to look away, jaw clenched tight, swallowing around the sudden lump in his throat.
He hears, “I need an ambulance– there’s a hero and villain down–”
But he’s already turning away, his mind churning, trying to keep the nauseousness from overcoming him. He feels suddenly furious, that it can’t be him at your side, that he has to watch, pushed to the outskirts. His fingers rush to scratch at his neck, his throat, desperate for relief from the pressure that has built in his chest.
He will try to call you– later, much later– the only time you’ll answer him. He is certain you will be okay with your healers and–
He thinks of the flare of light, the breaking of those tusks, the sudden heap of that man on the ground. If Tomura is correct about what you’d done, about what your Quirk actually is, the heroes won’t let you die now.
No, now you’re imperative. Now you’re trapped.
And the destruction of hero society will be his gift to you, an end to all the strings in place, the hands holding you both back.
***
“You destroyed his Quirk.”
“W-what?” you manage to get out, wobbly. You’re bandaged up, your torso and shoulder wrapped in fresh gauze after Recovery Girl healed the worst of your wounds. You’d been sleeping, hooked up to an IV to aid you in recovering. “That’s not possible, my Quirk only cancels–”
The doctor that has entered to give you this news shakes his head, “No, we’ve done scans, tests, the works on this guy. His Quirk is gone from his DNA. No trace of it.”
Shouta, who's sitting beside your hospital bed, speaks up, “Is it possible that it will eventually return?”
“I suppose, but we think it’s unlikely. It’s gone from him. There’s nothing left. She destroyed it cleanly. It’s like it was never there at all.” The doctor answers.
“I don’t understand–” you manage to get out, your head beginning to swim, giving a painful throb at your temples.
“It seems your Quirk isn’t so simple as cancelling out another’s. It’s likely that subduing other’s Quirks was just the surface of yours.”
“Is the man okay otherwise?” Shouta asks now, fidgeting in his seat when he senses your sudden distress. He leans towards your bed more and you have the sudden urge to latch onto him and not let go.
“Physically, yes. He’s fine.” the doctor answers, “However, mentally...he’s inconsolable at the moment. As you know, Quirks are incredibly– well, they’re a part of who we are, aren’t they?”
You swallow hard around the lump in your throat.
You think Shouta says something else, finishes speaking to the doctor for you. The moment the door clicks shut, the tears that you stubbornly had been holding back rush forward.
“I didn’t mean to do that,” you get out on just a hissed breath. “I-I didn’t know I could.”
Shouta shushes you gently, “It’s okay, this happens. Sometimes people don’t know the full extent of their Quirk.”
“I destroyed his Quirk, it’s not okay!” you respond, guilt thickening inside of you, dragging you down heavy, clogging your throat and chest. “I didn’t mean to do that– what if I do it again?”
“You were under distress,” he soothes, reaching out to brush a tear away from your cheek, “Really, you were fighting for your life.” And when he says it, something gets caught in his throat. Something hitches in yours, too.
His eyes rove over your face slowly, taking you in carefully, as if he hasn’t been by your side the entire time. As if it wasn’t him in the ambulance, or him kneeling beside your bed when Recovery Girl put you back together.
“I should’ve been there. It shouldn’t have happened.” Shouta admits, the confession filling the small space between you two.
You take him in now, too, tired and worried, his face finally displaying the fear and care he has for you. It softens out his features, turns his eyes gentle and dark.
You realize suddenly that you miss him. You miss quiet nights on his couch as he graded papers. You miss his clothes and his cats and the tenderness that blossomed in all your silent spaces to fill you both out.
You wonder if he misses you as bad as you’re realizing you miss him.
You think of him cooking for one again, eating alone, and it does something horrible to your heart– mangles it, twists it up horribly.
It’s made all the worse because you’re lying to him. And here he is, at your bedside.
“S’okay, Shouta,” you get out, reaching up to touch his cheek with a trembling hand. He leans into the touch, letting his eyes flutter shut for a moment. He savors your touch in a way that he hasn’t ever allowed himself to before.
But after a moment, he shakes his head fractionally, and he murmurs “I’m supposed to protect you.”
You don’t know why, but your bottom lip wobbles. Big, fat tears well up in your eyes, burn hot and put pressure on your already foggy head. You feel like you’re unraveling, your chest all swollen and tender, too, aching horribly.
You can’t decide if it’s because you’re lying and disobeying him so badly or because no one has ever bothered to say something like that to you, let alone mean it.
And you’re betraying him, your mind hisses.
When he notices, his face falls, his thumb moving to try and brush away your tears. “Don’t cry,” he hushes, “I’m sorry, don’t cry.”
You lean into his large and warm palm at your cheek, let him cradle and coddle you.
“I-I’m sorry–” you barely manage to choke out, for reasons far beyond him.
“No,” he coos, “No, sweetheart, don’t apologize.”
You choke on a sob and he grows more worried, leans over you more, brings his other hand up to stroke at your hairline, too.
He says your name softly, trying to soothe you, “Why are you crying, huh? What are you apologizing for?”
You shake your head, more tears loosening, your small fingers twisting themselves in the shoulders of his shirt. You think you’ll drown in all this guilt, it’ll fill your lungs with pressure, choke you out slowly as you struggle and thrash.
But for now, all you get out is a warbled, slurred, “Please don’t hate me–”
Shouta moves then, shifts to sit beside you on the bed. He’s painfully careful with you as he slides strong and sturdy arms beneath you, lifts you slightly into his lap, mindful of your IV, and cradles you to him.
You bury your face into his chest and try to hold back another sob as he murmurs, “Why would I hate you? I could never hate you.”
He strokes your hair, he hushes your cries, rocking you gently. Rocking you until you can stop crying, until you’re exhausted and aching and tender.
“I’ll help you with your Quirk,” he promises gently, holding you tight to him, “We’ll be okay, huh?” he murmurs, and it just forces another cry out of you, swallowed up by his chest that he cradles you to, “We’ll be okay, sweetheart.”
It’s the we’ll in that sentence that makes you squeeze him tighter. You wonder how willing he’d be to use it if he knew where you were every other night, who you filled your time with.
If he knew who called you late that night, when you’re alone in your room, aching and sore and alone. If he knew who you answered to, your voice hushed in the inky darkness;
“Tomura,” you exhale his name through the receiver.
“I saw what happened,” he answers instead, “I saw what happened today.”
You can feel the sudden jump of your heart, your nerves wringing themselves tight. “Oh,” you respond lamely.
To your surprise, Tomura rasps, “Are you okay?”
You don’t know why, but you cradle the phone to your cheek tighter, your eyes slipping shut for a moment.
“Yeah, I’m alright. Sore and tired, but I’m okay.”
“Good,” he responds, his voice softer than it usually is, just a breath when he asks, “What happened? What’d you do to him?”
You’re silent for a long moment. You can’t decide if you should tell him or not. You think of Shouta earlier and his voice like a hearth and the tender way he holds you, you think of his we’ll be okay.
But you can hear Tomura’s soft breath on the other line. You can see Ryuji in the patch of sun that splays out against the corner of the couch in the evenings. You think of him curled tight around you, like you’re the last good thing left on earth.
“I destroyed his Quirk,” you say, voice barely above a whisper, “With mine.”
“That’s new,” Tomura almost hums, but it nearly seems like he was expecting the answer.
“I didn’t mean to.”
A quiet snort from him, “What are you trying to prove to me?” he asks, “I’m not your heroes. I won’t look at you differently whether you intended to or not.”
The thought strikes like an arrow between the ribs, sharp, sudden. It stings, when you realize it’s truth. How hard have you tried to prove yourself to Shouta? How hard are you trying to prove your goodness to yourself?
“You could’ve killed him,” Tomura says, “And I wouldn’t think differently.”
You wince for some reason when he says that, “Don’t–”
“What would your heroes think then?”
“Tomura–” you snap, voice gaining some bite, a warning.
But for some reason he presses, “How badly does the Hero Commission want you now? With a Quirk like that?”
“What?” you ask, suddenly shocked.
“Don’t be naive,” Tomura says and there’s an edge to his voice. He sucks in a breath, “That’s a big Quirk. Destroying someone else’s? You don’t think they’ll be interested in that?”
You feel the pressure of tears work their way through your head, your throat. Your fingers clutch so hard at the phone that your knuckles are turning white and before you can think, you hiss out, “And how interested are you now?”
“As interested as I was before.” he returns, sharp and quick, and then with a vitriol he hasn’t directed at you in months, he says, “Don’t compare me to them.”
You bare your teeth, tears stinging sharp at your eyes, prepared to fight back when he hisses, “Mark my words, they won’t let you go now.”
“Stop it,” you spit, “You don’t know anything–”
And he laughs at that, caustic, harsh, a grating sound. Villainous. It slithers through the phone, down your spine. Your stomach twists. You hate this– your head is throbbing. You don’t want to fight. You want to stop crying, God, you wish you could just stop crying–
“I’ll be here when you realize it.” he says and there is too much heat behind his voice, simmering and venomous. You can feel the end of this conversation, the bitter goodbye in his words.
Your bottom lip trembles, and for some foolish, lovesick reason, you gasp, “Wait– don’t hang up–”
But you hear the click of the other line and he’s fallen away from you, leaving you with an empty, static silence that buzzes around in your head. In your heart.
You throw your phone across the room. You hear it clatter somewhere in the darkness. You turn to press your face into your pillow and let out a sudden, childish scream. It tears at your throat, before tapering off into this pathetic little sob.
It’s worse because he ends up being right.
And it’s ironic because it’s another string tethering you to him, the ability to destroy something with a touch.
It’s like some part of him knew all along, or maybe some part of you.
You scream into your pillow again, louder, kicking at your covers before it breaks off into a bitter cry.
***
The Hero Commission is very interested in the new discovery of your Quirk. They run tests and scans on you, over and over again, trying to find something interesting. They want you to practice with it, but there’s no way for you to practice without potentially destroying other people’s Quirks.
They offer up criminals to practice on.
It turns your stomach.
“I don’t want to do this,” you tell Shouta one night after another long series of poking and prodding at you by white coats from the Hero Commission.
Shouta is silent for a moment, “No one is making you.”
“But they want me to. It’s expected of me.” you tell him.
“They want to make sure you can control it,” Shouta answers, “And the only way to do that is practice, unfortunately.”
Or do they just want to be sure they can control me? The question bubbles up unbridled inside of you. It sounds suspiciously like Tomura’s voice.
You frown, “I can control it. I don’t go around destroying Quirks with every touch. I just mute Quirks still.”
“Under distress, too? Can you summon it completely calmly? Or stop it in an instant?” Shouta asks.
“I don’t know– no, I don’t think so.”
“Then you can’t fully control it.” he answers, which makes you ball your hands into fists.
“It doesn’t feel right taking people’s Quirks– practice or not. And it’s controlled enough.” you respond, gaining a sudden edge to your voice.
“Then don’t do it.” Shouta responds, almost impassively.
You try not to grow upset or so frustrated that you say something you might regret. You swallow tightly. “Will you be disappointed? If I don’t?”
Shouta tilts his head and in the quietness you fear he will be, but he eventually answers, “No. You’re right; you have it controlled enough that it doesn’t hinder your day-to-day life.”
You let go of a breath you hadn’t realized you were holding.
“Besides, if you’re under that amount of distress again, it probably flares for a good reason. It’ll probably save you if you ever need it again.” Shouta then says, “And if what they want you to do doesn’t feel right to you, then you shouldn’t do it.”
You stare up at him, a little surprised but–
Relief sweeps through you, sweet and cool.
“I trust your instincts,” Shouta says, the curl of his lips small but promising, as he reaches out to nudge your chin with his knuckle.
The guilt blindsides you later, so hard that it makes you lock yourself in your bathroom and keep a sob trapped behind the palm of your hands.
But for now, you smile up at him, the curve of your smirk playful, something he hasn’t seen from you in what feels like forever that you give to him again freely.
“Can I get that one in writing?” you ask and his answering laugh strikes you so suddenly it almost makes you dizzy and it’s like hearing the notes to one of your favorite songs that you hadn’t heard in a long time.
Like you couldn’t ever imagine forgetting it, now that you’ve heard it again.
***
Tomura wonders what it will take to make you leave your heroes.
Specifically, your precious mentor.
When he sees you again, you look like you did before nearly bleeding out in front of him and destroying the Quirk of another. It’s almost as if it never happened at all, almost like your argument never happened at all, either. In this little apartment where the rest of the world doesn’t exist, just you and him and sometimes Ryuji.
Except when he lifts your shirt there is a twisted, ugly scar from where they patched you up. Another at your shoulder. He doesn’t kiss it or run his fingers over it gently, he doesn’t make any sort of comment. He just thumbs at your waist and glares at it, wishes he could make it disappear like the villain who gave it to you.
(Not because he finds it ugly or unacceptable, only that it is now a permanent reminder of what he’d seen. Only that it reminds him that you are not guaranteed to him, not in life nor in loyalty).
You’re a little hesitant with him now. You feel more fragile to him now, too, like you’re holding something back, waiting for everything to finally fall.
The inevitable crash and break.
Tomura is gentler with you– he knows he needs to play his cards right now. It’s crucial. Something is building, even for the League of Villains. There’s more on the horizons.
And despite everything, he wants you there, when the sun is bloody and falling on a dismembered, new world.
He thinks he shouldn’t have pushed you now, when you’re so delicate, barely stitched together. But he had– he’d started another argument. He’d tried to convince you of the heroes’ lack of care for you, their greediness upon discovering the depth of your Quirk.
You throw it back in his face; isn’t that what All For One does to him? Isn’t that what he does for the League of Villains? Aren’t they all just pawns for him? Is that what he wants of you?
He seethes, digging into the skin of his neck desperately. You don’t stop him. He can feel the facade of this little apartment beginning to crumble, fall away into dust and he–
He knows he destroys everything he touches.
But you were supposed to be different.
(You are, his mind hisses, you are, you are, and that’s the worst part of it all).
You storm out that night. You leave him, no doubt to return to your precious mentor.
He thinks about destroying the entire apartment complex. He could now– he knows what’s coming. He won’t be staying here any longer. He has plans, so many plans.
You come back to him a week later, though. You’re bound to him in some way, returning again and again when you know you shouldn’t.
The make-up part is nice, with him buried so deep inside you that he’s trying to turn your stomach. Make you sick with him, the way he is with you. Your gasping moans, with the arch of your body far too pretty for hands like his.
And still, you lay on his chest afterwards, you let him run his fingers over the planes of your shoulders, the line of your pretty neck. He drags his knuckles against your soft skin, enamored with the feeling, with the way you soothe the haunting, sunken part of him. His Quirk submits to yours easily, dimmed inside of him. Maybe he should be frightened of your new potential.
But you’ve never been frightened of him, so he’s not of you, either.
You’re very bold, though, he thinks, for you to say, “Your parents were cruel.” After the argument you both had last time.
He tenses beneath you, grits his teeth. He’d thought you’d both learned your lesson, getting too personal in a place as sacred as here.
“You don’t know anything,” he says and it’s just a breath. Surprisingly toothless. He’d said it to you last time, in your argument. You’d said it to him before that. It feels almost ironic now.
You shake your head against his chest, your nose nudging into him, lips soft against his skin. You remain calm. “I know your name is Tomura. They were very cruel to give you that name.”
You say this as if it’s a fact, something as simple as the sky being blue. But it’s dark out now and the stars are dull, the moon just a scythe in the sky, caught in the window’s glare.
“What?” he demands quietly.
At least you have the guts to tilt your head up to find his eyes now. You look up at him through dark lashes.
“Your name–” you say again, gentle, “It means ‘to mourn.’ I don’t know why anyone would give their child such a sad name.”
He knows what his name means.
But this takes him by surprise, for some reason. Only because it’s not the name his parents gave him. You don’t know that, though. You don’t know anything about him, technically. He has the urge to tell you suddenly, that’s not my name.
He doesn’t, though. He stays silent. It’s his name now. And he likes the way you say it, the syllabus softened by whatever it is you feel for him.
(He won’t give it a name, he’s realizing now that names can be very powerful.)
Your fingers are gentle on him, rubbing strange patterns against a scar near his collar bone.
You have rendered him silent.
And eventually, as you begin to drift off to sleep, you murmur, “You were just a kid, you know?”
He doesn’t really know what you’re getting at, only that it does something strange to the tempo of his heart. He swallows hard, tries to keep his fingers gentle on you. Your breathing has slowed, the rise and fall of your back measured and even, but his has gotten tight.
He squeezes you against him, glaring at nothing, at darkness.
You were just a kid, you know?
It’s this part of you, the one that sees the human in him, that makes him think maybe you will be at his side until the bitter end of it all. Your compassion, the sympathy you have for the child he was, for the person he somehow became. Your unending ability to understand the worst of people.
He doesn’t dwell on the child he was, just has buried it in the cemetery of his chest– a part of him that only you have been able to reach through Quirk, through something too massive to name. You’ve soothed it, put it to rest like the dead, lit your incense in the spaces of his heart. Said your prayers along the notches of his ribs. Tried to appease that restless spirit that possesses him.
He doesn’t know why, but he starts to shake. He can hardly breathe.
And in the dark, when he thinks you’re asleep, and his secrets will be lost to your dreams, he admits for the first time in years what has always trembled inside him. He speaks the tragedy that has made a home of his body, the mourning that he was given name to;
“I wanted to be a hero– when I was a kid.”
***
Tomura thinks, for a moment, when you’re splattered in blood, that this will be your great turning point.
Your fall, the tearing and burning of your wings from your holy back. It will hurt, but he will be there on the ground with you, a hand extended to guide you. He will be there to cradle you into his chest, to hold you close when your world falls apart.
The way All For One was there for him.
The beginning of the end starts with you being a hero.
But you save the wrong person.
Toga’s been following him around as she does every so often, dogging in his shadow, skipping along beside him. You’ve become accustomed to her, too. She likes having you around. Something about not being the only girl. You’re kind to her in the same way he thinks you probably wanted kindness at her age.
The sky is mottled purple, bruised as the day sets into night. The sun looks like an open wound, violent and red.
When he thinks about it, he figures he should’ve been more careful, but then there’s a petty villain Tomura knows vaguely, someone they’ve clashed with before, who he’s pretty sure Dabi and Toga pissed off. He spots Toga first. Your back is turned to him.
“Uh oh,” Toga says, peering over your shoulder.
Tomura grabs your wrist, “Hide,” he hisses, and when you try to peer over your shoulder at what Toga is looking at, he forces you back around so the villain doesn’t see your face.
He doesn’t know why he saves you like that. Only that he doesn’t want you to get in trouble, doesn’t want you taken from him like that. He is not an idiot; if the villain recognizes you, if it somehow got around that you were seen with two of the most notorious villains, the Hero Commission would eat you alive.
And here’s the part that really gets him. You listen to him. You trust him.
You dart away, swift and fast like a fox, disappearing into the shadows the way you were trained to.
“Hey!” the villain shouts and he’s large, Tomura remembers now.
Stupid, too, he thinks, as he barrels towards them.
The glint of Toga’s knife in the sun makes him pause.
Better to not engage, Tomura thinks, not yet, not now. Too much on the horizon for something foolish to happen tonight. The apartment isn’t far from here. He hopes you’ll retreat there. He just needs to get Toga away safely now.
“Oh, I’ve missed fighting!” she sings.
“No,” Tomura rasps, “Don’t engage. We need to go, too.”
She whines a long and drawn out, “Why?” just as the hulking mass of a person swings at her. She ducks away easily, quickly.
However, then his Quirk bursts to life and it’s far worse than what Tomura had hoped for. He doubles in size, his arms in particular growing longer, and fill out with what seems to be rushing water.
“Dammit, Toga,” he hisses, shoving her out of the way as the villain blasts a large cannon of water at her.
Tomura takes the hit hard, black coloring his vision when he hits the ground.
In truth, he thinks he is out for at least a full minute, because when he’s come to, you’re shouting at the villain. You’re tugging desperately at his massive shoulder, clawing and screaming. You’ve canceled his Quirk, but he’s still too big, even without it.
Toga is pinned beneath that arm, choking and spluttering, drenched. It actually looks like she’s choking on water. She can’t even scream, too garbled, too water-logged. She looks like a doll, she looks horribly small. Her face is turning a deep shade of red as she struggles for breath. Her little hands claw at his wrist, too.
Tomura tries to stand, his vision swimming, swaying so bad that for a minute everything goes sideways.
Fuck, he curses, just as he watches you get tossed away by that villain’s other hand like you’re nothing. His Quirk suddenly ripples back to life and he blasts Toga with another bout of water, plastering her to the gravel, the onslaught of it unending.
You’re up in an instant, throwing yourself onto his neck, trying to wrench him off. His Quirk disengages again, and Toga heaves and gasps for breath, coughing up large amounts of water.
“You’re going to kill her!” Tomura finally can catch onto what you’re saying, what you’re desperately screaming. His ears ring.
You get thrown off again. More water. Toga is being blasted so hard that she can’t even choke or struggle.
Tomura thinks you’re trying to rationalize with them, you’re trying to explain you’re a hero. And to disengage. Stop, please stop, please stop–
He’s not listening, though, of course.
And he’s too big. You tried knocking him out, tried putting him to sleep with the grip of your elbow. You’re trying everything, even to crush his Quirk beneath yours. Tomura catches the flutters of pink, your inability to summon your destruction when you need it.
It wouldn’t matter anyways, not with how big he is. You struggle against powerhouses.
Tomura stumbles.
But you’ve always been gritty and sharp and determined, if nothing else. You have always fought so desperately for your life, never mind law or honor or glory.
He thinks he catches the glint of your knife, the desperate threat to let her go, leave her alone!
The villain grabs you with a massive hand around the throat, lifts you clear off the ground.
Toga has gone slack against the pavement in a puddle of water, face colored a strange shade of red and blue. A little like the way the sky blurs before his eyes.
You kick and thrash, a horrible growl wretched from your throat. You don’t think, just lash out.
And then there is blood. So much blood. It’s all over Toga now, seeping into the water– did she cut him? She managed to cut his throat? Because that’s where the blood is pouring out of–
Tomura sways.
You’re dropped.
You stumble away.
Your blade– the one you used to threaten him with, is bloody.
“Fuck!” you shout, raw and so sudden that it jars him a little. He forces himself over to the scene. So much blood. His stomach rolls.
He looks at you, your shell-shocked face. You’re looking at the knife, at the blood. At Toga, who's still not moving.
He goes to her first, tries to shake her a little, fingers held away from her shoulders carefully. For a moment, she doesn’t respond, limp and lifeless and something inside of him threatens to overwhelm him. No, no–
Her eyes flutter, though, and she wheezes for a breath, suddenly turning over to vomit up far too much water.
“I-Is she-?” your voice, so small and lost, cuts through his thoughts.
He looks at you again, blood splattered and terror caught in your eyes. Pale and slack faced and half-mad. You look like a ghost, standing there in the aftermath, in your gruesomeness.
“She’s fine,” he says, just as she wretches up more water, “You saved her.”
Toga falls limp again. He checks frantically for a pulse at her wrist with two careful fingers. Still there. She needs a doctor, though. He stands to face you.
You make a noise, high pitched, trembling. You cover your mouth to keep it in, it’s something like a sob, an animalistic noise.
“I didn’t mean to– I didn’t, I didn’t– she was just–” you’re trying to get out, almost doubled over now.
Tomura doesn’t bother to check if you killed the villain. He knows the dead when he sees it. And he won’t lie to you now, he won’t soften this blow or shield you from it.
But he also knows what he needs to do.
You keel over, about to scream more and– no, that won’t do you any good.
He grabs for you, hauls you back up and you’re shaking so hard that he fears you’re going to split apart. You’re about to lose it.
“Listen to me,” Tomura hisses and you choke on a cry. He shakes you a little, tries to force you to look at him and not the body behind him. Your eyes, feverish pink, meet the wildfire of his, “Listen to me.”
“I– I don’t–”
“Sshh,” Tomura hisses, palm going to your cheek, a little too rough, forcing you to look at only him. “Sshh, listen.”
You try to swallow and he continues, “You’re going to call reinforcements. You’re going to tell them there’s a villain down.”
“W-what?! I’m going to– they’re going to–”
He shakes you again, harder, your teeth click together with the force of it. He needs you to understand this– needs you to hear this if he wants to keep you safe and out of jail.
“Tell them I decayed him. And before that, tell them Toga cut him, and it splattered onto you. Say you heard commotion and like the good hero you are, you ran to help.”
“Tomura–” you sob.
“Do you understand me?” he snaps instead, grabbing you harder, his fingers curling against your cheek to press desperately into you. “Answer me!”
“Yes–” you gasp, wide-eyed and terrified. “Yes!”
“Good,” he hushes, wiping blood from your cheek, “Good. You saved her,” he tells you, “You saved her, do you understand?”
You nod, jerky, and he continues, hand petting your cheek, messily pushing your hair from your face, “You did everything right.”
Your breathing is still labored, but you’re quieting with the praise. When he thinks you can handle it, he breathes, “Now, are you ready? I’m going to decay him and the knife, then I’m going to leave with Toga. You’re going to call for help.”
You glance at the villain, lying lifeless, in his own pool of blood and Tomura ducks his head to force you to look at him. “Okay?” he asks, “Answer me.”
“Okay,” you exhale slowly.
“Good,” he murmurs, “Good. Now give me the knife.”
You press it, trembling, into his hands. It’s slick with blood. He forces himself to stay calm for you.
He steps away, let’s go of you. The knife turns to dust.
“Look away,” he commands then, his voice a rasp.
And you– you listen to him. You trust him. You turn away. He sets his hands on the villain. And just like that, his body breaks down, gore at first, until it is nothing but dust. It blows away easily.
And then he goes to Toga and he lifts her carefully. She’s like a ragdoll in his arms, soaked and cold. He’s certain to keep his hands away from her, fingers lifted away, but she lolls into his chest.
When you turn around, Tomura says, “Thank you for saving her.” And he means it.
You swallow hard. You look to where the villain was. He’s gone now.
“Now call your heroes, just like I said.”
You nod, eyes filling up with tears. That’s fine. They’ll have more sympathy for you, for what you’ve witnessed. They’ll believe you more. Your mentor will protect you, with those tears in your eyes.
Tomura’s eyes burn crimson as you pull out your phone, “Do what I said and you’ll be okay.”
And you do, just like that. You lift the phone to your ear. That semblance of calm that he had coaxed you into shatters the moment someone picks up on the other end.
Your voice goes high, near hysterical, “T-There’s a villain down–”
He turns away from you as you stutter and cry into the phone about what happened. You give them the lie he told you to feed them. You make Tomura out to be the villain, you make yourself out to be innocent. He holds Toga close to him.
He tries not to smile, a dizzy slip of a thing, as you do exactly as he told you to– as you lie and lie and lie through your teeth.
Toga stirs in his arms. Police sirens are heard in the distance. An ambulance for a pile of dust. The sun sets, darkness blanketing the world, shielding it from the light.
And as he stalks away, with Toga alive and in his arms, he thinks maybe he’ll make a villain of you yet.
***
The police believe you. It’s hard not to, when there is so little evidence otherwise. Tomura destroyed it all for you. It’s hard not to believe you, when you’re crying and terrified, as you should be for witnessing the death of another person at the hands of Himiko Toga and Shigaraki Tomura.
Shouta, however, is not as easily convinced.
Not after so many strange occurrences with Tomura.
When he brings you back to his apartment, when the door is shut tight, and you still stand in bloodied clothes with your teeth chattering, Shouta eyes you warily.
You want to shower, burn yourself beneath the spray of water, like you could wash away what you’d done. You squeeze your eyes shut.
You saved her.
You swallow down the lump in your throat.
“What really happened?” Shouta asks, almost tentatively, standing in the middle of his living room.
You turn and you don’t– you don’t know how you should react. Should you be offended that he’d doubt you? React in outrage after all that’s happened? Should you act confused? Play dumb?
You can’t stomach any of it. Not when someone’s dead at your hands. But someone is alive because of them, too.
Your eyes well up with fresh tears.
“I-I told you.” you choke out.
Shouta’s jaw ticks. He draws in a slow breath, “Something isn’t adding up. You have had more contact with Shigaraki Tomura than anyone has been able to have.”
Your stomach drops. Your tears fall harder.
“What’s going on?” he asks and the distance between you two feels massive. It feels continental in the small space of his living room. He seems suspicious.
The lie comes out on a sob, “I–I think he’s been stalking me.”
“What?” Shouta asks and any uncertainty he has in you evaporates as he watches your face crumple.
You let your guilt overwhelm you into choking on another cry, cover your mouth as if you could catch it in the palm of your hand. Shouta doesn’t know the truth of it, so he believes it.
He crosses that distance like it’s nothing now. He stands tall in front of you, reaches to try and brush tears away from your cheek.
“I don’t know–” you gasp, filling out your lie, “I think he's interested in me because of my Quirk. Because he can’t– I can’t decay, when he touches me.”
Shouta tips your face up towards his but you can’t look him in the eyes, let your eyes squeeze shut when he asks, “Why wouldn’t you tell me that?”
“I don’t know–” you choke out, “I wasn’t sure.”
“Did something else happen?” Shouta prods gently and you grit your teeth to keep back another sob. More tears cut tracks down your face, right into Shouta’s waiting, gentle hands.
There is a long moment where you think of giving everything up. You think of telling Shouta everything, if only to lift the weight that has settled onto your chest. Surely, it will crush through your sternum, surely your heart will burst with it’s pressure.
“It’s my fault,” you whisper, “It’s my fault he’s dead.”
“No,” Shouta says then, gentle but firm, shaking his head, “I know it may feel like it–”
“He was going to kill her.”
This stops Shouta. He goes very, very still.
“What?” he rasps softly.
“He was drowning her– he wouldn’t stop. I tried to get him to stop and he started choking me–and she saved me by–” It’s a fabrication to save yourself. That’s not how it went! Your mind screeches, that’s not how it went– you saved her by killing–
Toga was turning blue, she didn’t help you. She didn’t save you. She was drowning. She didn’t kill him. You did.
“You saved Toga Himiko, a notorious villain, one of the most wanted–”
“He was killing her!” you hiss, “She was turning blue–”
“She’s a powerful villain, too, you should’ve tried–”
Something inside of you fractures, bursts apart the way glass does when thrown against a wall. You think there are a million, shining pieces of you now lying on the floor.
“She’s Shinsou’s age!” you snap, hoping one of your shards cuts him, suddenly half-furious through all your tears. “She’s Shinsou’s age, do you know that?!”
You break now, wrenching away from Shouta’s touch and rushing to double over the sink to dry heave again, body squeezing painfully. You threw up everything in your stomach already at the scene, when recounting the story to the police, to Shouta. You claw at your stomach, trying to stop it, to keep it all down inside of you. You curl your fingers into the divots of your ribs, try to force them to give you air, but they won’t– betrayers that they are, they squeeze and squeeze until there’s nothing of you left.
Your knees buckle, head spinning when you turn away from the sink and crumple into a heap on the floor,“She’s just a kid,” you wail desperately, “That’s all I saw when I tried– when I–”
Your head bows forward, body folded in on itself, forehead digging into the ground as you cry, “I didn’t mean for him to die, I didn’t mean it– I didn’t, I swear I didn’t mean for it to happen.”
Shouta moves again finally, drops to his knees down beside you. He cradles your skull in his large hand, pushes your head into the crook of his neck to hold you, “It’s alright,” he breathes, curling his other arm tight around you, “It’s not your fault,” he hushes, “It’s not your fault.” You sob hard into his chest, fingernails digging into him, clawing at his biceps, “Sshh, it’s okay. It’s okay.”
And he holds you, buries you in the bulk of him, like he always has when you need him. Your constant, the love you never once deserved. Especially not now. Especially not here, with blood stained on your clothes, sunk to the floor with nothing but the anchor of your guilt.
He strokes your hairline, gentle, cooing softly to try and calm you.
He murmurs, his voice so deep and soft and earnest, “You’re a good hero.” When you make a strangled noise against him, he presses on, “You are. You’re compassionate. You see everyone’s humanity and that’s a good thing.”
He hushes more of your cries, fingers gentle in your hair, and you try not to throw up again when he tells you;
“You’re a good hero, I promise. I promise.”
The beginning of the end starts with you being a hero for a villain.
***
The next time you see Tomura, he questions you about what happened, if you pulled it off. You tell him you managed it, somehow. You don’t tell him anything else. You don’t tell him you haven’t been sleeping, that you can hardly keep food down. You don’t tell him that you take too many showers, trying to wash away the phantom blood.
You remember when it was Tomura’s blood on you, so long ago. A beginning that now seems so hazy. You hadn’t minded blood, then. You had never been particularly squeamish but now–
Now it could make you sick on your best days, downright hysterical on your worst.
Your guilt tears chunks out of you, bites down and shakes the meaty, soft parts of you until you’re all torn up.
It is easier to be with Tomura than Shouta now.
We have more in common, you think, and it makes you want to laugh, empty and wobbly.
You look in mirrors and hardly recognize yourself, wonder if this is really your body. If this is really your life, or if it’s someone else’s. Maybe you are possessed, maybe that explains how you got here.
You don’t tell him any of this. You stay silent.
And that’s okay because Tomura seems strangely quiet after that, pulling you to lay on his chest. He doesn’t let you put the TV on. You can tell he needs to think. You let your eyes drift close as he runs his fingers through your hair with a surprising amount of gentleness, compared to his usual petting.
But eventually he says, so soft that you fear you almost imagined it, “A yakuza head visited the League recently.”
Your eyes flutter open and in your surprise, you sit up a little, looking down at him. “Tomura–” you start, almost a warning.
He knows he isn’t supposed to talk like this here, in this little slice of another world.
But he continues anyways, his voice just a rough scratch, “He killed Magne.” And then, “And Compress no longer has an arm.”
Now you really pull away to look at him. You can feel your eyes widen out, your shock, then the stomach-turning sadness. His face is unreadable, but his jaw is tight. His eyes are simmering, so red, even in the low light like this.
“It was a set up.” he hisses, “I failed them.”
He doesn’t cry, but you can feel the slightest tremble in his body.
You hurt for him, you realize, your heart falling into the pit of your stomach. Those are two of his closest, some of his inner circle.
He looks shaken.
He looks young, with the weight of his world on his shoulders, with the crown of thorns placed on his head. Heir to a monstrous throne. All For One’s successor, boy prince to inherit an underground empire.
You just see him, though, just Tomura who's twenty, who likes sour candy and video games.
He swallows hard. He looks angry and hurt.
“Nobody mourns us,” he says eventually, looking away from you, somewhere in the darkness of the apartment.
Except you, you want to say, with a name like Tomura.
You lurch forward, throwing your arms around his neck, hugging him tight to you. “I’m sorry,” you tell him, soft, the way Shouta speaks to you, “I’m sorry.”
And then you think, I’d mourn you, and you squeeze him tighter, I’d mourn you, oh God, I’d mourn you–
He doesn’t hug you back, but you can feel the shaky breath he exhales, and the way his fingers tighten in the fabric of your shirt.
***
Tomura thinks it should be you, at his side, when he takes Overhaul’s arm. You are everything Overhaul wants. Your Quirk is what he has tried to bottle.
Tomura thinks you could’ve been useful, to switch off his Quirk, to destroy it in an incredible twist of irony. It would’ve been the ultimate power move, to have you at his side by the end of all of this.
But you’re not there, no, not with him.
You’re with your heroes, Toga had told him.
It shouldn’t, but it feels like a betrayal. It stings hard and sharp inside of him, like a livid bee that jabs at his heart.
He seethes about it. Hadn’t he done everything right with you? He’d played this game slow, knew that the rewards would be worth it.
You’re still walking away from him, though. You’re still not his.
And you’ve still got one of his ribs, left a gaping wound inside of him.
He wants it back. He wants it back.
***
Eri looks up at you with watery, red eyes when you first introduce yourself to her. You crouch to be on her level. She has silver hair. She’s timid, wobbly bottom lip and flushed cheeks.
You almost start crying, looking at her now. You wonder if this is what Tomura was like as a child– small and terrified of his Quirk, round red eyes pleading with the world. All you see in her is every other forgotten child.
“Hi, Eri,” you hush, half for her, half because you’re scared your voice might break.
“H-hello,” she trembles.
You try to keep your smile in place, but it’s a weak, sad thing.
Still, you say, “I’d like to be your friend, if you’ll have me.” And you extend your hand to her, palm up and offering. “I have a Quirk like Mr. Aizawa’s.” you tell her gently, “If you touch me while using your Quirk, it’ll stop.”
She brightens at this, not smiling but, surprised, “Really?” she asks, just a breath.
You nod, swallowing around the lump in your throat, “Really.”
She takes your hand then, eager, tightening with her small fingers, despite her Quirk still being off.
Then she looks up into your face and offers you a tentative smile. Small, just the corner of her lips lifting up.
“I’d like to be your friend, too.” she murmurs bashfully and you close your hand around hers. It’s small, almost fragile. She’s all bandaged up, arms wrapped in gauze.
You look at Eri and her red eyes and silver hair and see a coin toss, see it up in the air, spinning and spinning, catching in the light. A twist of fate like the flip of a coin.
But you think you could call it now, with her hand in yours, and the heroes that hover protectively around her.
***
There is a morning shared in blush light that isn’t the ending but feels like it could be one. In truth, you’d prefer to remember this as the ending, more of a whimper and less of a bang. The night before had been one of your better ones, too– you’d only woken once with a nightmare. Tomura had already been awake and he’d soothed you with a careful hand that drew patterns across the bare skin of your back.
That night, that morning, was gentle in the wake of all that violence, love taken root, finally bursting through your veins to make a mess of your insides.
Dawn is too mellow a place for the two of you.
(You have come to the conclusion that Tomura looks best in dusk, saturated, sharp and rich in color. Bold and vivid. You didn’t know it, but he thought the same of you.)
You never told him you loved him.
You think about that a lot, wonder if it would’ve made a difference in anything. You wonder who was the last person to tell him that, if anyone at all.
He’s still half hoping that you’ll follow him, but you think he knows he’s losing you. You are not content in fuming misery, cannot stomach to leave the mentor that has loved and cared for you with such perseverance and softness. You cannot stomach to turn away from the boy with violet hair, or now the girl that reminds you of him.
You wish you could keep him, too, despite it all, but all you see in the future with him is rubble.
In the least, you’ve always had a sense of preservations, survivor that you are, scavenger that you are. You know when to move on, can’t linger too much longer now or you won’t live through it.
You sleep better with Tomura, though, and that’s the cruel part. You wake with less nightmares. You sleep more soundly, wound up in him, so tight that you two might just grow together. Palm to palm, your Quirk quieting his, lulled and softened.
And that morning, you wake slowly, twisting around fitfully with the warmth that has blossomed gently inside of you.
Consciousness creeps to you, fighting against the pull of sleep, being coaxed awake by the fluttering of your heart, the slow roll in your core.
Your eyes lift, heavy with sleep, finally awake. You blink blearily before a sudden, sleep soft cry escapes past your lips.
You glance down the line of your body to find Tomura nestled between your legs, tongue tracing messy patterns into where you’re most sensitive. Your stomach swoops sweetly, flares into a spark of heat.
The light is soft on him. He cracks a ruby eye open to gaze at you, to open his mouth so you can watch the flash of glistening pink as his tongue laves against you slowly.
“About time you woke up,” he gets out, voice still morning-rough, a little grating. His fingers squeeze your thigh, pulling you apart further to be at his mercy, spread open all for him.
“Tomura–” you gasp, your hands finding their way into his hair, fingers gentle and weak with sleep.
He sets his mouth to you, sucks on the bundle of nerves in a way that makes you keen, almost arching away from him. He fixes his eyes on your face, watches as your expression twists up.
You can see the way his hips are twitching into the mattress. Sometimes you think he does this more for himself than you, takes pleasure in rendering you down to your most basic, most desperate.
Pleasure coils warm, simmers on the inside of you. Your fingers flex, tighten in his hair until he groans against you. When he pulls away for another moment to admire you, his lips are spit slick, a string of translucent spit and slick bridging between the two of you.
It makes you flush darkly, makes you throw your head back and whimper.
He takes you apart with the savagery and viciousness that he has always carried. Dawn spills over the bed sheets in rays of peach and honeysuckle, lovely for the impending destruction. You shatter like glass, pretty and ringing beneath his hands.
And then he’s flipping you onto your stomach, letting you claw at your pillow as he sinks deep inside of you. He hisses when he fucks into the crux of your sweet, supple thighs. Your hair is messy with sleep. He presses his chest to your back, presses you into the mattress.
You fist at your pillow, whining at the burn and stretch, and you can feel the sickle cut of his smile against the arch of your shoulder blades. He leaves sloppy kisses, scattering them, sucking at your skin until he has claimed and marked and branded you.
He nudges his nose against your cheek until you tilt your head back to his, to rub back affectionately, nudge into him like a cat. He hums in satisfaction, in pleasure, the sound of it rumbling against your back.
You feel like he’s trying to savor this. He doesn’t pull your hair, or speed up his hips. No, he waits until you arch your back for him, until you’re near begging.
He likes you weakened, maybe delirious, maybe like he’s giving you a dose of your own medicine. He’s trying to make you as addicted as he is, but there’s no need.
No need when he covers your hand with his, slots his fingers between yours. All five of them, squeezing at your hand.
“You were made for me,” he gets out, giving you a rougher thrust, his eyes flashing to your hands, “See?” he groans, fingers digging into your wrist, your knuckles, “Made for me.”
You moan, too, all wobbly and pitched, with all the pressure, with the squeeze of his hand. With the stretch of him inside where you’re vulnerable and soft and slick.
He drags everything out that morning, fucks you both into oversensitivity, until you’re both shuddering and gasping. He breaks you down, until there are tears streaming down your face, until he’s gripping you so tightly that he’ll leave a bruise in the shape of his hand.
He fits his hand against your throat at one point and your eyes roll into the back of your head. You end where you began, with the violet petal bruise of his fingertips into your skin.
You linger in bed with him that morning, letting him pet and stroke and touch you. You stay gentle, even when he gets rough.
You make cheap, bad coffee for the both of you.
You feel twenty something with a boy and his tiny apartment. A cat chirps at the window and you’re smiling when you let him in. The breeze is cool. You don’t put on clothes because you feel like an adult, with a lover.
You feel normal for a fraction of a moment after everything that’s happened.
You feel sated and tender and saddened. Your chest fills with aching as you watch Tomura drift in and out of sleep in the sunbeams.
You were made for me, he’d said and you reach out to brush a strand of hair from his face. You were made for me.
You swallow around the lump in your throat, the one that feels like needle pricks and the hard truth. You don’t have the heart to tell him that he may need you, but you don’t need him.
You want him, though, your fingers trailing down the lines of his face, you want him so badly that it hurts. Your fingers travel over the hitch of his scars, his body as familiar as a home.
You want him, but you don’t need him, you try to tell yourself in this moment. You want him, but you don’t need him. You will survive this.
Still, it’s going to hurt. You’re bracing for impact, can feel the free fall rush up to the ground, can feel your stomach swimming up where your heart is.
You’ll survive it, you think, breathing hard, trying to keep back your tears as you look at him. But it’s going to hurt, it might tear out something very precious inside of you.
You’d rather he just break your arm again. At the thought of it, you try not to choke on the bitter, furious laugh that splits from your aching ribs.
***
You get to know Eri, try to spend more time with her and Shouta and Shinsou like you’re trying to fix something you broke. The pieces aren’t quite matching up right, though. It can’t be fixed, not really, not fully.
You can’t close your eyes without seeing that villain in a pool of their own blood. Or Toga’s face made blue. Sometimes in these dreams, it’s Shinsou who is drowning. Sometimes the villain in blood is Shouta. Tomura is always the one who saves you.
You can’t look at yourself anymore. You can’t stomach to. Your lies explode out of you when you catch a glance of yourself, haggard and exhausted and beaten down.
Shouta takes you to a hospital after your fist collides with the mirror in your bathroom. Glass shatters into hundreds of reflections of your warped and terrible image. They’re not as pretty, when the sun isn’t setting in a warehouse with a boy that you think you love.
Your hand bleeds the way that man’s necks did–
Your world spins as you lean over the bowl of the toilet to throw up your lunch. You’d made it with Eri earlier, before Shouta had gotten home from class.
Shouta finds you on the floor, sitting in all that glass, with your hand clutched tightly to your chest. He must’ve heard the commotion next door.
“What happened?” he asks, voice flooding with concern. He doesn’t hesitate to step carefully over the glass to you.
The question feels too large for you.
I did something horrible, you think, that’s what happened.
“I’m sorry,” you mutter weakly, lifting your chin from its place on your chest. “I didn’t mean to.”
(That isn’t true and you know it.
(But you’re always trying to prove you’re good. Especially now. Especially to Shouta– trying to prove you’re worthy of his love.
You suddenly crave Tomura. You didn’t have to prove anything to him.)
Shouta lifts you carefully, cradles you to his body to carry you out to his car to bring you to the hospital. He treats you like you’re fragile, made of glass yourself. “What’s going on with you?” Shouta murmurs gently, but there's almost a plea in it, concern that is so transparent it hurts, “You’re scaring me– I’m worried about you.” he confesses, almost desperate, “You know you can talk to me, don’t you?”
The laugh that sputters out of you is hollow, a grating noise that gets choked off. Shouta looks at you warily, uncertain and fearful.
The hospital keeps you for three days. Eri asks Shouta about you, apparently. She misses you. Shinsou helps her decorate a card for you.
Get well soon! Is written in her poor handwriting with far too many colors, and in Shinsou’s messy scrawl at the bottom;
Miss getting my ass kicked by you.
The doctors tell Shouta you’re struggling with a lot of survivor’s guilt and you have to fight back another absurd, off-kilter laugh.
Part of you thinks you’d be better off with Tomura at this point (your coin uncertain, hanging suspended in the air), if only to relieve you of this guilt, when Shouta tends to you and cares for you and loves you so steadfastly that it makes you feel rotten and horrible and monstrous. He has no idea who he’s loving. And you don’t deserve any of it–
But you think of Eri and the way she clings to your sleeves. And how you and Shinsou share granola bars during training.
And mostly, you are terrified to be without them.
None of it’s the same, though, and you think it’ll eat away at you until you’re nothing at all but the empty lies you kept feeding them.
You want to be better, you realize, when Eri draws you in pictures, holding her hand. You want to be better, you realize, for kids like you, like her–
(Like Tomura–)
So you decide one night, with your hand still bandaged, with Eri sleeping peacefully on the couch in the crux of your arms, and Shouta at the opposite end of the couch, that you will stay with them. The easy thing to do would be to leave, to not look back. But you have always been nothing if not determined, if not a fighter.
You will become who they want you to be, who they believe you to be, even if it tears you apart from the inside out.
Which means giving up Tomura, which feels like giving up a rib.
***
You had hoped you’d be able to slip away from Tomura and leave your secrets in a rundown apartment in a part of the city you grew up in. You had hoped that you could get away unscathed, without Shouta ever knowing more.
But Dabi mentions you to Hawks.
Offhand. Something about another traitor hero. Something about Shigaraki’s bitch.
Tomura also mentions Hawks to you.
And here is your trouble, what you were hoping to avoid by never allowing him to speak about his plans; you now know that the Number Two Pro-Hero is a traitor. However, the only reason you know that, is because of your secret relationship with the leader of the League of Villains that you have been slowly, painstakingly trying to sever yourself from.
(It doesn’t help that he’s latched on tighter–)
So, if you go to Shouta to warn him that the Number Two Pro-Hero is a traitor, you have to also conveniently come forward with your own truth. And what if he thinks you’re a traitor, too?
Surely, it looks that way.
Truthfully, you might as well be– you killed someone.
You killed someone.
Your stomach squeezes tight.
You think of Shouta and Shinsou and Eri and the loss of their love, when you’ve been trying to earn it back.
You don’t get much time to mull this over, though, because while walking back to your own apartment at U.A., a shadowy span of wings fall over your form.
Your heart falls into the pits of you, the drop of it sharp, horrible.
You think running will make it look all the worse.
Besides, he’s fast.
You can’t decide how this will go. Maybe he’ll only want to speak with you, traitor to traitor. But then you will be confronted with the undeniable truth that you now need to share with Shouta, with the Hero Commission, for the sake of people’s safety. You will have to come clean. Maybe it will be worse. Maybe he’s not after you at all, but just in your neck of the woods because–
All other thoughts are cut short when he lands in front of you.
You try to think of a proper reaction. Should you be expecting him? On guard? Should you act surprised?
His wings flare and you realize quickly how massive they are. They throw you into their towering shadow, make you feel like a mouse.
His eyes glint when he pushes up his visor, the gold of them sharp, his pupils a pinprick. The eyes of a predator.
You try not to cower. You stand your ground, lift your lips a little like you might bare teeth in warning, your hackles raising. Backed into the corner, you feel half wild, too.
But Hawks beats you to any form of a greeting, his smile a menacing twist of his lips, like he’s trying to be pleasant but he wants you to see all of those sharp, white teeth of his. You think he doesn’t look like much of a hero in this darkness, with the way his wings look thorny and maroon. His voice is barbed wire, the drawl of it stinging.
You know you’re in deep trouble now;
“You and I need to have a little talk.”
***
You are kept in a steel room that the Hero Commission tells you is not a holding cell, but you definitely think is a holding cell.
Your mind has not slowed since you got here.
You scramble for a story to tell– for lies to sew.
Hawks is not a traitor. Not to the heroes’ at least. He is a traitor to the villains and you know, logically, that this is for the greater good, but something about it bothers you. Villains aren’t people to the Hero Commission. You feel strangely protective of Tomura’s league of outcasts, even if you know you shouldn’t.
But they’re young, with feelings and thoughts and lives and pasts.
Nobody ever mourns us.
No, they don’t, you think, trying to keep away bitter tears from springing to your eyes. They don’t bother trying to see the big picture, they don’t bother to try and figure out why villains are on the rise.
They can’t stomach the idea that maybe their precious hero system has given birth to their villains.
Or maybe they can and they just don’t care.
They need heroes for their charts and money and power, don’t they? So they need villains. A never ending cycle, forever going around on this carousel. You’re dizzy with it, you’re sick of it, caught up in it’s riptide.
You don’t look at Tomura Shigaraki and see the most dangerous, wanted criminal in the country. You see a twenty-year-old pawn, a chip in a bigger game. You see someone as starving and desperate as you were.
You see a coin flip.
(You see the person you fell in love with–)
Shouta enters silently and the moment you see him, you have to try to keep from bursting into tears. Your lip wobbles.
He approaches slowly, cooly, but when he gets near you, his eyes are livid and searching your face, like maybe he could finally find the lies you’d kept buried so deep inside of you. They’ve finally blossomed, you think, all of them sprouting from your body, creeping through your lungs and up your throat to choke you out.
“Tell me the truth finally.” Shouta says, sharp and icy. He speaks like he’s speaking to a criminal, “Now.”
You suck in a shaky breath, try not to flinch when he leans across the metal table and snarls, “And if you are a traitor, at least have the decency to tell me now, before they come in here and interrogate both of us.”
Tears catch in your lashes.
Through the throbbing of your head, you realize you have jeopardized Shouta in the way you never wanted.
“I’m not a traitor.” you get out, voice quiet but firm, barely above a whisper.
“No?” Shouta clips and you can see it now, the hurt in his eyes. He feels betrayed, deeply so, and you can’t even blame him. “Hawks says differently. Says you’ve been working with Shigaraki.”
You rub furiously at your cheek to try and keep the tears from falling, shaking your head quickly, “No–”
“Then what happened?” he snaps and through the blur of your own tears, you catch the way his own eyes glisten.
“I didn’t tell you everything, when I said I thought Shigaraki was stalking me.” you say, having readied this lie the moment that Hawks brought you to the Hero Commission’s doors. You give them the story they want to hear of you, not the one where you fell in love, but the one where you jeopardize yourself for them. You are careful to peer up at him through damp lashes, “I–I got close to him, because he let me, because he was interested in me.”
Shouta goes very, very still. All you can see is his chest rising and falling, quick, as he slowly begins to walk the path you’re leading him down.
“And I thought he might tell me his plans, I thought that I could help–”
“No,” Shouta says in disbelief as it all begins to connect, leaning away from you in shock, “Please tell me you didn’t–”
You lurch towards him slightly, naturally, your hands coming up to the table like you’re reaching for him. “I wanted to prove I could do this–” you choke out, voice breaking, “I wanted to prove I could do undercover work like you wanted– like they wanted!”
“What were you thinking?” he hisses in return.
“You never would’ve let me do this!” you snap, almost plead with him, and it must strike true because he looks away from you momentarily, “I-I saw an opening so I tried to take it– I was perfect for it. Shigaraki was interested in me. I used to be a thief. I would’ve fit in.”
The moment you say it, you realize how true it rings. It startles you, maybe, with how close you were. Almost, but didn’t, your coin doing an extra rotation in air. And why didn’t you? Why not be with Tomura now? Why not be where you fit in most? Where hero society wanted and expected you to be?
“I’m not a traitor,” you cry, tears tracking down your cheeks freely now– you think you’re trying to convince yourself as much as Shouta now, “I promise I’m not a traitor– I couldn’t do that to you. O-or Shinsou. Or Eri–”
And there is your reason. The truth to disguise your lies. You look at him, across from you, his face almost unreadable, with his furrowed brows and tense jaw. His eyes shine, though, gleam with unshed tears as he listens to you. The man who gave you everything, who has cared for you since the moment he found you– perhaps the sole reason your coin has flipped in their favor. All because he did more than what was asked of him, because maybe he just saw someone starving, too, like the way you did with Tomura.
Believe me, you plead, believe this.
There is a long stretch of silence after that, where all you can get in is hiccuping breaths.
Finally, Shouta asks, “Did you find anything out about him? Or the League of Villains?”
You exhale hard with relief, your shoulders finally falling. You collapse somewhat, exhausted, folding in on yourself.
You hang your head, then shake it slowly, “No,” you sniffle, wipe at your drippy nose, “He didn’t tell me anything. He didn’t trust me.”
Shouta eyes you warily.
“So that’s why you encountered him so much. That’s why you were there with Toga Himiko when–” Shouta cuts himself off when he sees your wince, the shuddering of your features at the mention of that incident. But he finally put all of the pieces together. All the pieces you’ve given him, at least.
You nod, stray tears falling quick, dripping off your chin, “I’m sorry for lying,” you get out, “I hated it— I hated lying to you.”
Truth.
Shouta throws you a hard look, “You shouldn’t have. It was dangerous and irresponsible. And now look at what you’ve done–”
Your stomach knots up tightly.
“I thought I could handle it.” You breathe and there is another truth, sprinkled throughout your lies.
But you were so horribly wrong–
Shouta is about to open his mouth again, but the door swings open and a man in a suit enters slowly. His gaze is cool as it falls on you and Shouta. You know this isn’t the end of your conversation with him, you know he wants to know more. But now, he focuses on the higher up that encourages him to sit, too.
He says, because Shouta has been such an upstanding hero and teacher, they are allowing him the courtesy of explaining everything now.
And then you watch as Shouta opens his mouth and lies and lies and lies for you.
He tells them that it was his idea to allow you to get close to Shigaraki. He knew, every step of the way. He tells them he bypassed speaking with a committee at the Hero Commission’s because it would’ve taken too much time. He says that they needed to act quickly and accordingly.
He takes the brunt of it, saves you from far more trouble. He’s a trusted hero. You’re an ex-thief in the eyes of the Hero Commission with a too-big Quirk. They won’t believe you and truthfully, if they did more digging, if they pried more, there is a chance that the truth might leak out of you, open like a wound.
Shouta protects you, the way he always has. You don’t deserve it and you can feel your heart tearing itself to shreds.
You know you can’t go back to Tomura, not after all this.
You watch Shouta lie for you, speak for you, get you out of the grave you have dug yourself. For the second time in your life, Shouta saves you. You try to hold back more tears, you try to hold back from throwing yourself onto him, clinging to him.
And finally, they ask, “Did you learn anything, then? About Shigaraki Tomura?”
He likes sour candy. He has trouble sleeping. He drinks too many energy drinks. There is a scar at the corner of his lip. He has a beauty mark on his chin. He is desperate and starved of love. He let’s a kitten sleep in the sunlight of his apartment. He tries to take care of the League to the best of his ability– he cares about them more than he will admit. He is not heartless. His hands are often cold but seeking, longing for what he can’t have.
Your eyes well up with tears but you take a slow, steadying breath. They don’t want those pieces of him, the human, messy ones. No, they want to know how evil he is, how diabolical his next plan is going to be. But you don’t know any of that, just that he holds you as if he never wants to let you go when you fall asleep at night.
So you’re not lying when you say;
“I don’t know anything about Shigaraki Tomura.”
Only that he wanted to be a hero– when he was a kid.
***
The days following are the worst between you and Shouta.
He doesn’t trust you anymore. You can’t fight him. You have nothing to say, which is perhaps worse than if you tried to fight with him.
There’s no defending you, especially if Shouta even knew half of the truth. He barely speaks with you some days.
He wedges the distance between you two wide, forces it apart further.
He does not comfort you, he does not hold you when you cry this time. He’s not there with soothing, hushed words or the gentle touch of his hand to your cheek.
A piece of his trust is broken, now so severely that it’s just a jagged edge, something you don’t think can ever be soothed.
(And you’re right, in some way– there’s a deep shift in your relationship with him, changed and scarred. It never returns to what you once had, when your life was very simple and all you knew was him.)
He doesn’t ever say, I forgive you. I will trust you again, in time.
But he eventually will make dinner for you again and you will sit beside him, shoulder to shoulder at his table with a respectable, lonesome distance between his heart and yours.
Nothing is ever the same again.
You think about running– from Shouta, from Tomura, from all of it. It would be the easiest option, where you never have to look either in the face again.
But the Hero Commission looks at Eri the same way they looked at you when they discovered you could destroy Quirks and you can’t stomach the idea of leaving her to them.
(Tomura was right in a lot of ways.
And when there’s a war on the horizon and the Hero Commission seeks to use you as a weapon, you will think of him again.
I’ll teach you, if that’s what you want, he’d said to you once. And he did.
You hate the system, the endless cycle, Prometheus chained to his rock, the need of villains to have heroes, the creation of heroes to make villains. The endless bodies, the using and discarding of real, human lives for a greater good. You wish you could destroy it.
But there is more than only destruction, too. What good is rubble and ruin and death?)
You stay so you can do what you can, so you can protect a child with red eyes, with silver hair, and a Quirk too big for their own body.
And you think maybe if you stay with her, it makes up for leaving Tomura.
***
You go to Tomura one last time, walk the distance to his apartment with your hands shoved into your pockets. It’s a familiar walk now. The pavement is wet from rain. It’s cold out. You don’t know what you’re going to tell him. You wonder how he’ll react– for a moment, you’re fearful. Will he lash out? For a moment you wonder if he’ll try to kill you.
But you know, deep down, he wouldn’t. Won’t.
And you won’t pretend you’re scared of him now. You won’t play the innocent hero, not in front of him.
The moment Tomura sees you, he knows something has changed. You are too expressive and now you look at him with a sense of foreboding. With a sadness that he feels uncomfortable gazing at.
You tell him, “I got in trouble with the Hero Commission.”
For a moment, he lets his hope grow and stretch inside of him. Maybe this is finally your turning point, your fall from grace that he will catch you on. But no, your lip wobbles and your eyes dart away.
“I can’t see you anymore,” you whisper.
At first, he wants to snap at you, hiss out something cruel between his bared teeth. Maybe if you had done this a few years ago, a few months ago, he would lash out, try to tear into his neck or you or the world. He thinks about hurting you, slamming you against a wall or–
The thought is unfortunately repulsive to him. He doesn’t want to hurt you, not like that.
His anger and resentment wells inside of him, swarms his chest viciously. He wants to argue, to point out every way your heroes have failed you. The world feels so absurdly unfair suddenly, to give him you– you who quiets his Quirk and touches him gently and winds your arms around him in the way he likes so much– only to then take you away, too. You who destroys with a touch, too. Who is perfect at his side.
But for all his work and care and strategy, he can’t get you to stay.
You will run back to your heroes.
You don’t need him, he realizes now. But you have his rib, tucked away inside of you. He wants to dig into you, pry it out, rip it from your body and take it back for himself.
But you’re crying.
And you’re pretty in the dark, like you’ve always been. This time, though, you’re not looking for a fight, there is no viciousness in you now. Maybe you’re too tired to fight.
So instead of erupting, instead of lashing out, Tomura steels himself. He’ll play the longer game, then. You don’t want to go, but you will. You’ll go back to your heroes and they will disappoint you. As they always do, at some point, eventually.
You will come back to him again, he tells himself.
And he will be forgiving, the way All For One has been with him. He sees it now; you, needing his hand, needing him to take you back. He will welcome you back into his arms, as if you hadn’t even left, and you will know then that you were right to leave.
He gazes at you, red eyes smoldering, “Then don’t.” he rasps and he’s trying to remain dispassionate, but his voice has a trembling note in it, the hidden fear underneath the harsh coolness.
Your eyes flicker back to him, your lips parting in surprise. You wipe at your eyes.
“So that’s it?”
And this makes him angry, the sharp tug of it like a dog at the end of it’s leash. He lurches forward threateningly, like he might hurt you.
(You don’t flinch. And he stops himself before he gets too close.)
“What?” he snaps, “Did you want me to beg for you to stay?”
He wants to, he realizes, he wants to howl and scream and tear apart everything in sight. He wants to say don’t go, don’t go, don’t slip from me, too.
He wants to bargain with you– what is it he can’t give you that they can?
Your heroes only love you because they don’t know you, they don’t know what you’ve done. Your heroes only love you as far as truth and justice go. A hero would sacrifice you for the greater good and you would agree with them, even if you were shaking and crying, even if you burned with all that liveliness.
But he’d sooner sacrifice the world for you.
You have his rib, he wants to scream, of course he wants to beg.
You shake your head, though, more tears falling free, “No,” you say, voice surprisingly strong, “No, I never made you beg.”
The truth of it burrows beneath his skin. He knows. The itch squirms beneath his skin. His hand reaches up, digs into the crook of his neck to scratch at it.
It’s Dabi’s voice in his head that says something about getting too distracted with this braindead hero. He has bigger plans than hiding in an abandoned apartment with you. More to do. You were nothing but a side quest.
His pause screen.
Besides, what’s there to be upset about? You’ll come back.
He won’t even punish you for leaving, he promises. He promises.
“Then that’s it.” Tomura tells you, a bitter curl to his lips.
There’s no goodbye, just the breeze between the two of you, the empty space that he always hated. The nothingness between that he always sought to destroy.
Eventually, he just turns away from you. He can’t stomach looking at you any longer. He can feel your eyes pressing into his retreating form– he imagines you rushing for him, crashing into his back to throw your arms around his middle. You can’t do it, you’ll cry, burying your face between his shoulder blades. And he’ll freeze, but eventually he’ll wrap his arms around yours and bow his head with the strength of your feelings for him.
Or he imagines later, when it’s the end of the world, and you emerge from the rubble to reach for him. It’ll be like his dreams, when the sky is falling, and you only want to hold his hand in yours.
He imagines you shouting to him, changing your mind, saying his name like it’s a song to sing, not mourning bells, not a curse or an affliction.
But none of it happens.
And when he turns around, you are gone.
You leave his life as viciously as you entered it, suddenly there, all furious and beautiful, and now gone, like a lightning strike, like a lifetime.
***
You tell yourself you’re going to be fine, but you spend random days weeping over a villain. You spend long nights awake, missing him, replaying it all in your mind. You cover all your mirrors. You try to be different. You wish you could say you regret ever getting involved with him, but it would be one more lie. You wish for the time before the worst of it, the strange honeymoon you never should’ve had.
You wish you’d remembered to slow down, to savor it all a little more. You try to remember what your first kiss was like and the shade of his eyes through the evening light of an abandoned warehouse.
You try to remember when you didn’t feel so heavy, so corrosive and lost.
It doesn’t help that you’re suspended from heroing; a choice made by both the Hero Commission and Shouta. There’s nothing for you to do some evenings.
Shouta lets you train with him and Shinsou still. Shinsou tries to cheer you up, though he doesn’t know what’s wrong with you. Still, it hurts because he’s trying. It hurts because he cares so much, even about you.
You don’t deserve it, after everything.
You take care of Eri more, too, now that she is nearly in Shouta’s care. You babysit her while he’s away. You grow close with her, fiercely protective of the young girl, careful to keep the Hero Commission at a distance from her. She settles in your lap on the couch in Shouta’s apartment most evenings, watching TV and movies, while he grades papers at the opposite end.
Sometimes she falls asleep tucked into your side. You stroke her silver hair and try to bite back tears.
She catches you, sometimes, perceptive as she is, and asks very gently, “Why are you sad?” even if a tear hasn’t slipped free yet.
And you always shake your head, trying to dispel the thought of Tomura and the parents that gave him such a tragic name as a child. You force a smile for her and you tell her something silly to distract her, “I’m not,” you promise, “I just think there’s an onion nearby.”
She wrinkles her nose at this, “No, there isn’t!” but she’s easily distracted with tickles or the promise of painting her nails or having a tea party with Shouta.
Miraculously, your relationship with Shouta begins to heal, despite your betrayal. You think he can tell something worse happened to you during your time with Tomura, you think he can tell that you’re hurting, so he ends up gentler with you. He doesn’t trust you, though, keeps you on a tight leash. He looks at you some days like he isn’t quite sure he knows you.
Nothing is the same. Part of you wants to regret it. The part of you that loves Tomura can’t stomach the idea of regretting it. Someone is dead because of you. Someone is alive because of you, too.
But Shouta doesn’t ask and you don’t tell, can’t seem to speak the words.
You can’t even say, I fell in love, can’t speak the truth because it is so horrible.
And you know what everyone would ask; who could love the likes of him?
Me, you think, vehement and grief-stricken, me, you think defiantly. Why couldn’t you? He was a child once–
Shouta lets you burrow into his chest, wraps his arms around you. He sways with you in the kitchen until you can keep back your tears, until your heart has slowed to the tempo of his. He kisses the top of your head.
And it’s Shouta who is with you, when you return from training, and open the door to your apartment to reveal a scruffy, mangy looking grey kitten that wasn’t there when you left.
Ryuji chirps happily at you, rushing to the open door.
For a moment, you’re so shocked that all you can do is stand, startled, as he rubs himself against your legs.
“Don’t tell me you found another stray–” Shouta starts, but all you get out is a small, choked noise.
And here is the impact from the fall, you think, looking at that little cat that is excitedly winding itself around your legs. You can feel the shattering of your heart, like he’d lobbed it against the wall. You wonder if it catches light the same way glass does, all stained with color and broken into shards.
You drop to the floor with the weight of it all, with the clean splitting of your heart.
The moment Ryuji climbs into your lap, a sob finally ruptures out of you.
Shouta is fast, coming down beside you, you think he’s asking what’s wrong, why you’re crying, but you’ve already gathered the kitten into your arms, cradling him to your chest as the tears come quick and furious down your cheeks.
You think maybe you should be more concerned as to how he got Ryuji here, in U.A. dorms, you should be worried about security and safety but all you’re thinking about is that little apartment that you hid from the world with him in.
No, all you’re thinking about is the way light fell through the lone window to turn him hazy and soft in your memory. You’re thinking about how he never denied you affection, so long as you gave it tenfold in turn. The drawl of his voice. The pressing of his fingers into your skin like you were a miracle.
To him, you were.
Another sob spills out of you, from somewhere deep inside you.
What a lonely life, to only be able to touch one person in certainty. You wonder who will be the next person that will lay their hands gently on a body that has known too much pain. You wonder if you will be the last person to do it.
The thought hurts, opens up a part of you that is tender and shaking and desperately furious.
When Shouta can’t figure out what’s wrong with you or why you’re crying, he gives up, and sits on the floor with you. He gathers you into his lap so your back is pressed to his chest, pushing your head beneath his chin, Ryuji still cradled in your arms.
You cry harder when Shouta tries to comfort you, when he hushes softly, so sweetly, only because you don’t think there’s anyone to comfort Tomura like this.
You think of Tomura alone, even without Ryuji and it just–
Crushes you.
You squeeze the kitten tighter to your chest as you cry and cry and cry. You let Shouta hold you against him, but there’s no comfort in the aching hollowness that is growing in the pit of your chest.
You want to scream at the world that tossed the coin.
But all that comes out is a garbled, misery struck, cry.
You never told him you loved him, never gave word to what consumed you. And you realize, sitting on the floor with a kitten in your arms, that you won’t ever be able to tell him now.
It will live and die inside of you, never spoken into existence.
And even though it’s too late and Tomura Shigaraki is readying for a battle with a giant without you at his side, you still whisper the words you never got to speak into the top of Ryuji’s head.
Your lips barely move with it, the quietest, most desperate, “I love you– I loved you.” that escapes you with a trembling breath.
Shouta doesn’t even hear the confession.
Ryuji nudges your cheek with his, though, purring softly, keeping your secret safe.
And in the least, you are able to twist into Shouta’s arms and bury your face in his chest to cry as hard as you need. There’s no distance between the two of you now, like you always wanted.
Always here when you need him, even now, when it’s not him you want.
The irony isn’t lost on you.
You mumble incoherent apologies into his shoulder, try to hide in him, like he might be able to shield you from all the hurt and ache of your first love. He doesn’t ask, but he tells you very gently, his voice like the hearth of your home, “If you ever want to talk, I’ll always be there for you.”
You keep Ryuji, clean him up, fit him with a new collar, a new life. Shouta helps you care for him.
Eri adores the kitten, hugging him to her smiling face every time she sees him. Thankfully Ryuji is even-tempered, eager for affection. Almost desperate for it.
Ryuji is like proof of another world, proof that it all happened.
Sometimes you rub between his ears and ask, “Do you miss it, too?” but all he does is peer at you inquisitively, eyes large and fixed on you.
You sleep with him, though, let the kitten curl up in your lonesome arms, hold tight to him the way you used to hold tight to Tomura.
***
In the middle of the night, your phone wakes you with its insistent chime and buzzing. You blink awake sleepily, slowly and blindly paw for your phone.
You turn the screen towards you and squint at the bright light, making out the word that flashes on it;
Unknown Caller.
You grimace, rubbing at your eyes. You debate putting your phone down, letting it ring and go to voicemail. Why should you answer for an unknown caller in the middle of the night?
And yet, something in you squirms, urges you to pick up. You have no idea who it might be— maybe someone needs your help. Is it possible it’s Shouta? Shinsou? What if it’s—
You answer finally, groggy voice slurring out, “Hello?”
You’re met with static.
“Hello?” you say again, voice hushed with sleep.
Still nothing.
Tomura sits on the other side, with the phone pressed desperately to his ear. He holds everything inside of him, barely allows himself to breathe on the other end.
He doesn’t know why he’s done this, only that he is on his way to proving himself with the League and he wishes you were still at his side.
He swallows, hears you call again, “Hello? Anyone there?”
He tightens his four-finger grip on the phone, squeezing his eyes shut at the sound of your voice, sleepy and soft in his ear, wrapping around the jagged parts of his heart.
He exhales and you must hear it because you say, “Is someone there?”
He bites back an answer, feels his lip tremble slightly.
He hears you huff, indignant little thing that you are and his lips pull into a shaky, painful smile. “I’m going to hang up now,” you say, all prickly, the way you’d get if he woke you too soon.
He used to soothe you with lips and teeth and tongue, run diligent fingers over you until you were sighing and arching into his touch. Until all your hard, vicious edges softened with the flattening of his palm on your body.
And for some reason you try, one last time into coaxing him to answer, “C’mon,” you say, almost like you know, “Nothing?”
Nothing, he wants to echo, but doesn’t.
His heart pounds an uneasy rhythm, a haunted tempo. He feels himself shaking again.
“Okay,” you exhale, slow, like you’re giving him a chance to stop you, “Goodbye.”
A beat passes, before he feels his heart lurch painfully in the hollow place of his chest at the thought of not hearing your voice again like this, so near. He doesn’t want you to go, wants to listen to you until it coaxes him to sleep.
“Wait– don’t hang up–“ Tomura hisses into the phone at the last moment, unable to decide if he wants you to hear him or not.
He gets his answer in the buzzing silence, long and drawn out, that fills his head. His heart.
And he sits there with his phone still in hand and his heart still on the line.
***
Tomura shouldn’t be here. He shouldn’t be watching you from afar, in the park that he thought you’d looked like a painting in. You’re beautiful.
But what does someone like him know about beauty, anyways?
The fireburst leaves are nearly gone, barely clinging to lone and stark branches. They claw up into the sky now, but the sun is shining. It’s mid-morning. You’re in the park with your mentor, with the violet haired boy he’d seen you with before, and the little girl with silver hair. The one that was in Overhaul’s care, with the devastating Quirk.
She tugs excitedly at your sleeve now and you give her your undivided attention, your face lighting up with whatever it is she tells you.
You scoop her into your arms and her echoing giggle is like wind chimes, melodic and childish and care-free.
You look happy, he thinks, with your mentor’s hand on the small of your back, looking down at you and the girl fondly. The violet-haired boy says something that makes the girl laugh, it makes you smile as you watch her.
You look back at your mentor with a look that Tomura has come to know; one that begs of attention and approval and affection. He can see the desperate glint to your eyes, hungry for his love.
He swallows around the sharp bitterness he feels. Jealousy floods him in a way he has never fully known. But it’s more than just jealousy for you and your attention, for the way you’re looking at your mentor.
No, it’s something greater, far worse.
He’s jealous of your mentor, with the easy way he gets to touch and look at you out in public. But he’s also jealous of you and your life.
He doesn’t realize it at first, but he’s begun to shake.
Because you were saved– isn’t that it? You were saved. And he wasn’t.
Maybe he’s jealous of the boy with you, too, with the possibility of his life so much brighter already. He has more of a chance than Tomura ever had.
Or maybe it’s the girl in your arms, with eyes like his, who he is most jealous of now. He has never allowed himself to ask;
Why couldn’t it be me?
But now he does and he can feel the pit in his chest grow with a livid sort of despair. Grief for a life never lived. Didn’t he deserve to be saved, too? Like the girl in your arms? Like you? Didn’t he deserve a life like this, too? What’s the difference? He wants to demand it, what’s the difference?
You were just a kid, you know?
His fingers dig into his neck. There is no one to stop him from breaking skin, for drawing blood on his own body. His chest festers, angry, like a blister. His stomach turns, his body trembling harder, like he’s a child, like he’s going to shake apart.
He looks at your smiling face, the curve of your lips, and wants you so bad it hurts. He wonders if you ever dreamt of him as a hero, the way he dreams of you as a villain. He wonders why it feels so unfair suddenly, the turning of your lives, the coming together and falling apart.
He shudders, feels the sudden lump in his throat. He tried not to mourn you, when you left him. He told himself that there was nothing to mourn; either you would be back or you weren’t worth it. He feels the pressure of tears now, though, much to his frustration. He feels his lungs burn for breath as he watches you hand the little girl off to your mentor, who props her onto his hip easily.
He watches you throw your head back and laugh, the sound of it distant, but he catches it, the outskirts of it. He used to feel that laugh against his throat, against his lips.
But now he watches you live a life he apparently never deserved.
His bottom lip trembles, a furious scowl marring his face.
He could scream or shout at a world that wouldn’t listen. The fact of it all, the helplessness of it all, burns beneath his skin like wildfire, like acid.
Tomura takes one last look at you; the expressive glimmer of your eyes, the flash of your teeth. He lingers on you, commits you to memory as if he could ever forget you. Maybe someday he will. Maybe he won’t have to, if you come back to him.
But he won’t wait on it, in an apartment that still has traces of you in it’s corners and crevices. No, he has more to do, bigger than him. Bigger than you.
Even if the horrible tempo of his heart begs differently, even if the shaking in his shoulders is an indication otherwise.
One last look of you– you’re talking, saying something with your hands. The little girl laughs again, her red eyes crinkling up happily.
Tomura turns away.
He walks a familiar path to the apartment, the wind tries to slice through his jacket, kicks up leaves and litter in shadowed alleyways.
He enters and there is no one trailing behind him, your hands twisted into the back of his hoodie, or his sleeves. It’s quiet. Empty. He surveys it once, the bed with unmade sheets. The window that let in beams of colored light, that Ryuji would sit at.
And then he sets his hands on the wall, all ten of his fingers down, the way he used to touch you.
The wall begins to decay, cracks and crumbles beneath his hands. It spreads, and spreads, and spreads like a disease filling out the body of the apartment. Dust begins to fall like early snow.
His heart squeezes painfully, his eyes suddenly flooding with pressure, with tears he tries to keep back. His head throbs, feels like it’s going to cleave apart. His ribs ache– hurt so bad it’s like he can feel the one you took from him, the gaping part of his chest.
His Quirk flares hard and hot and fast. It burns through him, floods his veins in a way that makes him cry out, suddenly shaking, suddenly pained.
He destroys the apartment, disintegrates the tiny world he created with you that existed outside of the real one. He unpauses the game. He takes apart what the world should’ve been, when he was here, with you. He sees now that a world like this cannot exist.
The peace, the ideal, the way you had understood him. Your unending compassion. It’s rare. Not enough to save the rest of them.
So he tears it all apart, pushes at his Quirk in a way he hasn’t been able to before, nudges at its strength to test it. It flares outward, eating away at the entire space, at the furniture, at the floor. Everywhere.
He seethes, blooming, finally allowing that livid and vicious thing inside of him to burst forward. It’s explosive, wrenching out of him in the form of terrible destruction.
He’ll grow into what he was supposed to–
I wanted to be a hero– when I was a kid.
The only option he ever really had, the hand extended to him a villain’s, gentle when he’d taken it.
He destroys the boy inside him, the one that was naive and hopeful and weak. He let’s that boy inside of him fall apart, split open and leaks gore before turning to dust, too. He kills the part of him that he had only ever shared with you, in the blue-dark of night, when you were lulled to sleep with just the sound of his heart.
He swallows down his anguish and his jealousy and his bitterness, keeps it safe inside him, like All For One always said to do. He’ll nourish it, let it grow, fester inside of him until the only thing it can do is explode out of him to tear the world apart, too.
When he’s standing in the rubble of the tiny world you’d made with him, the apartment complex demolished, the people inside gone, he knows what he has to do.
And he has so much work to do in order to achieve it.
He tries to forget you, to destroy your memory, too. He will not carry the weight of you around inside him.
(But in his dreams, you sit cross-legged in front of him, serene and beautiful, like a painting he knows nothing about.
In his dreams, you ask for his hands to have, and he gives you them to hold.)
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