#this hyperfixation will last perhaps a week but for that week i will be insane.

[meerlichtz]

ok but I am actually unwell about this. imagine you’ve been murdered and tortured time and time again, eaten twice and killed thrice, and then the person you live with, your best friend, gently tells you, in total darkness, how he likes looking at you. and you say that you like looking at him, too, because you do. red is your favourite color for a reason. and neither of you can smile because his face is covered by yarn and you don’t actually have a mouth but the moment is so gentle and quiet and soft and it’s nothing like everything you’ve been through, like the horrors you’ve seen and the things they’ve done to you. every day you wake up in your personal hell with no way to escape but it doesn’t matter, not right now. in this moment, he is kind to you. he likes looking at you. you like looking back at him.

and also you look like this and he looks like that

[fatesundress]

⭑ made with love. draco malfoy x reader

summary. it's winter, you’re sick, and draco is extremely rational a terrible, doting mess about it.

tags. fluff! so much fluff! married couple, gn!reader, lots of banter, post-hogwarts with one fleeting mention of the war, draco's anxiety is whetted by a common cold, he basically treats the reader like they hung the moon in the sky and also have the power to yank it down at any given moment. he's very grumpy. but so so in love.

note. my sweet anons!! i tried on three separate occasions to write the requests in my inbox but sometimes i need to be in the depths of hell (ovulation week) to manage smut. i'm sorry. i've made some progress i swear! but the draco hyperfixation came out of NOWHERE and unfortunately i had to indulge in it. also thank you so much for 200! :’)

word count. 1.6k

You are deplorable.

With a fever temperature of 40° and explicit instructions to stay in bed, you’re discernibly not in bed when he makes it home from the apothecary, a jumbled mess of the blankets he’d swathed you in left in your place. Your slippers are absent. Your slippers — in two feet of snow. Your coat is gone too, at least; ridiculously thick and unnecessarily long, though now he’s thankful for it.

Draco paces. Then he sets the Pepperup Elixir over a flame at his desk to keep warm, pours two drops of Sleeping Draught into a mug for your tea, and paces again.

He should have insisted on binding rings for your wedding, he thinks. Something to trace you in emergencies. There’s little to do without them as you’ve evidently either taken the Floo or Apparated, and, in truth, he can’t remember the last time he’s been this nervous. In school, perhaps? During the war? You have him comparing his nerves over a bad cold to those he felt during war. The insanity of that is actually not lost on him, if that counts for anything.

But you are deplorable, and his. His almost as much as he is maddeningly, irremediably yours.

How he allowed an aliment like this to infect him goes against all evolutionary sense. It’s a fever of its own. Incurable despite knowing its cause, and probably festering worse than yours.

And then the fireplace hisses and out you stumble with soot on one cheek and frost on the other, the neck of your coat zipped up to swallow half of your face. In an arm shoved deep in your pocket, a bag swings from the puffy coat crease of your elbow, and Draco baulks. It’s a muggle grocery bag — translucent enough that he can see the square imprint of your favourite sleepy-time tea, a chocolate bar, cans of what he thinks are soup, and — a lemon? Yes. A big miserable lemon that you’ve deigned was worth almost killing yourself over.

Draco does not hear whatever excuses escape your chattering teeth as he plucks your hand from its pocket, puts the bag down, pulls off your coat while you slap at his hands and insist you can do it yourself, and only because he thinks you’d hex him to oblivion if he tried, leads you with a hand on your back to the bedroom rather than hauling you into his arms and carrying you.

“A lemon,” he says, and is aware by the severity of his tone he might as well be saying a gun, or a missile, or a milk crate of Living Death cartons. “You forayed into a snowstorm for a lemon. Do you think I’m incapable of reading a grocery list? I just Flooed —”

“I got more than a lemon,” you huff in a weak voice.

It is appalling that that’s what you take from his admonishment.

Your snow-soaked slippers are tossed aside as you tumble into bed. Draco bundles you in blankets and holds his wand out to take your vitals. You roll your eyes all the while, but once the cold wears off he’s sure you’ll be burning hotter than you were this morning.

He shakes his head. “Lemons are common stock in apothecaries, you know. The shavings are essential in Weedosoros antidotes.”

“Yes, but they’re always so dry.”

“And chocolate — they sell it at Téa’s across the street for the magizoologists. Did you know that?”

“Hmph. No Cadbury, though.”

“And I’ve already warmed the Pepperup and poured you Sleeping Draught, despite your urgency for this —” He pulls the box of tea from your grocery bag, impressed with an image of a little bear with a red nightcap, a steaming cuppa, and a plate of biscuits — “Inarguably superior muggle panacea —”

“I never claimed it was a panacea —”

“Of which we should have distributed to St. Mungo’s en masse. In fact, I should owl them now so they’re informed the Sleeping Draughts are ineffective by comparison —”

“You’re insufferable —”

“Imagine all the orphans without rest —”

“Actually ridiculous —”

“You’re ridiculous. And I hate this bear. Look at his hat. Bloody Gryffindor.”

“Do you know what the wizarding world is lacking? — If you’re concerned enough to make a donation, Mr Malfoy?”

You think it’s hilarious to call him that. He does well not to mention you are, by law, also a Malfoy, and his money is your money to donate as you please.

“What is that?”

“Soup,” you say. “Canned soup — canned with love.”

“We are lacking soup canned with love,” Draco repeats, just to be sure.

“Yes.”

“I’ll be sure to write the Minister.”

“Do.”

“Only if you stay in bed.”

“Hmmm… mmmm… well. Hm.”

“Incorrigible,” he mumbles, brushing the damp from your face before getting up to fix your tea. (He kisses your cheek for good measure, big sop that he is. You do well not to mention it.) “Don’t move or I’ll cast wards on the fireplace.”

“Oh! Cast wards on the doors, too. I might go for a walk.”

He glares at you from the archway. Your answering laugh is broken by a coughing fit, and you look reluctantly glum when he raises a told-you-so brow.

Draco mutters about how ridiculous you are through the kitchen and back, as he steeps your tea, heats your soup, unstoppers the Pepperup Elixir, pours it in an old shot glass from a trip to Italy (you have no graduated plastic cups lying around), squeezes the big stupid lemon in your tea, carries it all to your bed on a tray and realises, still muttering, that these are a lot of steps. But Draco balances the tray without an utterance of magic. It’s rather impressive. You should be sorely sorry.

You are, instead, asleep.

You’re splayed across the bed like something Baroque, limbs fascinatingly posed: half under the blankets and half stubbornly poking out despite his fervent tucking, head nuzzled into the pillow with a slight frown. If Draco were any better with a camera he’d take a picture. Instead he takes careful steps to your bedside, placing the tray on the nightstand and sitting as close as he can manage without disturbing the (once more, revolutionary) arrangement of your legs. It feels criminal to wake you. His fretful anger that you’d gone out in the cold is whittled to a humiliatingly thin and empty husk, and all that remains is mushy adoration. Damn you for that; you look ridiculous anyhow.

Draco kisses your cheek again. Your nose. Your forehead. He traces an invisible portrait of your face with his fingers, as if he’s ever drawn anything better than nasty stick figures on crumpled parchment in school. You, though, he thinks he knows well enough by memory to try.

You stir, not too far from consciousness that it’s a challenge to find it again, but far enough to be audibly vexed by his summons to the surface.

Draco means to berate you in that way he's so good at — chin pointed and scowl permanently etched — but you grumble with a sick, hoarse voice and he falters in a pathetic display. “You forgot your love-suffused muggle soup,” he whispers, one hand cupping your cheek.

“Ugh.”

“Heinous, I know. Sit up for me?”

“Magic word.”

There’s his scowl. “Alohomora.”

“Not that magic word.”

“Imperio.”

“Unforgivables, Draco Malfoy?”

“Hmm, Locomotor Wibbly?”

You sink further into the bed, pulling the uppermost blanket over your head inch by inch. 

“Please,” he says, with profound displeasure.

You sit up and smile.

Draco sighs and lays the legs of the tray out over your lap. You regard his service with sleepy content, one of your hands travelling to his face in what his heart surges to appreciate is an honest thanks after his several near-heart attacks, and then your gaze finds the medically expert Pepperup in an Italian shot glass and it falls.

You groan. “Draco…”

His name says, quite plainly, please don’t make me.

Draco has enough self-respect to at least deny you this. “Wards.”

That says, quite plainly, I was not joking about the fireplace.

You look as though you’re contemplating the severity of two horrors, but it passes fleetingly, with one curse under your breath and a sour expression as you down the shot of Pepperup like… a shot. Burning Ogden’s that scrunches your face up until you shake it away with a blagh noise. 

Come to think of it, Draco's choice of glass is much more appropriate than some medical cup.

“Better?”

You shudder. “I will be.”

“Good. Have your love soup and stupid lemons.”

And then, when he isn’t expecting it, your hot palm finds the place it left off; Draco’s healthily warm, sharp cheek, the soft fuzz of hair beside his ears before your fingers card through the longer strands and you hum like he’s your favourite thing to hold onto.

He melts, eyes fluttering shut. You’re sick, and wholeheartedly deplorable, but you’re safe, and it’ll be alright.

“Draco?”

“Mm.”

“The soup.”

He opens his eyes. “The soup?”

“You know it was canned with love.”

“I trust you wouldn’t have bought it otherwise.”

“And,” you say, thumb flush over his bottom lip as you smile a groggy, self-satisfied smile, “it was made with love, too, right?”

He rolls his eyes, and kisses you nonetheless. “You never cease to ask absurd questions.”

[episodeoftv]

Prelims, Vote 3 of 8

The top 4 finales will move on to be included in the main bracket

Propaganda is under the cut, may include spoilers

Blake's 7 - 4.13 Blake

Technically, the episode is a very, very good one. Hell, I wouldn't wish for a different finale, to be honest. It's perfect, in its own "What the actual hell!?" way, and it does wonders for the show's themes of doomed struggle. The problem with it is that it was intended to be just a *series* finale, not the *show's* finale, so it ends on an extremely high-stakes cliffhanger. It's fantastic, it's scary, it's heartbreaking, you want more, you want to see it resolved... and the show was cancelled after the fourth series. So all we have is an extremely bleak ending with all but one character presumed dead and that damned last smile in the face of overwhelming odds in a completely hopeless situation.

Castle Rock (2018) - 1.10 Romans

When this show was coming out I was still deep in my Stephen King hyperfixation so needless to say I was *stoked*. But man this was one of the most underwhelming things I've watched. With episodes released weekly we had two months of people going insane with theories, new revelations, Stephen King fans digging up their old books to pick for scraps of hints that could explain what's going on, every week there were new video essays and analyses of the new episode, subreddit buzzing with the wildest theories about who is this mysterious character of The Kid who's kicked the whole plot in motion and what the hell is going on with the seemingly cursed town. And then the finale came and just. Nothing. Everything went back to square one. The Kid is locked back up in the same cage he was originally found in. Nothing was explained. Everyone moves on as if nothing happened. After two months of Castle Rock being the main focus of all of my free time this completely took the wind out of my sails and I completely lost interest in the show and honestly, soon almost forgot it even existed. When the second season came out I didn't watch even the first episode, even though the second season *might* have explained everything, I simply didn't care enough to find out anymore. And from what I've seen, others have felt the same way because since the first season ended I haven't really seen anyone talk about the show.

Chilling Adventures of Sabrina - 4.08 Chapter Thirty-Six: At The Mountains of Madness

Ok so in fairness this entire final season sucked but the real kicker is that in the final scene we learn that after the main character died, her love interest killed himself in order to be with her in the afterlife. Yeah, a teenager committed suicide and we were supposed to see that as a happy ending.

Choukou Senshi Changerion - 1.39 Over the Times...

It's the last episode, which means no new information or worlds should be introduced, right? WRONG. Inoue (the main writer) decided that, for this last episode, we should see into an alternate (maybe, perhaps) timeline alongside the regular content. The bad guys are coming, except our main guy is starting to go down and remembering all the things that have happened, as well. And then it just ends. On an explosion, of course. Roll Credits!

The Get Down - 5.11 Only from Exile Can We Come Home

rushed to complete the show and low on budget, the writers sent every character besides the protagonist (zeke) to their worst possible fate. shao, finally free and with the person he loved, was coerced to return to the sexually abusive woman who had been his boss since he was a child. dizzee is implied to have been struck by a train after breaking his boyfriend out of prison for graffiti. and boo-boo, the 14 year old, is arrested for selling drugs. in some ways its thematically appropriate, but the unrelenting viciousness of the end of each character's story is sudden, deeply tonally jarring, and leaves the audience feeling despondent and hopeless even with the main character surviving to sing it all as an adult and his love interest finding success as a singer, albeit far away in another city. tgd is an excellent show, but besides being cancelled, the big kicker for it was that the romantic lead mylene didn't hit for a lot of people, and watchers who preferred shao and zeke to get together due to having such strong chemistry and a well-developed bond probably had a very different experience than the writers had intended. mylene is a fine character and she's unfairly disliked by a lot of watchers, but her romance with zeke was simply not as well developed as shao's and zeke's relationship was

Grimm - 3.22 Blond Ambition

It forgoes the usual: 'there is a scary wesen that is causing problems and we can solve this' formula to pay off other plot points, but it kinda makes the episode feel less tethered. The focus is a wedding between supporting characters, whilst a former finale villain is just stalking around town and also a (corrupt) FBI agent is preparing to make his move. Both make their moves and the results are kinda lame. The agent is almost immediately beheaded rendering his active threat moot. And the other villain disguised herself as the MC's girlfriend and sleeps with him. The only major points are the wedding, a police captain getting shot (glossed over here but become relevant next season), the FBI agent dying (it starts a dull investigation next season), and the MC losing his power right at the end (which led to one of the worst periods in the show until he regains his powers...)

Jane the Virgin - 5.19 Chapter One Hundred

No propaganda submitted

[sihtricfedaraaahvicius]

Introduction? Introduction.

I figured that now I am getting more connected to some of you here, it's time to be a little less anonymous. I am ready to overshare.

My name is Sanne (she/her), I'm 28 and I am from/live in the Netherlands. I live with my boyfriend, who is from Lithuania, like Arnas, and the same age as him too, which simply amuses me endlessly at this point. We also have pet rats named Salem and Thor (yes, we had a Loki too).

I love movies, series, books and music. Music wise I am a metalhead at heart. I am an occultist and a pagan, and in general I love all things spooky. Our house is 24/7 in Halloween mode basically, and so am I. (If anyone from twitter is here right now who happens to follow me, you will know exactly who I am by this description lmao).

I only found TLK very, very recently. I am usually not a fan of period pieces, but one evening I was bored and this popped up on Netflix and I decided to give it a go. Many factors made me fall in love with the show and I binged it within two weeks, only a few weeks before the movie got released. It became a part of my life real quick.

A little fun fact: I was diagnosed with adhd only last year (fuck my life, right?) so it is easy for me to completely get lost into one thing. However, I know when something is going to stick with me and when something is just a quick hyperfixation.

And TLK? My dudes, it's a keeper.

Because of my adhd it is very hard for me to stay focused on something for a long time without getting distracted. The fact that I was able to binge this show with no interruption is insane to me. I started reading the books shortly after (I am currently reading the 4th book) and as much as I love reading: it is not easy for me either. The amount of half read books I have is something I will never tell. But I swear (on Thor's hammer) this whole series is made for people with adhd, because I have never read books so fast, so easily.

And I know it's impossible to tell, but my fave character is Sihtric. Why? I am not sure, it just happened.

I have never been into fanfics, but I was so eager to read more of him (and other characters) that I found myself searching for fics. But I was a little surprised by how "limited" results popped up, so here I am, doing god's work (just kidding). I am on sick leave for several reasons, and these lil fics give me some purpose during the day and keep me from bad habits, I've noticed, so I am just having fun here. I have no experience writing fics, I only write poetry, so to see nice and loving comments about my fics has been quite overwhelming and heartwarming!

Look at me, oversharing. Is anyone still reading this? Probably not.

Anyway...

I was lucky my bank account less lucky to see that Arnas, Mark, Alexander and Timothy will attend a comic con in Germany next week. I told myself not to go due to the finances, but with some luck (fate, perhaps?) I found out last week that I could make it. Alas, I got my tickets. For now I only have tickets secured for Arnas, but I will get a duo op with Mark and Arnas asap (because: faves).

I would love to meet Alexander and Timothy too, but the entire group op is just too expensive for me, unfortunately. I will travel alone and attend the con on my own and I am literally terrified. I have never been to cons alone (social anxiety has entered the chat) and the chances of getting a sensory overload and a meltdown are huge.

However, the fact that I made the decision to go there is really saying something about what this show, these characters and these people became to mean to me, in such a short period. Destiny really is all, I guess! Anyway, I have rambled for way too long. Sorry.

Feel free to introduce yourself to me!!

[piratewithvigor]

How I listen to each of my favourite bands (a bullet point piece)

Aerosmith: They're on the radio. It's the fifth time today. Somehow never the same song. Until tomorrow, anyway. One will make you homesick. One will make you sit in slack-jawed awe of Joe Perry. One will make you curse the day he was born. They all make you love him. In the back of your mind, your thumbs hurt.

The Beatles: You have all the studio albums on your iPod nano with the scroll wheel. It has 2GB of space, so there's nothing else. You sing along to the songs with your best friend in 7th grade during school. The teacher tells you to keep it French or to shut up. You switch to "Michelle" because you're 12 and a smartass.

Bon Jovi: You're on the bus home from a long day of fifth grade. When you get home, the same old, same old. You don't know it yet but this is the beginning of your depression. As you graduate from Crossroads to a 2-Disc Best Of, everything feels worse. You work on a puzzle in the basement and even though maybe no one will ever love you, Bon Jovi understands.

Buddy Holly: For the first time since high school started, you have a friend. She's wonderful and she understands you. Maybe there's 3 time zones between you, but it doesn't stop you from digging a hole deep into a fantasy world that you live in for months with her. Buddy's music is simple and the records are bright yellow. Maybe everything will be okay.

David Bowie: You didn't care when he died. You didn't know better. You got a CD of greatest hits for your birthday two months later. You still didn't understand the fuss all too well. A few tracks pop out at you and you get the album that features them. Dad insists you listen to the album in the dark on the floor (he doesn't say while smoking weed, but if it were the 70s, you would have). Finally you understand: David understands you.

Def Leppard: You're 13 and trying to find your place in the world. Trying to make a name, so you write. As the characters who make no sense are fleshed out in 1667 words every single day, the drum loop that finished Pyromania follows you around.

The Doors: You don't know how Jim Morrison came into your life. Maybe it was by an experiment gone wrong or a curiosity. Your classmates question why you're reading a book with a shirtless man posed as if being crucified. You don't know how to answer that you think you might be him. You hadn't believed in reincarnation, but he sparked something inside you. You can feel consciousness slip away when he plays his game called 'Go Insane'. You hold a Celebration Of The Lizard for a poetry slam and the adrenaline pushes you through your fear. You feel Jim's words in your actions for years. He watches you when you sleep.

GNR: You send your siblings out of the basement. They aren't old enough to hear swear words in music and you want to listen to Appetite in the dark. You want to jump on top of the couch and punch the floor. You can feel Axl's anger and it courses through you.

Journey: You've been told you look like Steve Perry. You aren't sure if it's a compliment or an insult. You think you sound like him. You know all the words to Don't Stop Believing at the school dance. Your first memory of your boyfriend was him singing it at the talent show. Your last memory of him is singing I'll Be Alright Without You, severing the final tie. Wheel In The Sky opens your next day. Things don't feel okay anymore.

KISS: You're 4 years old and your Dad is watching the scariest freaks you've ever seen on the TV. In the next scene, the scariest one is sitting and talking to people who look like your grandparents. You forget about them for 7 years. They show up again in your newest hyperfixation and you give them a chance. The freaks who once scared you strip away your fears and set you free.

Led Zeppelin: Your imagination was just opened to the possibilities of stories beyond the realms of reality. What you thought you never knew opened you to a new layer of your past that you didn't understand. The tendrils of influence wrap around every part of your future.

Motley Crue: The writings paint them as the villains. In many ways, they are. In just as many ways, they're the same scared kids you are. For better or for worse, they bring you into a community. There, you experiment hurting yourself in ways therapists don't look for. The greatest friend you could ever want.

Ninja Sex Party: They're a rock band for kids who don't understand rock bands. You have no physical media for them and it feels like you may never get the chance. Copies are limited. So your spotify is thick with every song they've ever recorded. They're fleeting and they're your rock.

Queen: You know just a little too much about them. They're bigger characters than the radio lets them be. You love Bohemian Rhapsody before you begin to hate it before you learn to love it once more.

Rammstein: As they bleed for their art, so you bleed for yours. Perhaps out of spite, perhaps out of desperation, but plague cuts your work short. It cuts you from the glory you could have had. The first album you've ever waited for the release of by a band.

Reckless Love: Never before has a band felt so attainable and yet so far away. Your family doesn't understand them, so you hide them away. The only recklessness was falling in love.

Rolling Stones: Angie helped you through more than you know. The lips are on your tapestry for a reason. You were blind for so much for so long. You never gave them a chance. They're using their chance now.

Rush: Once shrugged-off nobodies. You gave them a chance out of curiosity and desperation. Now you can't understand the possibility of never having liked them. They brought you your first great grief and your first proof of miracles. The red star of the solar federation burns bright. Assume control.

Styx: You're standing in the snow. The bus is an hour late. You can't contact your parents because they took your one method of contact as a punishment for not making your bed. You're listening to a Greatest Hits on your iPod. Crystal Ball. It's an hour. Blue Collar Man. You get home and no one noticed you were late. They're eating without you. Suite Madam Blue.

Tom Petty: The news hits you. Your throat is blocked and you don't say anything. You listen to I Won't Back Down before telling your Dad. He was the first you experienced while being a fan. He wasn't the last. You torture yourself artistically in his honour. You attend a tribute concert and scream yourself hoarse.

Tuff: You want to leave home and block out all the memories as best you can. Stevie makes it impossible. But he's also one of the only ones there as all your best friends who aren't online forget your birthday. He acknowledges you.

Van Halen: The grief is insurmountable. For weeks afterwards, Eruption makes your heart sink. 5150 makes you cry instead of imagine pleasant nonsense as it once did. There is no comfort. If he can go, what's stopping anyone else?

The Who: Maybe they got to your head a little. You were sitting in a room in school for hours each day, completely alone except for Tommy playing on your tiny laptop. No supervision. No classmates. Just your monstrosity of a project and Tommy.

[dreamteamspace]

They really went there huh

/rp (good lord I rly hyperfixated on this essay huh)

torture tw, abuse tw, manipulation tw, gaslighting tw

So the Dream SMP built a character, once maybe morally gray, who slipped straight into villany with little to no desire to change, and willing to cause a LOT of pain to get his way. Despite this, he doesn’t question what he does enough to stop, justifying his actions with a good intent that doesn’t come close to justifying what he’s done.

C!Dream is unremorseful of what he’s done, he’s quite literally manipulated and gaslit (like actually, not in the way everyone keeps throwing the word around) c!Tommy, almost drove him to take his last life- like, jesus christ. That’s not even to mention blowing up L’Manburg three times, encouraging c!Wilbur, wanting the discs JUST to have power over c!Tommy, etc.

SO, he gets thrown in a box for it so he doesn’t hurt anybody anymore, making his own hubris his downfall (narrative consequence my beloved). This leads us to a good finale - the bad guy, the person who’s caused objectively the most pain and destruction, is now unable to do so anymore, taken down by the person whom he tried to weaken. It is also revealed he was planning on blackmailing and threatening pretty much everyone, but now everyone gets their stuff back.

Good, right?

Especially for the finale, yeah! The message of the finale is good, c!Tommy manages to escape his abuser with nothing more but his clothes on his back and fights his way back to c!Tubbo and his home.

He doesn’t let his trauma (which is still very present!) let him become a terrible person (arguably the way that c!Dream DID let his frustrations make him a terrible person, c!Tommy, despite bearing quite a heavy weight, recognizes when he begins to turn that way and actively works against it).

It shows that while alone, c!Tubbo and c!Tommy were outfought by Dream, but because c!Tommy went the length to ask for help (which he didn’t even really seem to be relying on actually showing up), he wins! It truly is a good message.

C!Tommy escapes his abuser and manipulator, refuses and fights his trauma to not become someone he doesn’t want to be, and defeats his abuser by asking for help and receiving it, even more than he thought he’d get. He refuses to play c!Dream’s “game”, refuses till the very last moment to let c!Tubbo die, to surrender and say goodbye to him.

So, great! Good finale! C!Dream The Villain is boxed like a fish in a prison of, quite literally, his own making. It sent a good message to people. C!Tommy wasn’t expected to forgive him and did, in fact, axe him down twice, causing c!Dream to finally fall from his high horse.

Most media would stop at this point, say the villain is now defeated and never show them again, or have them come back another one or two seasons later, escaped and seemingly unharmed and worse than ever.

Alternatively, there’s a throwaway line, (or, in good media, a genuine, reasonable backstory, complete with remorse and bad role models and complicated situations), that allows the villain to be redeemed.

In GOOD redemption arcs (See: Zuko from avatar tbh), the villain was already never quite as heartless, or stressed their good intent, or felt remorse for what they felt they “had to do”. Then, ideally, the villain takes a looooong time adjusting their habits, regretting their actions and changing until they’re considered redeemed.

Not on the Dream SMP, though.

They don’t stop at c!Dream’s defeat.

He doesn’t dissapear off-screen and is never spoken of again. His life continues on, everyone’s does, just like it would in reality. He doesn’t magically want to become a better person, far from it. So no redemption. But he doesn’t dissapear, either.

They go on to, slowly, stress how awful the conditions in Pandora’s Vault are. c!Bad says c!Dream should be imprisoned, but at least at slightly better conditions. We’re in very VERY morally gray territorry here. Nobody says c!Dream is a good person, of course not, but even c!Bad - who knows Dream was planning on keeping c!Skeppy in a cage to control him with - goes, “yeah, he should stay boxed, but does he really need to like... suffer suffer?”

Still, c!Dream seems to be kindof inconsistent in his behavior. Is he faking his pain? Is he not? His actions don’t fully make sense for either take. He acts differently to each person, but at the same time some things he does don’t make sense if he were just fishing for pity.

Then c!Sam admits to trying (and thinking he succeeded) to “break Dream’s will”, to quite literally starving him for weeks.

Okay, so now we’re a step further. C!Dream is now suffering even more, although already boxed and unable to hurt anyone. Pandora’s Vault is one thing, but now c!Sam just seems to be out for revenge and nothing more. Instead of spending his time with c!Tommy, he spends his time pickaxing(?) c!Dream.

C!Sam isn’t an angel, and we should all know that by now. He does what he thinks is right, but he’s deeper than that, all characters on the DSMP are.

He cares deeply for the Badlands, and would always choose them above anybody else. He’s a capitalist. He built the prison because it would benefit the Badlands resource-wise, despite knowing Dream would probably use it on his enemies, and it was no secret that ALL members of L’Manburg, especially c!Tommy, are his enemies. C!Sam, undoubtedly, knew that. He still built it.

Arguably, he didn’t know about c!Dream’s attachment obsession at the time, but the point still stands.

People have already latched onto the untold story happening between c!Dream and c!Sam, and frankly, we barely know enough about it. Does c!Sam torture him regularly? Do they talk? Does c!Dream try to verbally fight back? CAN he fight back? We don’t know! We’ve gotten proof for both, between c!Sam saying that c!Dream is terrifying even in prison and c!Dream going silent to go on strike. We don’t have enough of an idea how bad or how good it truly is.

So the people who prefer to humanize c!Dream and explore morality imagine c!Sam to downright torture him, people that prefer to see c!Dream as nothing but evil due to his actions imagine prison on the DSMP to not be equivalent to real life prison, and thus nowhere near as torturous as people are making it out to be.

Now all that is thrown out the window as c!Quackity quite literally tortures him.

So now the internet is faced with a question that, judging by some of the impulsive reactions *cough cough* celebrating torture *cough*, it didn’t turn out to be ready for.

Tell me.

How far do we go?

C!Dream hurt a LOT of people. He did a lot of things that caused irreparable damage. Now what? Do we torture him forever? Why? Because he deserves it? How do we determine that without comparing one kind of pain to another?

It’s custom and kindof generally respectful not to compare people’s pain too accurately, because different things vary greatly in severity depending on the person that experiences them.

At what point do we say he’s suffered enough without comparing exile to the prison?

And if we DO compare, does that even make the question easier to answer?

And if he’s never suffered enough ever, killing them would be a mercy...

At what point has a person done enough damage that they “deserve” to die? What if someone only did half of the things c!Dream did. But if c!Dream gets infinite punishment, and half of infinity is still infinity, do they ALSO deserve endless suffering?

Do you think every person that did something you can’t emphasize with deserves to suffer for eternity and die?

I’m not saying we SHOULD emphasize with c!Dream. He did things we cannot justify, that NOTHING can justify. He did things that were, by their nature, unjustified.

I’m also not saying anybody should forgive him. I think it’s a GOOD thing that c!Tommy doesn’t want nor is narratively pushed to forgive c!Dream.

But c!Dream doesn’t need c!Tommy’s forgiveness to be... a person.

There’s a saying that I’m sure you know, that goes “I wouldn’t wish it on my worst enemy.”, because there’s things you wouldn’t want any human being to experience. Not because you like them, not cause you think they’re right, but because they’re human.

And perhaps this is my personal opinion, but I don’t think c!Dream being a bad person justifies dehumanizing him, because then we get into an area where someone needs to meet criteria just to be human.

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I met someone once, whom, because of outside circumstances I knew I probably wouldn’t meet again. We’d been getting along just fine for people who just met, and were both getting into an interesting discussion about morality. They kept insisting upon something I kept refuting, so they said they needed to get something off their chest.

They proceeded to tell me that they had, years ago, while a teen, manipulated someone in a relationship, pushed boundaries and tried to convince them to do things they didn’t really want to do to get what they wanted.

They cried, while telling me, too terrified to tell anybody they know, terrified nobody would ever speak to them again, insanely regretful of their actions. They didn’t know whether to go back and apologize or just stay as far away as humanly possible, didn’t know which one the right thing to do is.

It had been years, by then, and I talked them through it. I said that what they did was bad, and there’s no going around that. But I also said what I saw, which is someone who would never do something like that ever again. I saw a human being. Someone who regrets a mistake they did and now, after enough time has passed, would do anything to make it undone.

Someone who is too terrified to be close to anybody in fear that they would do it again. I don’t remember if they already went to therapy or not, but it was definitly on the table, or in the near future.

They asked me how I could possibly even keep talking to them after they told me all that. They implied they felt like some kind of monster despite literally chocking back tears, firmly convinced they don’t deserve to be close to anybody in their life ever again.

I never swerved from the fact that what they did was wrong, and harmful. But I also told them they’re human. The universe isn’t keeping score. They want to be a better person now, and they were never going to learn how if they never let themselves be close to anybody.

I told them to seek therapy, and to slowly, carefully, try. Assured them that the fact that they regret it so strongly will at least help them in not falling back into the same pattern, and if they do, they can learn to recognize that.

They thanked me after the conversation, genuinely, especially for the fact that I didn’t sugarcoat what happened, because I know otherwise it would’ve felt like I was lying, like I was just sparing their feelings. I wasn’t. I was thinking about how to make sure they get to live without hurting anybody.

As per the circumstances, we didn’t speak again after that, which we knew basicly from the very start.

-

I still think about that conversation a lot.

Do you think they should’ve been locked up for life after it happened, instead?

Do you think this real human being, that I spoke to, that took years to realize their mistake - and never would have realized it if they hadn’t had the time to, if they’d been killed right afterwards - deserves to suffer forever?

Let me tell you something, from someone who’s been in more than one abusive situation: People that hurt you are human.

That doesn’t mean you have to forgive them. That doesn’t mean you have to like them. That doesn’t mean you have to make an effort to understand them. That doesn’t mean you need to go anywhere near them ever again.

You can hate them. You can be angry at them. You can (and should) go as far away from them as possible, and/or defend yourself.

But that doesn’t mean you have to dehumanize them.

You’re allowed to hate and dislike people that are human, because you’re human, especially if they hurt you. That’s how life is.

And to go back to my original point - c!Quackity torturing c!Dream is not something that should be celebrated.

There’s a difference between necessary measures (locking c!Dream up so he doesn’t hurt anyone), and torturing people for fun.

It’s not right. It’s never going to be right, and do not justify literal torture on human beings, and do not make someone lower-than-human to justify torturing them.

Taking revenge on someone for what they did tenfold is romanticized, I know, but I promise you it’s not actually as cool as it sounds.