#this show is successful for a reason

[espytalks]

We finished dragn ball!!!

oh boy, that was an emotional experience i never thought i'd wanna get through, much less enjoy as much as i do.

it's?? a good show??? like, i didn't expect to like it this much. it's actually really cool, with characters that are fun to watch.

it has a lot of problems, like how it feels like it can drag on too long, and the power scaling just gets worse over time, but it makes up for it with a lot of fun epic moments and memorable characters.

9/10 would watch again if it wasn't so long. which is why we have abridged. (which is also great, aside from some very outdated humor early on.)

[stagefoureddiediaz]

Thinking thoughts about Abuela being back and with this backstory about her being taken in by charlatans and Eddies whole catholic guilt thing and how the two things kind of play into one another as an exploration of faith and being taken in by something.

Abuela giving all her money to the tarot card readers etc because she was searching for something - for connection (with Abuelo) - trying to recapture what she had lost, and How Eddie has spoken about trying to re-find the magic he had with Shannon - how Eddie hasn't actually fully reconciled the Shannon of it all when it comes to relationships and how his Catholic guilt connects into that.

How Marisol as a physical representation of Catholicism is part of that narrative - how Eddie is entering a place where he has to chose his path - in order to move on from Shannon he needs to fully square the hole - catholic or non catholic. And how that needs to happen first - before he can begin his queer journey!

[loveandthings11]

Mark Mylod on eventual Kendall optimism ❤️

The Hollywood Reporter, 8/16/23

[chirpsythismorning]

Nah bc why do I feel like Netflix and the st writers are beefing so hard rn bc of the strike that someone from the production leaked the casting for Linda Hamilton so that the reveal on Tudum would be super anticlimactic…

I also thought Chase Stokes was sort of random for a host, but considering OBX 4 literally just started filming days ago, it’s almost like they’re rewarding those that are being most loyal to Netflix 👀

[demadogs]

might be a hot take but god it pisses me off so much that every wlw show ive watched thats been canceled had an INCREDIBLE plot aside from the romance. like time travel or uncontrollable telekinesis or a fucked up social experiment of a staged plane crash. all very interesting stories and the wlw romance is a bonus and they still get canceled.

but literally nothing else has to happen for a mlm show to break records. nothing happens in shows like heartstopper. its JUST a high school romance. yes theres some wlw and i know people will argue that the focus on just high school is why they like it but it pisses me off how well they do compared to incredibly elaborate and brilliant stories that also have wlw romance. and they do well ENTIRELY bc its mlm.

and its because straight people (specifically straight girls) love mlm stories so shows like heartstopper get the straight audience AND the gay audience but no straight people care about wlw fiction like that. so every wlw show gets a smaller audience because its just a gay audience watching, and it leads to it being canceled every fucking time.

[utilitycaster]

Sort of a distant tangent off my post about Ashton, but I'm growing more and more suspicious of the fandom claim that there's no time for small RP moments in Campaign 3. I do think that it's been challenging to get deeper party bonding or serious conversations that aren't about the big philosophical questions they're facing, since those do take much more time; but then I think about Calamity, or Candela Obscura. I can genuinely give you at least a couple paragraphs about pretty much every relationship in the two Circles, or in the Ring of Brass. I can also point to no shortage of small moments between characters in the Mighty Nein Aeor or Vox Machina Vecna endgame episodes, which were all extremely plot-heavy and fast-paced, and D20 consistently nails character relationships in a fraction of the time.

I think it really does come down to, as Brennan Lee Mulligan always says, the character creation phase. Laying down a solid groundwork in which everyone has a detailed, rich backstory and sense of personality and relationship history (in the case of characters who knew each other prior to the start of the series) is absolutely crucial, and even in the case of characters who don't know each other before going in, a good amount of time spent in character creation ensures that it's easier for them to develop those interpersonal relationships on the fly. I know in actual play there's some degree of finding the character as you play, but there are games for which there is a very short runway, and I don't think it ever hurts to do more extensive character prep than the bare minimum. And if there are gaps, I think it also helps to go back and fill those in mid-way, away from the table - Travis clarifying Chetney's backstory being a great example that allowed the history of Chetney and Deanna to feel realized and full, despite only a few episodes.

I'll also be blunt: most of the time when people complain that there aren't moments because the plot keeps moving...they're mad about shipping. Which has always rung hollow to me. It was a common complaint in C2, that no time was taken for character relationships, despite them taking an entire half of an episode for the Beauyasha date and despite no shortage of moments for all three of the other couples (and plenty of platonic moments between friends). The issue was never a lack of time; it was that the characters they wanted to talk to each other didn't actually have the relationship in canon that the fans had dreamed up, and so, when the chips were down, they went to other people.

It takes two seconds to say something like "I hold their hand", even in the middle of plot-heavy adventuring. If someone doesn't say it, it's rarely the GM rushing them; it's the player either choosing not to do so, or not remembering to do so, and either of those is quite revealing regarding how the player feels about that relationship and where it stands in their priorities.

[leonardcohenofficial]

hold the phone hoooooooooold the phone i just saw someone on the dash say that there’s a theory that logan died while kerry was giving him head in the airplane bathroom which absolutely cannot CANNOT be true but also did make me scream laugh out loud 

[windowsillbells]

hi zhao yunlan is just as crazy and obsessed (and also scared angry) about shen wei as shen wei is about him

[multiversal-pudding]

Honestly- with it being confirmed that at least episode 8’s been delayed + the fact 7 and 8 were kinda presented as a package deal thing- I’m kinda wondering at this point if maybe Glitch might be planning to release TADC ep 2 first and then release MD eps 7 and 8 as a pair/with a relatively short separation between the two after, not as in as a TADC-favoritism-by-glitch thing, more “MD is approaching its finale/season finale(?) which can be pretty make-or-break for a show, while TADC ep 2 is comparatively lower stakes at least in terms of the narrative” (note: I say this as someone who likes both MD and TADC)

Like, honestly if I was making decisions on it, even as an MD fan I could totally see the argument to do TADC ep 2 first as a holdover/ basically guarantee funding and time for the MD finale to be the showstopper a (season?) finale deserves to be-

[meandmypagancrew]

So, I don’t know if I’m the only one who noticed this, but with the exception of Barbie, am I the only one who thinks most movies recently have been really poorly marketed?

Like, Oppenheimer was a critical success but I think we can agree the marketing team did an abysmal job - like Christopher Nolan’s name definitely sold plenty of tickets but for the most part, it seems they just let the Barbieheimer memes carry them to the finish line.

Now, I’m not sure if this is related to the strike, if marketing teams for movies completed before it but not released yet are striking or if they’re one of the exceptions that was carved out - which, if they’re striking, good for them, but if not, I don’t think they’re doing very good jobs. I think a good example of this is A Haunting In Venice. This movie comes out in less than a month, and I haven’t seen a single trailer for this movie despite going to the movies several times over the past few months, and while my local theatre does have a poster up for it, this is it.

Now, this is a bad poster. The only thing it’s inspired in us is confusion. After Indiana Jones and Barbie and all the Ghibli Fest movies we’ve gone to we’ve stood and looked at this poster and all we’ve felt is confusion. I mean, we recognized that that’s the actor who played Hercule Poirot in Death on the Nile and Murder on the Orient Express, but did that mean this was another one of those or is it a mere coincidence that he’s in another movie? Actors do that, you know, they play multiple roles. And especially since the Agatha Christie book this is based on is actually called something different, it really doesn’t convey enough information to actually get people interested, I feel.

So I took five minutes and improved it. I feel this poster is 50% more likely to sell tickets because it’s at least 75% more informative and has 100% more false advertising because I couldn’t resist.

[thebatmqn]

people would watch the weird things tom would say to greg back in like season one and would be like “why are tom and shiv even together what could they possibly have in common” and then shiv goes and does that weird shoe bit to tom in this ep and it’s like oh so they’re both like that

[rystiel]

ok look i know people like to say that tomgreg should get together then crash and burn but. i want them to have a happy ending they are literally such goofy weird dumbass freaks that they NEED to have a real and genuine long lasting happiness together it only makes sense

[aristhought]

as a trans person i really do relate to kendall roy (almost certainly unintentionally) from a trans/queer perspective.

his life long struggle to perform and live up to a role that was imposed on him from an early age. the inability to shake the confines of expectations that slowly suffocate and break him. the trauma that comes with an utter lack of inner agency and autonomy. the desperation for self actualization but the inability to achieve it when he’s constantly just fighting to keep his head above water. the alienation of existing in a society/culture that is utterly incompatible with and hostile to his deepest most honest self.

regardless of whether or not kendall as a character can be read as trans/understood through that lens, i do find it moving how relatable he is in this respect simply on a personal level.

[tea-earl-grey]

lower decks is the best star trek show. i'm not taking constructive criticism at this time

[tearlessrain]

seriously can catastrophes stop happening for five minutes my brain is already fried from the ones we're already experiencing

[magnus-rhymes-with-swagness]

i swear i can feel this app disintegrating through my fingers