#thranduil and maglor <3 dressing up the barbies... but !

[meadowlarkx]

grief and pride - embroidery for @tolkienekphrasisweek day 4, Gardening & Landscape Architecture! I was thinking about memory and how Elves might tell of particular places in adornments on clothing (imagining both of these designs on sleeves.)

First: Years of the Trees Fëanorian ornamentation, reminders of the Gardens of Lórien where Míriel lay, with Finwë's crest.

Second: Late First Age or Second Age Iathrim ornamentation, reminders of Menegroth and the First Kinslaying.

welcome to 'more photos and rambles at length'!!

Working on these little guys for a while I had time to think a fair amount about them. The concept of being literally clothed in one's sorrows feels very Elven and Tolkien to me. It's something about the long years and accumulating griefs, laying claim to and embodying them (powerful!), and the accompanying actions and grudges, and it's a thread that runs through both these groups. Fëanor is one of the first in the narrative to have this sort of memory/shadow on his heart, that of Míriel's passing. I love the similarities and connections between him and Míriel and the way she haunts the story, so I really enjoy the idea of Fëanor (and his sons!) reminding everyone of her absence subtly or unsubtly at every chance, including with their clothing--a mark of family loyalty which is also a nice fuck you to Indis and her children. Lórien is lush and verdant with golden flowers and mountain immortelle, don't @ me silvery tolkiengateway descriptions. I wanted this one to feel bright and vivid to echo the noontide of Valinor and the family's pride and brilliance. Finwë's crest got included in the design partly because it's less complicated than Fëanor's crest (shh), but also because I can completely see Fëanor making a(nother) claim to heirdom by wearing it.

Then of course he sets in motion greater horrors to remember. I am always thinking (@swanmaids has a great post about this) of the support Elwing canonically has in Sirion for her decision not to relinquish the Silmaril. And after seeing the 2nd kinslaying, it had to be a difficult, brave, potentially very controversial decision to hold on to it, but people are with her on this--I imagine motivated partly by real anger and grief over all they had lost and insistence upon memory, pride, dignity, identity etc. which probably remain with the few who survive the Sirion kinslaying too. And remembering Menegroth's beauty goes hand-in-hand with the grief--so I went for a bleaker look here, not the deep forest I usually picture (the 2 green vines, though, symbolizing in my head the surviving royal family/Peredhel!). This design being more of a picture of the place and less "abstract" was an attempt to gesture towards some cultural and stylistic differences in art, etc. I know this one isn't exactly a garden, but if we squint all of Doriath is an enclosed garden, so...!

Also here are the other pics. I'm imagining them bigger, but they are pretty little in real life!