#timothy olyphant avatars

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📷 Timothy Olyphant by Philip Cheung

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Timothy Olyphant

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Timothy Olyphant Avatars RPG

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typo des deux premiers avatars par @andthereisawoman 

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Okay I'm having trouble finding everyone's posts from Friday. But I just watched chapter 9 and I have some thoughts.

Opening the episode with Din saying he doesn't gamble then ending it with him making a massive gamble was interesting. Although I genuinely don't think he ever does anything he doesn't believe he can do.

The fights in this episode are amazing. Just stunning:

The fight at the arena. The Child ducking when he sees the Birds activate. "I'm not." Really. Din, stop being so goddamn fucking hot, I'm trying to watch the damn show! The whole dangling the gangster part. "You won't die by my hand." (one of the best parts of the character Din Djarin is he is both viciously ruthless and honorable to a fault. I love it!)

The fighting at the end. Both men flying in sync to kill the beast. The Raiders and townsfolk grudgingly working together. But it would have worked better just leaving the loaded bantha in the valley, luring the best out, and detonating it. Fewer civilian deaths but what do I know, I wasn't raised in the fighting corps. And god at the end when Din soars out of the monster's mouth! I that was how the episode would end as soon as I saw the explosives. But still so fucking cool! Is there a name for that trope? I call it the Hercules.

Can we talk for a second about how Din looks in this ep? The strides, the poses and posture. He exudes so much bde that it physically hurts me. Clearly a lot of that is Mandalorian in nature, if those images of Boba Fett from the comics tell us anything (Fett sitting spread in his ship and Din doing it on the wagon at Sorgan have p much the same energy). Just looking fine as hell through the whole thing, even covered in deadly dragon stomach acid.

And can we talk about how much he says this episode? He explains the Tuskens' behavior, translates, plans, barters, smooches doggies, etc. He talks a lot. And I think that's interesting. Din has this reputation as being awkward in social situations and quiet. And like, it's one thing feeling shy around the beautiful widow who's hitting on you. But he says what he means clearly and more or less concisely, including some one-liners and sarcasm. I think he could be described as "laconic" (my character does describe him as such in the thing I'm writing), which means they use as few words as possible to get their point across. Din has no hesitation in speaking, he just prefers to only speak when he has something to say, if that makes sense.

So happy to see Aunt Peli! And Din being like "eh let them work" That's what we call growth.

The casting. I nearly lost my shit when Timothy Olyphant was under the helmet, looking like a whole ass meal. Like that is the most flattering haircut and beard combo I've ever seen on him. Don't @me but he could get it. And poor typecast Leguizamo. Still great tho. He was fun little asshole.

I love when this show doubles down on the western themes:

Vanth's name, accent, role, and general appearance all line up with a small town wild west sheriff. Just showing up and saving the town, so they're like, you're the Lone Ranger now! Olyphant has played western roles before, including voicing The Spirit of the West (an avatar of the legends and ideals of the wild west modeled on Clint Eastwood's western characters) in the animated film Rango (a lot of the Mandalorian's aesthetic comes from Eastwood's movies).

The Mandalorian theme but softly strummed on a Spanish (nylon string) guitar is very evocative of a border town.

The tuskens represent an Indian tribe. The abandoned mining town. The mysterious stranger who comes to town and saves it. Vanth and Din nearly have a quickdraw shootout! The child is hiding in a spittoon for chrissakes!

It really echoes the 7 Samurai theme of chapter 4. I know it's an overlapping, repeating theme in western film. I guess I was surprised to see it again so quickly.

I don't know how I feel about Din speaking Tusken. Signing was one thing. But I just giggled uncomfortably the whole time feeling it was kinda silly (and I had assumed the reason he signed was because humans couldn't speak Tusken). Was that our big hero, heartthrob, and favorite actor Mr. Pascal sitting in the studio making those noises? Rrrhehh rheh rrhehh! I dunno I'm just. Reeling.

Isn't interesting that Din would annihilate the entire populace of Jawas without batting an eye, but he would do almost anything to protect the Sand People? I know there's something to that, about marginalized/eugenicized groups versus like colonialism and whatever vulture like construct you would attribute to the Jawas. But I'm not smart enough to articulate it.

Okay, so the obvious: Boba Fett. Really shocked to see his armor on someone else. I'd already seen the casting of Morrison, so I wasn't like, "is he dead?" and I knew right away this hick didn't take it off him. I wonder if the Jawas stunned him and removed it. Either way, there's going to be hell to pay. I can't wait to see Din and Boba interact; I wonder how they'll respond to each other. And even though Fett should be in his early 40s (I think) he really looks like hell. I mean, I know he's seen some shit. But I wonder what's been up with him in the last decade or so.

Some stuff I thought I noticed, but I need y'all to help me confirm:

Was that Anakin's podracer engine?

Was that C-3PO graffitied on the wall in the dirty city?

Were we supposed to recognize R5?

There's a couple others but I forgot em. I gotta watch it again.

Some questions:

What was the spherical thing the Tusken Raiders recovered from the beast's remains? The scene mirrored the Jawas and the mudhorn's TSUGA! Tsuga tsuga! Tsuuuga! But that didn't look like an egg. If I didn't know better I would swear it was a pearl. (which almost makes sense if you take into account that this guy eats dirt for a living and could have an organ or extra stomach in there like those gross hard balls they used to pull out of ox bellies) Or was it mentioned earlier and I didn't catch it? There was a lot going on.

What are the sand doggies? They're so cute! And that totally establishes our mans as a dog person. Writers, start your fics!

I'm a bit confused about the town's history. How have the people survived for so long with the beast there? Was it the Krayt dragon that wiped it literally off the map? How does the slaving mining guild fit in there?

It really looks in chapter 4 that those krill are native (it's not explicitly stated tho). If no one even knows where Sorgan is and it doesn't have a big export economy, how do these people in the middle of buttfuck nowhere have spotchka?

On that note, how did that city gangster hear about Fett/Vanth? I mean, I dig that he's a collector of beskar'gam, but like, that's still way out there.

The jingling spurs sound in chapter 5 is deliberately obvious when that mysterious figure comes upon Fennec Shand. Can we assume that's Cobb Vanth there? Because clearly, Fett has been without his armor for a while. If it was Vanth, what did he do with her? I don't believe for a second that she's dead. He's not a bounty hunter and he wouldn't have any idea she was valuable since the Guild had abandoned Tatooine. Barter for help/transportation /goods/labor /etc? Also, if it was Vanth, did he witness the whole thing? If so, he knows who Din is. Maybe knows Toro. I dunno. Lots of thoughts. Did he just stumble upon her while traveling back to his village? I forgot the name already lol Mos Pelegrino?

Okay it's nearly 4 am. I genuinely can't remember if I had anything else to say. Please continue to tag your spoilers cuz I will again not get to view the episode until after y'all do next week. But until then, please come yell at me about our favorite show and space boyfriend. I like crazy theories too.

Love y'all. 😘😘😘

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📷 Timothy Olyphant by Jonny Marlow

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In a slightly different world, Fargo season 4 might never have happened. After the FX anthology drama ended its third season, creator Noah Hawley admitted that he didn’t have an idea for a follow-up. And, he figured, “the only reason to do another Fargo is if the creative is there.” So, if there was to be a sequel, Hawley estimated it would take three years. That was in June 2017.

Thirty-nine months later (it would have been 34 had COVID not temporarily halted production), the show has reemerged with a story whose timeliness is obvious. It marks a significant departure from the earliest seasons of Fargo, which pitted good and evil archetypes against each other in arch, violent crime capers that ultimately erred on the side of optimism. Season 3 flirted with topicality, from an opening scene that hinged on Soviet kompromat to a hauntingly inconclusive final showdown between the latest iterations of pure good—represented by Carrie Coon’s embattled police chief Gloria Burgle—and primordial evil (David Thewlis’ terrifying V.M. Varga). Five months into Donald Trump’s presidency, that ending simultaneously reflected many Americans’ fears for the future and suggested that the battle for the human soul would be an eternal one. You can imagine why Hawley might have considered it a hard act to follow.

Instead of trying to top the high-flown allegory of its predecessor, the fascinating but uneven new episodes tackle conflicts of a more earthly nature: race, structural inequality, American identity. To that end, Fargo season 4 ventures farther south and deeper into history than it has gone before, to Kansas City, Mo. in 1950. For half a century, ethnic gangs have battled over the midsize metropolis. The Irish took out the Jews. The Italians took out the Irish. Finally, just a few years after a brutal World War in which fascist Italy numbered among the United States’ enemies, the Great Migration has brought the descendants of slaves north to this Midwestern city whose complicity in American racism dates back to the Missouri Compromise.

This upstart syndicate is led by one Loy Cannon (Chris Rock in a rare dramatic role), a brilliant, self-possessed power broker who doesn’t relish violence but is determined to exact reparations from this country, on behalf of his beloved family, by any means necessary. Loy’s deputy and closest friend is a learned older man by the name of Doctor Senator (the great Glynn Turman, all quiet dignity). In an early episode, the two men walk into a bank to pitch its white owner on an idea they’ve been testing out through less-than-legal means in the Black community: credit cards. (“Every average Joe wants one thing: to seem rich,” Loy explains to the banker.) He turns them down, of course, convinced that his clientele would have no interest in purchasing things they couldn’t afford. We’re left wondering how the ensuing saga might’ve been different if Loy and Doctor Senator had been allowed to channel their considerable intelligence into a legit business.

Elizabeth Morris/FXSalvatore Esposito and Jason Schwartzman in ‘Fargo’

The Italians, meanwhile, are starting to enjoy the rewards of their newfound whiteness—a largely invisible transformation marked in The Godfather by Michael Corleone’s relationship with naive WASP Kay Adams. (In keeping with previous seasons’ allusive style, Fargo often playfully evokes Francis Ford Coppola’s trilogy.) In the wake of their capo father Donatello’s (Tommaso Ragno) death, two brothers battle for control of the Fadda clan—a crime family that has Italian-accented patriarchalism written into its very name. Crafty, spoiled, crypto-corporate Josto (Jason Schwartzman, doing a scrappier, cannier take on his Louis XVI character in Sofia Coppola’s Marie Antoinette) has long been Donatello’s right hand. But his younger brother Gaetano (Salvatore Esposito, imported from Sky Italia’s acclaimed organized-crime drama Gomorrah), a brawny brute who came up in Sardinia busting heads for Mussolini, stands between Josto and the consolidation of power.

Generations-old tradition dictates that if two syndicates are to share turf in Kansas City, their leaders must raise each other’s sons. These exchanges are supposed to be a sort of insurance policy against betrayal; never mind that they never work out as planned. So Loy very reluctantly trades his scion Satchel (Rodney Jones) for Donatello’s youngest (Jameson Braccioforte). The boy finds a protector in the Faddas’ solemn older ward, Patrick “The Rabbi” Milligan (Ben Whishaw, humane as always), who double-crossed his own Irish family in an earlier transaction.

Ethelrida Pearl Smutny (E’myri Crutchfield from History’s 2016 Roots remake) is the show’s other innocent youth, a bright and insightful Black teenager whose parents (Anji White and indie rocker Andrew Bird) own the poignantly named King of Tears funeral home. Every Fargo season needs a personification of goodness, and in this one it’s Ethelrida. Not that her virtuousness makes her life any easier. In a voiceover montage that opens the season premiere, she tells us that she learned early on that, as far as white authority figures were concerned, “the only thing worse than a disreputable Negro was an upstanding one.” Her inscrutable foil is Oraetta Mayflower (Jessie Buckley), a white nurse neighbor whose patients tend to die before they can experience too much pain. Oraetta’s quaint Minnesota accent (another Fargo staple) belies the racist views she politely but unapologetically espouses; she seems fixated on making Ethelrida her maid.

Elizabeth Morris/FXE’myri Crutchfield in ‘Fargo’

It’s fitting that Oraetta is both the most tangible link to Fargo’s home turf and the first character who ties together the mobster’s story with that of the Smutny family. As her loaded last name suggests, she seems to embody a particular form of evil that has been a constant in American life since the colonial period: white supremacy. Oraetta harms, kills and plunders with minimal consequences. No wonder she has eyes for Josto, the first Fadda who knows how to wield his white identity, building alliances with government and law enforcement that would be impossible for the Cannon syndicate. (Josto’s version of Kay Adams is the homely daughter of a politician.) “I can take all the money and pussy I want and still run for President,” he boasts at one point.

The reference to our current President’s briefly scandalous Access Hollywood tape is so flagrant as to elicit an involuntary groan. It’s lines like this that expose the limitations of Hawley’s attempt to fuse the topical and the elemental. Fargo still creates an absorbing, cinematic viewing experience, with painterly framing, pointedly deployed split-screen and arcane yet evocative needle drops. A not-at-all-gratuitous black-and-white episode could almost stand on its own as a movie. And, as in past seasons, the show gives us many remarkable performances: Rock may seem an odd pick for a gangster role, but the same shrewdness and indignation that fuel his stand-up persona also simmer beneath Loy’s measured surface. The pain Whishaw’s character carries around in his body goes far beyond what can be conveyed in dialogue. Bird broke my heart as a meek, loving dad. But in his eagerness to make a legible, potent political statement, Hawley struggles to find the right tone and keep the season’s many intersecting themes straight.

Elizabeth Morris/FXJessie Buckley in ‘Fargo’

The show is simply trying to do too much within a limited framework. Fargo wouldn’t be Fargo without some eccentric law enforcement, so an already-huge cast expands to fit a crooked local detective with OCD (Jack Huston) and Timothy Olyphant—whose roles on Deadwood and Justified made him prestige TV’s quintessential cop—as a smarmy, Mormon U.S. Mashal who snacks on carefully wrapped bundles of carrot sticks. Yet Hawley also realized that he needed to break from previous seasons that, like the Coens’ film, cast a white police officer as the avatar of goodness; hence Ethelrida, whose investigation into her city’s criminal underworld takes the form of a school assignment, and whose soul is stained by neither corruption nor white privilege. She’s a wonderful character, but her and Oraetta’s story line can feel peripheral to the gang war.

With such a crowded plot, it’s no wonder the show can’t maintain a consistent tone. Each season of Fargo creates a hermetically sealed moral universe, doling out divine and definitive justice to each character according to their position on the spectrum spanning from good to evil. In the past, its archness has served as a self-aware counterbalance to the sanctimony inherent in such a project. And there’s still plenty of irreverence in season 4, particularly when it comes to Hawley’s depiction of the Faddas, Oraetta and the other white characters. But there’s nothing funny about the oppression and discrimination that Loy, Doctor Senator and Ethelrida face. Each of their fates is shaped at least as much by a society that is hostile to people who look like them as it is by the moral choices they make as individuals. So the scripts give them the dignity they deserve at the expense of inflicting earnestness—along with frequent reminders, such as Schwartzman’s Trump line, that the story’s themes remain relevant today—on a format that isn’t built for it. Realistic characters and absurd ones awkwardly mingle.

Hawley’s attempt to correct his show’s political blind spots is laudable, and some pieces of the allegory work well; the ritual of ethnic gangs trying—and failing—to work together by raising each other’s sons makes an inspired metaphor for America’s fragile social contract. Even so, Fargo seems fundamentally ill-equipped to address systemic inequality. Though that failing may well render future seasons similarly flawed, if not impossible, in our current political climate, it doesn’t negate the pleasures or insights of what remains one of TV’s most ambitious shows. Like this nation, the new season is a beautiful and ugly, inspiring and infuriating, a tragic and sometimes darkly hilarious mess. As frustrating as it often was to watch, I couldn’t look away.

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The Book of Boba Fett: What to Know About the New Star Wars Series

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Lucasfilm had good news and bad news for Star Wars fans looking forward to new Disney+ shows this year. The bad news is that you’ll have to wait a bit longer for The Mandalorian season 3 than expected, with the new season set to film some time this fall. But like I said, there’s also very good news: The Book of Boba Fett is out this December, which means we’ll finally have a chance to catch up with our two favorite bounty hunters after that shocking cliffhanger at the end of Mando season 2.

Yes, the new live-action series will pick up right where Boba and assassin Fennec Shand‘s story left off. Boba and Fennec have already killed off what remained of Jabba the Hutt’s goons at his palace, which means the gangster’s old territory is now theirs for the taking.

“The Book of Boba Fett, a thrilling Star Wars adventure, finds legendary bounty hunter Boba Fett and mercenary Fennec Shand navigating the Galaxy’s underworld when they return to the sands of Tatooine to stake their claim on the territory once ruled by Jabba the Hutt and his crime syndicate,” reads the official synopsis, which teases a direction for Boba that’s very different to the path he walked in the old Legends continuity. This should be very interesting.

But there are a few other questions you might have about the new show, its place in the Star Wars timeline, and what exactly the title of the show means. Here’s what you need to know:

The Book of Boba Fett Release Date

The Book of Boba Fett will premiere on Disney+ on Dec. 29, 2021. You can find the complete schedule of upcoming Star Wars movies and TV shows here.

A December date is a first for a Star Wars Disney+ series. The first season of The Mandalorian premiered in November 2019, while the second hit the service in October of last year. There are likely two big reasons The Book of Boba Fett is premiering so late on the release calendar: 1) the Covid-19 pandemic has delayed the production of virtually all big and small screen projects and the Star Wars shows are no different, and 2) there are three new Marvel projects coming out between October and mid-December so moving Boba Fett to very late December gives the show its own space to thrive.

Yes, it’s a long wait but at least Disney released a new poster with the release date announcement.

Boba Fett looks very comfy on Jabba’s old throne, doesn’t he? Petty king.

The Book of Boba Fett Cast and Characters

For the moment, there are only two confirmed cast members:

Temuera Morrison reprises his role as Boba Fett, the infamous bounty hunter from the Original Trilogy who seemed to meet his end in Return of the Jedi, falling into the sarlacc pit, where he was doomed to be digested in the monster’s stomach for the next 1,000 years. But you can’t keep a good bounty hunter down. It was revealed in The Mandalorian season 2 that Boba had survived his terrible fate. After helping Din Djarin rescue Grogu from the Moff Gideon and the Empire, Boba and Fennec returned to Tatooine to take over Jabba’s crime organization.

That also means the wonderful Ming-Na Wen is also returning as Fennec Shand. An assassin who first ran afoul of Din in the first season of The Mandalorian was saved from a painful death in the desert of Tatooine by Boba. Although she was severely wounded in the stomach, Boba was able to use machine parts to save her life. So, technically, Fennec is a cyborg assassin, which makes her that much cooler!

You may be wondering whether Din Djarin (Pedro Pascal), Bo-Katan Kryze (Katee Sackhoff), Greef Karga (Carl Weathers), or Ahsoka Tano (Rosario Dawson) will appear in the new series. The short answer as that we don’t know, but I wouldn’t count out at least a cameo from one or two of these characters. But you might have a better chance of seeing Tatooine natives Peli Motto (Amy Sedaris) and Cobb Vanth (Timothy Olyphant) on the show.

One thing we do know is that Robert Rodriguez (Sin City, Alita: Battle Angel) is showrunner this time around. He directed several episodes, along with The Mandalorian returners Jon Favreau, Bryce Dallas Howard, and Dave Filoni.

Read more

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Star Wars: The Book of Boba Fett Teased as “The Mandalorian Season 2.5”

By John Saavedra

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How the Star Wars Movie and TV Shared Universe Is Finally Taking Shape

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When Will The Book of Boba Fett Trailer Drop?

Disney hasn’t said when fans should expect The Book of Boba Fett trailer, although the studio has traditionally dropped trailers for new December Star Wars releases in October. That said, Disney is hosting its annual D23 fan event on Nov. 19-21, which could be the perfect time to release the trailer.

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When Will The Book of Boba Fett Take Place?

This is an easy one. The Book of Boba Fett picks up right after The Mandalorian season 2, which is set five years after the events of Return of the Jedi and the death of Jabba the Hutt (obviously). Oh, you want an actual date on the Star Wars canon timeline? The Book of Boba Fett takes place in 9 ABY (that’s 9 years after A New Hope, basically).

When The Book of Boba Fett begins, Boba and Fennec will just have taken over Jabba’s territory, the Imperial remnant is still operating in the Outer Rim, and the Mandalorians are still scattered throughout the galaxy, although Din and Bo-Katan may be preparing to take back Mandalore. Grogu is probably still with Jedi Master Luke Skywalker.

What Does “The Book of Boba Fett” Mean?

Much will be speculated about the title of the show ahead of its premiere. Why does the title refer to a “book” of Boba Fett? Are these the adventures the bounty hunter chronicled in his memoirs after he retired? Are we going to see Old Man Boba Fett jotting things down in a journal by a fireplace on Mandalore? Sure, it’s possible the series has a frame story wherein Boba is recording his past in a journal or relating his life to his children (or grandchildren). It wouldn’t be the first time Star Wars has used journals to reveal the “untold” stories of characters like Obi-Wan Kenobi.

But it’s also possible The Book of Boba Fett (and The Mandalorian universe as a whole) is going the Avatar: The Last Airbender route where new story arcs were referred to as “books” and each episode was a “chapter” within that book. For example, The Mandalorian calls each new episode a “chapter.” “The Book of Boba Fett,” the title of a new Mandalorian story, could be a nod to that structure. It would make sense since executive producer Dave Filoni, one of the chief storytellers on the show and Star Wars as a whole, cut his teeth on Avatar before going on to work with George Lucas on The Clone Wars.

Or maybe Boba got himself a sweet book deal. Stranger things have happened!

More on The Book of Boba Fett as we learn it.

The post The Book of Boba Fett: What to Know About the New Star Wars Series appeared first on Den of Geek.

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Upcoming Star Wars Shows on Disney Plus

In a few years “The Rise of Skywalker may be the last Star Wars feature by Disney but do not worry. Disney Plus is working on a lot of Star Wars shows that dwell deeper in the science fiction arena and entertain all the fans. The streaming network serves as a go-to platform for all who wish to binge on these feature films, and the set will be completed on the network by the time half of 2020 is past us. Fans felt like they struck gold when Disney Plus released the successful Star Wars based show, The Mandalorian, a year ago. It brought in a wave of new viewers for their popular shows like The Mandalorian along with the cute friend, “the child”. The viewers also experienced the pleasure of watching the well-acclaimed animated show “Star Wars: The Clone Wars”.

But is that the end of the road for Disney Plus and its love story with science fiction series? Let us peek into the future and check out what is in store for us:

The Mandalorian Season 2 

This is not something Disney came up with after season one was released. The streaming site was very confident of the success that The Mandalorian will be and had already planned to begin season 2’s production right after releasing the first season. It might just be the largest upcoming project amongst Disney Plus Star Wars shows. Pedro Pascal will grace the screens again with his face covered with a bounty hunter avatar. It may not be officially confirmed yet, but literally, everyone wishes that “the child” or baby Yoda as he is lovingly called, is also seen alongside Mando. Season 2 might solve several questions that were left by season one like who the child is and why is the entire Star Wars so interested in getting him. Disney had fans thrilled when they announced that the new season would release in October 2020.

Ahsoka Comes to the Screens

The online streaming network has done a fabulous job, ensuring that season two’s plot is kept a secret, but the audience still managed to pry out some tit-bits. It has been reported that the production has signed Rosario Dawson as the lead in Ahsoka Tano. For the Clone Wars cartoon series, Ahsoka has established his place as the most exceptional character thus far. The erstwhile Padawan trainee of Anakin Skywalker has also made a guest appearance in the animated version of Star Wars: Rebels. It is highly unlikely that Dave Filoni, donning the hat of director in “The Clone Wars”, that of the creative head in Rebels, and being a part of executive production, direction, and writing team for The Mandalorian is mere happenstance.

For all we know, this might be intentional to better plan the shows. Dawson looks like a person to fit Ahsoka’s looks and personality. Still, the voice may not be perfect because the animated version’s voiceover is by Ashley Eckstein since the inception of the show in 2007 and they will not match at all. Will the viewers be able to look past the mismatch in voice created by Dawson and appreciate her character? 

Will Boba Fett be present in the series? And who will play his part?

Several Hollywood reporters claim that we might get to see Boba Fett, the bounty hunter hailing from the original Star Wars movie triad in season two. Fett is known to don armour that is deceptively similar to that of the Mandalorian. The claims also promise that Temuera Morrison, who was cast as Boba’s father Jango Fett in the Star Wars Episode II: Attack of the Clones, will play Boba for this season. But the unexpected convolution is presented when we shed light to other claims that say Timothy Olyphant is part of season 2 too. It’s impossible to find out the exact role he will play in the show yet, but sources have sighted him wearing the Boba Fett armour. 

More about the Season 2

Spoilers alert!

For the people who have seen the finale episode of the primary season, they witnessed the head of Imperial Security bureau  Moff Gideon slash himself by the debris of his TIE fighter. Though, he used a dissimilar lightsaber that radiated with a black light and held a contrasting border. Gideon held a Darksaber which made its first appearance in The Clone Wars animated. 

Untitled Rogue One Prequel Series (2021)

This is another big production in the process by Disney Plus in Star Wars shows. The series intends to primarily target its focus towards the pair of most captivating characters of Rogue One: A Star Wars Story movie. Diego Luna will be back and rebel officer Cassian Andor. We will also get to see K-2SO, the previous Imperial droid that is not equipped to work side by side with the Rebellion. 

Untitled Obi-Wan Series (2021)

An untitled series about Obi-Wan will be the next big project that Disney undertakes. Ewan McGregor, famous for his portrayal of Jedi in Star Wars prequels will be back to play Obi-Wan (Ben) Kenobi. Much has not been disclosed about the upcoming show, but we are sure that the show will be about events that fall somewhere between Revenge of the Sith and A New Hope. Deborah Chow will be the director of all six episodes planned for the show.

Untitled Star Wars Series With a Woman as Central Character

Disney is reportedly working on another Star Wars series. The only fact disclosed related to it is that the central character will be a woman artist. The creator of the show is Leslye Headland, who was also the creator of the award-winning show “Russian Doll” that premiered on Netflix last year.

Jackson Henry. I’m a writer living in USA. I am a fan of technology, arts, and reading. I’m also interested in writing and education. You can read my blog with a click on the button above.

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