#tod dockstader

[unaturalhistory]

Tod Dockstader

[ozkar-krapo]

Tod DOCKSTADER

"Recorded Music for Film, Radio & Television: Electronic vol.2"

(LP. Mordant Music. 2012 / rec. 1981?) [US]

[musicwithoutborders]

Tod Dockstader, Soft Aurora I Recorded Music for Film, Radio & Television: Electronic, 1979

[august-sysex]

tod dockstader - eight electronic pieces (1961)

[confield]

PSA

If you're into any of the following bands/artists: Autechre, Ryoji Ikeda, Pan Sonic, alva noto, Bernard Parmegiani, Alice Coltrane, Pharoah Sanders, TODAY IS THE DAY, Peter Rehberg, Merzbow, Oval, Yasunao Tone, Pierre Schaeffer, Pierre Henry, Hecker, Unwound, Albert Ayler, Sun Ra, John Cage, Muslimgauze, Jan Jelinek, Anthony Braxton, Farmers Manual, Daphne Oram, Mira Calix, Einstürzende Neubauten, Eric Dolphy, Karleinz Stockhausen, Maryanne Amacher, Edgar Varèse, Iannis Xenakis, Laurel Halo, Fennesz, General Magic, Gescom, Ramleh, Prurient, Vladimir Ussachevsky, Pauline Oliveros, William Basinski, Luc Ferrari, Matthew Shipp, City of Caterpillar, Kouhei Matsunaga, Sensational, Mike Ink, Coil, Nobukazu Takemura, Halim El-Dabh, Martin Tetrault, Tod Dockstader, Matana Roberts, Chicago Underground Quartet, Microstoria, Vladislav Delay, Sonny Sharrock, Beatrice Dillon, SND, Mark Fell, Mika Vainio, Robin Rimbaud, Darkthrone, Christoph de Babalon, Toshimaru Nakamura, Steve Roden, Lithops, Nisennenmondai, Tackhead, Aaron Dilloway, Henry Flynt, Foehn, Yamantaka Eye, Portraits of Past, Pg99, Maxwell Sterling, Slint, Big Black, Russell Haswell, Sébastien Roux, Loraine James, Surgeon, Terrence Dixon, Underground Resistance, Dopplereffekt, Plastikman, Wolfgang Voigt, Robert Hood, Cecil Taylor, Matmos, Kangding Ray, Hijokaidan, Babyfather, Team Doyobi, Paul Lansky, Art Ensemble of Chicago, Soul Oddity, Kid606, Hugh Le Caine, Actress, Klein, Sven-Åke Johansson, Porter Ricks, Luciano Berio, The Third Eye Foundation, Grischa Lichtenberger, Replikants, Genocide Organ, Joji Yuasa, The Jesus Lizard, African Head Charge, Drive Like Jehu, Peter Brotzmann, Sonic Youth, Jawbox, Chino Amobi, Luke Vibert, James Ferraro, Florian Hecker, Tim Hecker, Eyehategod, Gorgoroth, Basic Channel, Maurizio, Steve Reich, Mouse on Mars, Burial, The Future Sound of London, Dean Blunt, Susumu Yokota, Skream, Benga, Farben, Polvo, Keiji Haino, The Black Dog, LFO, The Bug, SOPHIE, Global Communication, B12, Jlin, Stereolab, Pole, Kraftwerk, Yellow Magic Orchestra, Juan Atkins, Wormrot, Oli XL, Napalm Death, Orchid, Bitch Magnet, Codeine, Microstoria, Moss Icon, Frank Bretschneider, Joey Beltram, Jeromes Dream, A Guy Called Gerald or DJ Manny

I am looking for a sugar baby to spoil with a $5000 weekly allowance. DM me if you are interested.

[bluetapes]

The latest one of our Camp Radio show, Music is a form of time-travel, is available to download or stream from our Soundcloud.

Early electronic music from Tod Dockstader, modern classical from Michael Nyman, kosmische techno from Manuel Göttsching, plus music from Blue Tapes and more.

This may potentially be the last episode, as I'm thinking of reformatting and rebranding the show as a more general Blue Tapes radio show, just playing more modern music that touches more directly on our world.

What do you think? Which would you prefer?

[ulkaralakbarova]

After his young lover, Gitone, leaves him for another man, Encolpio decides to kill himself, but a sudden earthquake destroys his home before he has a chance to do so. Now wandering around Rome in the time of Nero, Encolpio encounters one bizarre and surreal scene after another. Credits: TheMovieDb. Film Cast: Encolpio: Martin Potter Ascilto: Hiram Keller Gitone: Max Born Eumolpo: Salvo Randone Trimalcione: Mario Romagnoli Fortunata: Magali Noël Trifena: Capucine Vernacchio: Fanfulla Il predone: Gordon Mitchell Minotauro: George Eastman Il capitano: Carlo Giordana Enotea: Donyale Luna Arianna: Elisa Mainardi Proconsole: Marcella Di Falco L’imperatore: Tanya Lopert La schiavetta: Hylette Adolphe Il suicida: Joseph Wheeler La matrona: Lucía Bosè Abinna: Giuseppe Sanvitale Scintilla: Danika La Loggia Lica: Alain Cuny Orgy Musician: Richard Simmons Liberto arricchito: Eugenio Mastropietro Theather Group Woman (uncredited): Maria Mascarielli (uncredited): Dalia Zagni (uncredited): Ottaviano Dell’Acqua …: Genius …: Catharina Dahlin (uncredited): René Fiorentini Party Guest (uncredited): Nadia Balabine Imperatore nella rappresentazione: Alvaro Vitali Film Crew: Original Music Composer: Nino Rota Story: Federico Fellini Co-Writer: Brunello Rondi Producer: Alberto Grimaldi Set Decoration: Danilo Donati Director of Photography: Giuseppe Rotunno Editor: Ruggero Mastroianni Story: Bernardino Zapponi Novel: Petronius Original Music Composer: Tod Dockstader Original Music Composer: Ilhan Mimaroglu Original Music Composer: Andrew Rudin Production Design: Luigi Scaccianoce First Assistant Director: Maurizio Mein Second Assistant Director: Liliana Betti Line Producer: Enzo Provenzale Camera Operator: Giuseppe Maccari Makeup Artist: Rino Carboni Hair Department Head: Luciano Vito Production Manager: Roberto Cocco Unit Manager: Lamberto Pippia Script Supervisor: Norma Giacchero Visual Effects: Joseph Nathanson Assistant Editor: Adriana Olasio Second Assistant Director: Lia Consalvo Movie Reviews:

[unaturalhistory]

Tod Dockstader

[hellocanticle]

Tim Brady’s Canadian Classical Invasion

Starkland ST-237 This is Tim Brady’s fourth Starkland release, a distinction shared by only two other composers, the late Tod Dockstader and (the delightfully very much living) Guy Klucevsek. And given the impressive track record of the Starkland label’s ability to find and promote innovative composers and performers who later achieve much wider recognition, this is an event that demands serious…

[postpunkindustrial]

Tod Dockstader

[voskhozhdeniye]

I’ve written before of my interest in shortwave radio, in the notes to the Quatermass CD. Also, in the notes to the Omniphony CD (which has my first ‘Aerial’ mix, Past Prelude in it), I mentioned ‘The Aerial Etudes’, which was my working title for what became the three CDs you have. And, at the end of an interview with Chris Cutler, the piece I mentioned was starting to work on at the time became ‘Aerial’. When I was very young, people got most of their entertainment from radio. They called it ‘playing the radio’, as if it were a musical instrument. That’s what I’ve tried to do in this piece. The mixing of the work began in 1990. Before that, I’d been collecting the sound-materials from an old shortwave radio I had. I worked at night because that’s when the best reception occurs; during the day, short-wave sounds are limited and scarce - at least the kind I was listening for: the kind that occur when there are so many stations on the air, they over-ride each other and something strange emerges from the conflict. Because shortwave AM radio is of the lowest possible fidelity (little better than a telephone), I recorded on ordinary audio-cassettes. It was also for economy, because I knew I’d have to do a lot of recording to capture the momentary events I was looking for. Periodically, I would transfer the best (most potentially useful) of these recordings to quarter inch tape, turning them into ‘hi-fi stereo’ as I did, with a variety of techniques. Slowly, eventually, I made a library of 72 reels of tape and 35 DAT cassettes, for a total of about 90 hours of sound. Each track was given a descriptive name, and catalogued. I found that many of the tracks, though they were ‘electronic’ by nature, sounded not unlike the sounds I’ve used before in my work: bells, voices, drums, strings, trains, water, wind… And, in the mixing, I went for that physical sound.

[spaceintruderdetector]

Tod Dockstader / Song  2005

‘‘ Dockstader staked out a significant territory of radio-based composition that expanded outward from his more electronic works of the 20th century. His Aerial series, which is a reduction of over 90 hours of recordings, captures an unabated obsession with the eerie textures and ghost frequencies that appear and vanish moment to moment. ‘‘