#tomaso moretti

[tankgotstuckinthecircusgate]

maybe my name could also be known that i helped return good to the people and restored greatness to Rome

[itsmeyadayadayada]

i know a lot of people want a mafia game set in 70s or 80s vegas but i’d honestly love a prequel that goes more in depth on the empire bay lore of the 30s even though there was already a game set in the 30s. i just feel like there’s so much untapped potential regarding moretti’s death, the beginning of the falcone family and even henry’s early work with clemente

[tommytranselo]

we haven't talked about this in a long time but i am still vaguely thinking about moretti, carlo, and tony balls and how love is ruin (carlo conspires w/ the vinci family to kill moretti) and love is salvation (tony and moretti being close, carlo sparing him although he gets injured as collateral). you'd think carlo would've swept the ranks of any guy close to moretti after his takeover, yk?

yeah.........i think.  it would make sense if he tried to purge anyone he thought might be a threat.  but also, there’d been so much bloodshed already, and not only would it confirm the suspicions that carlo had been the one to kill his boss, but also...part of me thinks he did it because he thought it was for the greater good, that moretti was behind the times, and, well, one way or the other, the war had to end.  or maybe he told himself that was why, at least.  (maybe he felt bad, maybe by keeping tony around it was like the old man wasn’t entire gone...)

it ties in with my theory that rocco was one of moretti’s capos, and carlo made him underboss to keep him happy.  instead of sweeping the ranks...if he could make moretti’s closest circle loyal to him, it would prove he was the legitimate don.  it’d be more of a victory.  y’know?

[swiftcola]

[samtrapani]

man you're making me care about moretti now. see personally i feel like he's really serious and stern, or he is in his old age anyway, but young hotshot moretti who's just a little older than frank & leo...man. do you think there was someone before him, or did he kind of set things up on his own/with the help of friends? and do you think he fell out with frank and leo the way salieri and morello did?

banging on 2K's headquarter doors like GIVE ME THE MORETTI FAMILY LORE. i wanna know how he met carlo and tony too

just like us to start to care about a character who is dead before the story starts + who we know. two things about right >:3

i feel ya w the serious + stern in his old age, but that probably came up after a lifetime of being... in the life yk!!

mm... i think he set it up on his own. i feel like he had a kind of young vito corleone moment of ousting the more traditional neighborhood gangster, moving on to the more refined "you help me, i help you" gesture, but he definitely started with nothing, maybe even fell into it the way vito corleone did. he didn't mean to, he just wants what's best for the neighborhood, and things spiralled from there. he built the foundation for what vinci strove to emulate. respect brings you friends, brings you enemies, brings you, well, the world...

i don't think he fell out with frank and leo. i think he understood that those two wouldn't want to be under anyone's thumb, so he definitely drew up a treaty that divided the city and gave them his blessings, and it was smooth (mostly) until prohibition hit. war times >> tough times, everyone's on edge, the war exploded suddenly, etc etc. maybe time had hardened frank and leo. of course. why else would they kill the very man who had made them what they are? (alexa please play the winner takes it all by ABBA)

(something something, they were kids that he once knew...)

as for carlo + tony... i think he definitely picked carlo up as a struggling young man, brought him into the family, saw how he could be useful, extrapolated from there... tony? tony was definitely a street-level guy whom moretti found... interesting, so he was like yk what i need more guys like you. who aren't directly involved with the family so they aren't as hard-headed/egoistic. tony's good people. moretti....... well. i suppose, this way, tony loved him. maybe moretti loved him back :)

[llucy-san]

Meet my OC

tagged by my beautiful human soul @dieguzguz ❤️ 💕 love you Sam!!!

I will start with far cry characters, the pre-cult and then continue with rest of my clowns. Plus adding a new member of my crew from mafia Universe.

Kyle Peters

• Age -  23

• D.O.B. - June 2nd 1989

• From - Atlanta

• Family -

Michael Peters (Father) alive

Donna Peters (Mother) alive

• Height - 6’0′ (183cm)

• Weight - 198lbs (90kg)

• Hair -  Brown

• Eyes - Light Blue

• Status - alive

Hayley Moore

• Age - 23 (Atlanta)

• D.O.B. - August 25th 1990

• From - New Orleans

• Family -

Scout Moore (Father) deceased

Camille Moore (Mother) alive

• Height - 5’5′ (170cm)

• Weight - 154lbs (70kg)

• Hair - Chocolate Brown

• Eyes - Olive Green

• Status - alive and helping her husband with everything around the valley

Hope Lansdowne

• Age - 25 ( arriving home from overseas )

• D.O.B. - September 24th 1993

• From - Hope County (Whitetail Mountains)

• Family -

Malachi Lansdowne (Father) deceased

Olivia Lansdowne (Mother) deceased

• Height - 5’8′ (173cm)

• Weight - 156lbs (71kg)

• Hair - Wavy Blond

• Eyes - Bright Blue

• Status - alive and kicking

Marcus Lansdowne

• Age - 31 (during arrival of his younger sister)

• D.O.B. - August 28th 1987

• From - Hope County (Whitetail Mountains)

• Family -

Malachi Lansdowne (Father) deceased

Olivia Lansdowne (Mother) deceased

• Height - 5’8′ (173cm)

• Weight - 198lbs (90kg)

• Hair - Brown

• Eyes - Light Blue

• Status - alive (yet)

Lorenzo Campbell

• Age -  34

• D.O.B. - April 12th 1984

• From - London

• Family -

Aiden Campbell (Father) deceased

Evelyn Campbell (Mother) alive

• Height - 6’0′ (183cm)

• Weight - 209lbs (95kg)

• Hair -  Brown

• Eyes - Deep Brown

• Status - alive and helping people in need or simply destroys cult properties

Elena Moretti

• Age -  24

• D.O.B. - January 1st 1909

• From - Empire Bay

• Family -

Tomaso Moretti (Father) deceased 1933 - killed by his soldato

Pearl Moretti (Mother) deceased 1920

• Weight - 143lbs (65kg)

• Hair -  Brown

• Eyes - Deep Brown

• Height - 5’7′ (173cm)

• Status - alive, she's part of the Salieri's crime family.

@ja-crispea @tomexraider @fadedjacket @faithchel @fromathelastoveritaserum @theknifegame @tommymillers @pd3 @v3ryvelvet @xbaebsae @nightwingshero @strafethesesinners @chyrstis @shellibisshe @gracethornwood @geronimo-11 @shelliechen @risenlucifer @smithandrogers @starsandskies @minilev @goodboiboomer-fc5 @lobanhart just have some fun with your rebellion but beautiful characters.

[enkeynetwork]

Humans At Work, i vincitori del concorso di Posterheroes

Quest’anno il concorso di Posterheroes ha un non so che di diverso. Il titolo del concorso era Humans At Work, ma in questi mesi ciò vuol dire smartworking, videoconferenze, lavoro freelance. E anche senza Covid 19 il mondo di lavoro oggi è molto cambiato rispetto al passato. L’edizione di quest’anno si è appena conclusa e Posterheroes mostra i vincitori. Sono 40 i poster selezionati dalla giuria, i quali saranno oggetto di mostre, eventi e produzioni editoriali. Ecco quale era il tema del concorso e i vincitori selezionati.

Humans at Work – nona edizione

Posterheroes arriva alla nona edizione e il tema di quest’anno, del concorso denominato Humans at Work è smart working e futuro del lavoro. Una riflessione, quella chiesta agli artisti interessanti, su come vivranno gli esseri umani il mondo del lavoro futuro. Lo smart working e il lavoro freelancer saranno capisaldi del futuro lavorativo dell’umanità. Ma la riflessione non si ferma qui, gli artisti hanno trattati altri temi come la discriminazione sull’ambiente lavorativo.

Humans at Work - il concorso di Posterheroes In futuro gli esseri umani avranno ancora la possibilità di entrare nel mondo del lavoro ed avere così una vita dignitosa, favorendo lo sviluppo della società. La nona edizione del concorso di Posterheroes ha battuto tutti i record di assensi, seguendo il trend di crescita dal 2010, anno di inizio del concorso, ad adesso. Quest’anno a partecipare sono stati gli artisti provenienti da 117 diversi paesi nel mondo, per un totale di 3500 poster.

Il concorso Humans At Work ai tempi del Coronavirus

Il concorso di quest’anno è stato esteso alla fine del lockdown dovuto all’emergenza Coronavirus. Il tema del concorso era stato deciso mesi prima, ma in questo periodo di crisi sanitaria globale ha preso un’accezione diversa. Dato che gli organizzatori hanno deciso di estendere la durata del concorso i partecipanti hanno avuto modo di ripensare alle proprie idee e, in alcuni casi, presentare nuovi poster. Humans At Work è mutato nel tempo ed ora la domanda che i partecipanti al concorso si pongono è: quali ripercussioni ha avuto il Coronavirus e il conseguente lockdown sul mondo del lavoro? E quali altri grandi cambiamenti lo interesseranno nel prossimo futuro?

I vincitori del concorso

Per il concorso Humans At Work di quest’anno troviamo al primo posto Davide Falzone, con il suo poster intitolato “Does this sill work?”. Al primo posto va il premio in denaro di 2.500 euro oltre, ovviamente, alla visibilità.

Does This Still Work - Davide Falzone Ci sono, poi, come dicevamo altri 39 poster selezionati, per un totale di 40 vincitori. Sono dall’Italia: Nadia Groff, Gianluca Patti e Bianca Sangalli Moretti, Maurizio di Curzio, Giulia Serafin, Riccardo Gola, Marta Facheris, Laura Zanella, Tomaso Marcolla, Daniele Spini, Marco Cirulli, Maria Giovanna Mura e Raffaella Pudda, Studio Fornelli, Jacopo Cohen, Daniele Morganti, Boutique Creativa, MOST, Marta Marotta, Tommaso Boccheni, Lorenzo Mercanti, Erica David. E molti altri artisti provenienti da ogni parte del mondo.

Fuori concorso

Vista la particolare situazione sanitaria globale gli organizzatori hanno organizzato dei fuori concorso. Sul profilo Instagram di Posterheroes è stata, infatti, lanciata la campagna #heroesfromthecouch (eroi dal divano). La campagna è volta a promuovere e lanciare il messaggio “stai a casa, stai al sicuro, mantieni le distanze sociali”. Gli stessi partecipanti al concorso hanno contribuito anche alla realizzazione della campagna, realizzando poster ad hoc. Ma oltre ad essi sono stati nominati anche alcuni ambassador, artisti professionisti che hanno voluto far sapere alla gente quanto importa sia il ruolo sociale del graphic designer in questo specifico contesto. Indispensabile per lanciare messaggi chiari ed efficaci, volti a far rispettare le regole imposte per tutelare la salute di tutti noi. Read the full article

[vintageautoracing]

At every event, a new consecration! After vanished French makes in 2017, vanished Italian makes such as Autobianchi, De Tomaso, Osca, Siata, Cisitalia, Lombardi and Moretti were highlighted in the 2018 staging of the Tour Auto Optic 2000. All these makes, which have contributed to the legend of the original Tour de France Automobile, were […]

L’article Tour Auto Optic 2000: Italian Renaissance! est apparu en premier sur Peter Auto.

[unfoldingpavilion2018]

Unfolding Pavilion 2018

The Works

The Unfolding Pavilion has invited the most unique members of the Little Italy network to create works capable of reacting to both Gino Valle’s building and the specific space occupied by the Pavilion.

The invited architects were asked to produce original objects/installations, that puts in dialogue their personal body of work to the Giudecca Social Housing - to one or more of its elements/spaces/representations, to the whole building, to the relation of the project with its urban surroundings, etc. - and so to use the Venetian condominium as a sort of tool to reflect on their own practice, just as the representations of Renaissance ideal cities served as tools to experiment with the new technique of perspective.

                                                                                abacO Venise qui Parle. Photography installation. 19 panels, 40 x 30 cm (each).   Team: Alice Braggion, Alessandro Carabini.

                                                                             ANALOGIQUE M.I.Mo. Installation. Steel device on wheels, map, image, drawings texts.   Team: Claudia Cosentino, Dario Felice, Antonio Rizzo.

                                                                             Arcipelago Reflektor. Box of methacrylate panels, three bricks, mirrors. Custom support in black painted steel (rod, assembled in two pieces, and two end plates). 31 x 31 x 31cm (box). 31 x 31 x 161cm (overall). Team: Nicola Dario Baldassarre, Pasquale Cipri, Salvatore Dentamaro, Nicoletta Faccitondo.

                                                                             Babau Bureau Periscopio. Digital print on paper. 50 x 76 cm.   Team: Marco Ballarin, Stefano Tornieri, Massimo Triches, Sofia Sacchini.

                                                                             Boano Prišmontas 165x165. Light installation.   Team: Tomaso Boano, Jonas Prišmontas.

                                                                             Bunker Immersions. When Palladio met Valle. Installation. Bathtub, light projection, water. 48,5 x 30 x 8 cm.   Team: Carlo Gandolfi, Roberto Molteni, Federico Chaubet, Matteo Donghi.

                                                                             Campomarzio Hamlet, The Ghost of the Cemetery of the Ashes of Thought. Installation. Direct print on glass, digital print on paper. 300 x 70 cm.   Team: Pietro V. Ambrosini, Michele Andreatta, Alessandro Busana, Daniele Cappelletti, Enrico Lunelli, Teresa Pedretti.

                                                                             Fabio CAPPELLO, Giuseppe RESTA Domestic Valle. Installation. Custom ‘Udine’ wallpaper, custom ‘Chirignago’ steel table. 30 sqm (wallpaper). 175 x 75 x 70 cm (table).   Team: Fabio Cappello, Giuseppe Resta.

                                                                             Fabio CAPPELLO + Rossella FERORELLI + Luigi MANDRACCIO + Gian Luca PORCILE CSU in Motion. Event. Round table & discussion. Sunday, May 27th 2018, 10:00 - 13:00. Team: Fabio Cappello, Rossella Ferorelli, Luigi Mandraccio, Gian Luca Porcile.

                                                                             Michele D’ARIANO SIMIONATO & Caterina STEINER Abandon Ship! Installation. Sound, laser printed images on paper. 170 x 170 cm. Team: Michele D’Ariano Simionato, Caterina Steiner.

                                                                             Roberto DAMIANI Hotel Giudecca 2028. Color prints on Sintra panel, 33 x 33 cm (each). Color booklet, 22 x 28 cm.   Team: Roberto Damiani, Emma Dunn, Mina Hanna, Zoe Renaud.

                                                                             ECÒL La Serenissima. Iron, PVC, PLA, acrylic. 75 x 75 x 60 cm. Team: Emanuele Barili, Cosimo Balestri, Olivia Gori, Lorenzo Perri (architects), with the fundamental support of Flavia Monechi (designer) and Vanni Balestri (oral surgeon).

                                                                              ENTER Studio Del Gabinetto (e) delle Allegorie / Upon the Chamber (and) of Allegories. Installation. Paper. 16 sqm.   Team: Margherita Del Grosso, Massimiliano Dalle Sasse, Alessio Poggi, Andrea Silvestri, Chiara Mondin.

                                                                                False Mirror Office, gosplan, LINEARAMA, pia, UNO8A La Cameretta / The Kids Room. Installation. Colored medium density fiberboards. 175 x 35 x 95 cm.   Team: False Mirror Office (Andrea Anselmo, Gloria Castellini, Filippo Fanciotti, Giovanni Glorialanza, Boris Hamzeian), gosplan (Nicola Lunardi, Veronica Rusca, Lorenzo Trompetto), LINEARAMA (Gabriele Molfetta, Selene Vacchelli), pia (Alessandro Perotta, Valeria Iberto), UNO8A (Beatrice Moretti, Fabrizio Polimone), with the carpenters team 81 millimetri (Ivan Berton, Lucia Lina Repetto) and the support of ALL WOOD & Special Materials (Genova).

                                                                             Davide Tommaso FERRANDO + Sara FAVARGIOTTI Little Italy: The Survey. Video. Booklet. Team: Davide Tommaso Ferrando, Sara Favargiotti, with graphic design by Martina Moro & Paul Böhm, sponsored by Land Tirol, in collaboration with Italien-Zentrum - Innsbruck University.

                                                                           Forestieri Pace Pezzani Competitions as Battlefields: Imaginary Landscapes, The Quality Myth, Is Time Money?. Event. Round table & discussion. Saturday, May 26th 2018, 15:00 - 19:15. Team:  Enrico Forestieri, Matteo Pace Sargenti, Pietro Pezzani.

                                                                             Malapartecafé + Fabio CAPELLO THE SUSTAINABLE MISUNDERSTANDING or WE DON’T GIVE A S*** ABOUT SUSTAINABLE IMPERATIVE IF IT’S ONLY ANOTHER ORNAMENT TO ARCHITECTURE. Digital print. Customized toilet paper. 20 x 20 cm. 10 x 10 x 12 cm.   Team: Ilaria Caraffi, Emanuele Crovetto, Fabio Capello.

                                                                             oblò - officina di architettura + Figura/Sfondo Opus Incertum. Installation. Wood trunk, mirror, 3d printed brick. 60 x 60 x 60 cm.   Team: Oblò – Officina di Architettura (Francesca Coden, Emanuele Romani), Figura/Sfondo (Michele Brusasca), Alessandro Benetti with Volumes Makers Space (Paris).

                                                                             Giacomo PALA + Riccardo M. VILLA + Jörg STANZEL Quasi Theory - Quasi Project. Multimedia. 60 x 100 x 180 cm.

                                                                             Gabriele PITACCO Unfolding Young (!?) Gino Valle. Installation. 5 digital printed panels, 12 postcards, text. 3d printed maquette. 314 x 250 x 82,5 cm (overall). Event. Round table & discussion. Saturday, May 26th 2018, 11:00 - 13:00. Team: Alessandro Bettoso, Claudia Ciulla, Cristina Forcesin, Enrico Furlan, Marco Gnesda, Gabriele Pitacco,  Irene Valle.

                                                                             ROBOCOOP Souvenir from La Giudecca. Kitsch-pop installation. Hand-made collage and digital print. Snow globe with paper, glass, glue, plastic, water, marble, brass. Wooden podium. 18 x 18 x 9 cm (object).

                                                                             Emilia ROSMINI & Emiliano ZANDRI THE MAIL. Plexiglass and paper. 30 x 20 x 12 cm.

                                                                             Giorgia SCOGNAMIGLIO & Lorenzo ZANDRI Greetings from an apartment (Unsent Postcard). Installation. Bespoke plywood shelves. Limited edition postcard series, 4’x6’, 400gr glossy paper, printed in Italy. 150 x 75 cm (overall).

                                                                             STUDIO associates + atelier XYZ + Davide Tommaso FERRANDO Democratic Spaces. Movie. Event. Film screening & discussion. Saturday, May 26th 2018, 20:30 - 21:30.   Team: STUDIO associates (Marco Formenti, Nicolò Galeazzi, Martina Salvaneschi), atelier XYZ (Stefano Di Corato), Davide Tommaso Ferrando.

                                                                             StudioERRANTE Architetture + Diego BEGNARDI + Giovanni BENEDETTI Banchetto / Feast. Papier-mâché. 130 x 60 x 100 cm.   Team: StudioERRANTE Architetture (Sarah Becchio, Paolo Borghino, Ioana Iacob), Diego Begnardi, Giovanni Benedetti.

                                                                             Studiospazio Giudecca Windowsill. Painted plywood, dry flowers. 90 x 187 x 2,5 cm.   Team: Samuele Squassabia, Tao Baerlocher, Eugenio Squassabia, Diana Arina.

                                                                             TCA THINK TANK + ZarCola Architetti Italian experience, foreign architects: Stories of those who pull it off. Installation. Metal, 250 x 150 x 150 cm. Book, 17 x 24cm, 220 pages. Posters, 45 x 80 cm. Video,15 minutes. Team: Pier Alessio Rizzardi, Zhang Hankun, Alessandro Colombo, Edoardo Giancola, Federico Zarattini.

                                                                             Davide TRABUCCO Versus II. Fabric. 200 cm x 300 cm.

                                                                             Unfolding Pavilion An Exhibition of Social Value. Performance. 60 hours. Team: Daniel Tudor Munteanu, Ana Munteanu, Davide Tommaso Ferrando, Sara Favargiotti, Magda Vieriu & Octavian Hrebenciuc.

                                  ��                                          WAR (Warehouse of Architecture and Research) Theseus in the 80’s. Light Installation. LED strips, disco ball. 100 m strip. 50 cm ø ball. Team: Gabriele Corbo, Jacopo Costanzo, Valeria Guerrisi, Loriano Giannone, Michelangelo Sicari, Angela Tanzola.

                                                                             All of the exhibited works were commissioned by the Unfolding Pavilion and were created especially for this exhibition.

Illustrations: 1. Studiospazio - Giudecca Windowsill. Photo by: Davide Tomasso Ferrando. © Unfolding Pavilion.

[tankgotstuckinthecircusgate]

"the word "father" rotted in my mouth" etc etc carlo & moretti once again

[tankgotstuckinthecircusgate]

parental relationship moment💀

[tankgotstuckinthecircusgate]

«Carlo's like a son to me» young Carlo & Moretti

"I would die for you, I would die for you" he wept "I wish things could be different" he wept *** I love you, and if you want, I'll call you King But why do I lie awake each night thinking "Instead of you, it should be me"? *** I have never loved him more than I do now But I can't do it again I have to be the only one

[tankgotstuckinthecircusgate]

thinkin that maybe maybee i should write church scene where moretti n young carlo become more emotionally close

[tankgotstuckinthecircusgate]

man and his hound (w ugly hair)

[tankgotstuckinthecircusgate]

i didn't want to post these but whatever i guess?? rocco n moretti

[itsmeyadayadayada]

tomaso moretti in 1933