Guys. The cows were about how if people don't like you or don't want to listen to you, they'll decontextualise your actions and use them to discredit you in any situation. How doing one (1) memorable bad thing can be held against you forever. The cows are about looking a council of world leaders in the eyes, telling them we're all being robbed of our futures by megacorporations, showing them the receipts and numbers and photographic evidence, and being told none of your arguments matter actually because you're The Cow Guy.
The cows are about how people don't forgive, not really.
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her divine highness, first lieutenant of the cohort, emperor's life guards, heir to the emperor divine, first of the tower princes--
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there's something about the way people talk about john gaius (incl the way the author writes him) that is like. so absent of any connection to te ao māori that it's really discomforting. like even in posts that acknowledge him as not being white, they still talk about him like a white, american leftist guy in a way that makes it clear people just AREN'T perceiving him as a māori man from aotearoa.
and it's just really serves to hammer home how powerful and pervasive whiteness and american hegemony is. because TLT is probably the single most Kiwi series in years to explode on the global stage, and all the things i find fraught about it as a pākehā woman reading a series by a pākehā author are illegible to a greater fandom of americans discoursing about whether or not memes are a valid way of portraying queer love.
idk the part of my brain that lights up every time i see a capital Z printed somewhere because of the New Zealand Mentioned??? instinct will always be proud of these books and muir. but i find myself caught in this midpoint of excitement and validation over my culture finding a place on the global stage, frustration at how kiwi humour and means of conveying emotion is misinterpreted or declared facile by an international audience, frustrated also by how that international audience runs the characters in this book through a filter of american whiteness before it bothers to interpret them, and ESPECIALLY frustrated by how muir has done a pretty middling job of portraying te ao māori and the māoriness of her characters, but tht conversation doesn't circulate in the same way* because a big part of the audience doesn't even realise the conversation is there to be had.
which is not to say that muir has done a huge glaring racism that non-kiwis haven't noticed or anything, but rather that there are very definitely things that she has done well, things that she has done poorly, things that she didn't think about in the first book that she has tacked on or expanded upon in the later books, that are all worthy of discussion and critique that can't happen when the popular posts that float past my dash are about how this indigenous man is 'guy who won't shut up about having gone to oxford'
*to be clear here, i'm not saying these conversations have never happened, just that in terms of like, ambient posts that float round my very dykey dash, the discussions and meta that circulate on this the lesbian social media, are overwhelmingly stripped of any connection to aotearoa in general, let alone te ao māori in specific. and because of the nature of american internet hegemony this just,,,isn't noticed, because how does a fish know it's in the ocean u know? i have seen discussions along these lines come up, and it's there if i specifically go looking for it, but it's not present in the bulk of tlt content that has its own circulatory life and i jut find that grim and a part of why the fandom is difficult to engage with.
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I can’t believe that Harrow staring at Gideon’s sweaty forearms is canon. I would love a ranch AU where Gideon thinks Harrow hates her because she keeps following her around looking PISSED but that’s just Harrow trying to cover up the fact that she’s checking her out while she’s doing physical labor. 
Or an AU where Harrow keeping hiring Gideon as a contractor to rebuild her house, because it’s like a million years old, only to keep changing the plans because she likes watching Gideon swing a sledgehammer around
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Stop trying to pick up the sword, Griddle! It’s too big for you!!
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i love you harrowhark nonagesimus
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i'm never gonna stop thinking about the way tamsyn uses memes and references. like, "There was a thought above and below that knew what it was, but the moment she looked at either thought she'd lose the game."
if you think about the game, you lose the game. if she thinks about alecto, she loses nona.
i'm distraught
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Why do we call it the cow wall tho, really? Like yes there were also sheep involved, but what I'm wondering is.... was it even really a wall? It was a dome. A fully enclosed structure. An anti-cop bovine (and ungulate) forcefield, if you will.
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I can’t be trusted with craft supplies. The brain rot is too strong.
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having genuine chest pains thinking about kiriona asking "do you love her?" because she just wants to know if harrow is alive. and if harrow's frozen girl loves her back. because even though she has teeth now where her heart should be as long as harrow is safe and has what she wanted thats all that matters to her
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the papier-mache walls of the shrine in kanqah naqshband sahib in srinagar, kashmir, built in its current form in 1633. the complex is dedicated to bukharan baha' al-din naqshband, who founded the naqshbandi sufi order, and is a mausoleum for one of his descendants. the shrine is a site for ziyarat as it contains what's said to be a lock of the prophet muhammad's hair.
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