#tpn chapters illustrations

[notelectrictigerart]

Happy birthday Emma! Bringing back the chapter illustration for today!

[kingdomofdrawings]

Illustration for chapter 26(last chapter) of A normal life

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Hope you like it!

[kyouka-supremacy]

Chuuya Nakahara desu.

Not sure I'm understanding what this means but since I haven't been asked Chuuya yet:

Favorite thing about them: ... His big heart. Sorry for being lame but like. His kindness is his most attractive trait to me. And I wouldn't even say that is his dominant trait, he's just infinitely more selfless than the others from the s/kk ss/kk quartet. Other than that, I think he's a very fleshed out and charismatic character who's just very likeable!

Least favorite thing about them: His maroon jacket from the last arc LMAO. Like the style itself isn't too bad and fits Chuuya well enough, but the color as it was shown in the anime? Hideous, and goes terrible with his hair. -100/10 Kouyou didn't rise you to be a fashion disaster. No wait actually there is something. His whole deal with wanting Q to die in chapter 31. Maybe it fits his character (something about thinking of himself as a weapon and thinking people like him should die?), but I don't really care, it *is* something I don't like about him. Self-hatred doesn't justify being a jerk to others for me.

Favorite line:

brOTP: CHUUAKU. They're so cute everywhere always in every flavour. CHUUYA AND KOUYOU. Chuuya and Kenji!! Soukoku. I feel like, maybe not in this world, but oerhaps in another Chuuya and Yosano would be besties. Chuuya and Adam and Chuuya and the Flags purely out of second hand knowledge that was passed on to me by the people I follow and of wanting good things to happen to Chuuya.

OTP: CHUUAKU‼️‼️‼️ When I say they're so good, I mean it. They're so good.

nOTP: Notp more like nope-tpn ahah I'm a right

Random headcanon: He will mind not to smoke if Akutagawa is around.

Unpopular opinion: More of like never-heard-of-before opinion, but you know how I've got personal beef against Akutagawa's grey eyes and think they should be pitch black? Well, ironically, in my opinion Chuuya's eyes are grey.

Song i associate with them: ECHO by Crusher. Something about Dramaturgy by Eve, too.

Favorite picture of them:

Favourite panel from the manga:

Favourite illustration:

Favourite illustration in the anime art style:

Favourite Mayoi card:

Send me a character?

[fullscoreshenanigans]

References under the cut:

Alice Blue

(Chapter 153 cover art, specifically from the version of it printed in The Promised Neverland: Art Book World. Slightly cheating, but bear with me for the sake of lighthearted debate since I've seen the tint in fanart.)

(Bonus stickers for volumes 1-7, reprinted in the art book)

(Promo art for the anime, reprinted in the art book)

Platinum Blond

(Special post-canon illustration celebrating TPN's fourth anniversary)

(The Promised Neverland: Art Book World cover)

Pure White

(Posuka Demizu's illustration to celebrate TPN's sixth anniversary)

(S1e01 being a silly boy)

Also including this bit from the art book because it's funny:

[chidoroki]

182 Days of TPN - Day 45

Chapter 45: “The Rescue”

When I first received my copy of the art book, I remember being so amazed at the details of this chapter’s cover page that I previously never noticed before (and I revisit this chapter a lot), but this little section with the duo is so clever! How Ray is placed in the exact same position as the drawing right underneath him with the kid in the jar and also putting Emma in front of the demon’s mouth like that are such smart moves. And I obviously can’t read the whole message behind her legs, but I can sorta make out “wake up/in danger/unfortunate/suffer,” which all apply perfectly to both her & Ray’s current situation right now. Seriously though, buy the art book if you can. The illustrations are in such a lovely quality. Even looking at it now, I’m gonna take a guess and say the words near Ray’s back say something like “How are you feeling Ray?” (Also, if demons don’t have lips, then how the hell did that one GF demon whistle two chapters ago??)

I must focus on other scenes in this chapter so much that I forgot Sonju actually uses smoke bombs. For the longest time I believed they were just an anime addition..oops.

Yeaaah, they’re certainly not the smartest demons around. To be fair, they couldn’t see through all the smoke either.

Now, I love that Ray’s mind never stops working even after getting snatched up by a completely strange and possibly dangerous “person” because it just suits him to be cautious, but typical anime doesn’t allow us to hear his thoughts.

On the flip side however, I do enjoy how it shows how frightened Ray really is. This boy was just chased by several demons, barely survived by getting kidnapped basically and woke up completely alone, with no knowledge of the status or whereabouts of his family. Sure, he’s normally the calm and analytical one out of the trio, but even someone like him would have to be panicking at least a little bit after everything he just went through and I think the anime shows that (& his left eye pfft) really well.

Yes I also gave praise towards the anime once before for remembering something so minor such as the bell Mujika left for Emma. And (knowing me) I’m sure I noticed this several times in the past, but it looks as if Ray’s checking her ear too, right? That’s sweet.. all the anime gave us was a couple taps on her shoulder.

The amount of relief on my son’s mf face! AAAH! He’s so damn precious he makes me wanna cry. And I know I keep going back and forth between giving praise to both medias but I personally like the anime better for this wholesome expression.

Can confirm that Mujika’s voice is very nice, both in sub & dub, though I love Ray’s comment about it and how he’s a bit wary. Dude knows first hand that being kind and having a sweet voice doesn’t necessarily mean that person is trustworthy.. I mean, have you seen his mother? (and I skipped a big moment, I know. I scream about it at the end). 

Mixed feelings about him holding his arm out in front of her when Mujika approaches them. Emma is the one person who can certainly protect herself (also doesn’t necessarily need it because main character plot armor) but also aww, look at him being so serious about keeping his promise yet again.

While we don’t get the scene of Mujika checking Emma’s ear or shaking her hand, we do get a shot a bit later showing that her hand is indeed still covered, so at least there’s some consistency there with keeping her demon appearance a secret just for a few moments longer.

Of course he notices something’s off. He just calmed down after experiencing one of the harshest days of this life and now he’s about to freak out all over again.

The level of confidence he has in his assumption despite all the fears the the truth is bringing out of him. Also, the way Sonju just looms silently in the back while those bugs shed tiny specks of light on him is so nice. This frame doesn’t do it justice but just go back and watch it. And I don’t listen to the s2 soundtrack nearly enough as I should (seriously, Obata is fantastic and I’m so glad we got him back for another season), but the start of “The Evil-Blooded Girl” playing during this scene is perfect.

I still can’t believe this is where the first ep of season two ends.. literally SO MUCH happened these last 8 chapters and they decided to cram in all in less than 20 minutes?? Granted they managed to cut out quite a lot, but still! The first episode went way too quick, as if the OP sequence wasn’t enough of a red flag already about how much this season would possibly cover. Speaking of fast, my boy looks like he’s ready to run for his life again and no doubt about to drag Emma along with him.

Favorite panel/moment:

THEIR DAMN HUG!!! Again, I read through unofficial translations the first time but even now I prefer the “You’re still alive.. I’m so glad you’re alive!” a little better? It ties back in with Emma’s original worries when Ray first offered to lead the demons away, but the official gets the same point across though. REGARDLESS, this panel is filled with so many feelings and it of course sends waves of emotion over me as well.

And I know I shouldn’t bitch about how the anime handled it and should instead be glad they even included it at all since they decided to cut out so much of the entire story in general, but it just.. doesn’t hit as hard as I hoped? Naturally, their voice actresses did a lovely job as always, but I dunno.. the way the manga has it all framed just looks better to me? like Emma is desperately hanging onto him there and overcome with an immense sense of relief that Ray managed to escape those demons alive. And I’m not real fond of how they animated Ray returning the hug either, like who wraps one arm around someone and then the other?? It just feels so slow and awkward to me. I can easily excuse it like “oh it’s Ray, the boy who distanced himself from everyone else all his life, he doesn’t know how to hug properly,” ..but he also has Emma as a friend and I’m certain she gave hugs to literally everyone without warning all the time so he has to be used to them by now.

ALSO! Can’t be entirely happy about because they left out THE HEAD PAT!!! How dare they.. it’s probably my favorite one too.

My nitpicking aside, I’m truly happy we still got to see this embrace. It ain’t perfect, but it’s decent and most importantly, at least it’s there.

[cirkkaa]

𝘠𝘰𝘶𝘳 𝘦𝘺𝘦𝘴 𝘵𝘦𝘭𝘭

[rejoiceinsilverlight]

ray rigged three different airpods to be connected to the same phone and lets pretend that emma didn’t lose her memories :’^)

edit: fixed some anatomy issues with the eyes o3o

[cibya]

Sleepy Children

[yaboylevi]

all the mangas I’ve caught up on this year are ENDING, what the...

I’m planning on catching up on Kuroshitsuji but at this point I'm just scared.

[tameowzerzz]

My part in illustrating Chapter 33 of The Promised Neverland Manga for the Let's Change The World!: A TPN Fanzine @tpnproject It was fun to be a part of this project!

[just-like-playing-tag]

Posuka Demizu's illustration of Emma with outfits from the Kirineba mobile game summer event, in occasion of TPN first chapter release 5th anniversary

[notelectrictigerart]

Chapter 24: Inspection Part 1

My illustration for the Let’s Change the World TPN fanzine! I was in charge of Chapter 24 and I’m grateful for the opportunity to work on another chapter art.

Zine twitter, Zine Gumroad Download (It’s free!)

[kingdomofdrawings]

Papa Ray & mini Revna

Bonus illustration for chapter 19 of A normal life

Hope you like it!

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[avadescent]

Norman and Emma are perpendicular; Emma and Ray are parallel.

The way they’ve composed this image is heavily symbolic.

Norman is usually shown to be “opposite” of Emma visually (in the image mentioned above, in their sitting arrangement in the dining room at GF, the way they’re usually never illustrated to be side-by-side during important scenes like the shipment, the reunion, their argument and so on, though there’s probably a lot more imagery than that); while Ray has always been by Emma’s side (GP arc, Seven Walls arc, choosing to support Emma in the end despite agreeing with Norman).

These differences in their dynamics have always been subtly hinted at throughout the manga—though not so subtly later on, in Norman and Emma’s case—and continues to be highlighted in official art like this.

Part I: “In the end...” (Ch. 32)

Ray is Emma’s “counterpart”. They seem different at first: Ray is more logical and meticulous while Emma looks at the big picture and does things based on her feelings, but they’re both really two sides of the same coin. They’re both logical (Emma showed her pragmatic side when she debated with Norman and presented a counter-proposal to his plan) and they both operate on their feelings (Ray cared deeply for Norman and Emma so he wanted them to live, and Emma cared for everyone so she wanted everyone to live).

They both also care for their family in the same way. When Ray was faced with the notion that he can live (or that he should live), he did his best to become the sibling he had never allowed himself to be. There’s a caring, almost motherly nature to him in the way he handles the kids, in the way he frets over Norman and Emma, and in the way he supports everyone silently.

Emma is the same: she’s a lot more loud and open about it, but they’re both very caring towards their siblings. Unlike Ray, however, she’s certainly a great deal more idealistic and ambitious.

Ray and Emma are similar because they are warm and tender, and they’re both very family-oriented. They do things for the sake of their family, putting their loved ones first and themselves last.

Their familial love manifests itself similarly, and while they do have their individual, defining traits, they are the same at their core.

Hence, they are parallel: heading in the same direction in terms of how they think and feel, but going about it in different ways.

An example would be from the final chapters of the Jailbreak Arc, where Ray explicitly points out that: “In the end, [they] were thinking the same thing.” (Ch. 32)

they might be thinking the same way but ray’s the lil shit who goes off and says he’ll burn himself to achieve their goal

Part II: “Fate—has split our paths” (Ch.128)

Norman is essentially Emma’s “foil”. He has contrasting traits that serve to highlight Emma’s own. Take the famous “sun and moon” depiction for example: it is the night that lets you know the day exists, and vice versa. A more nuanced interpretation of this is that Norman, as the “moon”, operates on borrowed light.

Firstly, he is neither idealistic nor ambitious—in contrast with Emma, who most definitely is. He does not wish for extravagant or impossible things; despite, or perhaps because of, his intelligence, he only wants the simple things: to see the world, and to stay with Emma and Ray.

He does not actively set idyllic goals for himself, he only seeks to apply his mind in the present rather than consider abstract/seemingly unreachable concepts (I want to ride a giraffe!). He never even considered having their entire family escape until Emma brought it up. It is here that we see him operating on ‘borrowed light’; his actions in the Jailbreak Arc are made to directly achieve what Emma wants.

He and Emma get along and complement each other very well (more on this later), though they are fundamentally not the same.

Thus, Norman and Emma might share the same ideals (a world where they’re all free), but they aim towards different goals. Emma essentially wanted co-existence (at the same time, not necessarily at the same place), while Norman determined that the best route was to eliminate the demons altogether.

This in contrast with Emma and Ray’s dynamic, where they share similar goals, but different methods.

To further define this difference, it is Emma and Ray who can come to the same conclusion independently, with them working separately and finding out they thought the same way in the end (of course, with the absence of a conflicting variable—‘will we bring everyone or not’, that entire spiel).

Meanwhile, Emma and Norman only reach the same conclusion when they’re working dependently (this more so in Norman’s case, wherein he’s usually striving to achieve what Emma wants).

This illustrates itself clearly when Norman and Emma are working independently throughout the next few arcs of the manga, and eventually find that they both reached different conclusions about the same matter.

Case in point, this difference makes itself one of the center conflicts in 3 arcs (King of Paradise through the Imperial Capital Battle Arc). They even get an inside cover.

Hence, they are perpendicular: heading in different directions, and intersecting once (clashing).

It is through this consolidation of views that TPN manages to bring forth a (hypothetical) moral conflict to the forefront of its story through its characters—quite like a physical, mental, and emotional debate, wherein the protagonists each present one aspect of the moral conflict and work to achieve a balanced and unanimous outcome.

In other words, they complement each other magnificently in their opposition. Emma hopes for the impossible, while Norman works within the realm of possibility. Emma reaches for the sky, while Norman is rooted to the ground.

Norman sees the world for what it is while Emma sees it for what it can be.

[ptit-lion-art]

RayEmma Week 2020 Day 8 - No matter what (Bonus Free Day) That’s it, it’s the end of this week and also of this beautiful manga... Gosh, I’m already nostalgic! I drew a parallel between the scene of chapter 123 and the end of the manga... (this sentence hurts even more after chapter 180...)

I had set myself the goal of making big/complete illustrations throughout the Rayemma week. There is one that I am not very satisfied with but I have rather fulfilled my objective otherwise! Don’t count on me to stop drawing some TPN stuff :3

[tpnproject]

.✧｡ﾟ Check out our Q&A with Phil .✧｡ﾟ

In the following days we will be answering your questions, so stay tuned to unravel all this zine details! And if you can't wait, go check out our answers to some of the most common questions featured in our Carrd!

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A: Thank you for your support!!! The main goal of this Zine is to celebrate The Promised Neverland series, as well as its fandom community. Our plan is to make a Zine that features illustrations for each chapter of the tpn manga GF arc, as well as written works and merch related to this arc!! This project is made by fans for fans, so at the end of the creative process a free PDF copy will be made available for everyone to see. If you'd like to know even more details about this Zine, you’ll love to check out our freshly updated Carrd!!!

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