#u are not electronic arts u are just as much of a consumer as everyone else get off that fuckin high horse dude😭😭😭

[clovestarzz]

rant abt protoscag pls im bored and need yuri

i love them so much. i would die for them. i would shove a toaster down my throat for them and die for no reason even if it just meant for them to get together. they are perfect for each other and so silly. if they don't ever get married and live happily ever after as electronic things, then I will scream violently in everyone's ears until they bleed. i will scream louder than when i see skibidi toilet. i want to hug them sm. they deserve each other. this is the absolute top ship in refrigerator. they have canonically kissed because i said so. i will bust down the door and become a dev myself to make this canon. even more canon than the fact i have slept with a clip. i need more content of them. i do not care at all if there's already 7928777289772877927987297872 videos of them kissing and holding hands, i need atleast 90x, if not, 900x times, if not, triple, if not, as much as possible. i must consume the yuri. i will tickle anyone who comes up to me and screeches like a parrot on how they are "just friends", but they are clearly more. people are truly blind. i could go on for days, to the point where even a yapper of its own will want to aggressively rip out their eardrums.. Boy oh boy where do I even begin. Protoscag… honey, my pookie bear. I have loved you ever since I first laid eyes on you. The way you drive into the paint and strike fear into your enemies eyes. Your silky smooth touch around the rim, and that gorgeous jumpshot. I would do anything for you. I wish it were possible to freeze time so I would never have to watch you retire. You had a rough childhood, but you never gave up hope. You are even amazing off the court, you're a great husband and father, sometimes I even call you dad. I forvever dread and weep, thinking of the day you will one day retire. I would sacrifice my own life it were the only thing that could put a smile on your beautiful face. You have given me so much joy, and heartbreak over the years. I remember when you first left clevenland and its like my heart got broken into a million pieces. But a tear still fell from my right eye when I watched you win your first ring in miami, because deep down, my glorious king deserved it. I just wanted you to return home. Then allas, you did, my sweet baby boy came home and I rejoiced. 2015 was a hard year for us baby, but in 2016 you made history happen. You came back from 3-1 and I couldn't believe it. I was crying, bawling even, and I heard my glorious king exclaim these words,"CLEVELAND, THIS IS FOR YOU!" Not only have you changed the game of basketball and the world forever, but you've eternally changed my world. And now you're getting older, but still the goat, my goat. I love you pookie bear, my glorious king, Protoscag. 🥰❤️🫶🏽

-NONE OF THE ART IS MINE, TELL ME IF U WANT YOURS TAKEN DOWN ^_^

@er-0z

[potatosteinsillustrations]

Just so you get to know that there are alternatives to this:

Back in 2013-2014 Nintendo's President and CEO Satoru Iwata (rest in peace) cut his salary in half (along many of the other execs like Shigeru Miyamoto cutting 30& of his own salary) to avoid laying off employees at the company after the Wii U severily underperformed.

Here are some of Iwata's notable quotes from an investor Q and A: Source: Polygon

"If we reduce the number of employees for better short-term financial results, employee morale will decrease," he said. "I sincerely doubt employees who fear that they may be laid off will be able to develop software titles that could impress people around the world." "I know that some employers publicize their restructuring plan to improve their financial performance by letting a number of their employees go, but at Nintendo, employees make valuable contributions in their respective fields, so I believe that laying off a group of employees will not help to strengthen Nintendo's business in the long run."

In 2021 everyone was rightly scandalized and enraged when it was revealed that Bobby Kotick ( Activision-Blizzard's CEO and one of the biggest scumbags in the world) received a $200 million bonus after laying off around 240 employees at ABK ( Source: Yahoo News) Now your next question should be: How much money will the CEO and executives at Epic (or any other AAA studio or company doing massive lay offs this year like the Embracer Group, Electronics Arts) will receive and why are they receiving said bonuses if their mistakes have led to 830 employees being laid off.

And of course most people won't care, much like when it was revealed that there was a super toxic and chauvinistic environment in Activision Blizzard that led to many women being rampantly sexually harrased and even on of them taking her own life.

Or the severe crunch that employees at CD Project Red had to endure with Cyperpunk 2077 (even after they were promised there wasn't going to be cruel crunch like they had to endure with The Witcher 3)

As long as consumers can play their game sadly they won't care and that massively sucks! There won't be any effective change in how employees are treated at these big corporations if consumers don't vote with their wallets and advocate for the workforce's well being.

And this tweets ring true:

- The metaverse isn't worth 830 people being laid off even if it was the" next big thing", but let's be real it isn't and it won't. -This is another reminder that corporations aren't anyone's friends. -Also fuck corporations.

[sojutrait]

the real issue stems from the fact that alot of these creators dont see the community as their peers, they see them as an exploitable underclass that they throw slop at every now and then 🗿🗿

[scmsdivinecultists]

What your fave SCM god says about you

I read one psychology article and now I’m all knowing. Hope at least one of these points apply to you simps

If your favourite is Leon, you are one of the following:

Youngest child

Outcast or the “popular” kid

Daddy issues

Your childhood dream was either to be royalty or be rich

You hyperfixate to many things

You might say ur not charismatic but you’ve had at least more than 1 person you rejected a love confession to

“You’re wrong, I’m right, shut up.”

You don’t fall in love easily but once you do, you fall hard

You like smug bastards or you have a bondage fantasy

Your favourite voltage game is one of the following: Kissed by the Baddest Bidder, Court of Darkness, Masquerade’s Kiss, or Kings of Paradise

You have fairy lights in your room filled with pictures or posters

You had a massive friend group but at least 5 people have left from then to now

You cling onto memories like they’re a lifeline

You have the latest phone or more than 3 leisure electronics

If your favourite is Scorpio:

You can’t be any taller than 5′6

You probably listen to bands and can’t go anywhere without your headphones

Really creative

Your favourite Shakespeare play was Hamlet or Macbeth

Have had or is going through an emo phase

Hates writing essays

Have 3 best friends max

You have definitely bought albums, posters, or merch of your faves

ur probably a weeb

you’ve broken a bone or you’re very knowledgeable in the medical field/how to harm the human body for some reason

dark humour is the best humour

Your friends are very concerned for you because of said humour

You like watching people play Monopoly bc of the chaos

into so many fandoms that you know the lore of your faves more than you know the material you learn at school

If your favourite is Teorus:

You are an only or youngest child

Spoiled

Daddy/Mommy issues

Abandonment issues

You feel like you fade into the background/don’t contribute much to the group

You feel like you are often forgotten

You’re close with your cousins

You probably have a pet

Taylor Swift or 1D for life

Have definitely threatened to kill or beat someone up despite you intimidating no one

You want to play an important role but you are so not the leader type

You like Ouran Host Club

You like the outdoors

You probably like To All The Boys I’ve Loved Before

Your favourite disney princess is Rapunzel or Cinderella

If your favourite is Huedhaut:

You are definitely a romantic

You’re not an air sign (Gemini, Aquarius, or Libra)

You’re a moron or you make bad decisions and Hue is there to help balance that out

Chances are you read more fanfic than actual books

Your system is 70% caffeine

For some reason you have lots of random trivia

Have you considered therapy for your suppressed trauma?

Dungeons and Dragons fan

You’re really into alcohol or you despise it

Loyalty is the trait you admire most

You want to feel like a sassy and classy bitch but you gave up after 2 days

Your favourite ship trope is enemies to lovers or slow burn

A lot of pent up angst but you hide it 

you put other people > yourself bc you don’t want them to make the same mistakes you did

Why do you have so many memes saved?

Why do you have reaction pictures for everything?

If your favourite is Dui:

You’re probably not into guys

FAKE IT TILL YOU MAKE IT

Either you’re a precious sunshine child or you are the most fucked up human in your friend circle

You have a choking kink

You either take sides in fights or you’re the middle ground

You make lots of threats but no one is acc taking them seriously

You probably are a massive manipulator

You’re psychotic and have violent tendencies 

Your best friend lives far away from you/ you have an internet friend that gets you more than your IRL ones

You say honesty is the best policy but you lie the most

Everyone comes to you for advice but you think you’re the most mentally unstable

You have identity issues and u change ur mind all the time 

Whatever you were as a kid, you’re probably the opposite of that now

If your favourite is Ichthys:

You are attached to the characters with the most trauma

You must not be a clean freak or your room is equally as messy as Ikky’s

Oldest or middle child (either way u have siblings) 

Never got to go to an amusement park as a kid 

Want attention/didn't get enough attention as a kid

You want Ichthys’ parents to adopt u bc they are the family stability you crave

Unresolved trauma and definitely not mentally stable 

You liked dinosaurs as a kid

You had pet fish as a kid and they all died bc you overfed them

Using anything else to escape ur reality 

Cartoons > real life actors

Probably hate seafood or afraid of the sea (ironic as it is)

Nostalgia is your best friend

Hurt/Comfort is your favourite AO3 tag

You collect random shit or you have a memory box

You are the reason child leashes were invented

You got into real dangerous situations as a kid and you’re wondering how you lived through that

Your comfort characters all got it the worst or are dead

If your favourite is Zyglavis:

How are those high expectations treatin ya? 

You either want to get into medical, sciences, or law

When you were younger you got enrolled in extra classes (swimming, piano, ballet, etc)

Your parents encouraged creativity until you got older and they told you to choose a more “realistic” goal

Good grades = everything and you’ll pull all-nighters to finish tasks or assignments

Former gifted student 

The actual smart kid in class 

YOU HAVE SELF ESTEEM/CONFIDENCE ISSUES

80s are not good enough for you or your parents

Overachiever for any reason 

Sleep? What is sleep?

A dom or a brat

You have strict parents or you have had pretty loose rules growing up

You had a lot of friends in grade school and now you have like 4 friends

You are no longer human, you’re just a walking husk of stress

If your favourite is Krioff:

You want to fuck one of Krioff’s family members

You have siblings

A pyromaniac or deathly afraid of fire

Commitment issues

You watch or ur a sports fan

You own an iPhone 6

You’ve ate forbidden items or you’ve thought about it (the fish tank pebbles, erasers, glass, slime, etc)

Everyone thinks you’re the awkward kid but no you’re just shy

You actually like the ocean waves

Once people get to know you, they got a whole thing coming for them

You either suck at driving or can’t drive

A great listener but you don’t feel like you give good advice

Conflict is a no no for you

You definitely had a glow up

You’ve befriended the seniors growing up

You either don’t like kids or you love them

You have a sweet tooth and everyone questions how you are not diabetic with the amount of sweets you’ve consumed

If your favourite is Aigonorus:

You’re either an insomniac or a hypersomniac. Whichever one, you don’t know how much sleep is enough sleep

You’re probably a sub

Commitment or abandonment issues

Desperate for validation and appreciation

touch/love/attention starved

You have a stuffed animal collection or you still have those childhood stuffed animals

You love the idea of love but you are not ready to deal with breakups

You wish you didn’t care but you care too much

Your aesthetic is cutecore

Probably into maid cat boys

Studio Ghibli or Sanrio stan

Comfort > style anyday

You only own sneakers nothing else

If your favourite is Partheno:

You’re definitely not into just guys 

You’re a drama kid and you are here for the tea whether it involves you or not

you have the receipts for everything

You were the one kid that played “family” or “house” every recess

no one knows where you get all your cute shit but it serves

have been suspected of witchcraft or considered the dark arts

Stole makeup from your fam as a kid and played with it

HIDE THE TRAUMA. HIDE THE PAST.

You already have a senior quote picked out

You’re either really horny or you just want to cry over how much you love so and so

“Why do men-”

You really want to own that Partheno doll in that one CG

Your most used social media app is Instagram or Snapchat

Your favourite demon brother from Obey Me is most likely Asmodeus 

If your favourite is Tauxolouve:

Your favourite KBTBB guy is either Baba or Mamo

You’re into music or theatre

Your ideal date is to go to an opera or a museum

You say you like/dislike something but end up changing ur mind later or when you try it out

In your opinion, the music nowadays is just not it

You recently found a receipt from Walmart for something you bought 5 months ago

Anniversaries are important

When making decisions, you pick the worst possible one

Your most expensive clothing items are your shoes or jewelry

You wish you could attend a ball and marry into royalty, like Cinderella

You like the idea of soulmates or string of fate 

Obviously or secretly insecure/self deprecating but you’ll raise all hell if your loved ones talk shit abt themselves

You want your partner to propose first

You like the underrated characters or your favourite characters are unappreciated

If your favourite is Karno you are:

You have childhood trauma, some of you are just not aware of it

You’re the parent of the group

You enjoy ships that have a mom/dad dynamic

Either you’re banned from the kitchen or you’re the one banning people from the kitchen

You were threated with the slipper or you threaten with the slipper

As a kid, you enjoyed Dora or Ni Hao Kai Lan

Your favourite trope is the found family trope

Either you’re an example to your family or you keep getting compared to other kids

An angel around the family but a chaotic bastard with others

You’re probably into some really kinky shit

You like Dangonronpa

Spiritual or religious

Probably had an imaginary friend 

You decided you were gonna turn your life around after reading/watching something and went back to the hot mess you were in 3 days

[synthmusic91]

thoughts? kjfhlkjdfh asking bc i rb'd the original post from u a bit ago because i agreed w/ original poster but i just saw this rb of it and wanted to know what u thought. ciaran(.)tumblr(.)com /post/652413157345820673/there-is-a-genre-of-posts-thats-obsessed-with-the

well first of all i hope this isn't a bait ask. this reply really doesn't deserve the time and effort i put into refuting it, but there was a point in time when i was emotionally confused by these..."arguments", so whoever u are, anon, i hope this is helpful. i also recommend some distance - literally, "go outside and touch grass", which is a lot more difficult than it sounds, but it needs to be done. anyway, here's my "analysis":

for context, here's what the post in question said:

and the tags:

at a high level, we can see that what ciaran is saying doesn't really respond to what OP was talking about. for this reason, i'm not going to bring in much of what OP said, because it's uncontested in this context, and look at ciaran's reply. i'll try to break this up...

EDIT: i had a long-ass response here, but then i realized it was dumb because the source material is dumb. i cut out most of it, but here are the highlights.

"there is a genre of posts that’s obsessed with the notion that fandom is something much larger, more prevalent, and more able to affect the way media is processed and consumed, than it actually is in reality."

so, as we can all see on tiktok and, indeed, on the electronic lore olympus billboard that takes up a side of a literal skyscraper, fandom is no longer the niche thing that "fandom olds" make it out to be. also, we can't ignore how many (white) fandom players go on and work in the industry (cassandra clare, whoever wrote 50 shades, man idk much of anything so there's probably many more). so this comment is sort of myopic. and since this is what characterizes the rest of the reply, well...it's not great.

also don't look up lore olympus; it's basically a dd/////lg fanfic that happens to be one of the most popular series on the line webtoon app, which is rated for teens...and for $1 to the creator's patreon, you can view not sfw p*dophilic art, so. also obviously i didnt do that; there was a video essay about this. i can't find it though

"ironically but understandably, these posts are made by people who are so terminally fandom-poisoned that they ascribe phenomenal power to it, and think of it as some great evil that must be defeated (by making posts on tumblr, which is obviously a very influential thing to do)"

"fandom-poisoned" is such a nebulous term, especially since it appears to mean "has had some really significant, (in this context) bad experiences with fandom." this is, first of all, a huge assumption to make about a stranger, and second, not the own they think it is. i'm just going to link this post, and hopefully you can see how it relates.

anyway, the "making posts on tumblr is meaningless" is um...interesting, seeing as off the top of my head i can think of two very influential tumblr blogs that talk about really important issues, Gradient Lair and Red Light Politics. I don't know as much about Red Light Politics, but Gradient Lair is frequently cited by academics (not getting into academia nonsense now but... -_-). also, they sound more pissed that the original post did gain traction, but whatever. this paragraph doesn't really make sense, but nothing here does, because i wasn't given much to work with.

"...and then because these people have basically no imagination and unfailingly pick on others for their own faults, they project their own experiences on everyone they perceive as being more ‘in fandom’ than them,"

jesus christ. i'm going not say anything about the tone of this because i put too much effort into this for some rando to call me a cyberbully.

i think what they're thinking about is how there appear to be some "fandom critical" people who try to, holistically, "ruin everyone's good time" by "stirring up drama" about popular fandom artists/writers/whoever else idk. oftentimes these people will also make jokes about fandom whatever, seemingly picking on random people's interests.

however, if you look at the long history of fandom racism, fandom's normalization of p*dophilia, and even general fandom harassment, and then you look at fandom's visceral, unwarranted reaction to criticism regarding these things, you can quickly see that disillusionment towards fandom is entirely reasonable. as for the joking, well...this an oversimplification but not everyone needs to like what you like. it sounds like they just need to get over themself.

and go “You, a 27 year old queer blogger who is into [tv show/anime/movie] an embarrassing amount, are now going to be the face of Capitalism” with no self-reflection or critical thought given to how fucking cringe it is-"

so, i'm regretting putting so much effort into this because this is so fucking long and i have to analyze this nonsense...it feels like i'm back in my feminist thought class. nightmarish. but anyway, this seems to deal with- [CUT FOR LENGTH. nothing important was missed].

EDIT 2: actually here's a summary of what I had. it deserves better than to be a response to this nonsense, but first it detailed how this took 1. the op's post and 2. a comment that we don't even know if op agreed with and misinterpreted that, and threw quite a fit about this- and i hate to say this because this term is misused so often by redditors, but- strawman.

I then went on to discuss how, for example, PoC can uphold systems of white supremacy. while obviously no person of color is going to be the "face" of white supremacy, the discussion still needs to be had, especially within that group. similarly, while fandom constituents may not be the face of capitalism, there needs to be a discussion, within fandom, on how they support and are defined by capitalist (and other) systems.

it was really too good of a point to be making for this trash reply. I could go say more, but I'm still trying to stay on topic, unlike ciaran.

"to act like random people on the internet, end users with no influence over corporate decisions, are the ones personally responsible for the fact that late-stage capitalism has destroyed popular art and culture in an increasingly sordid attempt to make money."

we've been over the "no influence" bit - because in fact fans do have influence, especially since media creators are literally fans, etc etc. i'm tired of people acting like they have no power and using that as an excuse to support and perpetuate harmful, easily avoidable behavior.

also, to act like the nebulous system of late-stage capitalism is the only cause of bad media is ludicrous. first of all, someone has to make these so-called "corporate decisions", and the people making artistic decisions are, again, overwhelmingly members of "fandom." this comment is really trying to keep marvel trash and lore olympus-esque nonsense in the same atomic, indivisible category lest someone catches a whiff of nuance.

"the above post is a great example of this phenomenon because op admits freely that they only think fandom is destroying media because they have been spending more time in fandom and thus have an over-inflated sense of its importance in greater culture. posting your own Ls indeed."

i'm so tired. this person literally has 120 works on ao3 like...who is spending more time in fandom.

and the tags:

#i assure you that fandom has no bearing on my actual real life #and if it does on yours. then that is your problem #it's also a very funny problem to

now this is just egregiously tone deaf. you do not need to do more than a cursory google search to find a bottomless well of examples of fandom harassment, threats, doxxing, and violence, much of which is racially motivated. you can see why it would be bad to make fun of this. 

also the way that “fandom has no bearing on their actual real life“...120 fanfics on ao3. 120.

conclusion:

the reply clearly misinterprets of op's point, and as such, does not refute it. they responded to another issue altogether, which is that of the sanctity of their ~coping mechanism~ or whatever it is. their argument in this respect was, in my opinion, delusional and pathetic, especially given that they wrote it on someone else's unrelated post.

FINAL NOTE: i cut out lots of this because the reply went in so many different directions, so some stuff might not make sense. let me know if you have any questions.

[symbianosgames]

The following blog post, unless otherwise noted, was written by a member of Gamasutra’s community. The thoughts and opinions expressed are those of the writer and not Gamasutra or its parent company.

[Video Game Deep Cuts is a weekly newsletter from curator/video game industry veteran Simon Carless, rounding up the best longread & standout articles & videos about games, every weekend. This week's highlights include behind-the-scenes on Hidden Folks, an interview about the Coin-Operated Americans book, interviews from E3, and much more.

Well, am back from Los Angeles, attending E3, which was - well - not that different that anyone might expect. Lots of hype and excitement for large AAA games, most of which do have guns all over them (looking forward to more Tim Rogers dispatches like this from Kotaku!), a somewhat overcrowded E3 itself thanks to the consumer influx, and enough games for everyone to be excited about at least one.

For me, that Super Mario Odyssey trailer was enough for me to pre-order the game to play with my son - and finally work out how to get a Switch, which is coming in a couple of weeks. [Sidebar: it's actually a bit crazy how much Nintendo was being counted out by many - including perhaps me. Then, whomp, two games later (new Zelda, new Mario) they're the belle of the ball again.]

But that's why E3 works as high drama, soap opera, and metacommentary hub of the year for video games - we've all got a hot take, and hot takes are king. (Also why there's not a GREAT deal of E3 coverage in this week's VGDC, heh. Not that we're 'hot take allergic', but you can get that on YouTube & Twitch right now in real-time if you'd like.) Anyway, 'til next time...

- Simon, curator.]

-------------------

Developer Q&A: Balancing storytelling and player choice in Prey (Alex Wiltshire / Gamasutra) "Talos-1 runs on eels. This large space station, setting to Arkane Studios’ recently released emergent sim Prey, deals with its residents’ effluent by sending it to large vats where it’s consumed by the things."

Nintendo of America Boss Fils-Aimé On Comebacks, the Future of the DS and Surviving the Wii U (John Davison / Simon Cox / Glixel) "It's almost exactly a year since we last spoke with Nintendo of America president Reggie Fils-Aimé at E3 2016. On that occasion he was standing fifteen feet above that Disney-like Nintendo E3 booth, which was dedicated solely to the forthcoming The Legend of Zelda: Breath of the Wild."

Why 'Super Mario Maker' Didn’t Kill the Mario Hacking Community (Jess Joho / Motherboard) "Yet, playing hyper-polished feats of design like Super Mario Maker leave some longtime fans of the franchise nostalgic for the days of janky programming, kill screens, and brutal challenge. That's why the heroes of the Super Mario World (SMW) ROM hacking community remain stubbornly alive, even long after the release of an official Nintendo Mario level creator."

Coin-Operated Boys: An Interview with Carly Kocurek (Dan Royles / Nursing Clio) "Carly Kocurek’s Coin-Operated Americans: Rebooting Boyhood at the Video Game Arcade (Minnesota, 2015) examines the origins of modern video game culture in the “classic” arcade era, spanning the release of Pong in 1972 and the industry’s first major collapse in 1983. She traces the formation of the “technomasculine” during that period, as the arcade became increasingly defined as the province of young men."

How we make a game called Hidden Folks (Adriaan de Jongh / Imgur) "Hey there! I'm Adriaan, one of the two developers behind Hidden Folks, a game for smartphones and computers in which you search for hidden folks in hand-drawn, interactive, miniature landscapes by unfurling tent flaps, cutting through bushes, slamming doors, and poking crocodiles!"

Offworld Trading Company: An RTS Without Guns (Soren Johnson / GDC / YouTube) "In this 2017 Game Developers Conference talk, Mohawk Games' Soren Johnson dives into strategy game history to explain how he and his team developed Offworld Trading Company, a strategy game with little combat."

These Maps Reveal the Hidden Structures of ‘Choose Your Own Adventure’ Books (Sarah Laskow / Atlas Obscura) "Reading a “Choose Your Own Adventure” book can feel like being lost in a maze and running through twists and turns only to find dead ends, switchbacks, and disappointment. In the books—for those not familiar with them—you read until you come to a decision point, which prompts you to flip to another page, backward or forward."

A Falconer Enters the World of Video Games (Simon Parkin / New Yorker) "The story of how Nricco Iseppi, a master falconer, came to Riot Games has, among the company’s staff, acquired the malleability of myth. According to one scriptwriter, it began when Riot had an orange grove planted on its multimillion-dollar campus, in Los Angeles, a place already bristling with perks and mod cons."

Interview: “Rez” creator Tetsuya Mizuguchi’s unusual life evolves humanity (Staff / Denfaminicogamer) "One midnight, during an internal office chat at the Denfaminicogamer editorial department were the words “They’re crazy.” This was right at the end of 2016 after PS VR was released. As it were, the editorial departments odd excitement resulted in an impulsive interview about VR Contents “Rez Infinite” at the end of last year. This article is a written version of that insane seven hours interview. [SIMON'S NOTE: the translation isn't perfect, but this interview is AMAZING - you rarely see Japanese creators asked historical questions in this kind of depth.]"

The Garden Ages | Myst series (Sam Zucchi / Heterotopias) "How do the linking books in Myst read? These books are, in-universe, written out in the alphabet and language of a dead civilization. The text details the world that the writer wishes to visit: an island is described, its qualities delineated in some detail, and a linking pane appears on the first page, ready to literally transport the reader to the object described."

The RPG Scrollbars: In search of urban fantasy (Richard Cobbett / RockPaperShotgun) "There’s a real urban fantasy gap in the gaming industry, and it’s never made much sense. We see a thousand Tolkienesque fantasy games a minute (rough napkin calculation) and the future’s typically so bright, even the lens flares need shades. Yet when it comes to that line where the mundane meets the magical, mostly what we’ve had for the last few years is false hope."

E3 Was Different This Year, And It Wasn’t Just The Crowds (Nathan Grayson / Kotaku) "It’s the first day of E3. I’m walking the show floor—or more accurately, oozing across it, slug-like, followed by a trail of my own sweat. I’m shoulder-to-shoulder with swathes of people. Across the way, crowds of people whoop and holler, each of them hoping to win swag they can stuff in their floor-length swag bags. 15,000 new people are in attendance this year. [SIMON'S NOTE: one of the most considered of the 'what's up with E3 this year?' articles.]"

7 examples of accessibility design that developers should study (Richard Moss / Gamasutra) "Games are for everyone. And in recognizing this, ever-increasing numbers of developers are making a point to incorporate more accessibility features and options like remappable controls, configurable subtitles, resizable HUDs, and more."

The big interview: Xbox boss Phil Spencer (Wesley Yin-Poole / Eurogamer) "It was with all this in mind that I sat down with Xbox boss Phil Spencer at the Galen Center in Los Angeles to talk Xbox One X. At £449, I'm not sure who the console is for ("there is a customer out there who's looking for the premium experience"). I fear for Microsoft's first-party studio setup ("I do think we have an opportunity to get better in first-party")."

The State Of Virtual Reality (Brian Crecente / Polygon) "One could argue that the age of virtual reality kicked-off during last year's Game Developers Conference, an event that nearly coincided with the launch of two of the technology's most important head-mounted displays in recent history: the Oculus Rift and the HTC Vive."

EA Boss Andrew Wilson's Vision of Gaming's Future Will Blow Your Mind (John Davison / Glixel) "The intervening years were tumultuous and challenging. Changing the company to deliver on that vision was a bumpy ride, but now 10 years later, Wilson is eager to convey what the new Electronic Arts stands for, and its vision for the future of games. [SIMON'S NOTE: Much snark online for some of the 'vision' in this interview, particularly the Emily Dickinson bit.]"

Ex-Puyo Puyo producer reveals some of the classic puzzler’s earliest prototypes (Kishi / Retronauts) "Last week, Compile founder Moo Niitani announced two previously unreleased works from the defunct developer’s glory days on MSX2 computers. Later this month, Dominon and Dominon X are both coming to Project EGG, D4 Enterprise’s prolific download service for old Japanese computer games."

Don't Change a Thing! The Challenges of Evolving Solitaire (Russell Carroll / GDC / YouTube) "In this 2017 GDC session, MobilityWare's Russell Carroll shares the experience of updating Solitaire for a modern mobile audience, and what features they were able to update while grappling with intense resistance to any changes made to the core game.  [SIMON'S NOTE: I've known Russell - who used to run indie site GameTunnel - for a LONG time, and this talk is as much about management philosophy as it is solitaire - it's super well-considered.]"

Young Men Are Playing Video Games Instead of Getting Jobs. That's OK. (For Now.) (Peter Suderman / Reason) "Video games, like work, are basically a series of quests comprised of mundane and repetitive tasks: Receive an assignment, travel to a location, overcome some obstacles, perform some sort of search, pick up an item, and then deliver it in exchange for a reward—and, usually, another quest, which starts the cycle all over again. You are not playing the game so much as following its orders. The game is your boss; to succeed, you have to do what it says."

7 roguelikes that every developer should study (Stefanie Fogel / Gamasutra) "With that in mind, we asked developers to name some of their favorite roguelikes - or games in other genres influenced by roguelike mechanics - and the lessons they can teach people today. And, many of these games are free and/or open source, which makes them easy to download, play, and study!"

-------------------

[REMINDER: you can sign up to receive this newsletter every weekend at http://ift.tt/2dUXrva we crosspost to Gamasutra later on Sunday, but get it first via newsletter! Story tips and comments can be emailed to vgdeepcuts@simoncarless.com. MINI-DISCLOSURE: Simon is one of the organizers of GDC and Gamasutra, so you may sometimes see links from those entities in his picks. Or not!]

[movietvtechgeeks]

Latest story from https://movietvtechgeeks.com/gaming-weekly-scalebound-dead-final-fantasy-15-plus-nintendo-switch/

Gaming Weekly: Scalebound dead, Final Fantasy 15 plus Nintendo Switch

Gaming Weekly (1/8-1/15): Nintendo Switch Release Date, Price, Games and More Revealed

For video game fans, the story of this week’s news and developments was likely Nintendo’s outstanding and all-encompassing Switch reveal, which provided information on the upcoming system’s release, price point, and more. Additionally, a high-profile Xbox One-exclusive title was canceled, and Final Fantasy 15 hit a sales milestone.

In other words, this week was one of extreme positives and negatives for video-game companies. Nevertheless, let’s recap the past seven days’ video game news!

Nintendo Switch Reveal Includes Release Date, Price, and Much More

Nintendo’s highly anticipated reveal of its upcoming Switch console provided gamers with an abundance of information to digest.

First, the gaming giant revealed that the console will be available sooner rather than later, and is currently slated for a March 3, 2017 release. Additionally, Nintendo took the opportunity to highlight the unit’s price, which will be $299 for stateside players and around $350 for a bundle including an extra controller.

As was made clear by the Switch’s subsequent presentation segments, including demonstrations of some of its games, the unique idea behind the console and the excitement with which it’s executed will make for enjoyable playing; there’s also little doubt that its touted first-party games will be anything less than incredible. However, whether or not players will rush out to purchase a base console which costs more than the (current prices of the) PS4 and Xbox One remains to be seen; this point is the source of ample disagreements and verbal throw-downs amongst industry experts and loyal fans alike.

New to the Switch—and Nintendo consoles—is an online play subscription service similar in nature to PlayStation Plus and Xbox Live, which is required to experience multiplayer functions within games. After a free “testing window” following the console’s release, system owners will be required to purchase the service if they wish to play online. A price has not yet been specified for this service, but Nintendo revealed that it will include a free NES or SNES game every month.

Let’s hope this service is much cheaper than Live and Plus because as we know, Sony and Microsoft provide a lot more than a single game to subscribers; Nintendo should adopt a value-minded approach.

Nintendo also took the time to highlight the Switch’s numerous performance-related capabilities. Its detachable and portable screen will, notably, run in 720p, and equally as important, will boast a roughly six-hour charge time. Detachable Joy-Con controllers appear to be ultra-responsive, and further complement the countless variety of ways to play the Switch (with a traditional controller, with these detachable motion controllers, and with the built-in touch screen).

One of the most overlooked components of the Switch press conference related to the system’s regional capabilities: for the first time ever, Nintendo will release a completely region-free console (home console, that is; the DS isn’t region locked but the 3DS is). This remarkable news means games like Fatal Frame, Another Code R, and The Yakuza Collection, to name just some Wii and Wii U titles available only in Japan and/or Europe, would have been playable on stateside consoles had they been region-free like the Switch. Because Nintendo has such a robust international catalogue, the magnitude of this feature cannot be understated.

Finally, Nintendo took a fairly in-depth look at the Switch’s games, and some of the titles revealed are undeniably appealing.

First, the upcoming Zelda game most everyone’s looking forward to playing, The Legend of Zelda: Breath of the Wild, will hit store shelves in tandem with the Switch’s March 3 release. This title will single-handedly drive-up Switch sales, as it looks to be one of the always-awesome series’ best entries to date. It’s also worth noting, for those interested in playing BotW but not in shelling out for a Switch right away, that a Wii U version will drop on the same day.

Next, Nintendo announced two intriguing first-party titles, 1-2 Switch and Arms. The former is a fast-moving quick-draw title designed to pit players against one another and utilize the Switch’s detachable controllers, and the latter is a crazy-looking fighting game wherein characters’ arms extend on slinky-like attachments as punches are thrown. The player must time his or her blows, throw different styles of punches, and even turn his or her fists to defeat the opposition in Arms, which makes full use of the Switch’s responsive controls.

Splatoon 2, the sequel to the popular Wii U-exclusive action shooter Splatoon, was also announced for the Switch, and is scheduled to come out in Summer 2017. The brief gameplay shown and information revealed indicates that this will be a quality sequel to a solid game and a great way to attract Switch buyers.

Super Mario Odyssey may have been the most imaginative and attention-grabbing game showcased in the Switch press conference. In this open-world Mario adventure, players will explore countless landscapes and areas—most notably, the city—while having fun with numerous fresh features, many of which were presented in the trailer. A release date (or even a window) wasn’t given for this one, but anyone who has ever played a Mario game should check out this trailer immediately.

The previously mentioned Skyrim Switch was also made official at the event. A revamped and complete version of the remarkable RPG will be made available on Nintendo’s new console, marking the first time an Elder Scrolls game will be launched for one of their systems.

Back to first-party support, Nintendo also announced Xenoblade 2 and Fire Emblem Warriors, and although these appealing games aren’t a new F-Zero entry, they look pretty incredible.  Additionally, Mario Kart 8: Deluxe will bring the last Mario Kart entry, which was generally considered to be the best in quite a while, to the Switch along with bonus content.

Also announced for the Switch were titles like Sonic Mania, a brand-new (hopefully good) offering from Sega, Super Bomberman-R, a new, unnamed Shin Megami Tensei installment, and Puyo Puyo Tetris. Electronic Arts provided a commitment that its long-running, ultra-popular soccer series, FIFA, would appear on the Switch as well.

Overall, Nintendo’s big Switch press conference wasn’t amazing, but it did once again contain some significant and positive points that will aid the console’s sales. Excellent first-party support in the form of Mario Odyssey, Xenoblade 2, Fire Emblem, Mario Kart 8 Deluxe, and Splatoon 2 coordinated well with a touch of third-party commitment, but Nintendo missed the mark, in my opinion, in not booking the highest-profile third party games for the Switch.

Imagine how much excitement would have been created if Nintendo announced that massive franchises like Grand Theft Auto, Call of Duty, and Battlefield were to appear on the system. The appeal in purchasing said series on the Switch would be a different way to play (in comparison to the PS4 and Xbox One). To take things a step further, Nintendo could have shelled out cash to revitalize franchises which haven’t seen a new entry launch in years, but would likely do very well today. For example, Bully 2 won’t make as much money as Red Dead or Grand Theft Auto, but with some financial incentive from Nintendo for exclusive development, it could certainly be profitable for both Rockstar and the former.

The other area where Nintendo likely missed the mark is the Switch’s pricing. While it’s true that the PS4 and Xbox One base models cost much more at launch than they do today, their current low prices—close to or less than $250 and dropping—will probably present a formidable dilemma to consumers as they decide between a $300 console with limited titles available to play and a less-expensive system with a vast library of games to choose from.

Whatever happens, and however the Switch sells, there’s no denying that Nintendo is trying something new and exciting—and in the video-game industry of 2017, that’s a cool thing.

Final Fantasy 15 Sales Surpass Six Million

The latest entry in Square Enix’s long-running, and evidently popular, Final Fantasy series has sold over six million units to date. Especially because the game was just released on November 29, 2016 and was surrounded by relatively negative press during this time, these numbers are phenomenal.

More than attesting to the popularity and strength of the Final Fantasy series after all these years, the mentioned top-notch sales figures demonstrate that Square Enix has found a way to seamlessly and profitably transition from an old-school developer into a real player in today’s fast-paced video-game landscape—something countless other companies haven’t been able to do.

Xbox One Console Exclusive Scalebound Ceases Development

The anticipated Xbox One-exclusive action RPG Scalebound has ceased development; it was revealed this week.

PlatinumGames had been crafting the highly intriguing title since 2013. However, the always-busy studio is working on multiple games at any given time, and therefore, it’s unclear how much time and effort they put into Scalebound.

Regardless, Microsoft executives saw something they didn’t like in the development process, and they decided to pull the plug on the game altogether. Hopefully the true reason for this exclusive offering’s cancellation—be it slow development, high production costs, perceived low quality, a combination of these reasons, or a different one altogether—will be revealed in the future.

For now, Xbox One owners should drown their sorrows by spending an evening alongside JD Phoenix and his crew.

This week in gaming was spectacular, and with Gravity Rush 2 releasing on January 18 and Resident Evil 7 launching on January 28, there’s plenty more for gamers to anticipate in the near future.

Thanks for reading, and we’ll see you next week!

Movie TV Tech Geeks News

[symbianosgames]

The following blog post, unless otherwise noted, was written by a member of Gamasutra’s community. The thoughts and opinions expressed are those of the writer and not Gamasutra or its parent company.

[Video Game Deep Cuts is a weekly newsletter from curator/video game industry veteran Simon Carless, rounding up the best longread & standout articles & videos about games, every weekend. This week's highlights include behind-the-scenes on Hidden Folks, an interview about the Coin-Operated Americans book, interviews from E3, and much more.

Well, am back from Los Angeles, attending E3, which was - well - not that different that anyone might expect. Lots of hype and excitement for large AAA games, most of which do have guns all over them (looking forward to more Tim Rogers dispatches like this from Kotaku!), a somewhat overcrowded E3 itself thanks to the consumer influx, and enough games for everyone to be excited about at least one.

For me, that Super Mario Odyssey trailer was enough for me to pre-order the game to play with my son - and finally work out how to get a Switch, which is coming in a couple of weeks. [Sidebar: it's actually a bit crazy how much Nintendo was being counted out by many - including perhaps me. Then, whomp, two games later (new Zelda, new Mario) they're the belle of the ball again.]

But that's why E3 works as high drama, soap opera, and metacommentary hub of the year for video games - we've all got a hot take, and hot takes are king. (Also why there's not a GREAT deal of E3 coverage in this week's VGDC, heh. Not that we're 'hot take allergic', but you can get that on YouTube & Twitch right now in real-time if you'd like.) Anyway, 'til next time...

- Simon, curator.]

-------------------

Developer Q&A: Balancing storytelling and player choice in Prey (Alex Wiltshire / Gamasutra) "Talos-1 runs on eels. This large space station, setting to Arkane Studios’ recently released emergent sim Prey, deals with its residents’ effluent by sending it to large vats where it’s consumed by the things."

Nintendo of America Boss Fils-Aimé On Comebacks, the Future of the DS and Surviving the Wii U (John Davison / Simon Cox / Glixel) "It's almost exactly a year since we last spoke with Nintendo of America president Reggie Fils-Aimé at E3 2016. On that occasion he was standing fifteen feet above that Disney-like Nintendo E3 booth, which was dedicated solely to the forthcoming The Legend of Zelda: Breath of the Wild."

Why 'Super Mario Maker' Didn’t Kill the Mario Hacking Community (Jess Joho / Motherboard) "Yet, playing hyper-polished feats of design like Super Mario Maker leave some longtime fans of the franchise nostalgic for the days of janky programming, kill screens, and brutal challenge. That's why the heroes of the Super Mario World (SMW) ROM hacking community remain stubbornly alive, even long after the release of an official Nintendo Mario level creator."

Coin-Operated Boys: An Interview with Carly Kocurek (Dan Royles / Nursing Clio) "Carly Kocurek’s Coin-Operated Americans: Rebooting Boyhood at the Video Game Arcade (Minnesota, 2015) examines the origins of modern video game culture in the “classic” arcade era, spanning the release of Pong in 1972 and the industry’s first major collapse in 1983. She traces the formation of the “technomasculine” during that period, as the arcade became increasingly defined as the province of young men."

How we make a game called Hidden Folks (Adriaan de Jongh / Imgur) "Hey there! I'm Adriaan, one of the two developers behind Hidden Folks, a game for smartphones and computers in which you search for hidden folks in hand-drawn, interactive, miniature landscapes by unfurling tent flaps, cutting through bushes, slamming doors, and poking crocodiles!"

Offworld Trading Company: An RTS Without Guns (Soren Johnson / GDC / YouTube) "In this 2017 Game Developers Conference talk, Mohawk Games' Soren Johnson dives into strategy game history to explain how he and his team developed Offworld Trading Company, a strategy game with little combat."

These Maps Reveal the Hidden Structures of ‘Choose Your Own Adventure’ Books (Sarah Laskow / Atlas Obscura) "Reading a “Choose Your Own Adventure” book can feel like being lost in a maze and running through twists and turns only to find dead ends, switchbacks, and disappointment. In the books—for those not familiar with them—you read until you come to a decision point, which prompts you to flip to another page, backward or forward."

A Falconer Enters the World of Video Games (Simon Parkin / New Yorker) "The story of how Nricco Iseppi, a master falconer, came to Riot Games has, among the company’s staff, acquired the malleability of myth. According to one scriptwriter, it began when Riot had an orange grove planted on its multimillion-dollar campus, in Los Angeles, a place already bristling with perks and mod cons."

Interview: “Rez” creator Tetsuya Mizuguchi’s unusual life evolves humanity (Staff / Denfaminicogamer) "One midnight, during an internal office chat at the Denfaminicogamer editorial department were the words “They’re crazy.” This was right at the end of 2016 after PS VR was released. As it were, the editorial departments odd excitement resulted in an impulsive interview about VR Contents “Rez Infinite” at the end of last year. This article is a written version of that insane seven hours interview. [SIMON'S NOTE: the translation isn't perfect, but this interview is AMAZING - you rarely see Japanese creators asked historical questions in this kind of depth.]"

The Garden Ages | Myst series (Sam Zucchi / Heterotopias) "How do the linking books in Myst read? These books are, in-universe, written out in the alphabet and language of a dead civilization. The text details the world that the writer wishes to visit: an island is described, its qualities delineated in some detail, and a linking pane appears on the first page, ready to literally transport the reader to the object described."

The RPG Scrollbars: In search of urban fantasy (Richard Cobbett / RockPaperShotgun) "There’s a real urban fantasy gap in the gaming industry, and it’s never made much sense. We see a thousand Tolkienesque fantasy games a minute (rough napkin calculation) and the future’s typically so bright, even the lens flares need shades. Yet when it comes to that line where the mundane meets the magical, mostly what we’ve had for the last few years is false hope."

E3 Was Different This Year, And It Wasn’t Just The Crowds (Nathan Grayson / Kotaku) "It’s the first day of E3. I’m walking the show floor—or more accurately, oozing across it, slug-like, followed by a trail of my own sweat. I’m shoulder-to-shoulder with swathes of people. Across the way, crowds of people whoop and holler, each of them hoping to win swag they can stuff in their floor-length swag bags. 15,000 new people are in attendance this year. [SIMON'S NOTE: one of the most considered of the 'what's up with E3 this year?' articles.]"

7 examples of accessibility design that developers should study (Richard Moss / Gamasutra) "Games are for everyone. And in recognizing this, ever-increasing numbers of developers are making a point to incorporate more accessibility features and options like remappable controls, configurable subtitles, resizable HUDs, and more."

The big interview: Xbox boss Phil Spencer (Wesley Yin-Poole / Eurogamer) "It was with all this in mind that I sat down with Xbox boss Phil Spencer at the Galen Center in Los Angeles to talk Xbox One X. At £449, I'm not sure who the console is for ("there is a customer out there who's looking for the premium experience"). I fear for Microsoft's first-party studio setup ("I do think we have an opportunity to get better in first-party")."

The State Of Virtual Reality (Brian Crecente / Polygon) "One could argue that the age of virtual reality kicked-off during last year's Game Developers Conference, an event that nearly coincided with the launch of two of the technology's most important head-mounted displays in recent history: the Oculus Rift and the HTC Vive."

EA Boss Andrew Wilson's Vision of Gaming's Future Will Blow Your Mind (John Davison / Glixel) "The intervening years were tumultuous and challenging. Changing the company to deliver on that vision was a bumpy ride, but now 10 years later, Wilson is eager to convey what the new Electronic Arts stands for, and its vision for the future of games. [SIMON'S NOTE: Much snark online for some of the 'vision' in this interview, particularly the Emily Dickinson bit.]"

Ex-Puyo Puyo producer reveals some of the classic puzzler’s earliest prototypes (Kishi / Retronauts) "Last week, Compile founder Moo Niitani announced two previously unreleased works from the defunct developer’s glory days on MSX2 computers. Later this month, Dominon and Dominon X are both coming to Project EGG, D4 Enterprise’s prolific download service for old Japanese computer games."

Don't Change a Thing! The Challenges of Evolving Solitaire (Russell Carroll / GDC / YouTube) "In this 2017 GDC session, MobilityWare's Russell Carroll shares the experience of updating Solitaire for a modern mobile audience, and what features they were able to update while grappling with intense resistance to any changes made to the core game.  [SIMON'S NOTE: I've known Russell - who used to run indie site GameTunnel - for a LONG time, and this talk is as much about management philosophy as it is solitaire - it's super well-considered.]"

Young Men Are Playing Video Games Instead of Getting Jobs. That's OK. (For Now.) (Peter Suderman / Reason) "Video games, like work, are basically a series of quests comprised of mundane and repetitive tasks: Receive an assignment, travel to a location, overcome some obstacles, perform some sort of search, pick up an item, and then deliver it in exchange for a reward—and, usually, another quest, which starts the cycle all over again. You are not playing the game so much as following its orders. The game is your boss; to succeed, you have to do what it says."

7 roguelikes that every developer should study (Stefanie Fogel / Gamasutra) "With that in mind, we asked developers to name some of their favorite roguelikes - or games in other genres influenced by roguelike mechanics - and the lessons they can teach people today. And, many of these games are free and/or open source, which makes them easy to download, play, and study!"

-------------------

[REMINDER: you can sign up to receive this newsletter every weekend at http://ift.tt/2dUXrva we crosspost to Gamasutra later on Sunday, but get it first via newsletter! Story tips and comments can be emailed to vgdeepcuts@simoncarless.com. MINI-DISCLOSURE: Simon is one of the organizers of GDC and Gamasutra, so you may sometimes see links from those entities in his picks. Or not!]

[symbianosgames]

The following blog post, unless otherwise noted, was written by a member of Gamasutra’s community. The thoughts and opinions expressed are those of the writer and not Gamasutra or its parent company.

[Video Game Deep Cuts is a weekly newsletter from curator/video game industry veteran Simon Carless, rounding up the best longread & standout articles & videos about games, every weekend. This week's highlights include behind-the-scenes on Hidden Folks, an interview about the Coin-Operated Americans book, interviews from E3, and much more.

Well, am back from Los Angeles, attending E3, which was - well - not that different that anyone might expect. Lots of hype and excitement for large AAA games, most of which do have guns all over them (looking forward to more Tim Rogers dispatches like this from Kotaku!), a somewhat overcrowded E3 itself thanks to the consumer influx, and enough games for everyone to be excited about at least one.

For me, that Super Mario Odyssey trailer was enough for me to pre-order the game to play with my son - and finally work out how to get a Switch, which is coming in a couple of weeks. [Sidebar: it's actually a bit crazy how much Nintendo was being counted out by many - including perhaps me. Then, whomp, two games later (new Zelda, new Mario) they're the belle of the ball again.]

But that's why E3 works as high drama, soap opera, and metacommentary hub of the year for video games - we've all got a hot take, and hot takes are king. (Also why there's not a GREAT deal of E3 coverage in this week's VGDC, heh. Not that we're 'hot take allergic', but you can get that on YouTube & Twitch right now in real-time if you'd like.) Anyway, 'til next time...

- Simon, curator.]

-------------------

Developer Q&A: Balancing storytelling and player choice in Prey (Alex Wiltshire / Gamasutra) "Talos-1 runs on eels. This large space station, setting to Arkane Studios’ recently released emergent sim Prey, deals with its residents’ effluent by sending it to large vats where it’s consumed by the things."

Nintendo of America Boss Fils-Aimé On Comebacks, the Future of the DS and Surviving the Wii U (John Davison / Simon Cox / Glixel) "It's almost exactly a year since we last spoke with Nintendo of America president Reggie Fils-Aimé at E3 2016. On that occasion he was standing fifteen feet above that Disney-like Nintendo E3 booth, which was dedicated solely to the forthcoming The Legend of Zelda: Breath of the Wild."

Why 'Super Mario Maker' Didn’t Kill the Mario Hacking Community (Jess Joho / Motherboard) "Yet, playing hyper-polished feats of design like Super Mario Maker leave some longtime fans of the franchise nostalgic for the days of janky programming, kill screens, and brutal challenge. That's why the heroes of the Super Mario World (SMW) ROM hacking community remain stubbornly alive, even long after the release of an official Nintendo Mario level creator."

Coin-Operated Boys: An Interview with Carly Kocurek (Dan Royles / Nursing Clio) "Carly Kocurek’s Coin-Operated Americans: Rebooting Boyhood at the Video Game Arcade (Minnesota, 2015) examines the origins of modern video game culture in the “classic” arcade era, spanning the release of Pong in 1972 and the industry’s first major collapse in 1983. She traces the formation of the “technomasculine” during that period, as the arcade became increasingly defined as the province of young men."

How we make a game called Hidden Folks (Adriaan de Jongh / Imgur) "Hey there! I'm Adriaan, one of the two developers behind Hidden Folks, a game for smartphones and computers in which you search for hidden folks in hand-drawn, interactive, miniature landscapes by unfurling tent flaps, cutting through bushes, slamming doors, and poking crocodiles!"

Offworld Trading Company: An RTS Without Guns (Soren Johnson / GDC / YouTube) "In this 2017 Game Developers Conference talk, Mohawk Games' Soren Johnson dives into strategy game history to explain how he and his team developed Offworld Trading Company, a strategy game with little combat."

These Maps Reveal the Hidden Structures of ‘Choose Your Own Adventure’ Books (Sarah Laskow / Atlas Obscura) "Reading a “Choose Your Own Adventure” book can feel like being lost in a maze and running through twists and turns only to find dead ends, switchbacks, and disappointment. In the books—for those not familiar with them—you read until you come to a decision point, which prompts you to flip to another page, backward or forward."

A Falconer Enters the World of Video Games (Simon Parkin / New Yorker) "The story of how Nricco Iseppi, a master falconer, came to Riot Games has, among the company’s staff, acquired the malleability of myth. According to one scriptwriter, it began when Riot had an orange grove planted on its multimillion-dollar campus, in Los Angeles, a place already bristling with perks and mod cons."

Interview: “Rez” creator Tetsuya Mizuguchi’s unusual life evolves humanity (Staff / Denfaminicogamer) "One midnight, during an internal office chat at the Denfaminicogamer editorial department were the words “They’re crazy.” This was right at the end of 2016 after PS VR was released. As it were, the editorial departments odd excitement resulted in an impulsive interview about VR Contents “Rez Infinite” at the end of last year. This article is a written version of that insane seven hours interview. [SIMON'S NOTE: the translation isn't perfect, but this interview is AMAZING - you rarely see Japanese creators asked historical questions in this kind of depth.]"

The Garden Ages | Myst series (Sam Zucchi / Heterotopias) "How do the linking books in Myst read? These books are, in-universe, written out in the alphabet and language of a dead civilization. The text details the world that the writer wishes to visit: an island is described, its qualities delineated in some detail, and a linking pane appears on the first page, ready to literally transport the reader to the object described."

The RPG Scrollbars: In search of urban fantasy (Richard Cobbett / RockPaperShotgun) "There’s a real urban fantasy gap in the gaming industry, and it’s never made much sense. We see a thousand Tolkienesque fantasy games a minute (rough napkin calculation) and the future’s typically so bright, even the lens flares need shades. Yet when it comes to that line where the mundane meets the magical, mostly what we’ve had for the last few years is false hope."

E3 Was Different This Year, And It Wasn’t Just The Crowds (Nathan Grayson / Kotaku) "It’s the first day of E3. I’m walking the show floor—or more accurately, oozing across it, slug-like, followed by a trail of my own sweat. I’m shoulder-to-shoulder with swathes of people. Across the way, crowds of people whoop and holler, each of them hoping to win swag they can stuff in their floor-length swag bags. 15,000 new people are in attendance this year. [SIMON'S NOTE: one of the most considered of the 'what's up with E3 this year?' articles.]"

7 examples of accessibility design that developers should study (Richard Moss / Gamasutra) "Games are for everyone. And in recognizing this, ever-increasing numbers of developers are making a point to incorporate more accessibility features and options like remappable controls, configurable subtitles, resizable HUDs, and more."

The big interview: Xbox boss Phil Spencer (Wesley Yin-Poole / Eurogamer) "It was with all this in mind that I sat down with Xbox boss Phil Spencer at the Galen Center in Los Angeles to talk Xbox One X. At £449, I'm not sure who the console is for ("there is a customer out there who's looking for the premium experience"). I fear for Microsoft's first-party studio setup ("I do think we have an opportunity to get better in first-party")."

The State Of Virtual Reality (Brian Crecente / Polygon) "One could argue that the age of virtual reality kicked-off during last year's Game Developers Conference, an event that nearly coincided with the launch of two of the technology's most important head-mounted displays in recent history: the Oculus Rift and the HTC Vive."

EA Boss Andrew Wilson's Vision of Gaming's Future Will Blow Your Mind (John Davison / Glixel) "The intervening years were tumultuous and challenging. Changing the company to deliver on that vision was a bumpy ride, but now 10 years later, Wilson is eager to convey what the new Electronic Arts stands for, and its vision for the future of games. [SIMON'S NOTE: Much snark online for some of the 'vision' in this interview, particularly the Emily Dickinson bit.]"

Ex-Puyo Puyo producer reveals some of the classic puzzler’s earliest prototypes (Kishi / Retronauts) "Last week, Compile founder Moo Niitani announced two previously unreleased works from the defunct developer’s glory days on MSX2 computers. Later this month, Dominon and Dominon X are both coming to Project EGG, D4 Enterprise’s prolific download service for old Japanese computer games."

Don't Change a Thing! The Challenges of Evolving Solitaire (Russell Carroll / GDC / YouTube) "In this 2017 GDC session, MobilityWare's Russell Carroll shares the experience of updating Solitaire for a modern mobile audience, and what features they were able to update while grappling with intense resistance to any changes made to the core game.  [SIMON'S NOTE: I've known Russell - who used to run indie site GameTunnel - for a LONG time, and this talk is as much about management philosophy as it is solitaire - it's super well-considered.]"

Young Men Are Playing Video Games Instead of Getting Jobs. That's OK. (For Now.) (Peter Suderman / Reason) "Video games, like work, are basically a series of quests comprised of mundane and repetitive tasks: Receive an assignment, travel to a location, overcome some obstacles, perform some sort of search, pick up an item, and then deliver it in exchange for a reward—and, usually, another quest, which starts the cycle all over again. You are not playing the game so much as following its orders. The game is your boss; to succeed, you have to do what it says."

7 roguelikes that every developer should study (Stefanie Fogel / Gamasutra) "With that in mind, we asked developers to name some of their favorite roguelikes - or games in other genres influenced by roguelike mechanics - and the lessons they can teach people today. And, many of these games are free and/or open source, which makes them easy to download, play, and study!"

-------------------

[REMINDER: you can sign up to receive this newsletter every weekend at http://ift.tt/2dUXrva we crosspost to Gamasutra later on Sunday, but get it first via newsletter! Story tips and comments can be emailed to vgdeepcuts@simoncarless.com. MINI-DISCLOSURE: Simon is one of the organizers of GDC and Gamasutra, so you may sometimes see links from those entities in his picks. Or not!]

[symbianosgames]

The following blog post, unless otherwise noted, was written by a member of Gamasutra’s community. The thoughts and opinions expressed are those of the writer and not Gamasutra or its parent company.

[Video Game Deep Cuts is a weekly newsletter from curator/video game industry veteran Simon Carless, rounding up the best longread & standout articles & videos about games, every weekend. This week's highlights include behind-the-scenes on Hidden Folks, an interview about the Coin-Operated Americans book, interviews from E3, and much more.

Well, am back from Los Angeles, attending E3, which was - well - not that different that anyone might expect. Lots of hype and excitement for large AAA games, most of which do have guns all over them (looking forward to more Tim Rogers dispatches like this from Kotaku!), a somewhat overcrowded E3 itself thanks to the consumer influx, and enough games for everyone to be excited about at least one.

For me, that Super Mario Odyssey trailer was enough for me to pre-order the game to play with my son - and finally work out how to get a Switch, which is coming in a couple of weeks. [Sidebar: it's actually a bit crazy how much Nintendo was being counted out by many - including perhaps me. Then, whomp, two games later (new Zelda, new Mario) they're the belle of the ball again.]

But that's why E3 works as high drama, soap opera, and metacommentary hub of the year for video games - we've all got a hot take, and hot takes are king. (Also why there's not a GREAT deal of E3 coverage in this week's VGDC, heh. Not that we're 'hot take allergic', but you can get that on YouTube & Twitch right now in real-time if you'd like.) Anyway, 'til next time...

- Simon, curator.]

-------------------

Developer Q&A: Balancing storytelling and player choice in Prey (Alex Wiltshire / Gamasutra) "Talos-1 runs on eels. This large space station, setting to Arkane Studios’ recently released emergent sim Prey, deals with its residents’ effluent by sending it to large vats where it’s consumed by the things."

Nintendo of America Boss Fils-Aimé On Comebacks, the Future of the DS and Surviving the Wii U (John Davison / Simon Cox / Glixel) "It's almost exactly a year since we last spoke with Nintendo of America president Reggie Fils-Aimé at E3 2016. On that occasion he was standing fifteen feet above that Disney-like Nintendo E3 booth, which was dedicated solely to the forthcoming The Legend of Zelda: Breath of the Wild."

Why 'Super Mario Maker' Didn’t Kill the Mario Hacking Community (Jess Joho / Motherboard) "Yet, playing hyper-polished feats of design like Super Mario Maker leave some longtime fans of the franchise nostalgic for the days of janky programming, kill screens, and brutal challenge. That's why the heroes of the Super Mario World (SMW) ROM hacking community remain stubbornly alive, even long after the release of an official Nintendo Mario level creator."

Coin-Operated Boys: An Interview with Carly Kocurek (Dan Royles / Nursing Clio) "Carly Kocurek’s Coin-Operated Americans: Rebooting Boyhood at the Video Game Arcade (Minnesota, 2015) examines the origins of modern video game culture in the “classic” arcade era, spanning the release of Pong in 1972 and the industry’s first major collapse in 1983. She traces the formation of the “technomasculine” during that period, as the arcade became increasingly defined as the province of young men."

How we make a game called Hidden Folks (Adriaan de Jongh / Imgur) "Hey there! I'm Adriaan, one of the two developers behind Hidden Folks, a game for smartphones and computers in which you search for hidden folks in hand-drawn, interactive, miniature landscapes by unfurling tent flaps, cutting through bushes, slamming doors, and poking crocodiles!"

Offworld Trading Company: An RTS Without Guns (Soren Johnson / GDC / YouTube) "In this 2017 Game Developers Conference talk, Mohawk Games' Soren Johnson dives into strategy game history to explain how he and his team developed Offworld Trading Company, a strategy game with little combat."

These Maps Reveal the Hidden Structures of ‘Choose Your Own Adventure’ Books (Sarah Laskow / Atlas Obscura) "Reading a “Choose Your Own Adventure” book can feel like being lost in a maze and running through twists and turns only to find dead ends, switchbacks, and disappointment. In the books—for those not familiar with them—you read until you come to a decision point, which prompts you to flip to another page, backward or forward."

A Falconer Enters the World of Video Games (Simon Parkin / New Yorker) "The story of how Nricco Iseppi, a master falconer, came to Riot Games has, among the company’s staff, acquired the malleability of myth. According to one scriptwriter, it began when Riot had an orange grove planted on its multimillion-dollar campus, in Los Angeles, a place already bristling with perks and mod cons."

Interview: “Rez” creator Tetsuya Mizuguchi’s unusual life evolves humanity (Staff / Denfaminicogamer) "One midnight, during an internal office chat at the Denfaminicogamer editorial department were the words “They’re crazy.” This was right at the end of 2016 after PS VR was released. As it were, the editorial departments odd excitement resulted in an impulsive interview about VR Contents “Rez Infinite” at the end of last year. This article is a written version of that insane seven hours interview. [SIMON'S NOTE: the translation isn't perfect, but this interview is AMAZING - you rarely see Japanese creators asked historical questions in this kind of depth.]"

The Garden Ages | Myst series (Sam Zucchi / Heterotopias) "How do the linking books in Myst read? These books are, in-universe, written out in the alphabet and language of a dead civilization. The text details the world that the writer wishes to visit: an island is described, its qualities delineated in some detail, and a linking pane appears on the first page, ready to literally transport the reader to the object described."

The RPG Scrollbars: In search of urban fantasy (Richard Cobbett / RockPaperShotgun) "There’s a real urban fantasy gap in the gaming industry, and it’s never made much sense. We see a thousand Tolkienesque fantasy games a minute (rough napkin calculation) and the future’s typically so bright, even the lens flares need shades. Yet when it comes to that line where the mundane meets the magical, mostly what we’ve had for the last few years is false hope."

E3 Was Different This Year, And It Wasn’t Just The Crowds (Nathan Grayson / Kotaku) "It’s the first day of E3. I’m walking the show floor—or more accurately, oozing across it, slug-like, followed by a trail of my own sweat. I’m shoulder-to-shoulder with swathes of people. Across the way, crowds of people whoop and holler, each of them hoping to win swag they can stuff in their floor-length swag bags. 15,000 new people are in attendance this year. [SIMON'S NOTE: one of the most considered of the 'what's up with E3 this year?' articles.]"

7 examples of accessibility design that developers should study (Richard Moss / Gamasutra) "Games are for everyone. And in recognizing this, ever-increasing numbers of developers are making a point to incorporate more accessibility features and options like remappable controls, configurable subtitles, resizable HUDs, and more."

The big interview: Xbox boss Phil Spencer (Wesley Yin-Poole / Eurogamer) "It was with all this in mind that I sat down with Xbox boss Phil Spencer at the Galen Center in Los Angeles to talk Xbox One X. At £449, I'm not sure who the console is for ("there is a customer out there who's looking for the premium experience"). I fear for Microsoft's first-party studio setup ("I do think we have an opportunity to get better in first-party")."

The State Of Virtual Reality (Brian Crecente / Polygon) "One could argue that the age of virtual reality kicked-off during last year's Game Developers Conference, an event that nearly coincided with the launch of two of the technology's most important head-mounted displays in recent history: the Oculus Rift and the HTC Vive."

EA Boss Andrew Wilson's Vision of Gaming's Future Will Blow Your Mind (John Davison / Glixel) "The intervening years were tumultuous and challenging. Changing the company to deliver on that vision was a bumpy ride, but now 10 years later, Wilson is eager to convey what the new Electronic Arts stands for, and its vision for the future of games. [SIMON'S NOTE: Much snark online for some of the 'vision' in this interview, particularly the Emily Dickinson bit.]"

Ex-Puyo Puyo producer reveals some of the classic puzzler’s earliest prototypes (Kishi / Retronauts) "Last week, Compile founder Moo Niitani announced two previously unreleased works from the defunct developer’s glory days on MSX2 computers. Later this month, Dominon and Dominon X are both coming to Project EGG, D4 Enterprise’s prolific download service for old Japanese computer games."

Don't Change a Thing! The Challenges of Evolving Solitaire (Russell Carroll / GDC / YouTube) "In this 2017 GDC session, MobilityWare's Russell Carroll shares the experience of updating Solitaire for a modern mobile audience, and what features they were able to update while grappling with intense resistance to any changes made to the core game.  [SIMON'S NOTE: I've known Russell - who used to run indie site GameTunnel - for a LONG time, and this talk is as much about management philosophy as it is solitaire - it's super well-considered.]"

Young Men Are Playing Video Games Instead of Getting Jobs. That's OK. (For Now.) (Peter Suderman / Reason) "Video games, like work, are basically a series of quests comprised of mundane and repetitive tasks: Receive an assignment, travel to a location, overcome some obstacles, perform some sort of search, pick up an item, and then deliver it in exchange for a reward—and, usually, another quest, which starts the cycle all over again. You are not playing the game so much as following its orders. The game is your boss; to succeed, you have to do what it says."

7 roguelikes that every developer should study (Stefanie Fogel / Gamasutra) "With that in mind, we asked developers to name some of their favorite roguelikes - or games in other genres influenced by roguelike mechanics - and the lessons they can teach people today. And, many of these games are free and/or open source, which makes them easy to download, play, and study!"

-------------------

[REMINDER: you can sign up to receive this newsletter every weekend at http://ift.tt/2dUXrva we crosspost to Gamasutra later on Sunday, but get it first via newsletter! Story tips and comments can be emailed to vgdeepcuts@simoncarless.com. MINI-DISCLOSURE: Simon is one of the organizers of GDC and Gamasutra, so you may sometimes see links from those entities in his picks. Or not!]

[symbianosgames]

The following blog post, unless otherwise noted, was written by a member of Gamasutra’s community. The thoughts and opinions expressed are those of the writer and not Gamasutra or its parent company.

[Video Game Deep Cuts is a weekly newsletter from curator/video game industry veteran Simon Carless, rounding up the best longread & standout articles & videos about games, every weekend. This week's highlights include behind-the-scenes on Hidden Folks, an interview about the Coin-Operated Americans book, interviews from E3, and much more.

Well, am back from Los Angeles, attending E3, which was - well - not that different that anyone might expect. Lots of hype and excitement for large AAA games, most of which do have guns all over them (looking forward to more Tim Rogers dispatches like this from Kotaku!), a somewhat overcrowded E3 itself thanks to the consumer influx, and enough games for everyone to be excited about at least one.

For me, that Super Mario Odyssey trailer was enough for me to pre-order the game to play with my son - and finally work out how to get a Switch, which is coming in a couple of weeks. [Sidebar: it's actually a bit crazy how much Nintendo was being counted out by many - including perhaps me. Then, whomp, two games later (new Zelda, new Mario) they're the belle of the ball again.]

But that's why E3 works as high drama, soap opera, and metacommentary hub of the year for video games - we've all got a hot take, and hot takes are king. (Also why there's not a GREAT deal of E3 coverage in this week's VGDC, heh. Not that we're 'hot take allergic', but you can get that on YouTube & Twitch right now in real-time if you'd like.) Anyway, 'til next time...

- Simon, curator.]

-------------------

Developer Q&A: Balancing storytelling and player choice in Prey (Alex Wiltshire / Gamasutra) "Talos-1 runs on eels. This large space station, setting to Arkane Studios’ recently released emergent sim Prey, deals with its residents’ effluent by sending it to large vats where it’s consumed by the things."

Nintendo of America Boss Fils-Aimé On Comebacks, the Future of the DS and Surviving the Wii U (John Davison / Simon Cox / Glixel) "It's almost exactly a year since we last spoke with Nintendo of America president Reggie Fils-Aimé at E3 2016. On that occasion he was standing fifteen feet above that Disney-like Nintendo E3 booth, which was dedicated solely to the forthcoming The Legend of Zelda: Breath of the Wild."

Why 'Super Mario Maker' Didn’t Kill the Mario Hacking Community (Jess Joho / Motherboard) "Yet, playing hyper-polished feats of design like Super Mario Maker leave some longtime fans of the franchise nostalgic for the days of janky programming, kill screens, and brutal challenge. That's why the heroes of the Super Mario World (SMW) ROM hacking community remain stubbornly alive, even long after the release of an official Nintendo Mario level creator."

Coin-Operated Boys: An Interview with Carly Kocurek (Dan Royles / Nursing Clio) "Carly Kocurek’s Coin-Operated Americans: Rebooting Boyhood at the Video Game Arcade (Minnesota, 2015) examines the origins of modern video game culture in the “classic” arcade era, spanning the release of Pong in 1972 and the industry’s first major collapse in 1983. She traces the formation of the “technomasculine” during that period, as the arcade became increasingly defined as the province of young men."

How we make a game called Hidden Folks (Adriaan de Jongh / Imgur) "Hey there! I'm Adriaan, one of the two developers behind Hidden Folks, a game for smartphones and computers in which you search for hidden folks in hand-drawn, interactive, miniature landscapes by unfurling tent flaps, cutting through bushes, slamming doors, and poking crocodiles!"

Offworld Trading Company: An RTS Without Guns (Soren Johnson / GDC / YouTube) "In this 2017 Game Developers Conference talk, Mohawk Games' Soren Johnson dives into strategy game history to explain how he and his team developed Offworld Trading Company, a strategy game with little combat."

These Maps Reveal the Hidden Structures of ‘Choose Your Own Adventure’ Books (Sarah Laskow / Atlas Obscura) "Reading a “Choose Your Own Adventure” book can feel like being lost in a maze and running through twists and turns only to find dead ends, switchbacks, and disappointment. In the books—for those not familiar with them—you read until you come to a decision point, which prompts you to flip to another page, backward or forward."

A Falconer Enters the World of Video Games (Simon Parkin / New Yorker) "The story of how Nricco Iseppi, a master falconer, came to Riot Games has, among the company’s staff, acquired the malleability of myth. According to one scriptwriter, it began when Riot had an orange grove planted on its multimillion-dollar campus, in Los Angeles, a place already bristling with perks and mod cons."

Interview: “Rez” creator Tetsuya Mizuguchi’s unusual life evolves humanity (Staff / Denfaminicogamer) "One midnight, during an internal office chat at the Denfaminicogamer editorial department were the words “They’re crazy.” This was right at the end of 2016 after PS VR was released. As it were, the editorial departments odd excitement resulted in an impulsive interview about VR Contents “Rez Infinite” at the end of last year. This article is a written version of that insane seven hours interview. [SIMON'S NOTE: the translation isn't perfect, but this interview is AMAZING - you rarely see Japanese creators asked historical questions in this kind of depth.]"

The Garden Ages | Myst series (Sam Zucchi / Heterotopias) "How do the linking books in Myst read? These books are, in-universe, written out in the alphabet and language of a dead civilization. The text details the world that the writer wishes to visit: an island is described, its qualities delineated in some detail, and a linking pane appears on the first page, ready to literally transport the reader to the object described."

The RPG Scrollbars: In search of urban fantasy (Richard Cobbett / RockPaperShotgun) "There’s a real urban fantasy gap in the gaming industry, and it’s never made much sense. We see a thousand Tolkienesque fantasy games a minute (rough napkin calculation) and the future’s typically so bright, even the lens flares need shades. Yet when it comes to that line where the mundane meets the magical, mostly what we’ve had for the last few years is false hope."

E3 Was Different This Year, And It Wasn’t Just The Crowds (Nathan Grayson / Kotaku) "It’s the first day of E3. I’m walking the show floor—or more accurately, oozing across it, slug-like, followed by a trail of my own sweat. I’m shoulder-to-shoulder with swathes of people. Across the way, crowds of people whoop and holler, each of them hoping to win swag they can stuff in their floor-length swag bags. 15,000 new people are in attendance this year. [SIMON'S NOTE: one of the most considered of the 'what's up with E3 this year?' articles.]"

7 examples of accessibility design that developers should study (Richard Moss / Gamasutra) "Games are for everyone. And in recognizing this, ever-increasing numbers of developers are making a point to incorporate more accessibility features and options like remappable controls, configurable subtitles, resizable HUDs, and more."

The big interview: Xbox boss Phil Spencer (Wesley Yin-Poole / Eurogamer) "It was with all this in mind that I sat down with Xbox boss Phil Spencer at the Galen Center in Los Angeles to talk Xbox One X. At £449, I'm not sure who the console is for ("there is a customer out there who's looking for the premium experience"). I fear for Microsoft's first-party studio setup ("I do think we have an opportunity to get better in first-party")."

The State Of Virtual Reality (Brian Crecente / Polygon) "One could argue that the age of virtual reality kicked-off during last year's Game Developers Conference, an event that nearly coincided with the launch of two of the technology's most important head-mounted displays in recent history: the Oculus Rift and the HTC Vive."

EA Boss Andrew Wilson's Vision of Gaming's Future Will Blow Your Mind (John Davison / Glixel) "The intervening years were tumultuous and challenging. Changing the company to deliver on that vision was a bumpy ride, but now 10 years later, Wilson is eager to convey what the new Electronic Arts stands for, and its vision for the future of games. [SIMON'S NOTE: Much snark online for some of the 'vision' in this interview, particularly the Emily Dickinson bit.]"

Ex-Puyo Puyo producer reveals some of the classic puzzler’s earliest prototypes (Kishi / Retronauts) "Last week, Compile founder Moo Niitani announced two previously unreleased works from the defunct developer’s glory days on MSX2 computers. Later this month, Dominon and Dominon X are both coming to Project EGG, D4 Enterprise’s prolific download service for old Japanese computer games."

Don't Change a Thing! The Challenges of Evolving Solitaire (Russell Carroll / GDC / YouTube) "In this 2017 GDC session, MobilityWare's Russell Carroll shares the experience of updating Solitaire for a modern mobile audience, and what features they were able to update while grappling with intense resistance to any changes made to the core game.  [SIMON'S NOTE: I've known Russell - who used to run indie site GameTunnel - for a LONG time, and this talk is as much about management philosophy as it is solitaire - it's super well-considered.]"

Young Men Are Playing Video Games Instead of Getting Jobs. That's OK. (For Now.) (Peter Suderman / Reason) "Video games, like work, are basically a series of quests comprised of mundane and repetitive tasks: Receive an assignment, travel to a location, overcome some obstacles, perform some sort of search, pick up an item, and then deliver it in exchange for a reward—and, usually, another quest, which starts the cycle all over again. You are not playing the game so much as following its orders. The game is your boss; to succeed, you have to do what it says."

7 roguelikes that every developer should study (Stefanie Fogel / Gamasutra) "With that in mind, we asked developers to name some of their favorite roguelikes - or games in other genres influenced by roguelike mechanics - and the lessons they can teach people today. And, many of these games are free and/or open source, which makes them easy to download, play, and study!"

-------------------

[REMINDER: you can sign up to receive this newsletter every weekend at http://ift.tt/2dUXrva we crosspost to Gamasutra later on Sunday, but get it first via newsletter! Story tips and comments can be emailed to vgdeepcuts@simoncarless.com. MINI-DISCLOSURE: Simon is one of the organizers of GDC and Gamasutra, so you may sometimes see links from those entities in his picks. Or not!]