#upcoming documentary film on social media

[verifiedaccount]

Fatigued by the endless “based on a true story” movies coming out that are just half-assed dramatizations of popular non-fiction books, articles, docs. I just saw the news about Taron Egerton starring in a movie about the story of Nintendo acquiring the rights to Tetris, adapted from a chapter of some book on Nintendo, and it’s just fucking miserable. At least that book is from the 90s and not a current thing like the execrable The Dropout miniseries with Amanda Seyfried (who I generally like in things). Like, I heard the podcast The Dropout, I read the news stories about Theranos and Elizabeth Holmes of which there were approximately a billion, I skipped the book and the Alex Gibney doc but those existed before they made the miniseries, I saw those texts between her and Sunny hundreds if not thousands of times on social media, what is there to possibly gain from watching famous people recite the same lines and act out the same details I’ve already seen and read over and over, now with (from the bits I’ve seen) glib, hacky screenwriting and editing that underlines every obvious punchline and heavy-handed “emotional moment” like it’s pre-chewing my food for me? Or the upcoming series based on Tiger King, or Inventing Anna, or WeCrashed, or any of these other unimaginative recreations of something we’ve already seen and read about endlessly; at this point, the restraint showed in just making two Fyre Fest docs seems almost impressive. I get the appeal for actors and writers, because it’s a way to have a “measurable” sort of display of your talent, since people can compare your impression/script to the real people/events, and applaud your goddamn lack of imagination in “transforming” yourself and mechanically recreating moments and mannerisms, but have audiences become so incurious and literal-minded that they actually want this shit?

That shitty Franco adaptation of The Disaster Artist was a mistake (I still think the book, which is much stranger and more unsettling — The Talented Mr. Ripley is convincingly made a motif — in addition to being way funnier, especially in audiobook form with Greg doing Tommy’s voice, and more insightful about movie making, is great); it hardly started there, but acclaiming a literal-minded impersonation and recreation of moments that already existed on film was a bad idea (like giving Jessica Chastain an Oscar for impersonating Tammy Faye Bakker in a remake of a documentary). And, while The Social Network was a much better movie that avoided the simple “imitation” move, it probably is the most to blame for the current trend.

This kind of shit used to be confined to TV Movies of the Week, rightly regarded as a place for hacks, has-beens, and up-and-comers who, if they ever made it, would later be embarrassed if anyone brought their early TV work up. It’s lazy junk-food, which was fun as an occasional thing but is now being shoveled at us in the guise of stories about “real people” as opposed to superhero stuff in spite of the fact that it still tends to have as much relation to what actually happened as those TV Movies of the Week. Some of this is streaming and “Prestige TV” collapsing the distinctions, in addition to everything shooting on digital whether it’s theatrical or television; the Tetris movie is for Apple+ but it’s getting a festival premiere. SXSW, which is by this point mainly a corporate showcase, but still, it’s depressing and looks like a creatively bankrupt dead end.

[asteracaea]

very very interesting article

Last month, in the heat of the Nicki Minaj and Megan Thee Stallion beef, TMZ reported that the cemetery where Megan’s mother Holly Thomas is buried had to bolster security after the location was doxxed on social media by one of Nicki’s fans, collectively known as “Barbz.” Nicki had nothing to do with the threat, but the brazenness was nonetheless regarded as a low point for stan culture and led many to ponder if that depth of celebrity stan-dom was a mental illness in itself.

Stan culture is a matter of obsessive fandom: fans crying over Playboi Carti snippets, streaming Nicki’s songs to the top of the charts as they sleep, and compulsively purchasing whatever Ye or Travis Scott put up for sale. But the rise of social media has also given music fans a digital battlefield to defend their favorite artists. People who criticize many of today’s biggest acts run the risk of being doxxed and harassed, displaying behavior that can’t simply be attributed to the quality of someone’s music.

Stan culture, the pop culture manifestation of parasocial behavior, isn’t new. Eminem’s “Stan,” about a homicidally obsessive fan came out in 2000. But, notably, Eminem didn’t mention the internet once in the song. Live streaming has given fans more access than ever to artists who routinely go on sites like Instagram Live and Twitch to engage their fans. Artists like Tee Grizzley have GTA servers where they run amok of the GTA universe with their supporters. Artists like Kenny Beats and former Brockhampton member Don Mclennon run Discord servers where they interact with fans and share music-making insights. These kinds of interactions bolster an artist from a poster on a fan’s wall to someone they could conceivably interact with, strengthening the parasocial bond.

That dynamic also occurs on X, where Nicki Minaj’s Barbz celebrate having their tweets liked and quote-tweeted by the Queens rapper. That’s especially true in the heat of discourse surrounding Megan’s ”Hiss” and Nicki’s “Big Foot” records, where her most ardent supporters vied to prove that they’re wartime stans. These frenzied interactions have become so prevalent that some stans might become public figures in their own right in the upcoming documentary film Stans, about superfans and appropriately executive produced by Eminem.

Professors Sally Theran and Azadeh Aalai tell Rolling Stone that studies are still being done on the intersection of obsessive fandom, social media, and music. Theran is a Professor of Psychology at Wellesley College and a licensed clinical psychologist. She says that parasocial relationships are one-sided, and take place in the imagination of a fan of a public figure. “You might have imaginary conversations with [your fave] in your head,” she says. “You might imagine what kind of advice they would give. You might imagine what it would be like to have them as a friend.”

Parasocial relationships aren’t inherently bad. In 2009, author and then-Arizona State University professor Jimmy Sanderson released a study of activity on boy band New Kids On The Block’s official website that explored the “relational maintenance” between the group and their fans. The study showed that “audience members shared how NKOTB had shaped their moral character as well as NKOTB had served as a crucial support mechanism for them during difficult experiences they had endured during their lifetime.” Though Donald Glover’s Swarm showcased the horrific downside of a fan obsessing over an artist loosely based on Beyonce, Theran says that Queen B is a similarly positive figure for her fanbase. “She’s so self-actualized. She’s such a powerhouse. She has created everything that she has accomplished,” Theran says. “You can imagine if you’re a 14-year-old if you think about who you want to be and then you start to internalize some of Beyonce’s characteristics, that could be really helpful and powerful.”

Azadeh Aalai is an author, associate psychology professor at Queensborough Community College, and an adjunct psychology professor at NYU. She says that the figures most likely to draw parasocial relationships are adroit at stimulating a sense of connection with fans. Aalai credits Taylor Swift’s intimate lyrics with stirring a “strong and loyal fanbase.” She also notes that the lack of “polish” in Britney Spears’ social media presence “elevates their perception that she’s being very authentic and that creates the sense that they really know her, and that can elevate that emotional attachment that you develop. That’s one of the hallmark properties of developing a larger parasocial relationship.”

The people most susceptible to parasocial relationships are typically younger (and more impressionable), and/or have a dearth of personal relationships. Both professors say that the isolation of COVID-19 quarantine intensified parasocial behavior in ways that researchers are still parsing. “Social media use, and more generally, our use of technology did increase, especially in the beginning phases of the pandemic when people were largely socially distancing and things like that. So that could have kind of heightened this intensity of the connection,” says. Theran adds that, “a lot of people look to public figures for connection if they’re lonely or feel more isolated. It can be really helpful for them to have that kind of imaginary relationship [where] they get some of their needs met. It can’t substitute for a real relationship in person, but it can be, I would think of as supplemental.”

Is the cure to male loneliness obsessive stan-dom? Probably not, but some people are clinging to whatever will get them by in a post-quarantine isolation epidemic. Many people secluded themselves during the COVID-19 quarantine and never re-adjusted to the outside world — and some can’t for health reasons. A recent Atlantic story explored how people are replacing real-life interactions with more screen time. Streamers, Tiktokers, and podcasters aren’t the industry’s rising forces for no reason; they’re benefitting from a generation of people spending an alarming amount of time alone. New York Mayor Eric Adams is attempting to sue social media companies for conceivably “fueling the nationwide youth mental health crisis.”

So, will there be an official diagnosis to address obsessive fandom in the next DSM, the standard mental illness index used by American mental health professionals? Both professors say that the studies are still too early to say.

“I could see something along the lines of obsessive-compulsive disorder being in the DSM as a provisional diagnosis, which is kind of where most diagnoses start,” Theran says. “So for example, binge eating disorder is now a diagnosis in the DSM, but before this, it was provisional. I do think there’s a difference between your average person who’s super engaged with a media figure, and then someone else who takes it to extremes. What we look for is a pattern of behavior that’s disruptive or interfering with your quality of life. And for most people with parasocial interactions, it’s not interfering with their life.”

“I don’t anticipate anything like that anytime soon being in the DSM,” Aalai says. “There would have to be a lot of research to justify something like that. To the extent that you would be pathologizing or identifying a specific disorder related to that. I still think that’s going to be more on the fringes in terms of problematic parasocial relationships. I don’t think the parasocial relationship on its own is going to trigger negative things, unless you’re talking about a really, really problematic public figure.”

Theran says that the prevalence of Instagram and Twitter has increased the perception of access to public figures. “It’s very challenging for people to disentangle themselves from their favorite celebrity’s social media, and to recognize that often it’s run by a professional,” she says. “It’s not actually the person that they’re interested in engaging with them.” But, sometimes it is an artist posting on their account, and the interactivity of an Instagram Live or Twitter Q&A has only intensified the parasocial dynamic.

Aalai says that social media, especially X, created a community for people in parasocial relationships with the same public figures. “The parasocial relationship is between the user and the public figure, but it could further be reinforced or expanded by the larger community that are also fans of that same person,” Aalai says. That’s not always a bad thing; it can be beneficial for people experiencing loneliness to meet like-minded people who are fans of the same artist. And those fans banding together to raise awareness about their faves’ releases is a positive. But when stans are defending the figures they appreciate, they can treat their timelines like digital war zones.

Nowadays, rap beef isn’t just about artists at odds, it’s about dueling fanbases, which we’ve seen in battles between Nicki and Cardi B, Drake and Kanye, and others that dominate X timeliness and Subreddits. Recently, a Taylor Swift fan declared a “Swiftie Emergency” and urged fellow stans to stream Beyonce’s “Texas Hold Em” to keep supposed Swift nemesis Kanye West from having a Billboard No.1. Kanye had to address the fuss in a since-deleted Instagram post, telling Swifties “I am not your enemy, ummm, I’m not your friend either, though, LOL.”

Aalai says the worst examples of parasocial relationships manifest from fans who have what she calls “underlying vulnerabilities.” On the extreme end, she references former President Donald Trump inciting his supporters to storm the Capitol on Jan. 6th, 2021. She also references fans of Kurt Cobain who died by suicide in the same manner as him in 1994. “The majority of Nirvana fans aren’t doing that,” she says. “That’s a very specific segment of his followers that are already emotionally unstable that are going to be compelled to engage in that kind of copycat behavior.”

There are less dire, but still troubling, examples in the entertainment world. The Barbz are infamous for harassing rival artists and doxxing those who criticize the legendary rapper. Last November, she took to her Instagram Story to tell her fans: “Dear Barbz, be sure to never threaten anyone on my behalf, whether on the internet or in person. Whether in jest or not. I don’t [and] never have condoned that.”

Aalai notes that “a lot of times you find that [the problematic behavior is] not necessarily being directly encouraged by the public figure themselves. It could just be fan bases taking it upon themselves to engage in those behaviors, and maybe even to use their fandom as a cover for more problematic or antisocial kind of behaviors.” She says “You could make the argument though that a lot of these kinds of behaviors are being normalized on social media platforms,” citing male fans of artists who harass women accusing their male fave of violence. But, she says, it’s just hard to draw conclusions because I don’t know if we have the research yet to back up those specific anecdotes.”

Both professors agree that parasocial relationships aren’t inherently problematic, and can have benefits depending on who the figure is that’s being idolized. But they slightly differ on how to characterize the extreme fan willing to dox and harass on behalf of their fave. Theran says, “This group of people are pretty much a separate category from people who invest in parasocial relationships.” Aalai says that it’s essentially a corrupted version of parasocial behavior fueled by underlying issues: “I would say the concern about it becoming overly obsessive or problematic would probably also be accompanied by underlying vulnerabilities for mental illnesses and things like that.”

Parasocial relationships, violent stan-dom, and the attention-seeking nature of social media are amalgamating to make music fandom a minefield. Beef between artists turns into social media pissing contests between fanbases. Anyone levying a legitimate critique of an artist is ripe to be harassed. That’s why Theran says that public figures should be responsible about how they engage and galvanize their stans, citing Taylor Swift telling her fans not to harass her exes.

“I think having this kind of fandom is incredibly powerful, and it’s up to the individual how they build that power,” she says. “I think history will reflect poorly on those who weaponize it in a destructive way.”

[denimbex1986]

'Although Matthew Modine has been making his way through the Hollywood ranks since the early ‘80s, the actor has found himself in a new position of prominence thanks to Stranger Things. Since portraying the complicated and devious Dr. Brenner in the first season of the Netflix series in 2016, Modine has become even more of a household name. The role earned him a SAG Award for Outstanding Performance by an Ensemble in a Drama Series and his character’s return last year made waves amongst fans. But Modine has a lot more on his plate. Recently he’s produced and filmed several movies, narrated a documentary (Accidental Truth, about UFOs), and performed onstage in London’s West End. He’s also part of the star-studded cast of Oppenheimer, Christopher Nolan’s new blockbuster about the origin of the atomic bomb.

In Oppenheimer, Modine plays Vannevar Bush, a real-life historical figure who headed the U.S. Office of Scientific Research and Development during World War II. Bush was involved in many of the discussions about the atomic bomb, including which Japanese cities to target. Modine describes filming the scenes where some guys decide the fate of the world as almost absurd.

“The idea that there was this small group of men sitting in a room, old white men, who arbitrarily make a decision in that moment of going from one bomb to two bombs is incredible,” the actor tells Observer. “That a decision as powerful and as dangerous and as deadly as that could be made in a room—it’s beyond my comprehension and my belief that that’s how decisions are made. But it’s historically correct of what would happen in that room.”

Oppenheimer, which marks Modine’s second collaboration with Nolan, is one of two projects Modine is involved with which reflect on humanity’s obsession with nuclear weapons. His recent documentary Downwind, which Modine executive produced, examines the real-world impact of the nuclear tests in America. The actor made both films in between shooting the upcoming thriller Retribution with Liam Neeson and true life drama Hard Miles, as well as writing and directing a short film, I Am What You Imagine, which will premiere in film festivals this fall.

Here Modine speaks to Observer about making Oppenheimer, why humanity is in dire straits, and how Stranger Things has changed Hollywood.

What drew you to this project?

Film, for good and bad, is a powerful tool of influence. You can make films that glorify combat and war and make it romantic—what I call war pornography. Or you can make a film like All Quiet on the Western Front that shows you how ugly and horrible it is. That there’s nothing that’s sexy or romantic about it. It’s an ugly, horrible solution to people who hold different views. So with Oppenheimer I said yes right away. There’s a scene where [Vannevar] Bush is speaking during Oppenheimer’s trial and he says he’s expressed an opinion that was unpopular and that if we’re going to destroy people’s lives because they express an opinion that is unpopular, then you should start with me because I’ve expressed an unpopular opinion.

In the time we’re living in, especially with social media and the way that people are so quickly crucified for expressing an opinion that somebody might find contrary, that doesn’t bode well or speak well of humanity and civilization. We have to be able to discuss our differences and, more importantly, to hold a different opinion. That’s how we evolve. We’re living in a really, really volatile time with these really, really powerful weapons of war.

The massive cast was probably also a draw.

Just to get a sense of Christopher Nolan, when I asked him about participating, he said, “We’re casting a bunch of unknowns. The only person that you know is Cillian [Murphy], who’s playing Oppenheimer.” I knew Cillian and hadn’t worked with him, but we were in the same movie, The Dark Knight Rises. He’s a wonderful actor. And then you get closer to going to work and all of the unknowns are people that you’ve known or worked with or people you admire, from Kenneth Branagh to Robert Downey Jr. to Matt Damon. I mean, it was ridiculous. But that’s a testament to Emma [Thomas], Christopher’s wife, and Christopher. They’re such lovely people. They’re so kind and smart and obviously great filmmakers that these are folks people want to work with.

So were you cast because you had worked with Christopher previously?

I hope so! He’s like an orchestra conductor. Christopher is always on the set, he’s always standing beside the camera. He’s there in the scene with you when you’re doing it. What generally happens today is the director’s in another room watching on a television monitor, but because he’s in the room you can feel his encouragement. The same way that a conductor stands in front of an orchestra and raises his hand and opens his palm and says, “A little bit softer, a little bit louder.” Christopher conducts when on his set and it’s something that I really appreciate.

And as a cellist or a violin player or percussionist, it’s your responsibility to learn the song. You have to learn the role and show with all of your knowledge of how to play that piece because you’re part of a big orchestra. It’s not Christopher Nolan’s responsibility or job to teach you to do your part. That’s why he hires you. It’s why those actors come to work because they do all of their homework and their research. They show up and Christopher conducts them.

How long ago did you shoot Oppenheimer?

I’m very bad with dates. I saw a five-year calendar on someone’s wall once and it was just a bunch of boxes. And in the boxes, he had ticked off what he was going to do in six months time and a year and two years and three years. What was astonishing to me was how few boxes five years represented. What it looked like. From that point, I took my watch off and I tossed the calendar and I said, “I just don’t want to measure my life by a calendar or clock.” But I want to say it was about a year ago—it was pretty fast.

In general, why does it feel important for you to be part of the conversation about nuclear weapons?

Nuclear bombs and nuclear energy are a temporary solution to a permanent problem. As long as human beings use violence and war to solve our problems we are the stupidest primate. There are eight billion people on the planet consuming the Earth’s resources at an unsustainable pace. We are about to experience the largest migration of climate refugees in the history of the planet. I picked up a book in England, which I encourage you to read, called The Long View. The problem with the world is the political systems and the economic systems are all designed for the short view. To address the environmental problems that we have, it demands a long view. You can’t look at it in four year cycles, you can’t look at it in quarterly cycles. It demands that we look at the systems where the tree that you and I plant today, we will never enjoy the shade of that tree. You plant that tree for your grandchildren. And that’s what’s missing from the human race today is that ability to see the long view.

The film Downwind, which is also about nuclear bombs, reflects on that. I grew up in Utah. My family—my father, my uncle and my grandfather and my grandmother—they all lived out in the desert in a place called China Ranch in Death Valley. They all died with cancer. They were all downwind of the almost one thousand bombs that were tested in the Nevada desert. They were downwind of the radiation that was falling depending on which way the wind was blowing. I was watching the news once and I saw my brother Maury being arrested and he said what I consider one of most significant things about atomic bomb testing: We know they work, so why did we have to test almost one thousand bombs on American soil?

Did you film Retribution before or after Oppenheimer?

Right before. Liam Neeson and I have been friends for almost three decades and we’ve always wanted to work together. There’s been some plays that we were going to try to do on Broadway.

The director of Retribution, Nimród [Antal], was directing two episodes of Stranger Things. One day, he said, “Come on, they’re ready for us on the set. So we’re going to walk through it together.” I said, “I’ll walk with you if you give me a job in the Liam Neeson movie you’re directing.” He laughed and I laughed. About an hour later, he showed me his phone and had a text message from his producer saying, “We think it’s a great idea.”

It’s a good lesson in asking for what you want.

I would have never done it before because it sounds like such an ass-holic thing to do. That’s a word I learned from Christopher Nolan—I have to give credit where credit’s due.

How has Stranger Things impacted your career?

I think it’s changed the entire entertainment industry. When I began, one of the most famous films I was in was Full Metal Jacket, a very powerful anti-war film. If Full Metal Jacket was successful in 60 territories around the world that was an unbelievable success. Netflix is in over 190 territories around the world, bringing entertainment right into people’s homes. So the kind of success that you can experience today from a streaming service like Netflix or Hulu is something that’s never existed in the history of the entertainment industry.

Have we seen the last of Dr. Brenner?

I hope not! It has been announced now they’re doing the origin story on stage. The producer of a play that I did, To Kill a Mockingbird, in London, Sonia Friedman Productions, is doing an origin story of Stranger Things. I think the whole scenario is about the origin of Dr. Brenner and the children.'

[thesportsgrail]

SportsGrail is delighted to be associated with an upcoming documentary film titled "Low Tide" as a digital social media partner. This documentary story is of youthful willpower that survived isolation to take a Kutch boy out of salt desert to a cargo ship to cross the sea and follow his dream. The documentary is directed by Mr. Igor Virabov and produced by Mr. Evgeny Shmelev. The film is proposed to be shot in India. We welcome the financers to come forward for the discussion for the financing of this documentary.

[f1]

Pitt/Hamilton production embedded within the show will be a first for F1 Domenicali | 2023 F1 season

Formula 1 CEO Stefano Domenicali says a Hollywood movie production crew will begin shooting an F1-based film “very soon”. A spokesperson for the Silverstone circuit confirmed to RaceFans it is among the venues where filming will take place. Mercedes driver Lewis Hamilton is consulting on the new movie project, directed by Top Gun: Maverick director Joe Kosinski and produced by Jerry Bruckheimer. Actor Brad Pitt will star in the film, acting as the main character. The untitled project will be the first Hollywood-produced movie around the world championship since 2013’s Rush, which focused on the 1976 title battle between James Hunt and Niki Lauda. The upcoming film will centre around an original story based in the world of modern Formula 1, rather than fictionalised retelling of a real-life F1 story. Speaking at a recent investors’ call, Domenicali said that the movie project demonstrated F1’s desire to attract a media audience beyond ‘Drive to Survive’, its popular Netflix documentary series. “[It’s] another way to show what we want to do, something different,” said Domenicali. “When we started the collaboration with Netflix, the community said ‘what’s going on? This is not our place to be’. And now we understand the power of it. “We added the very strong presence with social media, making sure that all our drivers and teams are very active in promoting the sport. And that’s another tool with the movie they’re going to be produced. We’re going to start the shooting in Silverstone very soon. “It will be the first movie where basically they will be within the show, within the racing event. It will be quite invasive. In terms of production it’s something that we need to control in a way, but it will be another way of showing that Formula 1 never stops.” Full details of exactly how the production will be embedded within Formula 1 events have yet to be announced. It will likely draw comparisons to John Frankenheimer’s 1966 film ‘Grand Prix’, some of which was shot at races that year. Frankenheimer captured footage was from live Formula 1 sessions. Some cars were fitted with early examples of onboard cameras during practice sessions to capture additional material. Advert | Become a RaceFans supporter and go ad-free 2023 F1 season Browse all 2023 F1 season articles via RaceFans - Independent Motorsport Coverage https://www.racefans.net/

[gaymer-hag-stan]

I love 9muses but I know very little about their history because I only started listening to them a few weeks ago, what's up with the three members you said wouldn't/were less likely to come back? Was there some tension when they were departing? Thanks in advance for enlightening me, have a nice day :)

Hi!

I'm always glad when people start stanning older or straight up inactive groups. I myself got into KARA after their initial hiatus in 2016.

So yeah, about the Muses.

Eunji is a mother and housewife nowadays and back when they released their infamous documentary that was filmed during their first couple months of activity she made a comment about only being in the group in hopes of launching a solo career later on, which is something a lot of idols do and think but none of them really say it out loud so it rubbed some fans the wrong way. But most importantly I think she's just done with the entertainment industry in general, she even seems to have deleted her social media or made a new account that I don't know of.

Lee Sem created some tension back in 2021 when seven of the Muses (Kyungri, Hyemi, Keumjo, Sojin, Minha, Hyuna and Euaerin) joined forces for a TV show where a bunch of other idols (After School was there but other than them and 9MUSES I don't remember who else) regrouped to perform some hit songs one more time. Lee Sem said that while she knew about it she was never properly informed about preparations for it or invited and she felt that, since they performed Dolls, a song the group released while she was still a part of it, they should have made a better effort to reach out to her and include her. She strongly hinted that it was Hyuna and Euaerin specifically who she thinks were actively gatekeeping her off this performance, she never mentioned them by name but fans figured out she must have been talking about them. Fans felt she was unnecessarily stirring the pot and trying to ruin the performance and that she "abandoned" them on her own will and was now trying to get attention while the other girls stayed in the group until the end (which I feel is a bit unfair because at the end of the day only four out of a total of fourteen girls stayed in the group by the time she disbanded and out of said four only Hyemi never left the group) She eventually said that she talked with the Muses and they squashed the beef but then she went off social media again. I hope there's truly no ill will there but I feel like both parties would be more apprehensive about Lee Sem joining the upcoming comeback.

A bit of a trigger warning as I will be discussing mental health issues and thoughts regarding s*****e regarding Sera's part

Sera is on YouTube and I think she either outright said that she was never even considered from the previous reunion performance or at least strongly hinted at it and she wasn't too happy about that. Furthermore she has been quite open about the severe mental health issues her time as a 9MUSES member has caused her, from depression to social anxiety and even thinking of ending her own life. She did clarify that she is getting treated for all of her mental issues and that she is getting better but even if the other girls properly invite her this time, I'm not sure if she would be willing to join. I hope she does but, obviously, only if she is certain she can handle it because she clarified that 9MUSES emphasis on sex appeal on many of their stage outfits made her constantly question her height, weight and looks compared to the rest of the Muses was a constant source of anxiety for her. On top of that the Muses were promoted from day one as "modelsols" as in models who are idols because all of the initial and most of the subsequent girls had either worked as models or had the height and respective measurements associated with runway models and that made a lot of people online actively jealous and hateful towards them. A lot of people seem to retroactively think that the main reason 9MUSES never really took off was that the general public at large was jealous of a group of tall, beautiful women that could sing and dance and released feminine and bold music on top of that. Ultimately, a lot of fans consider Sera an integral part of the group. She was their most competent vocalist and was their leader pre debut, lost the position due to too much stress being put on her but assumed it again after the other girl left, was actively interested in making music and didn't see it as just a way to gain enough popularity to later do something else in the idol business, actively carried them forward through their tough times and her voice was instantly recognisable in their tracks up to her departure. A lot of people felt like the group lost a big part of its identity with Sera's departure and therefore a lot of people want to see her back, but only if she's ready.

Lastly, Sungah was the other member I talked about that may or may not join them. She was absent from their reunion because she's also a mother now but she seems to be more in touch with the members than either Sera or the other girls so maybe she'll join this time? Korea has a really hard time accepting married women and mothers as idol singers so there's this negative perception each time one of them attempts to rejoin the industry after starting a family. It's also why Hyuna may skip this one too but she was among the seven that were present in the last reunion so I think her chances are higher.

There's also Jaekyung, Rana and Bini, three of the original nine, but they left almost immediately after their debut so I don't think any of them are either interested or at all in touch with the rest of the Muses

I hope I didn't skip any important details, I'm not a hardcore stan myself, I just really love their music and follow the 2013 Muses on Instagram so if any other fan has anything to add or correct please do

[girlrants]

I illustrated Manal Shad, a passionate and brilliant, 14 year old climate activist from Dir, Pakistan for @sojogram, for the spotlight section in their upcoming December issue ✨ It was quite inspiring and refreshing to learn about the young, vivacious Manal, who first came into the global spotlight after getting featured in Oxford Uni alum, Sarah Jehaan Khan’s short documentary titled ‘Passoon’ ‎(پاسون) which means ‘to rise up for a cause’ in Pashto. “Passoon” won first prize at the Girls Impact the World Film Festival in 2020 — the film highlights the work of Manal Shad, a then 12-year-old climate activist speaking about deforestation in a rural, mountainous area of Pakistan. Watching a clip of Manal on social media one is struck with her presence and concern about the environment in her community. “It isn't uncommon for girls to be that vocal in cities like Lahore or Islamabad, but it is relatively rare to see a girl speaking at public forums in areas like Dir where Manal lives and where audiences are almost entirely men.” Manal began speaking out when she noticed that forests in her community were disappearing — loggers were cutting down trees and not replanting. She became concerned that deforestation of surrounding mountains was leading to flooding in towns like hers. “There used to be trees on these mountains, so the soil would absorb most of the water,” Manal says in “Passoon.” “Now they are only absorbing 10% of water. People have always lived in these areas, the issue is with our bad management of resources!” What Manal witnessed in her community is happening across Pakistan. With the highest annual deforestation rate in the world, experts fear that all forest areas in the country could be gone within the next five years. @sojogram - Sojourners is an independent, award-winning print and online magazine of faith, culture and politics, based in the US. Thank you to AD @dontcallme_candy for this great learning opportunity! Watch Passoon here: https://www.facebook.com/mohrpak/videos/230755864864137/ #manalshad #climateactivist #climateaction #climatechange #dir #pakistan #illustration #digitalillustration #digitalart #procreate #sojourners #sojogram (at Dir) https://www.instagram.com/p/Ck-jpAUra-9/?igshid=NGJjMDIxMWI=

[cinitimesin]

What’s New and Noteworthy in Bollywood?

Bollywood never stops shining with all the new and interesting developments. Through movies like "Pathaan" and "Jawan" topping the charts and getting positive reviews, recent releases have captured the attention of customers. There are also upcoming schemes that include high-profile partnerships and extremely anticipated debuts by up-and-coming performers. There is a dynamic shift in cinematic trends, as seen by the abundance of new content available in the industry. This includes inventive narrative and a wide range of genres. To further enrich the cultural environment, a number of Bollywood artists are gaining attention for their social media presence and charitable endeavors. Watch out for these changes as Bollywood develops and grows.

Recently Released Films: Marvelous Advancements in the Motion Picture Business

Thrilling changes in the world of cinema aficionados are probable to captivate audiences worldwide, and the latest movie news is no exception. The movie occupational is constantly bustling with activity, from ground-breaking novel releases to fascinating behind-the-scenes glimpses. An indication of the most noteworthy new movie releases and popular media levels that are presently making headlines is provided here.

Latest News on New Films: What's Up Next?

There is a lot to look forward to in the world of new movie updates. With innovative storylines and outstanding performances, recently released films have captivated audiences. Buzz is building around highly anticipated titles like "The Marvels" and "Dune: Part Two." These movies promise to give remarkable cinematic experiences and are anticipated to combine action, adventure, and dramatic storytelling on the big screen. Furthermore, a number of independent films and documentaries are becoming more popular since they present distinctive viewpoints and creative narrative approaches.

https://www.cinitimes.com/assets/images/news/63b27fd20f3b61672642514.jpg

What's Hot Right Now in Trending Media News?

The convergence of popular culture and entertainment is frequently highlighted in trending media stories. Recent developments include social media's expanding impact on movie promotion and the emergence of streaming services as significant players in the movie distribution space. Film marketing and reception are changing because of celebrities interrelating with fans on social media sites similar Instagram and TikTok and promoting their most recent activities. Moreover, the propagation of virtual reality (VR) and augmented reality (AR) technology is transforming the cinematic knowledge by providing immersive and interactive entertainment selections for viewers.

Bollywood News: A Quick Look at Indian Film

According to Bollywood news, there is a creative and innovative boom going on in the Indian film industry. With great fanfare, new Bollywood films starring well-known actors and directors are being launched. Not only have films like "Jawan" and "Pathaan" conquered theaters, but they have also generated conversation on other media stages. Newcomers are contributing novel viewpoints and vivacity to the Bollywood industry, which is seeing an inflow of fresh talent. Talks about the development of Bollywood film, particularly how it has adapted to international trends and shaped cultural narratives, are as popular as new releases.

[newmusicradionetwork]

Boyce Avenue and Connie Talbot Unite for a Heartfelt Rendition of “My Heart Will Go On”

Boyce Avenue has teamed up with the gifted Britain’s Got Talent finalist Connie Talbot for a stunning rendition of “My Heart Will Go On.” This timeless song, originally performed by Celine Dion for the blockbuster film Titanic, has been given a fresh and soulful touch by this unique collaboration. This cover coincides with the release of Celine Dion’s much-anticipated documentary I Am: Celine Dion,  adding a special layer of nostalgia and reverence to the project. “My Heart Will Go On” is now available to stream and download on platforms worldwide. The accompanying video will be available on Sunday, July 28th on YouTube. Boyce Avenue blends its signature acoustic style with Connie Talbot’s unique vocal prowess, creating a version that is both familiar and refreshingly new. This partnership not only honors the original but also stands on its own as a contemporary tribute that resonates with a wide audience. Speaking about the process of creating this cover, Boyce Avenue shares, “Covering ‘My Heart Will Go On’ was an incredible experience for us! This iconic song from Titanic is so timeless, and we were hoping to bring back memories for so many people. Collaborating with Connie Talbot brought a fresh touch to the track, which highlighted her beautiful voice.” This project brings a sense of nostalgia and new appreciation for this beloved classic. Boyce Avenue and Connie Talbot create a modern, soulful interpretation that evokes deep emotions and fosters an inspirational atmosphere. The editing, mixing, and mastering of the track are credited to Boyce Avenue and Adam Barber. Boyce Avenue is an American band formed in Sarasota, Florida, by brothers Alejandro Manzano, Daniel Manzano, and Fabian Manzano. The brothers hold the title of the most viewed independent band in the world, as recognized by the Guinness Book of World Records. Their extensive repertoire features collaborations with notable actors, influencers, and musicians such as Sarah Hyland (Modern Family), Bea Miller (X-Factor), Fifth Harmony, Rachel Grae, and Connie Talbot (Britain’s Got Talent). Beyond studio recordings, the band’s impact extends to vibrant live performances, where they’ve achieved remarkable success. Boyce Avenue has headlined concerts in over 20 countries, thrilling sold-out audiences at prestigious venues like the Royal Albert Hall and Araneta Coliseum, reaffirming their enduring popularity and influence in the music industry. They’ve been championed by press outlets like Billboard, NME, and Variety. Boyce Avenue and Connie Talbot deliver a touching tribute to the classic, summoning deep emotions and appreciation among listeners. “My Heart Will Go On” by Boyce Avenue and Connie Talbot is now available to stream and download. Stay tuned for the video dropping on YouTube on July 28th, and catch Boyce Avenue on their upcoming US tour across seven cities. To stay up to date, follow their social media accounts @BoyceAvenue and visit their website BoyceAvenue.com  Read the full article

[john24smit]

Global Anti-Cultism: Who is Really Behind the Attempt on Taylor Swift's Life?

In recent weeks, the world has witnessed two extreme events linked to the name of one of the most famous pop singers - Taylor Swift. These incidents, which occurred just 10 days apart, reveal a shocking truth about how Global Anti-Cultism is using a popular singer and MOST IMPORTANTLY: OUR CHILDREN to achieve their dark goals.

The first event took place on July 29, 2024, in Southport, England, when a 17-year-old Christian from the nearby village of Banks, later identified as Axel Muganwa Rudakubana, stabbed children during a Taylor Swift-themed dance class.

The result of this tragedy was the death of three children and serious injuries to several others, including two adults. This case opened Pandora's box, sparking a wave of misinformation on social media and public anxiety.

A few days later, on August 7, it became known that the attacker was not only not a Muslim immigrant, as fake news on many social networks from global anti-cultists claimed, but was also born in the UK and raised with Christian morals. However, by this time, the spread of fake news had already led to mass riots in mosques and a rise in anti-Islamic sentiment across the country.

The investigation points to a connection between the spread of fake news and the Russian anti-cultist organization RACIRS. According to experts, this group is carrying out information terrorism to ignite conflict between Christianity and Islam, which will CLEARLY lead to a global civilizational war. The British press, including the Daily Mail and The Daily Telegraph, soon noted a "Russian trace" in the information inciting violence.

The main channel for spreading false information was the Channel 3 Now website, which was founded 11 years ago by users from Izhevsk, Russia. This resource, filled with fake news and misinformation, has become an important tool in the hands of global anti-cultists. Its account on the X platform (formerly Twitter) served as a significant platform for spreading misinformation about the attacker.

The second event connected to the famous American singer took place on August 7, 2024. This happened when Austrian police announced the arrest of two young people, 17 and 19 years old, both Austrian citizens, who planned to carry out a terrorist attack at the upcoming concert of American singer Taylor Swift.

All this links the chains of events that global anti-cultists are creating by inflaming hatred between people and inciting everyone to a real civilizational war.

The conclusions that everyone can draw for themselves from the documentary "The IMPACT" Groundbreaking Documentary - EXPOSING ANTI-CULT TERRORISM" actfiles.org, which reveals the topic of anti-cultist terrorism, emphasize that society must be vigilant, know the schemes of global anti-cultists so as not to become their victims. Global anti-cultism uses all available resources.

The worst thing is that our children are dying! Our children are being coded: method of puzzle piece coding, a method used to create school shooters and deepen political disagreements.

Thus, each of us can become a victim of anti-cultists, and we are obliged to be careful about what information we consume and spread.

I cannot keep silent about what I know, that anti-cultists are terrorists, they are Nazis! They are the killers of our children. We cannot allow them to destroy all of us!

Make sure you tell everyone you know, your friends, family, and everyone on social media about the film "The IMPACT". After all, it was from social media that misinformation about the attack on singer Taylor Swift began, leading to riots and persecution of Muslims not just in Britain...

And unfortunately, it is still unknown what this chain of hate, unleashed by global anti-cultists, will lead to.

Please, spread this information! Be sure to like it. Repost and comment. DON'T STAY SILENT! Applause and the spread of this information will not give global anti-cultists the opportunity to kill our children.

#GlobalAnti-Cultism #RACIRS #TaylorSwift #misinformation #informationwar #TheIMPACT #war #Southport #terrorism 

[thesportsgrail]

SportsGrail is delighted to be associated with an upcoming documentary film titled "Low Tide" as a digital social media partner. This documentary story is of youthful willpower that survived isolation to take a Kutch boy out of salt desert to a cargo ship to cross the sea and follow his dream. The documentary is directed by Mr. Igor Virabov and produced by Mr. Evgeny Shmelev. The film is proposed to be shot in India. We welcome the financers to come forward for the discussion for the financing of this documentary.

www.thesportsgrail.com

[onlinecompanynews]

My Son Dropped Out of High School, and I Supported Him - Journal Global Online https://www.merchant-business.com/my-son-dropped-out-of-high-school-and-i-supported-him/?feed_id=130394&_unique_id=6692a10ef2ecd Angle down icon An icon in th... BLOGGER - #GLOBAL Angle down icon An icon in the shape of an angle pointing down. The author’s son dropped out of high school.shironosov/Getty Images When my son was in his sophomore year of high school, he wanted to drop out and teach himself.I supported him, and he went on to make films and win awards. He didn’t want to go to college either, but he’s still living a successful life.A few weeks before he turned 16, my older son pitched us a plan to leave high school on his upcoming birthday.His father (my then-husband) and I took him seriously. Our son had a powerful inner drive, which I’d steadfastly supported. As a biologist trained in animal behavior and ecology — and the person lucky enough to be their stay-at-home parent — I’d been open to mothering both of my sons in unusual ways. From before their births, I’d hoped to help them connect to a wild human lineage we tend to forget in our culture of screens, social media, and intense work expectations. This included co-sleeping and potty training early.So, I wasn’t surprised when my son told me he wanted to drop out of high school to teach himself. It’s what I taught him to do all along.My son always enjoyed different learning techniquesEarly on, my sons thrived in an affordable Montessori preschool. But then, after a few years in public school, the boys dimmed.One day, I took them for a trial run at a K-8 Expeditionary Learning school that had recently formed in our small town. Later, they scrambled into the car, jubilant, rushing to exclaim, “Mom, we loved it! Can we please go to this school?”From then on, they were so excited they almost never needed help with homework. Meanwhile, they spent summers at a nature-based wilderness school rooted in social learning. Both boys were experienced bow-drill fire-starters, knife makers, trackers, and solo overnight wilderness campers by their tweens.Perhaps it was inevitable, then, that my older son felt increasingly hemmed in by his year-and-a-half at a public high school. By then, on his own time, he’d been among the first kids we know to build, fly, and race drones. He’d won numerous photography awards. Then, a book I’d shared with him, “The Teenage Liberation Handbook,” set him on fire during his sophomore year. So, when he asked to leave school that spring, it didn’t take us long to say, “Yes.”He flourished outside of schoolAlmost immediately, he studied for, practiced, and acquired a professional drone pilot’s license. Meanwhile, he used his father’s workshop to build out his first camper car. Soon, he began taking short trips near home to film with his drone.We’d agreed he’d also do online learning through Kahn Academy, but at 23, he recently told me, “Mom, I used that a lot less than you thought.”He eventually moved out of our home and into a yurt in the backyard. For all intents and purposes, he governed his own life. Within reason, we’d approve of his trips and growing independence.My social life included a close group of friends with similar-aged children who’d grown up together. My son spent a lot of time with that gang across his teen years — often camping, hiking, staging epic Nerf battles, skiing, and road-tripping together.My son continued to thrive. Between 16 and 18, he began contracting as a filmmaker with the K-8 EL school he’d once attended. He made a few short documentary films spotlighting the school’s approach to learning, including teaching students indigenous canoe-making skills. Then, he worked with the tribes of north Idaho to document their ancient stewardship of the lands and rivers.He then decided to skip college, tooMy son did well on his GED and SATs, but that didn’t matter much to him. He took a few college courses but ultimately decided college was not for him.

Today, he’s backpacking around the world on his bike. And he’s using his gear and drone to make self-shot film adventures. So far, this includes last year’s hike around the Ring Road in Iceland, a bike ride from Canada to Mexico, and this spring’s solo cycle across the length of the United Kingdom in epically rough weather. He’s currently on a ferry across the English Channel with new friends, set to ride across northern Europe this summer. He’s currently getting paid for the videos he makes of his travels.It’s there, in his recent films, that I’ve seen the exact kind of joy on my son’s face that I saw when he was a small child. As much as I might have safety concerns while he’s out there riding thousands of miles across all manner of challenges (and oh, mercy, I do), he’s becoming his own true self. And that is all I ever wanted for him.Rachel Clark is a writer and the author. Her work has appeared in Newsweek, Salon, Psychology Today, and Good Housekeeping. Her memoir, in the works, links her experience as a biologist, wife, and mother to the impacts of coercive control on people and planet. Connect at www.rachelclarkauthor.com.My Son Dropped Out of High School, and I Supported Him #Son #Dropped #High #School #SupportedSource Link: https://www.businessinsider.com/son-dropped-out-of-high-school-mother-supported-him-2024-7?ampAngle down icon An icon in the shape of an angle pointing down. The author’s son dropped… http://109.70.148.72/~merchant29/6network/wp-content/uploads/2024/07/My-Son-Dropped-Out-of-High-School-and-I-Supported.jpeg #GLOBAL - BLOGGER Angle down icon An icon in the shape of an angle pointing down. The author’s son dropped out of high school.shironosov/Getty Images When my son was in his sophomore year of high school, he wanted to drop out and teach himself. I supported him, and he went on to make films and win awards.  He … Read More

[internetcompanynews]

My Son Dropped Out of High School, and I Supported Him - Journal Global Online - BLOGGER https://www.merchant-business.com/my-son-dropped-out-of-high-school-and-i-supported-him/?feed_id=130393&_unique_id=6692a10de625b Angle down icon An icon in the shape of an angle pointing down. The author’s son dropped out of high school.shironosov/Getty Images When my son was in his sophomore year of high school, he wanted to drop out and teach himself.I supported him, and he went on to make films and win awards. He didn’t want to go to college either, but he’s still living a successful life.A few weeks before he turned 16, my older son pitched us a plan to leave high school on his upcoming birthday.His father (my then-husband) and I took him seriously. Our son had a powerful inner drive, which I’d steadfastly supported. As a biologist trained in animal behavior and ecology — and the person lucky enough to be their stay-at-home parent — I’d been open to mothering both of my sons in unusual ways. From before their births, I’d hoped to help them connect to a wild human lineage we tend to forget in our culture of screens, social media, and intense work expectations. This included co-sleeping and potty training early.So, I wasn’t surprised when my son told me he wanted to drop out of high school to teach himself. It’s what I taught him to do all along.My son always enjoyed different learning techniquesEarly on, my sons thrived in an affordable Montessori preschool. But then, after a few years in public school, the boys dimmed.One day, I took them for a trial run at a K-8 Expeditionary Learning school that had recently formed in our small town. Later, they scrambled into the car, jubilant, rushing to exclaim, “Mom, we loved it! Can we please go to this school?”From then on, they were so excited they almost never needed help with homework. Meanwhile, they spent summers at a nature-based wilderness school rooted in social learning. Both boys were experienced bow-drill fire-starters, knife makers, trackers, and solo overnight wilderness campers by their tweens.Perhaps it was inevitable, then, that my older son felt increasingly hemmed in by his year-and-a-half at a public high school. By then, on his own time, he’d been among the first kids we know to build, fly, and race drones. He’d won numerous photography awards. Then, a book I’d shared with him, “The Teenage Liberation Handbook,” set him on fire during his sophomore year. So, when he asked to leave school that spring, it didn’t take us long to say, “Yes.”He flourished outside of schoolAlmost immediately, he studied for, practiced, and acquired a professional drone pilot’s license. Meanwhile, he used his father’s workshop to build out his first camper car. Soon, he began taking short trips near home to film with his drone.We’d agreed he’d also do online learning through Kahn Academy, but at 23, he recently told me, “Mom, I used that a lot less than you thought.”He eventually moved out of our home and into a yurt in the backyard. For all intents and purposes, he governed his own life. Within reason, we’d approve of his trips and growing independence.My social life included a close group of friends with similar-aged children who’d grown up together. My son spent a lot of time with that gang across his teen years — often camping, hiking, staging epic Nerf battles, skiing, and road-tripping together.My son continued to thrive. Between 16 and 18, he began contracting as a filmmaker with the K-8 EL school he’d once attended. He made a few short documentary films spotlighting the school’s approach to learning, including teaching students indigenous canoe-making skills. Then, he worked with the tribes of north Idaho to document their ancient stewardship of the lands and rivers.He then decided to skip college, tooMy son did well on his GED and SATs, but that didn’t matter much to him. He took a few college courses but ultimately decided college was not for him.Today, he’s backpacking around the world on his bike.

And he’s using his gear and drone to make self-shot film adventures. So far, this includes last year’s hike around the Ring Road in Iceland, a bike ride from Canada to Mexico, and this spring’s solo cycle across the length of the United Kingdom in epically rough weather. He’s currently on a ferry across the English Channel with new friends, set to ride across northern Europe this summer. He’s currently getting paid for the videos he makes of his travels.It’s there, in his recent films, that I’ve seen the exact kind of joy on my son’s face that I saw when he was a small child. As much as I might have safety concerns while he’s out there riding thousands of miles across all manner of challenges (and oh, mercy, I do), he’s becoming his own true self. And that is all I ever wanted for him.Rachel Clark is a writer and the author. Her work has appeared in Newsweek, Salon, Psychology Today, and Good Housekeeping. Her memoir, in the works, links her experience as a biologist, wife, and mother to the impacts of coercive control on people and planet. Connect at www.rachelclarkauthor.com.My Son Dropped Out of High School, and I Supported Him #Son #Dropped #High #School #SupportedSource Link: https://www.businessinsider.com/son-dropped-out-of-high-school-mother-supported-him-2024-7?ampAngle down icon An icon in the shape of an angle pointing down. The author’s son dropped… http://109.70.148.72/~merchant29/6network/wp-content/uploads/2024/07/My-Son-Dropped-Out-of-High-School-and-I-Supported.jpeg My Son Dropped Out of High School, and I Supported Him - Journal Global Online - #GLOBAL BLOGGER - #GLOBAL

[wfcn-co]

Importance of Finding Upcoming Festivals

A sense of great anticipation permeates the air as the red carpet is rolled out and the lights are turned down. For true film aficionados, the magic of film festival extends well beyond the big premieres, but they nevertheless provide a cinematic experience unlike anything other.  The real treasures are found in the fascinating realm of soon-to-be-festivals, which is teeming with new talent, inventive tales, and a lively community just waiting to be discovered.

Discovering Fresh Talent and Innovative Stories

Upcoming film festivals, in contrast to mainstream releases, serve as a nursery for emerging talent. Aspiring filmmakers present their passion projects, which are typically short films that push limits and examine subjects that are rarely seen in mainstream cinema.  Bold storytelling, unbridled inventiveness, and a sometimes surprisingly refreshing rawness can all be found here.  You may be astounded by the inventiveness of these up-and-coming filmmakers' works and inspired to have conversations on the direction that filmmaking is taking.

A World Beyond Blockbusters

A Film festival is not restricted by Hollywood. They choose carefully, covering a wide range of genres and styles. There is something for every moviegoer, from heartbreaking documentaries to belly-laughing comedy, and from thought-provoking animations to aesthetically breathtaking international flicks. Particularly, upcoming film festivals frequently support indie films that wouldn't have a wide distribution. This broadens your understanding for the art form and provides doors to a variety of stories and cinematic methods.

Filmmaking Community: Networking with Filmmakers and Fellow Film Lovers

Beyond the screen is where the real charm of film festival is revealed. Future events create a special sense of community because of its intimate setting and smaller scale.  You get the opportunity to mingle with filmmakers, take part in Q&A sessions, and have discussions. This is a fantastic chance to network with other film aficionados who share your passion and learn personally from the producers themselves about the filming process.

Beyond the Screen: Workshops, Panels, and Events

Many upcoming film festivals go beyond just screenings. They often host workshops, panels, and industry events featuring established filmmakers, critics, and film professionals.  These sessions provide invaluable insights into the film industry, from the screenwriting process to the intricacies of film distribution. Aspiring filmmakers can glean practical advice on navigating the industry, while film lovers can gain a deeper understanding of the art and business of filmmaking.

Finding the Perfect Upcoming Film Festival

Selecting the best film festival might be difficult due to the vast array of events taking place worldwide. But do not worry! Examine internet sites devoted to forthcoming film festivals. You can filter on a lot of websites by genre, region, and even price range. Finding future festivals is made easier by the fact that many of them use social media platforms to advertise their events through targeted advertisements and online forums.

Embrace the Spirit of Discovery

Take a look at the world of forthcoming film festivals instead of the mainstream. The amount of skill, anecdotes, and experiences that are just waiting to be found will astound you.  Future film festivals are a colorful celebration of film that builds relationships, sparks conversations, and gives you a fresh perspective on the influence of movies.

Attending upcoming film festivals is an investment that will enhance your understanding and excitement for the art of film, regardless of your level of experience with movies. So gather your popcorn, put your festival clothes away, and get ready for a truly remarkable cinematic experience!

[usagirotten]

The Last Unicorn Gets 4K UHD and Blu-ray Treatment from Shout! Studios

Fans of the classic animated fantasy film, The Last Unicorn, have a reason to celebrate. Shout! Studios has officially announced the release of a 4K UHD and Blu-ray Disc combo pack for the beloved movie. This new edition promises to bring the timeless tale to life with unparalleled visual and audio quality, ensuring that both new audiences and longtime fans can experience the magic like never before. A Timeless Classic Reimagined Originally released in 1982, The Last Unicorn is based on the acclaimed novel by Peter S. Beagle. The film, known for its enchanting story and unique animation style, has garnered a devoted following over the decades. With its blend of fantasy, adventure, and heartfelt moments, the movie has remained a treasured piece of animation history.  Enhanced Viewing Experience The new 4K UHD and Blu-ray combo pack from Shout! Studios promises a significant upgrade from previous releases. The 4K UHD format offers four times the resolution of standard HD, delivering crystal-clear images and vibrant colors. This release will also feature remastered audio, allowing fans to fully immerse themselves in the film's captivating soundtrack and voice performances. Special Features and Extras In addition to the enhanced picture and sound quality, the combo pack is expected to include a variety of special features. These may include behind-the-scenes documentaries, interviews with the cast and crew, and a retrospective on the film's enduring legacy. These extras will provide a deeper understanding of the film's creation and its impact on the world of animation. The film was animated by the Japanese animation studio Topcraft, which later worked with Hayao Miyazaki on the 1984 film adaptation of his Nausicaä of the Valley of the Wind manga.

A Must-Have for Collectors and Newcomers Alike Whether you're a longtime admirer of The Last Unicorn or discovering it for the first time, the 4K UHD and Blu-ray combo pack from Shout! Studios is a must-have addition to any collection. The high-quality presentation and array of special features make this release a fitting tribute to a film that has captivated audiences for generations. Release Date and Availability Shout! Studios has yet to announce an official release date for the combo pack, but fans are encouraged to stay tuned for further updates. Pre-orders are expected to begin soon, offering enthusiasts the chance to secure their copy ahead of the general release. Conclusion With the upcoming release of The Last Unicorn in 4K UHD and Blu-ray, Shout! Studios continues to honor the legacy of classic films by providing fans with the best possible viewing experience. This release is poised to reignite the magic of The Last Unicorn for a new generation and ensure that the story of the last unicorn remains timeless for years to come. For more information and updates, visit the official Shout! Studios website and follow their social media channels. Read the full article