#uugghh this album makes me so happy

[jam-campasta]

So I gave the Bifrost Incident a second listen but this time I actually read the lyrics along with the music and like, actually understood the plot and let me just say I embody this image whenever I think about any aspect of the story

[inonibird]

Ok, I’m a babby-n00b fan (it’s been what, two weeks, three?), but I really frickin’ love the band The Dear Hunter and I want to gush about their music and I enjoy ranking things so...yeah, here’s me talking about my favorite songs from the Acts. (no major story spoilers)

Please feel free to completely ignore if you aren’t interested in my semi-coherent and less-than-sophisticated ramblings. X’D

First of all, if you aren’t familiar with these concept albums, the Acts (I-V as of 2016) tell the ongoing story about the life and death of a character known as “the Boy” or “the Dear Hunter”. Leitmotifs, repeated lyrics and reprises abound. Basically prog rock opera. *two thumbs up* I dig it, obviously. Picking a top 10 list is ROUGH, man, so I’m going to take a cue from the Nostalgia Critic and bump it up to 11. Even then, I have far too many honorable mentions. LOOK, ALL OF THIS MUSIC IS GREAT OK??? But these are my personal favorites:

11. “Life and Death” - “We stand here waaaaittiiiiinnnggg, waiting to diiiiiieeeee~” UUGGHH it gets me every time. Both the lyrics and the music itself capture something that is sweet, heartbreaking, depressing and yet hopeful all at once. The gentle piano reprise plays us out of one of my favorite Acts.

10. “Wait” - Probably the most…hmm, “popular-sounding” songs on my list. I tend to gravitate toward the theatrical numbers, and while this one plays out a bit more like a typical rock song, it’s really frickin’ good. REALLY good. I mean, it wouldn’t be on my list if I didn’t love it to bits. CHORD PROGRESSIONS.

9. “The Most Cursed of Hands / Who Am I” - This was not at all a song I was expecting to like, but LOOK AT IT NOW! All I had to do was keep listening, dammit. The slow build pays off around the middle, then it BOMBARDS you with bluesy awesomeness (as well as a fleeting, nifty callback to “Mustard Gas”; more on that one soon, haha) up through the groovy, slick “Who Am I”. Great combo.

8. “At the End of the Earth” - I usually measure my love of a song based off of how much I rock out to them in the car, and I’m less inclined to listen to slower tunes in that instance. That said, this one is just so poignant and builds up to a  excellent, powerful jam. And guess what? Chord progressions. :B

7. “Mustard Gas” - "HERE THEY ARE!” *BUM BUM BUH BUM BUM BUH* This one blasts it out of the park with its orchestrations (dat brass), and we’re definitely getting into the “sing at the top of your lungs in the car” territory at this part of the list. The middle section is a delightful, unexpected treat sandwiched between the bombast. So yeah. War sucks. Song rocks.

6. “King of Swords (Reversed)” - This song was SO UNEXPECTED. The first time I heard it, I was actually pissed off. I didn’t even make it past 10 seconds, just skipped to the next track. When I finally went back and forced myself to get through it…well, color me contrite. That CHORUS. And the last 30 or so seconds of the song proper (before the outro) gives off such an awesome Jesus Christ Superstar vibe. This jumped so high on my list SO FAST.

5. “A Beginning” - This song MURDERS me. As the finale for Act V, it obviously packs narrative punch, and there’s no way I can have listened to the entire story so far and NOT be super emotional about this ending. It’s gorgeous. It’s powerful. It’s heart-rending. It’s a goddamn frisson bomb. And I cry every time. No, you don’t understand. EVERY. TIME. I mean, I’ll be the first to admit that I cry easily (and I get extremely worked up about beautiful music), but damn this one hits me hard. All I have to do is THINK the words “Dear apparition” and WHOOPS there go my glottis and tear ducts. There’s also a cool parallel with Act IV’s closer, “Ouroboros”...but I think the melody works better here. ;)

4. “The Pimp and the Priest” - From the skeevy muted trumpet at the outset to the cringe-worthy concepts strung through the lyrics, this song ooooozes with mood-setting villainy. This is a fantastic introduction to the main antagonist (my favorite character, of course), and by far my favorite song from the first Act. That chorus STICKS, man. This one’s a gem. A gross gem. I love it. :’D

3. “The Poison Woman” - Hey, speaking of the Pimp/Priest, did you miss him in Act III? Well, I did, because I listened to all of this shit out of order. BUT YES, fortunately, the Poison Woman was here to fill the void. This is far and away my favorite chorus of any song. Casey’s voice sounds amazing up there in the stratosphere, and it’s just so much damn good, messed-up fun.

2. “The March” - Now, I understand this may not seem fair. This song is a mash-up of so many songs that came before it (many of which I haven’t even listed in my top 11; an exception being “Wait”, which took me an embarrassingly long time to realize)…but y’know what? I don’t care. This is such a fantastic integration of those themes and a perfect culmination of the Pimp/Priest’s character. Still pure villainy, of course, but twisted into something that feels almost righteous, given the spoilerific circumstances. I am head over heels for this one. The vocal arpeggios in the verses and just…the whole…mob scene vibe…so good…a triumph… *dead*

1. “The Bitter Suite IV and V: The Congregation and the Sermon in the Silt” - Who here is remotely surprised? This was my introductory song to The Dear Hunter and it will always be my favorite. I’ve loved villain songs all my life. I remember when I was a wee child, my friend and I were “playing the Little Mermaid” and I insisted that SHE be Ariel so I could be Ursula and sing “Poor Unfortunate Souls”. I mean, duh, right? Anyway, this song has everything that I love, not the least of which being an oom-pah baseline AND AN ACTUAL CONTRABASSOON HOLY SHIT SO GOOD. Theatricality, lyrics that verge on the edge of patter, incredible orchestrations, more of that delicious Vaudevillian vibe, the subject matter, the sleaze OH GOD THE SLEAZE, that frickin’ build-up/transition from The Congregation TO the Sermon in the Silt, “HEY HEY KID HEY KID GET A GOD”—I—just… *rolls around in the beautiful filth forever*

Honorable Mentions:

“The Writing on a Wall” / “Rebirth” / “Regress” - I couldn’t pick one. All three of these set the mood so well for their respective albums. Excuse me while I go harmonize with each of them right now.

“Moon / Awake” - It’s NOT FAIR that this song has so much crossover with “A Beginning”. But “A Beginning” is more significant to me emotionally, and I decided it would be a bit much to put this one in my top 11 list as well. Still, amazing bookends for the album. And I can listen to this without crying. Usually. :’D

“He Said He Had a Story” - This song is so wrong. So very, very wrong. I feel horrible for loving it as much as I do, but half the love is for how much it makes you HATE the character singing it. The other half is because it’s catchy as hell.

“Blood of the Rose” - Oh, look, an Act II song. I guess people really like Act II? Ehh. It doesn’t have the production values or symphonic lavishness that I adore in the final three Acts. Still, this mournful tango gives me chills.

“The Flame (Is Gone)” - An unconventional little tune, but those beguiling chord progressions, as well as the narrative significance...and when I realized what was happening in the song…no spoilers, but whoof.

“Blood” - IF ONLY FOR THE CLIMACTIC INTERWEAVING OF THE PIMP/PRIEST’S THEME. It’s so damn cathartic in the context.

“The Revival” - It didn’t seem right not to include this one in my favorites, being pretty damn villainous, but there is something about it that falls a tiny bit short for me. Maybe it just needs more oom-pahs? That said, the chorus is another winner.

“If All Goes Well” - I really, really wished I cared more for the first 2:25 of the song, because the rest is PURE GOLD. It’s beautiful. And there is more bassoon. Inoni approves.

Gosh, so much good music. And so many reprises that weave leitmotifs in and out of the narrative and really bring the story together as a fantastic, cohesive whole. So much love.

…Now do I have to rank the Acts? 8(

Nah. Nope. Can’t do it. III, IV & V are too close to call. Too good in different ways, too good for different moods. Just...all the love, yeah.

Anyway, guess it’s time to explore the rest of their music! So happy that there’s so much more to hear~ 83c