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homosexuhauls · 1 year
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By Vidya Krishnan
GOA, India — My niece was just 4 years old when she turned to my sister-in-law in a packed movie theater in Mumbai and asked about gang rape for the first time.
We were watching the latest Bollywood blockbuster about vigilante justice, nationalistic fervor and, of course, gang rape. Four male characters seized the hero’s sister and dragged her away. “Where are they taking Didi?” my niece asked, using the Hindi word for “elder sister.” It was dark, but I could still make out her tiny forehead, furrowed with concern.
Didi’s gang rape took place offscreen, but it didn’t need to be shown. As instinctively as a newborn fawn senses the mortal danger posed by a fox, little girls in India sense what men are capable of.
You may wonder, “Why take a 4-year-old to such a movie?” But there is no escaping India’s rape culture; sexual terrorism is treated as the norm. Society and government institutions often excuse and protect men from the consequences of their sexual violence. Women are blamed for being assaulted and are expected to sacrifice freedom and opportunity in exchange for personal safety. This culture contaminates public life — in movies and television; in bedrooms, where female sexual consent is unknown; in the locker room talk from which young boys learn the language of rape. India’s favorite profanities are about having sex with women without their consent.
It is the specific horror of gang rape that weighs most heavily on Indian women that I know. You may have heard of the many gruesome cases of women being gang-raped, disemboweled and left for dead. When an incident rises to national attention, the kettle of outrage boils over, and women sometimes stage protests, but it passes quickly. All Indian women are victims, each one traumatized, angry, betrayed, exhausted. Many of us think about gang rape more than we care to admit.
In 2011 a woman was raped every 20 minutes in India, according to government data. The pace quickened to about every 16 minutes by 2021, when more than 31,000 rapes were reported, a 20 percent increase from the previous year. In 2021, 2,200 gang rapes were reported to authorities.
But those grotesque numbers tell only part of the story: 77 percent of Indian women who have experienced physical or sexual violence never tell anyone, according to one study. Prosecutions are rare.
Indian men may face persecution because they are Muslims, Dalits (untouchables) or ethnic minorities or for daring to challenge the corrupt powers that be. Indian women suffer because they are women. Soldiers need to believe that war won’t kill them, that only bad luck will; Indian women need to believe the same about rape, to trust that we will come back to the barracks safe each night, to be able to function at all.
Reports of violence against women in India have risen steadily over the decades, with some researchers citing a growing willingness by victims to come forward. Each rape desensitizes and prepares society to accept the next one, the evil becoming banal.
Gang rape is used as a weapon, particularly against lower castes and Muslims. The first instance that women my age remember was in 1980, when Phoolan Devi, a lower-caste teenager who had fallen in with a criminal gang, said she was abducted and repeatedly raped by a group of upper-caste attackers. She later came back with members of her gang and they killed 22 mostly upper-caste men. It was a rare instance of a brutalized woman extracting revenge. Her rape might never have made headlines without that bloody retribution.
Ms. Devi threw a spotlight on caste apartheid. The suffering of Bilkis Bano — the defining gang rape survivor of my generation — highlighted the boiling hatred that Indian institutions under Prime Minister Narendra Modi, a Hindu nationalist, have for Muslim women.
In 2002 brutal violence between Hindus and Muslims swept through Gujarat State. Ms. Bano, then 19 and pregnant, was gang raped by an angry Hindu mob, which also killed 14 of her relatives, including her 3-year-old daughter. Critics accuse Mr. Modi — Gujarat’s top official at the time — of turning a blind eye to the riots. He has not lost an election since.
Ms. Bano’s life took a different trajectory. She repeatedly moved houses after the assault, for her family’s safety. Last August, 11 men who were sentenced to life in prison for raping her were released — on the recommendation of a review committee stacked with members of Mr. Modi’s ruling party. After they were freed, they were greeted with flower garlands by Hindu right-wingers.
The timing was suspicious: Gujarat was to hold important elections a few months later, and Mr. Modi’s party needed votes. A member of his party explained that the accused, as upper-caste Brahmins, had “good” values and did not belong in prison. Men know these rules. They wrote the rule book. What’s most terrifying is that releasing rapists could very well be a vote-getter.
After Ms. Bano, there was the young physiotherapy student who in 2012 was beaten and raped on a moving bus and penetrated with a metal rod that perforated her colon before her naked body was dumped on a busy road in New Delhi. She died of her injuries. Women protested for days, and even men took part, facing water cannons and tear gas. New anti-rape laws were framed. This time was different, we naïvely believed.
It wasn’t. In 2018 an 8-year-old Muslim girl was drugged and gang raped in a Hindu temple for days and then murdered. In 2020 a 19-year-old Dalit girl was gang-raped and later died of her injuries, her spinal cord broken.
The fear, particularly of gang rape, never fully leaves us. We go out in groups, cover ourselves, carry pepper spray and GPS tracking devices, avoid public spaces after sunset and remind ourselves to yell “fire,” not “help” if attacked. But we know that no amount of precaution will guarantee our safety.
I don’t understand gang rape. Is it some medieval desire to dominate and humiliate? Do these men, with little power over others, feeling inadequate and ordinary, need a rush of power for a few minutes?
What I do know is that other men share the blame, the countless brothers, fathers, sons, friends, neighbors and colleagues who have collectively created and sustain a system that exploits women. If women are afraid, it is because of these men. It is a protection racket of epic proportions.
I’m not asking merely for equality. I want retribution. Recompense. I want young girls to be taught about Ms. Bano and Ms. Devi. I want monuments built for them. But men just want us to forget. The release of Ms. Bano’s rapists was about male refusal to commemorate our trauma.
So we build monuments with words and our memories. We talk to one another about gang rape, keeping it at the center of our lives. We try to explain to our youngest, to start protecting them.
This is how the history of the defeated is recorded. That’s what it all boils down to: a fight between forgetting and remembering.
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thatsgoodweather · 4 months
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"In coloniser’s journalism, language is a weapon that is used to erase the humanity of the colonised. In The Wretched of the Earth, in which he analysed the dehumanising effects of colonisation, philosopher Frantz Fanon wrote of Algerian suffering (during France’s imperial conquest) as being depicted in media reports as “hordes of vital statistics” about “hysterical masses” with “children who seem to belong to nobody”. The book was written in 1961, but its inferences apply perfectly to the Western media coverage of Palestinian suffering today. This dehumanising use of language has been most visible in the counting of deaths. In early November, The Times of London noted, “Israelis marked a month since Hamas killed 1,400 people and kidnapped 240, starting a war in which 10,300 Palestinians are said to have died”. In Western news, Israelis die in active voice – Hamas “killed” or “murdered” them – while Palestinians die passively. They “dehydrate to death as clean water runs out” as the Guardian once put it, as if this is not a wilful crime against humanity but a random act of God."
By Vidya Krishnan
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delileaf · 4 months
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so i fr work in a research building and everytime someone looks me in the eye and tells me they’re working on tuberculosis i gotta try real hard not to fall to my knees and start screaming
#yes it is surprisingly a very active area of research #it shocks me everytime #literally posters i walk past everyday abt tuberculosis and all i can think of is him…..
hi stranger!!! this post came up while i was searching abt TB and i didnt see that you were a red dead redemption(??? that cowboy game that i wish i could play where the main character gets TB) and i was at first very confused that you were like. kind of hostile to the idea of tuberculosis treatment? i saw a post with the name arthur and i was like ohh that makes so much more sense lol
but yeah tuberculosis is still a very big problem, just not one that gets acknowledged much in wealthy or majority white nations. due to several reasons (most notably corporate greed in the pharmaceutical industry), TB treatments are very inaccessible to a lot of people — this has changed very recently, but in some parts global south, just a diagnostic test could cost an entire week’s worth of wages
if you know who john green is, he actually started going in on tuberculosis activism like last year and leveraged his fanbase against johnson & johnson and a biotech company called cepheid in order to get them to reduce the pricing of their treatment & testing equipment in low- and middle-income countries! cepheid & their parent company danaher are still dragging their feet (only the first test for TB is reduced, but if someone tests positive they’re supposed to get a second test that will check what drugs will be effective against their strain. this is a major deal and is still unaffordable to a lot of people).
i’ll restrain myself from infodumping too much about my (very unsettling) special interest, but i have some recommendations in case you’re curious:
phantom plague by vidya krishnan is an incredible resource that is very approachable for someone not familiar with TB history and so full of interesting information. krishnan covers both history and the modern day, and goes into not only some germ science but also the social, political, and financial aspects. this is a massive recommendation to anyone, it’s just really really good
tbfighters . org is a website created by TB activists that’s a great jumping off point for anyone wanting to know what’s up with TB activism right now — includes basic details about TB in the modern day, some very easy calls to action (mostly focused on pressuring cepheid out of their price gouging, with some political information for the US and UK also!), and at the end a bunch of links to learn more!
(also i mentioned john green jumping into the fray earlier, so i have to talk about how he has a bunch of really great youtube videos and tiktoks about TB — history & also the modern day fight against it)
okay sorry this was a lot. please have a good day/night!!! :) <3
wow- this is super interesting !!!! I’ve actually just started my PhD in cell biology and I get so focused on the science I sometimes forget there’s a whole like political and economic landscape to biotech and pharmaceutical companies. doing research, it’s so easy to forget you’re not working in a vacuum!!
honestly as someone from the uk TB is just not on my radar and in my stupid science brain i was like - we can treat it? therefore we solved that problem? very privileged and sheltered of me I know, so I’m so glad you sent me that info!!
it’s crazy to me that i spend so much time getting sad over a fictional cowboy while real people are still going through very real situations with TB and suffering because they can’t afford tests or treatment - something i feel like more people and especially the rdr fandom should keep in mind when making jokes abt a ‘cowboy disease’
so thanks so much for all that!!!! (also …. you should definitely play the cowboy game, it’s amazing but will break you into a million pieces)
have a lovely day!!
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cowardlycowboys · 7 months
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tb is a wonderful and beautiful cat and cowboy tuberculosis is such a crazy (complimentary) name for a creature!! i’m currently reading phantom plague by vidya krishnan which is about tb (disease) and i was crying over it (its a very good book btw) and seeing tb (cat) was something i badly needed at the moment. i love her so much
oooh I'll look into it!! I'm so glad she's there for you!!! thank you!!!<3
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Long time lurker first time caller, taking my first dip into having a side blog— don’t know what to make as my pinned intro but I will try my best!!!
Hello!!! My name is rosy (they/he/she), I am 21, and I love talking history!! Also will be reposting art and pretty/goofy architecture!!!
Might talk about whatever current history deep dive I am in!!!
I am autistic so while I don’t always use tone indicators I do find them very very helpful!!
So feel free to ask for tone clarification!!
I also am trying to get in the habit of doing image descriptions (IDs). I’ve been going back and trying to retroactively add them as well as add them moving forward but if I miss one PLEASE tell me!!!!!
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[GIF Description: a big brown bear in a thick grassy field behind a mesh wire barrier/fence. the bear is a sitting on its hind legs and waving at the person who is recording from inside their car. End ID]
Current Book: Phantom Plague: How Tuberculosis Shaped History by Vidya Krishnan
(I tend to get sidetracked while reading by looking at its historical context so it may therefore—like it does with anyone else— impact the way I analyze art and history for a bit) (also I am trying to get back into reading and sometimes read a bit slow or randomly switch books 😢 so don’t expect the book to change or genuinely get finished too often lolol)
Last Book: Slaughter House Five
Still processing, but I really liked the nonlinear structure and found it an interesting way to depict the character’s PTSD. I could see how it would seem very anti-war when it came out, though it’s less staunch than what I would consider an anti-war book. While I enjoyed its structure. I found myself wanting more from the story (having said that, I do not know what).
Last Last Book: Piranesi by Suzanna Clarke
Wowow loved this book!! Such a cool and interesting format, walked into it blind and I think that was a great choice to make!! Another banger recommendation from Shayne Topp from iCarly!!
Next Book: probably will be The Great Influenza: The Story of the Deadliest Pandemic in History by John M. Berry
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[GIF Description: an already damp polar bear charging up and the jumping through a patch of ice over a body of water. the bear kind of jumps, the ice breaks, THEN he goes through, a bit cute and clunky and definitely not a skillful and fluid motion. the bears but goes through very last, almost slumping in, much slower than the initial push and dive it does. End ID]
In college I studied business (economics and labor rights were my favorite topics) and theatre (mostly tech and theory, not acting) so perspectives can often come from those lenses!! I most definitely have blind spots as I am a white person in the US and from a pretty progressive city, so criticism and corrections in my msgs are always welcome!! if you know good resources outside of what I post that you think will help me gain a new perspective or understand a topic further I would love to hear it!!
Art reblogged will probably be more focused on older art pieces/artifacts, just to keep it more separate for my brain between the newer art I repost on my main
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[GIF Description: forest landscape containing the midsection of a few trees. during the gif a sun bear climbs up one of the trees in a sort of one paw after the other motion; kind of like someone cautiously climbing a rope, but the sun bear seems very determined, yet relaxed and sure of itself. the tree is about large enough for its paws to mostly wrap around but small enough that you would expect it to sway if it was any smaller. when the bear goes up it. The bears mouth is slightly open, seemingly breathing out of that instead of its nose, making it appear a little goofy looking. End ID]
History Interest Stuff::
BIG into Los Angeles history, specifically the history of Griffith Park (I could talk about that for hours!!) would love to chat about community spaces being epicenters for cultural change, especially Griffith and it’s use by all demographics during times when that was atypical (bc of vague deed details please ask more I love telling people abt it). Or it’s darker less talked about involvement in post ww1-cold war.
Love 20th century history, but not in the often questionable ‘I like world war tactics/weapons/military leaders’ way, I’m more into ww1, 2, and Cold War pre and post war causes, implications, and consequences.
Been into learning abt british colonialism in Ireland and its history of religious persecution and its cause on later british colonialism!!
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[GIF Description: someone cutting into a loaf of bread on a cutting board. it is brown and shaped like a teddy bear. It has lighter tan/white bread in the areas where the face and rear paws are. It has darker brown/black bread as eyes, nose/mouth, ears, paw pads on rear legs. End ID]
Ok I think that is all again I lurk far more than post bc I am shy 🙈🤣😜🐻😱 and bad at talking to people
If you read this far you are legally obligated to become my friend sorry I don’t make the rules
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24hrsallnews · 2 months
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Thangalaan Update: A video paying tribute to Chiyaan Vikram on his birthday has been shared by a filmmaker.
We will read about, "Thangalaan Update: A video paying tribute to Chiyaan Vikram on his birthday has been shared by a filmmaker." Thangaalan is one of the most awaited and big budget film. The filmmaker has shared the video on Vikram's birthday on his social media.  
A video paying tribute to Chiyaan Vikram on his birthday has been shared by a filmmaker
Vikram, a renowned superstar, is known for his numerous blockbuster films. His upcoming movie, Thangalaan, is highly anticipated and will be released nationwide. Fans are eagerly awaiting any updates regarding the film. Last year, the first look was shared on Vikram's birthday, currently the behind-the-scenes footage of the film has been shared. In the Thangalaan movie, fans will enjoy a fresh journey and an amazing cinematic experience. The video has been widely applauded and has garnered millions of views since it was shared. "Ponniyin Selvan: II" is Vikram's most recent movie, and it was released on April 28, 2023. Fans are waiting for Vikram's latest film. Thangalaan is a historical, period, drama, action film. The story of the film is based on the time of British India Rule. Thangalaan, a tribal leader fights bravely against the British. The film was initially scheduled to release on January 26, 2024, then it was postponed to April 2024. The release date of the film has not been confirmed yet.
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Image Credit:- @StudioGreen2 The teaser of the film suggests that greed leads to destruction, just as bloody war leads to freedom, and Kills his enemies with cruelty. When filmmakers shared videos and wrote the caption, "An iconic talent, inspiring awe with grit and glory, delivering performances that defy expectations Happy Birthday  @chiyaan #Thangalaan 🏹 Awaiting your fiery presence on big screens!" The Birthday TributeVideo highlights Vikram's exceptional performances and unwavering dedication to his craft, resulting in a compelling and mesmerizing tribute.   About Thangalaan The film is written and directed by Ranjith and produced by K. E. Gnanavel Raja under the banners of Studio Green, Neelam Productions. A Kishore Kumar handled the cinematography and edited by Selva RK. The film stars Chiyaan Vikram, Malavika Mohanan, Parvathy Thiruvothu, Pasupathi, Daniel Caltagirone, Hari Krishnan, Vettai Muthukumar and among others.  G. V. Prakash Kumar has given music in the film.   Read More - The new look of Pratik Gandhi and Patralekhaa starrer Phule has been released. - Srikanth Movie trailer out now - The release date for the Vicky Vidya Ka Woh Wala Video featuring Rajkummar Rao and Triptii Dimri has been announced. - Yash joins hands with Namit Malhotra to produce 'Ramayana' - Aranmanai 4 Trailer: Sundar C's Aranmanai 4 releases in cinemas globally in April - Gabru Gang Teaser is out now - Romeo movie Cast, Release Date, Director and other - Dukaan movie review: The concept is intriguing but fails to achieve its maximum potential. - Bahar Aa Chaman Prakash: The first film from Namashi's production is here! - Pawan Kalyan met Chiranjeevi during the filming of Vishwambhara Read the full article
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antonio-velardo · 7 months
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Antonio Velardo shares: India Is Devouring Its Best and Brightest by Vidya Krishnan
By Vidya Krishnan The charges against the writer Arundhati Roy herald a dark era. Published: October 26, 2023 at 01:00AM from NYT Opinion https://ift.tt/MACgTU3 via IFTTT
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lost-rxverie · 11 months
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sunday | july 16
haven't posted in ages, oops. anyway, i started my summer internship last month and it's been an amazing experience! i won't be posting details of my research on here for privacy reasons but i keep having this feeling of "ahhhh i'm really doing it i'm really doing science!!!".
i've been pretty busy but am doing my best to keep up with reading, physical activity, and other habits. lately i've been reading a lot of nonfiction and am currently on phantom plague by vidya krishnan - it's mainly about TB in modern india but i would highly recommend it for anyone interested in medical inequity.
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ippnoida · 2 years
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Line-up of speakers announced for Jaipur Litfest 2023
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The Jaipur Literature Festival (JLF) has announced its line-up of speakers for its 2023 edition comprising some of the world’s best thinkers and writers.
The festival is all set to run from 19 - 23 January 2023. The literary extravaganza will feature an esteemed host of speakers, writers, and humanitarians to celebrate the best of fiction, non-fiction, food, history, current affairs and politics, AI and technology, translations, poetry, adaptations and music, language, climate crisis, noir, identity, medicine and health, and cryptocurrency and economy at Hotel Clarks, Amer, Jaipur.
The final set of speakers comprises names such as writer Akshaya Mukul; author Alka Saraogi; author Amia Srinivasan; publisher Ananda Devi; Pulitzer-Prize winning author Caroline Elkins; academic David Wengrow; 2022 Hasselblad Award recipient Dayanita Singh; member of Lok Sabha Feroze Varun Gandhi; Indian Monk and the winner of the prestigious Dadasaheb Phalke International Film Festival Award, Gaur Gopal Das; flute maestro Pandit Hariprasad Chaurasia; scriptwriter, lyricist and poet Javed Akhtar; author Jonathan Freedland; award-winning correspondent for The Guardian Luke Harding; academic and author Maryam Aslany; author Merlin Sheldrake; CEO of cult.fit Mukesh Bansal; Co-Founder and Chairman of Infosys Technologies Limited Nandan Nilekani.
The list goes on to mention filmmaker Onir; historian and writer Orlando Figes; 2007 Ramon Magsaysay Award for Journalism Literature and Creative Communications Arts P Sainath; Sahitya Akademi Golden Jubilee Award and the JLF Mahakavi Kanhaiya Lal Sethia Awardee Ranjit Hoskote; historian and academic Ruth Harris; economist and writer Sanjeev Sanyal; author and practising senior advocate Saurabh Kirpal; author and politician Shashi Tharoor; Pulitzer Prize for General Non-Fiction, Siddhartha Mukherjee; internationally bestselling author Simon Sebag-Montefiore; writer and rapper Sumit Samos; author Toby Walsh; Director of the V&A, the world’s leading museum of art, design and performance Tristam Hunt;  renowned pop singer Usha Uthup; writer Vidya Krishnan; political scientist Yascha Mounk; and translator of the winning novel of JCB prize for Literature 2022, Baran Farooqi. The Festival will also feature some of the award-winning historians like Tom Holland, Alex von Tunzelmann, David Olusoga, Edward Chancellor, and Katy Hessel, among others.
The previously announced list of speakers includes eminent journalist, writer and translator Arunava Sinha; Sahitya Akademi Award winner Aruna Chakravarti; award-winning writer Ana Filomena Amaral; leading bi-lingual editor, writer and translator Manisha Chaudhry; Padmabhushan awardee Mridul Kirti; and former diplomat Navdeep Suri.
The 2023 edition will offer an immersive experience of literature, discourse, musical performances, art installations, merchandise, local cuisine and more to all art, literature and culture enthusiasts gathered to bask in the glory of the ‘greatest literary show on Earth’. Celebrating the uniting power of language, the Festival will provide an inclusive platform to all Indian and multiple foreign languages with sessions spread across five venues with over 250 speakers.  
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jukikujit · 2 years
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Puranam tamil pdf kathai
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indizombie · 4 years
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Dr Jacob John said ICMR data had shown that less than one percent - 0.73% - of cases across 83 districts showed evidence of past exposure to confirmed cases, and if that was not community transmission "how else were they exposed?" "It means it is community transmission in its very early stages. They essentially admitted it themselves without naming it," he said. Others have said that this denial has dangerous implications. "We have nearly 300,000 cases and inching closer to 10,000 deaths. These lies cost lives," veteran health reporter Vidya Krishnan tweeted.
‘Coronavirus: Why does India deny Covid community transmission?’, BBC
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weeguttersnipe · 5 years
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Happy International Womans Day!
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ebookporn · 2 years
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On the Victorian Science and Prejudices Behind Bram Stoker’s Dracula
Vidya Krishnan Looks at How 19th-Century Concerns About Disease Mirror Those of the Modern World
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Like all great plagues, tuberculosis inspired great art, operatic tragedies and literature, including Bram Stoker’s Dracula. Panicked by a mysterious illness ravaging their village, residents of Exeter, Rhode Island, turned to a folk remedy popular at the time: if the heart of a corpse contained blood, it was believed that it showed it was living off the blood and tissue of living family members—that the corpse was preying on the living. As a result, the village exhumed 19-year-old Mercy Brown on January 17, 1892. She would go on to inspire the character of Lucy Westenra in Stoker’s gothic novel.
Before modern medicine, life was unpredictable, brutal, and, by extension, often short. Plagues were common, and the causes behind diseases such as yellow fever, smallpox, and malaria were unknown. What we do not understand, we fear.
In Exeter, people could see that the sickness in the Brown family was contagious. Three deaths in one family could not be a coincidence. They knew that whatever it was, it spread slowly but relentlessly. In this context, it is not difficult to understand why families would go to extreme lengths to find a “cure.”
The exhumation of Mercy Brown did not occur in a vacuum.
With the advantage of hindsight and science, we now under­stand vampire panics as moments in human history when the inexorable power of superstition collided with emerging medical science.
Five years after Mercy Brown’s exhumation, when Bram Stoker published Dracula, the book was more than a horror story. It referenced cutting-edge medical and scientific ideas of the time and wove in emerging technology of the late 19th century, such as photography, telephones, stenographs, and railroads.
Bram Stoker was fascinated by science, especially medical sci­ence. His uncle, William Stoker, was an eminent physician at the Cork Street Fever Hospital in Dublin, one of the most influen­tial organizations studying infectious disease in the Victorian era. Stoker’s older brother, Thornley, was a notable surgeon whose lec­tures on brain surgery appear in the notes for Dracula. Stoker, in Dracula, captured the anxieties people felt about infectious diseases, including blood infections.
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palpalani · 5 years
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Megha Akash’s debut Bollywood film’s producer owned the remake rights of ‘Thadam’!
Megha Akash’s debut Bollywood film’s producer owned the remake rights of ‘Thadam’!
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Having Arun Vijay, Tanya Hope, Vidya Pradeep, Smruthi Venkat, FEFSI Vijayan, Yogi Babu, Meera Krishnan, Soniya Agarwal and George Maryan in the important roles, ‘Thadam’ is directed by Magizh Thirumeni with the bankrolling of Inder Kumar’s ‘Redhan – The Cinema People’. With the great suspense-action thrilling genre, the plot in the film had been recognized with good response on screens with great…
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jagadeeshkrishnan · 3 years
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[25/01, 8:01 PM] Jagadeesh KrishnanChandra: Secred Mystic Vedic Divine Tantra Vidya Says...
Importance of Yoni Pujan...
Worshipping Shakti
The Yoni Tantra is one of the most well-known treatise about worshipping the yoni
As is the case in many other Tantras, this tantric text is a dialog between Shiva and Parvati. It reveals the highly revered sadhana practiced by kaulas (tantrics), the yoni puja.
It is known that the Kaulas (Kaula or Kula describes a type of Hindu Tantra. The Kaula lineage (closely linked to the Siddha and Natha traditions) regarded female gurus very highly and there were many examples of yoginis or female tantrics. Their reverence towards Shakti is beautifully expressed many times in the Tantras (such as Shakti Sangama Tantra and Devirahasya). In both Kulachudamani Tantra and the Brihad Nila Tantra, the Kaula is instructed to recite a mantra inwardly whenever he sees a woman.
In the traditional texts, we find the following references:
“Women are divinity, women are life, women are truly jewels.” (Yoni Tantra, Patala 7)
“Worship carefully a woman or a maiden as she is Shakti, sheltered by the Kulas. One should never speak harshly to maidens or women.” (Kaulajnananirnaya, Patala 23)
“In Kaula every woman is thought of as a manifestation of the Goddess. No man may raise his hand, strike or threaten a woman. When she is naked, men must kneel and worship her as the Goddess. She has equal rights with men on all levels.” (Occult World of a Tantrik Guru, Values Vol. IX)
“Women are heaven; women are dharma; and women are the highest penance. Women are Buddha; women are the Sangha; and women are the perfection of Wisdom.” (Yoni Tantra)
“Hari, Hara, and Brahma – the gods of creation, maintenance, and destruction – all originate in the yoni.” (Yoni Tantra)
“The divine yoni is as brilliant as tens of millions of suns and as cool as tens of millions of moons.” (Shiva Samhita, 15th century)
“Devi is at the base of the yoni and Naganandini is in the yoni. Kali and Tara are in the yoni chakra, and Chinnamasta in the hair. Bagalamukhi and Matangi are on the rim of the yoni. Mahalakshmi (Kamalatmika), Shodashi (Tripura Sundari), and Bhuvaneshvari are within the yoni. By worshipping the yoni one certainly worships Shakti.” (Yoni Tantra, Patala 3)
“Worshipping this causes Shivoham. Listen, Parvati! Krishna, after worshipping Radha’s yoni, became God Krishna. Sri Rama Janaki Nath worshipped Sita’s yoni. Vishnu, Brahma, the saints, and I myself all were born from a yoni. What knowledge in the three worlds can match the magnificence of the yoni?” (Yoni Tantra, Patala 4)
“The vagina is Mahamaya and the penis is Sadashiva. Worshipping them, one becomes liberated while still alive, there is no doubt about it.” (Yoni Tantra, Patala 5)
“Liberation is achieved through enjoyment. Happiness is gained through enjoyment. Therefore, by every effort, a sadhaka should become an enjoyer. The wise man should always avoid blame, disgust, or shame of the yoni.” (Yoni Tantra, Patala 6)
WHAT IS A YONI PUJA?
A yoni puja is a sacred ritual during which the yoni is worshipped.
It is very important to understand that the prerequisite for worshipping the yoni is the purification of the mind from worldly ideas about the yoni.
The yoni is the form of the cosmos and encompasses the mysteries of creation. Reverence in front of Shakti’s mystery is the attitude that needs to be cultivated to perform a yoni puja.
That is why in Yoni Tantra we find this warning: “Never worship the yoni in front of pashus (males still possessed by their animal nature).”
Outer Yoni Puja
A yoni puja can be performed by using a sculpture, painting, or sanctified natural object representing a yoni as focus of veneration, or by worshipping the yoni in her living form.
We can imagine that as a ritual of worship that goes back thousands of years and which is still being practiced today in India, a yoni puja embraces many forms.
Despite these differences, there are several ritual elements with very clear symbolism that constitute the core of a yoni puja.
Elements of Outer Yoni Puja:
Salutation and reverence in front of Shakti
Offerings to the Goddess: Those attending a yoni puja will usually offer five different fruits or other things to the Deity, such as flower petals, rice, ghee, etc.
Adoration Stage: general prayers to the Goddess; chanting mantras
Sanctifying of the 5 Elements: The five liquids are poured over the yoni.
They represent the 5 elements. Generally, such libations represent offerings for the Goddess, but in this case the pouring of the 5 liquids over the yoni symbolizes the universalizing and sanctifying of the 5 tattvas (elements).
The 5 liquids are collected in a vessel below the yoni symbol (in a case of a woman’s yoni, the vessel is placed below the thighs).
The final mixture resulting from this libation is empowered by the direct and intimate contact with the Goddess.
Every participant of a yoni puja will take a sip from this prasad (sacred offering).
The 5 liquids are: Yogurt (Earth element), water (Water element), honey (Fire element), milk (Air element), and any edible oil (Ether element).
Yoni puja performed with a woman’s yoni is known as stri puja or rahasya puja.
There are some recommendations for choosing the woman for yoni puja because it is considered that the power of Shakti transmitted via the liquids to the devotees depends on the woman’s conscious transparency to the Goddess.
That is why it is considered that the best choice for a yoni puja is a yogini. A yogini, by her power to channel the Goddess, creates the best conditions to raise the consciousness of those who take part in the ceremony.
Usually, there is a stage called the magic stage during which the worshippers, before the visible yoni, (either of a living woman or an image of the Goddess) beg the Goddess to grant them wishes of all kinds.
Such wishes may range from “please cure my mother” or “please give me a son,” to the even more egocentric “let me have success in business and increase my bank accounts.”
The meditation stage: Contemplating the mystery of Shakti.
Absorption into the womb of the Mother.
Tracing Shakti energy back to its Source.
A yoni puja can be performed in mixed groups, although sometimes only women or only men may be in attendance.
What is most important in a yoni puja is the devotion towards Shakti and single-minded attention of the practitioners.
It is this combination of love and awareness that enables the raising of consciousness during these rituals.
The crucial aspect of being in deep love with and having reverence for the Mother in all Her forms can not be overemphasized.
Women are multiple facets of the Supreme Shakti.
Inner Yoni Puja
Inner yoni puja implies that we must as clearly as possible visualize the image of a yoni (a sculpture, a picture, a sanctified object, or the living form of a yoni) and contemplate it as long as possible with devotion and reverence.
Love Tantra Live Tantra
By
Jagadeesh Krishnan
[25/01, 8:01 PM] Jagadeesh KrishnanChandra: ரகசிய மிஸ்டிக் வேத தெய்வீக தந்திர வித்யா கூறுகிறார் ...
யோனி பூஜனின் முக்கியத்துவம் ...
சக்தியை வணங்குகிறது
யோனியை வணங்குவது பற்றி நன்கு அறியப்பட்ட ஒரு கட்டுரை யோனி தந்திரம்
பல தந்திரங்களில் உள்ளதைப் போலவே, இந்த தாந்த்ரீக உரை சிவனுக்கும் பார்வதியுக்கும் இடையிலான உரையாடல். இது க ula லாஸ் (தாந்த்ரிக்ஸ்), யோனி பூஜை கடைப்பிடிக்கும் மிகவும் மதிக்கப்படும் சாதனையை வெளிப்படுத்துகிறது.
க ula லாஸ் (க ula லா அல்லது குலா ஒரு வகை இந்து தந்திரத்தை விவரிக்கிறார் என்பது அறியப்படுகிறது. க ula லா பரம்பரை (சித்த மற்றும் நாதா மரபுகளுடன் நெருக்கமாக இணைக்கப்பட்டுள்ளது) பெண் குருக்களை மிகவும் மதிக்கிறது மற்றும் யோகினிகள் அல்லது பெண் தந்திரங்களுக்கு பல எடுத்துக்காட்டுகள் இருந்தன. சக்தி மீதான அவர்களின் மரியாதை தந்திரங்களில் (சக்தி சங்கம தந்திரம் மற்றும் தேவிரஹஸ்ய போன்றவை) பல முறை அழகாக வெளிப்படுத்தப்படுகின்றன. குலாச்சுடமணி தந்திரம் மற்றும் பிரிஹத் நில தந்திரம் இரண்டிலும், ஒரு பெண்ணைப் பார்க்கும்போதெல்லாம் ஒரு மந்திரத்தை உள்நோக்கி ஓதுமாறு கவுலாவுக்கு அறிவுறுத்தப்படுகிறது.
பாரம்பரிய நூல்களில், பின்வரும் குறிப்புகளைக் காண்கிறோம்:
"பெண்கள் தெய்வீகம், பெண்கள் வாழ்க்கை, பெண்கள் உண்மையிலேயே நகைகள்." (யோனி தந்திரம், படாலா 7)
“ஒரு பெண் அல்லது கன்னியை குலர்களால் அடைக்கலம் பெற்ற சக்தி என்பதால் கவனமாக வணங்குங்கள். ஒருவர் ஒருபோதும் பணிப்பெண்களிடமோ அல்லது பெண்களிடமோ கடுமையாகப் பேசக்கூடாது. ” (க ula லஜ்நானீர்நயா, படாலா 23)
“க ula லாவில் ஒவ்வொரு பெண்ணும் தேவியின் வெளிப்பாடாக கருதப்படுகிறது. எந்த ஆணும் ஒரு பெண்ணை கையை உயர்த்தவோ, தாக்கவோ, அச்சுறுத்தவோ கூடாது. அவள் நிர்வாணமாக இருக்கும்போது, ​​ஆண்கள் அவளை மண்டியிட்டு தேவியாக வணங்க வேண்டும். எல்லா மட்டங்களிலும் உள்ள ஆண்களுடன் அவளுக்கு சம உரிமை உண்டு. ” (ஒரு தந்திர குருவின் மறைவான உலகம், மதிப்புகள் தொகுதி. IX)
“பெண்கள் சொர்க்கம்; பெண்கள் தர்மம்; பெண்கள் அதிக தவம். பெண்கள் புத்தர்; பெண்கள் சங்கம்; பெண்கள் ஞானத்தின் முழுமை. ” (யோனி தந்திரம்)
"ஹரி, ஹரா மற்றும் பிரம்மா - படைப்பு, பராமரிப்பு மற்றும் அழிவின் தெய்வங்கள் - அனைத்தும் யோனியில் தோன்றின." (யோனி தந்திரம்)
"தெய்வீக யோனி பல்லாயிரக்கணக்கான சூரியன்களைப் போலவும், பல்லாயிரக்கணக்கான சந்திரன்களைப் போலவும் அற்புதமானது." (சிவ சம்ஹிதா, 15 ஆம் நூற்றாண்டு)
“தேவி யோனியின் அடிவாரத்திலும், நாகானந்தினி யோனியிலும் இருக்கிறார். காளியும் தாராவும் யோனி சக்கரத்திலும், சின்னமாஸ்தா முடியிலும் உள்ளனர். பாகலமுகி மற்றும் மாதங்கி யோனியின் விளிம்பில் உள்ளனர். மஹாலட்சுமி (கமலத்மிகா), ஷோடாஷி (திரிபுரா சுந்தரி), புவனேஸ்வரி ஆகியோர் யோனிக்குள் உள்ளனர். யோனியை வணங்குவதன் மூலம் ஒருவர் நிச்சயமாக சக்தியை வணங்குகிறார். ” (யோனி தந்திரம், படாலா 3)
“இதை வணங்குவது சிவோஹாமை ஏற்படுத்துகிறது. கேளுங்கள், பார்வதி! கிருஷ்ணா, ராதாவின் யோனியை வணங்கிய பிறகு, கடவுள் கிருஷ்ணரானார். ஸ்ரீ ராம ஜானகி நாத் சீதாவின் யோனியை வணங்கினார். விஷ்ணு, பிரம்மா, புனிதர்கள், நான் எல்லோரும் ஒரு யோனியிலிருந்து பிறந்தவர்கள். மூன்று உலகங்களில் என்ன அறிவு யோனியின் மகத்துவத்துடன் பொருந்த முடியும்? ” (யோனி தந்திரம், படாலா 4)
“யோனி மகாமயா மற்றும் ஆண்குறி சதாசிவா. அவர்களை வணங்குவது, ஒருவர் உயிருடன் இருக்கும்போது விடுவிக்கப்பட்டார், அதைப் பற்றி எந்த சந்தேகமும் இல்லை. ” (யோனி தந்திரம், படாலா 5)
“விடுதலையானது இன்பத்தின் மூலம் அடையப்படுகிறது. இன்பத்தின் மூலம் மகிழ்ச்சி பெறப்படுகிறது. எனவே, ஒவ்வொரு முயற்சியால், ஒரு சாதகா ஒரு ரசிப்பாளராக மாற வேண்டும். புத்திசாலி எப்போதும் யோனியின் பழி, வெறுப்பு அல்லது அவமானத்தைத் தவிர்க்க வேண்டும். ” (யோனி தந்திரம், படாலா 6)
யோனி பூஜா என்றால் என்ன?
ஒரு யோனி பூஜை என்பது ஒரு புனிதமான சடங்கு, இதன் போது யோனி வழிபடப்படுகிறது.
யோனியை வணங்குவதற்கான முன்நிபந்தனை யோனியைப் பற்றிய உலகக் கருத்துக்களிலிருந்து மனதைத் தூய்மைப்படுத்துவதாகும் என்பதைப் புரிந்துகொள்வது மிகவும் முக்கியம்.
யோனி என்பது பிரபஞ்சத்தின் வடிவம் மற்றும் படைப்பின் மர்மங்களை உள்ளடக்கியது. சக்தியின் மர்மத்திற்கு முன்னால் பயபக்தி என்பது ஒரு யோனி பூஜை செய்ய வளர்க்கப்பட வேண்டிய அணுகுமுறை.
அதனால்தான் யோனி தந்திரத்தில் இந்த எச்சரிக்கையை நாம் காண்கிறோம்: "யோனியை ஒருபோதும் பாஷஸுக்கு முன்னால் வணங்காதீர்கள் (ஆண்கள் இன்னும் விலங்குகளின் தன்மையைக் கொண்டுள்ளனர்)."
வெளி யோனி பூஜா
ஒரு யோனி பூஜையை ஒரு சிற்பம், ஓவியம் அல்லது புனிதப்படுத்தப்பட்ட இயற்கை பொருளைப் பயன்படுத்தி ஒரு யோனியை வணக்கத்தின் மையமாகப் பயன்படுத்தலாம் அல்லது யோனியை அவரது வாழ்க்கை வடிவத்தில் வணங்குவதன் மூலம் செய்ய முடியும்.
வழிபாட்டு சடங்காக ஆயிரக்கணக்கான ஆண்டுகளுக்குப் பின்னரும், இன்றும் இந்தியாவில் நடைமுறையில் உள்ளது, ஒரு யோனி பூஜை பல வடிவங்களைத் தழுவுகிறது என்று நாம் கற்பனை செய்யலாம்.
இந்த வேறுபாடுகள் இருந்தபோதிலும், யோனி பூஜையின் மையமாக விளங்கும் மிக தெளிவான குறியீட்டுடன் பல சடங்கு கூறுகள் உள்ளன.
வெளி யோனி பூஜையின் கூறுகள்:
சக்திக்கு முன்னால் வணக்கம் மற்றும் பயபக்தி
தேவிக்கு பிரசாதம்: ஒரு யோனி பூஜையில் கலந்துகொள்பவர்கள் வழக்கமாக ஐந்து வெவ்வேறு பழங்கள் அல்லது பிற பொருட்களை தெய்வத்திற்கு வழங்குவார்கள், அதாவது பூ இதழ்கள், அரிசி, நெய் போன்றவை.
வணக்க நிலை: தேவிக்கு பொது பிரார்த்தனை; மந்திரங்களை உச்சரிப்பது
5 கூறுகளின் புனிதப்படுத்துதல்: ஐந்து திரவங்கள் யோனி மீது ஊற்றப்படுகின்றன.
அவை 5 கூறுகளைக் குறிக்கின்றன. பொதுவாக, இத்தகைய விடுதலைகள் தெய்வத்திற்கான பிரசாதங்களைக் குறிக்கின்றன, ஆனால் இந்த விஷயத்தில் யோனியின் மீது 5 திரவங்களை ஊற்றுவது 5 தத்துவங்களின் (கூறுகள்) உலகமயமாக்கல் மற்றும் பரிசுத்தமாக்குதலைக் குறிக்கிறது.
5 திரவங்கள் யோனி சின்னத்திற்கு கீழே ஒரு பாத்திரத்தில் சேகரிக்கப்படுகின்றன (ஒரு பெண்ணின் யோனியின் விஷயத்தில், கப்பல் தொடைகளுக்கு கீழே வைக்கப்படுகிறது).
இந்த விடுதலையின் விளைவாக ஏற்படும் இறுதி கலவையானது தேவியுடன் நேரடி மற்றும் நெருக்கமான தொடர்பு மூலம் அதிகாரம் பெறுகிறது.
ஒரு யோனி பூஜையில் பங்கேற்கும் ஒவ்வொருவரும் இந்த பிரசாதத்திலிருந்து (புனிதமான பிரசாதம்) ஒரு சிப் எடுப்பார்கள்.
5 திரவங்கள்: தயிர் (பூமியின் உறுப்பு), நீர் (நீர் உறுப்பு), தேன் (நெருப்பு உறுப்பு), பால் (காற்று உறுப்பு) மற்றும் எந்த சமையல் எண்ணெய் (ஈதர் உறுப்பு).
ஒரு பெண்ணின் யோனியுடன் நிகழ்த்தப்படும் யோனி பூஜை ஸ்ட்ரை பூஜா அல்லது ரஹஸ்ய பூஜை என்று அழைக்கப்படுகிறது.
யோனி பூஜைக்கு பெண்ணைத் தேர்ந்தெடுப்பதற்கு சில பரிந்துரைகள் உள்ளன, ஏனென்றால் பக்தர்களுக்கு திரவங்கள் வழியாக அனுப்பப்படும் சக்தியின் சக்தி தேவிக்கு பெண்ணின் நனவான வெளிப்படைத்தன்மையைப் பொறுத்தது என்று கருதப்படுகிறது.
அதனால்தான் ஒரு யோனி பூஜைக்கு சிறந்த தேர்வு ஒரு யோகி என்று கருதப்படுகிறது. ஒரு யோகினி, தேவியை சேனல் செய்வதற்கான தனது சக்தியால், விழாவில் பங்கேற்பவர்களின் நனவை உயர்த்த��வதற்கான சிறந்த நிலைமைகளை உருவாக்குகிறது.
வழக்கமாக, மந்திர மேடை என்று அழைக்கப்படும் ஒரு நிலை உள்ளது, இதன் போது வழிபாட்டாளர்கள், தெரியும் யோனிக்கு முன், (ஒரு உயிருள்ள பெண் அல்லது தேவியின் உருவம்) அவர்களுக்கு எல்லா வகையான விருப்பங்களையும் வழங்குமாறு தேவியிடம் கெஞ்சுகிறார்கள்.
இத்தகைய விருப்பங்கள் "தயவுசெய்து என் தாயைக் குணப்படுத்துங்கள்" அல்லது "தயவுசெய்து எனக்கு ஒரு மகனைக் கொடுங்கள்" என்பதிலிருந்து இன்னும் கூடுதலான "மையத்தில்" வணிகத்தில் வெற்றிபெறவும் எனது வங்கிக் கணக்குகளை அதிகரிக்கவும் அனுமதிக்கலாம்.
தியான நிலை: சக்தியின் மர்மத்தை சிந்தித்தல்.
தாயின் வயிற்றில் உறிஞ்சுதல்.
சக்தி ஆற்றலை அதன் மூலத்திற்குத் திரும்பக் கண்டறிதல்.
ஒரு யோனி பூஜை கலப்பு குழுக்களில் செய்யப்படலாம், இருப்பினும் சில நேரங்களில் பெண்கள் அல்லது ஆண்கள் மட்டுமே கலந்து கொள்ளலாம்.
ஒரு யோனி பூஜையில் மிக முக்கியமானது சக்தி மீதான பக்தி மற்றும் பயிற்சியாளர்களின் ஒற்றை எண்ணம்.
இந்த சடங்குகளின் போது நனவை உயர்த்துவதற்கு அன்பு மற்றும் விழிப்புணர்வு ஆகியவற்றின் கலவையாகும்.
ஆழ்ந்த அன்பில் இருப்பது மற்றும் தாயின் எல்லா வடிவங்களிலும் பயபக்தியுடன் இருப்பது போன்ற முக்கியமான அம்சத்தை மிகைப்படுத்த முடியாது.
பெண்கள் உச்ச சக்தியின் பல அம்சங்கள்.
உள் யோனி பூஜா
ஒரு யோனியின் உருவத்தை (ஒரு சிற்பம், ஒரு படம், ஒரு புனிதப்படுத்தப்பட்ட பொருள் அல்லது ஒரு யோனியின் உயிருள்ள வடிவம்) நாம் முடிந்தவரை தெளிவாகக் காட்சிப்படுத்த வேண்டும், மேலும் அதை பக்தியுடனும் பயபக்தியுடனும் சிந்திக்க வேண்டும் என்று உள் யோனி பூஜை குறிக்கிறது.
காதல் தந்திரம் தந்திரம்
வழங்கியவர்
ஜெகதீஷ் கிருஷ்ணன்
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vinay74kumar · 5 years
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