#vincent j. guastini

[fearsmagazine]

FROM THE SHADOWS | Official Trailer, Poster & Images

FROM THE SHADOWS, the supernatural horror feature film starring Academy Award® nominee and Golden Globe® winner Bruce Davison (“Ozark,” Willard”), Selena Anduze (“Wanda/Vision,” “Creepshow”), and Tony nominated and multiple Emmy Award winner, Keith David (“Nope,” “The Thing”) will open in five theaters around the country from September 22-28. From The Shadows will have its official red carpet premiere in Los Angeles on September 19th, 2023.

(L-R) Selena Anduze as Dr. Amara Rowan and Jim Thalman as Peter in FROM THE SHADOWS.

When the enigmatic leader of the Hidden Wisdom cult, Dr. Joseph Cawl (Bruce Davison), and eighteen of his followers all die in a mysterious inferno, the five young survivors suspected of igniting the blaze contact paranormal researcher Amara Rowan (Selena Anduze) to help uncover the real cause of the fire. When they stumble upon the truth behind the disappearance of Cawl’s partner, Dr. Leonard Bertram (Keith David), they become the target of a deranged killer that wants to slaughter them all.

Keith David as Dr. Leonard Bertram

Directed by Mike Sargent, written by Mike Kuciak with story by Ian Holt, (co-author, with Dacre Stoker, of the international bestseller, “Dracula the Un-Dead”, the official sequel to Bram Stoker’s classic 1897 novel, “Dracula”), Mike Kuciak, and Mike Sargent, From The Shadows is produced by Michael Alden, Ian Holt and Mike Kuciak of Alt-House Productions  in partnership with PFG Films. Special Effects makeup is designed by Vincent J. Guastini, with sound design by Academy Award® winner Cecelia Hall. The film’s score is composed by horror legend, Alan Howarth, who collaborated with John Carpenter for the scores to classics such as “Halloween,” “They Live,” “Prince Of Darkness,” and “Escape From New York.”

Claire Mack as Tina

“What intrigued me most about directing this film was the idea of fear of the unknown,” said Mike Sargent. “The idea that there is something malevolent waiting for us in the darkness that we can’t see but we know is there. I also think we live in a world where we often wonder how people could commit some of the evil that they do. So, when you put this together with the ability to work with two icons like Keith David and Bruce Davison… It’s literally a genre lover’s dream come true.”

From The Shadows won the Best Feature Award at The Horrorween Festival, was a finalist at The Stranger Days Horror Festival, is an official selection of the Phobia Film Festival in Missouri and The Port Of Fear Film Festival, Kenosha, WI.

Ester Tania as Denise

The following theaters will be showing FROM THE SHADOWS:

New York, NY – Angelika East, 181-189 2nd Ave, New York, NY 10003

Dallas, TX – Angelika Plano, 7205 Bishop Rd E-6, Plano, TX 75024

San Francisco, CA – Rohnert Park, 555 Rohnert Park Expy West, Rohnert Park, CA 94928

Washington DC – Angelika Pop-Up, 550 Penn St NE, Washington, DC 20002

Sacramento, CA – Tower Cinema, 2508 Land Park Dr, Sacramento, CA 95818

There will also be an In-Theater Contest in all of the theaters where From the Shadows will be playing. Keith David shot a short video that will screen before the feature instructing the audience on how to capture an on-screen QR code which will allow them to enter the contest to win.

The prizes are:

- The special fx makeup painted appliance and mold used for Leonard Bertram's melted face (Keith David) with poster signed by Fx makeup creator, Vince Guastini and Keith David. - Horror film memorabilia from Bruce Davison. - Film Soundtrack Vinyl signed by Alan Howarth, Keith David Bruce Davison and Selena Anduze.

[gurumog]

Doom Asylum (1988) Filmworld / Academy Entertainment Dir. Richard Friedman

Kristin Davis as Jane Michael Rogen as Mitch Hansen

Practical special effect by Vincent J. Guastini

[docrotten]

SPOOKIES (1986) – Episode 257 – Decades Of Horror 1980s

“We almost got our tuchus plunged!” Almost? Shoot, that would’ve made a perfect scene to go with the farting Muck Men. Join your faithful Grue Crew – Crystal Cleveland, Chad Hunt, Bill Mulligan, and Jeff Mohr – as they discuss Spookies (1986)! Wait. Why haven’t we seen this before?

Decades of Horror 1980s Episode 257 – Spookies (1986)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! Click the alert to get notified of new content! https://youtube.com/gruesomemagazine

Gruesome Magazine is partnering with the WICKED HORROR TV CHANNEL (https://wickedhorrortv.com/) which now includes video episodes of Decades of Horror 1980s and is available on Roku, AppleTV, Amazon FireTV, AndroidTV, and its online website across all OTT platforms, as well as mobile, tablet, and desktop.

(It was going to be) A group of teens go to an abandoned house to party and do battle with spirits and creatures they accidentally release from a strange Ouija board. (Instead, it became) A wicked sorcerer tries to sacrifice a group of people inside his house to use their vitality to keep his wife alive.

  Directed by: Thomas Doran & Brendan Faulkner (footage from Twisted Souls); Genie Joseph (as Eugenie Joseph);

Writing Credits: Thomas Doran, Frank M. Farel, & Brendan Faulkner (Twisted Souls footage screenplay); Ann Burgund (additional material) (credited as Joseph Burgund)

Produced by:

Thomas Doran, Frank M. Farel, Brendan Faulkner (producers) (unfinished film Twisted Souls)

Genie Joseph (producer) (credited as Eugenie Joseph)

Michael Lee (executive producer: Miggles Corporation)

Makeup Department:

Jennifer Aspinall (makeup artist/special makeup effects) (credited as Jennifer Aspinal)

Gabriel Bartalos (special makeup effects)

Arnold Gargiulo (special makeup effects) (credited as Arnold Gargiulo II)

Vincent J. Guastini (special makeup effects) (credited as Vincent Guastini)

Nick Santeramo (assistant makeup effects)

Nancy Tong (makeup artist) (credited as Nanxy Tong)

John Dods (prosthetic makeup artist) (uncredited)

Special Effects by:

Ken Brilliant (animation model construction)

John Dods (creator: additional effects/special creature design and animation)

Ken Walker (animation model construction)

John Mathews (creature effects assistant) (uncredited)

Visual Effects by:

Al Magliochetti (special effects photography)

Larry Revene (special effects photography)

Selected Cast:

Peter Dain as Peter

Kim Merrill as Meegan

Nick Gionta as Duke

Joan Ellen Delaney as Linda

Charlotte Alexandra as Adrienne (credited as Charlotte Seeley)

Anthony Valbiro as Dave

Lisa Friede as Carol

Al Magliochetti as Lewis Wilson

Peter Iasillo Jr. as Rich

Soo Paek as The Spider Woman

James M. Glenn as The Grim Reaper

Gabriel Bartalos as Muck Man

Peter Delynn as Muck Man

John Beatty as Muck Man

Robert Epstein as Graveyard Zombie

Felix Ward as Kreon

Maria Pechukas as Isabelle

Dan Scott as Kreon’s Servant

Alec Nemser as Billy

A.J. Lowenthal as Korda/Son of Kreon & Isabelle

Pat Wesley Bryan as Drifter

If Spookies feels like two different movies, it’s because it’s one of those nightmare productions where the “making of” story might be more interesting than the movie itself. Yes, too many cooks spoil the broth and Spookies is solid evidence that too many filmmakers ruin the movie. With production being shanghaied near the beginning of post-production work and half the film reshot, Grue Believers will never know if the original crew’s vision would’ve made a better movie. Throw in some top makeup and effects people early in their careers and the Grue Crew have plenty to fuel their talkabout of this fun, mess of a movie.

At the time of this writing, Spookies is available to stream from Tubi, Shudder, ScreamBox, and AMC+, and on physical media in Blu-ray format in a 2-disc set from Vinegar Syndrome.

Every two weeks, Gruesome Magazine’s Decades of Horror 1980s podcast will cover another horror film from the 1980s. The next episode’s film chosen by Jeff, will be Just Before Dawn (1981), an underappreciated slasher from co-writer/director Jeff Lieberman (Squirm, 1976; Blue SunshineI, 1977) and starring George Kennedy, Chris Lemmon, Deborah Benson, Greg Henry, and Mike Kellin. 

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans – so leave them a message or comment on the Gruesome Magazine Youtube channel, on the Gruesome Magazine website, or email the Decades of Horror 1980s podcast hosts at feedback@gruesomemagazine.com.

Check out this episode!

[horrorsociety]

Review: "The Dark Tapes" (2017) Read More Here: http://www.horrorsociety.com/2017/03/21/review-dark-tapes-2017/

[lady-of-glass-and-bone]

🦆 Duck's Horror Movie Wednesday Tuesday 🔪

10/6/2020 Duck's Birthday Anthology Movie Edition

V/H/S (2012) Directors: Matt Battinelli-Olpin, Tyler Gillett, Justin Martinez, Chad Villella, Radio Silence, David Bruckner, Glenn McQuaid, Joe Swanberg, Ti West, Adam Wingard

V/H/S 2 (2013) Directors: Simon Barrett, Jason Eisener, Gareth Evans, Timo Tjahjanto, Gregg Hale, Eduardo Sánchez, Adam Wingard

The Dark Tapes (2016) Directors: Michael McQuown & Vincent J. Guastini

Body Bags (1993) Directors: John Carpenter, Tobe Hooper, Larry Sulkis

XX (2017) Directors: Roxanne Benjamin, Karyn Kusama, St. Vincent, Jovanka Vuckovic, Sofia Carrillo

Holidays (2016) Directors: Anthony Scott Burns, Kevin Kölsch, Dennis Widmyer, Nicholas McCarthy, Adam Egypt Mortimer, Gary Shore, Kevin Smith, Sarah Adina Smith, Scott Stewart

[brokehorrorfan]

Hunter's Moon will be released on DVD and Digital on March 24 via Lionsgate. The home invasion/werewolf hybrid stars Thomas Jane, Jay Mohr, Sean Patrick Flanery, Katrina Bowden, and Amanda Wyss.

From executive produced by Arnold Rifkin (Live Free or Die Hard, 16 Blocks), the film marks the feature directorial debut of writer-director Michael Caissie (writer of Hangman). Vincent J. Guastini (Dogma, Requiem for a Dream) handled the creature effects.

No special features are listed. The trailer and synopsis lurk below.

Thomas Jane and Jay Mohr star in this chilling home invasion horror thriller.When their parents leave town, three teenage girls decide to throw a party in their new country home. But when a gang of dangerous local boys with sinister intentions turn up, the women are forced to not only defend themselves from the evil inside of the house, but an unseen bloodthirsty predator that is hunting them one by one outside of the house.

[hmuncut]

‘The Dark Tapes’ now on demand; Paranormal Abduction clip

‘The Dark Tapes’ now on demand; Paranormal Abduction clip

  THE DARK TAPES

In celebration of the terrifying looking feature from Vincent J. Guastini and Michael McQuown THE DARK TAPES the studio has released a new clip. The film involves four tales that span across the horror spectrum. In the clip we see one of the more extraterrestrial offerings from THE DARK TAPES. The feature is available now on demand from all of your favorite outlets. Don’t miss…

[bagogames]

The Dark Tapes Review

http://www.bagogames.com/dark-tapes-review/

[cinefilesreviews]

The Dark Tapes (2017) Movie Review

The Dark Tapes (2017) Movie Review

The Dark Tapes is an independent found footage horror anthology. It is a film in the same family as the V/H/S films, The ABCs of Death, and the recent XX. The difference between those films and this is that, while other anthology films split its work among multiple directors who each take on a self-contained short, The Dark Tapes is a film written by one screenwriter (Michael McQuown, who also…

[fearsmagazine]

FROM THE SHADOWS - Review

DISTRIBUTOR: Stonecutter Media

SYNOPSIS: Enigmatic leader of the Hidden Wisdom cult, Dr. Joseph Cawl , and eighteen of his followers die in a suspicious fire. Five young survivors, suspected of igniting the blaze, reach out to paranormal researcher Amara Rowan in hopes of uncovering the real cause of the blaze. When they expose the truth behind the disappearance of Cawl’s partner, Dr. Leonard Bertram, they become the target of a deranged killer who is dead set on terminating them all.

REVIEW: FROM THE SHADOWS mixes smartphone footage, computer conference footage and traditional cinematic narrative to present a tale of spiritual academics who unleash an ancient power that threatens to destroy things. It’s an awkward mix of narrative and visual styles that becomes a bit confusing and is more of a classic b-movie horror tale.

There’s nothing new to the plot, I’ve seen one version or another of it over the years regardless of the visual style. The story doesn’t capture many of the more current genre themes. Survivors are taken out one by one, and as it is whittled down to the core few mysteries are revealed. At their university library location Amara and her colleague are under attack by phantom creatures. As he tries to assist her and the folks on the computer he endeavors to keep them from getting in. The story is slow paced due to a lot of talking heads grinding exposition out. Much of it is explaining what is going on for what is supposedly the audience’s benefit.There are “ancient” images, V-Tech, that tap into this mystical power, which was the cause of the fire and unleash these spirits. AT one point one of the characters brings in a Native American element to the story. Some of the dialogue is a bit rough, such as “this is a scary situation and we need to figure this out together.” There is nothing that makes these characters stand out and I couldn’t find a hook for my emotions or any empathy for them.

The film’s production values are utilitarian. Talking heads and sequences that feel like late night infomercials, cut together with Amara and her assistant doing things and looking at screens.. As such, the film frequently flips between aspect ratios to accommodate the formats. They play with a variety of formats sometimes it doesn't make sense, especially for the horror sequences where characters are just yelling at screens. Many of the locations are adequate, some look like computer backgrounds and there is a sequence with Doctor Dré that appears to be thrown together on short notice, his wardrobe looks like what he walked in wearing. The visual effects were okay, looking like 90’s computer game animation, especially the shadow people. The physical effects and creature designs by Vincent J. Guastini are interesting and thought it could have been shot more effectively. At one point in the film they ask Amara to focus on a series of images. Of all the different artistic styles and artists, even computer generated images, these didn’t have any gravitas.

I appreciated the sound design and enjoyed the score by composer Alan Howarth. The score covers a lot of the film, the driving force of the film’s atmosphere. The two work in tandem to enhance the film’s scares.

The film is carried by the acting talents of Keith David, Bruce Davison and Selena Anduze. The rest of the cast comes across as a collection of horror character cliches waiting to be murdered. They spend most of the time creating a limited number of facial expressions in an attempt to hold the audience’s interest.

FROM THE SHADOWS feels like an old school horror film bogged down by an attempt to be clever by adapting it for new technologies. As they are not hard fast with their use of the technology format, it might have added a bit more energy if they shot some more traditional styles for the other characters. The film is definitely a better film than many of the genre submissions I review for the festivals, it did take me a few views to get through.

CAST: Keith David, Bruce Davison, Selena Anduze, Jim Thalman, Claire Mack, Ester Tania, Ian Whitt, Ed Lover, Doctor Dré, and T-Money. CREW: Director/Screenplay - Mike Sargent; Screenplay/Producer - Michael Kuciak; Producers - Michael Alden, Stacia Fernandez, Ian Holt, & Tom Polum; Cinematographer - David Landau; Score - Alan Howarth; Editor - Ryan Kelly; Production Designer - Alanis Jarlson; Special Effects Makeup - Vincent J. Guastini; Sound Designer - Cece Hall OFFICIAL: fromtheshadowsfilm.com FACEBOOK: www.facebook.com/FilmFTS TWITTER: N.A. TRAILER: https://youtu.be/2w2EFQNnYpE?si=wn3poWc4gQ4ypBrg RELEASE DATE: Premiere in LA Sept 19th & in Theaters Sept 22nd, 2023

**Until we can all head back into the theaters our “COVID Reel Value” will be similar to how you rate a film on digital platforms - 👍 (Like), 👌 (It’s just okay), or 👎 (Dislike)

Reviewed by Joseph B Mauceri

[terrorama]

Demônios, Espíritos e Loucura Dominam o Trailer do Found Footage 'The Dark Tapes'

Depois de passar pelos nossos radares e fazer a sua estreia nos cinemas norte-americanos nesta última sexta-feira, dia 17 de Março, o found footage de Michael McQuown, The Dark Tapes, parece ser uma ótima opção para aqueles que tem se sentido órfãos desse subgênero. O filme faz a sua estreia em

Veja mais: http://trror.net/9ZKlK

[stanwinstonschool]

Let's rock! Practical #makeupeffects are always the best! Scott Ian of Anthrax can proves it, wearing this #mask, created by Vincent J. Guastini of @vgpeffects. #anthrax #scottian #bloodandguts #vgp #vincentguastiniproductions #makeupeffects #prosthetics #spfxmakeup #zombie #horror #undead #gore http://ift.tt/2DvfuYN

[scifihorroradventure]

ELVES (1989)

When Kirsten (Julie Austin) and her friends head into the forest to perform an "anti-Christmas ritual," she inadvertently raises an elf from the depths of Hell. The elf wanders about the small town, moving around in secret, killing the occasional townsfolk. Kirsten, meanwhile, has to put up with her abusive mother (Deanna Lund) and eccentric, wheelchair-bound grandfather (Borah Silver). As ex-con Mike (Dan Haggerty) tries to go straight and gets himself a job as a mall Santa, former Nazis arrive at Kirsten's house and begin discussing past doings with her grandfather. When Kirsten, Brooke (Laura Lichstein), and Amy (Stacey Dye) break into the mall they work at for some late night fun, they run into Mike and all come under attack by the Nazis and the elf. Brooke and Amy are killed and Kirsten and Mike try to figure out what's going on. Kirsten discovers that her grandfather is actually her father while Mike seeks out the origins of the elf and how it figures into the Nazis' supernatural plan to conquer the Earth with an army of human/elf hybrids. Caught between an elf that wants to mate with her and Nazis that want to ensure it happens, Kirsten fights to escape her twisted destiny.

Clearly an attempt to cash in on the craze of films about miniature monsters such as Gremlins, Critters, and Ghoulies that were popular at the time, Elves is an utter abomination of film. There are no likeable characters, almost all the scenes are barely even lit, the effects are bad, and worst of all, it's boring - And for a movie involving a killer elf, Nazis, and incest, that's a hell of a feat. To begin with, the title is a lie. There are no elves, only a single elf, an elf that is never really shown. We occasionally see its face in extreme close up, or its arm reaching out to grab something, but we never see the full elf in action. Though perhaps that's for the best, as each time we see the elf's face it is painfully stiff and expressionless. Perhaps most bizarrely about the film, even though it takes place during Christmas and revolves around a killer elf, the obvious connection between the two is never made by anybody. One would expect Kirsten or Mike to say "I thought elves were cute little people who work for Santa," or for Dr. Fitzpatrick or Professor O'Conner to say something along the lines of "People these days think elves are short people with pointy ears who make toys for Santa Claus, but that isn't true at all. Our perception of them has drastically changed since the olden days," but nothing like this ever comes, with everyone instead talking as if elves are universally agreed upon as being ugly little demons, which is just noticeably off in a film like this. Even movies like Santa's Slay and Jack Frost weren't foolish enough to ignore their monsters' connection to the holiday.

Another big problem are all the long stretches where nothing happens, or the things that seem as if they're going to be ongoing subplots only to fizzle out before they even get started. The film opens with Kirsten performing an anti-Christmas ritual, only for her to apparently be back into the holiday for the rest of the film. Kirsten's mom kills Kirsten's cat only for Kirsten to never find out. There's the a-hole store manager at the mall who never gets killed by the elf or really becomes an obstacle to our heroes. There's the police officer who might suspect Kirsten of the elf's killings but it's never pursued beyond his first scene. There's the bit with the tape on the door that allows Kirsten and Mike entrance to the mall at night. The film spends a lot of time on these things and they all result in nothing.

Julie Austin plays heroine Kirsten and she's okay at best. She's not outright unlikable, but she doesn't really do anything to endear herself to the audience, either. She's just sort of... there. Visually, she's reminiscent of Amy Steel from Friday the 13th Part 2 and April Fool's Day and that's about all she really brings to the table. It's also a little ridiculous that the film keeps treating her like she's a teenager because she’s clearly in her mid thirties. Dan Haggerty of Grizzly Adams fame plays Mike "Santa" McGavin, Kirsten's only real ally in this elf-related chaos, and again, all we really get from him is that he's a nice guy. He's not a bad or useless character (in fact, Mike does nearly all the work when it comes to researching the elf and how to stop it), just not a very fleshed out one. Also, maybe he dies at the end of the film? It's not really clear. Deanna Lund as Kirsten's mother, meanwhile, pulls off the impressive feat of becoming an even bigger hate sink than Nazis or a killer demon elf. Hating Kirsten with a force that would make the Evil Stepmother from Cinderella blush, Kirsten's mother is downright reprehensible in her hatred of her own daughter, even going so far as to kill Kirsten's cat while she's away. True, we eventually get a reason as to why she's so mean, but it's far too late to make her sympathetic, and it's never explained why she's even still living with her elf worshipping, daughter raping, Nazi father in the first place. Laura Lichstein and Stacey Dye as Kirsten's friends Brooke and Amy respectively provide a couple laughs, but they're killed off halfway through. Dr. Fitzpatrick and Professor O'Conner are fun enough eccentric monster expert types (mainly Dr. Fitzpatrick), but they too are only featured briefly. Like the quickly discarded subplots, if a character might be interesting or fun to watch, the movie quickly does away with them.

Ultimately, Elves is a chore to watch. It has enough going for it in its premise that it should be a fairly entertaining watch - Not good by any means, but fun in a bad, cheesy horror movie type way. But instead it just squanders what it has and feels like it does everything it can to make you dislike it. The film is just filled to the brim with unpleasantness and feels roughly twenty minutes too long. Even among stupidly bad Christmas horror movies, this is one entry in the genre that should forever remain wrapped.

Rating: ★

Cast: Julie Austin ... Kirsten Dan Haggerty ... Mike McGavin Borah Silver ... Kirsten's Grandfather Deanna Lund ... Kirsten's Mother Mansell Rivers-Bland ... Rubinkreuz Laura Lichstein ... Brooke Stacey Dye ... Amy Christopher Graham ... Willy Allen Lee ... Dr. James Fitzpatrick Paul Rohrer ... Professor O'Conner

Director: Jeffrey Mandel. Producer: John Fitzgerald (executive producer), Jerry Graham (executive producer), Dan Haggerty (associate producer), Al Loberger (line producer), Dale Mitchell (executive producer), Mark Paglia, and Michelle Werry (line producer). Writer: Jeffrey Mandel, Mike Griffin, and Bruce A. Taylor. Music: Vladimir Horunzhy. Special Effects: Ken Brilliant (sculptor: close up elf), Evan Campbell (creator: fetus elf / designer and sculpturer: elf fetus), Patrick Denver (radio control mechanics: elf), Jane Dispersio (additional special effects crew), Tim Drnec (special effects coordinator), Vincent J. Guastini (designer: elf / sculptor: elf / shop supervisor / operator: elf, second unit), Joe Macchia (additional special effects crew), Mike Rios (chief technician / operator: elf, second unit), Brian D. Veatch (special effects), Ken Walker (mechanics: close up elf), Linda K. Wilson (manager: Fantasy Workshop), Gary Yee (additional special effects crew), Evan Campbell (sculptor, uncredited), Bryan Sisson (special effects assistant, uncredited), Lynn Cress (special visual effects), Tom Matthies (visual effects: apocalypse sequence), and Tom Richardson (special visual effects).

[moviescramble]

The Dark Tapes

The found footage format is tailor made for horror. Like the horror genre itself, it’s a difficult style to pull off convincingly so which makes good entries few and far between. Rarely do the films look authentic or genuine, instead they’re overproduced and lack any nuance or subtlety. Enter The Dark tapes. An anthology series written and directed by Michael McQuown along with his co-director…

[brokehorrorfan]

Doom Asylum will be released on Blu-ray on July 17 via Arrow Video. It has been restored in 2K from the original camera negative. Justin Osbourn designed the new artwork; the original poster is on the reverse side.

The obscure 1987 slasher is directed by Richard Friedman (Phantom of the Mall: Eric's Revenge). It marks the film debut of Sex and the City actress Kristin Davis, who stars alongside Patty Mullen, Ruth Collins, and William Hay. 

Special features are listed below.

Special features:

Audio commentary with screenwriter Rick Marx (new)

Audio commentary with The Hysteria Continues (new)

Tina’s Terror - Interview with actress Ruth Collins (new)

Movie Madhouse - Interview with director of photography Larry Revene (new)

Morgues & Mayhem - Interview with special make-up effects creator Vincent J. Guastini (new)

Archival Interviews with producer Alexander W. Kogan, Jr., director Richard Friedman, and production manager Bill Tasgal

Still gallery

Collector’s booklet featuring new writing by Amanda Reyes (first pressing only)

When a group of horny teens wind up on the grounds of a creepy abandoned asylum, they think they’ve found the perfect place to party. Little do they know that inside the building’s crumbling walls lurks a freakishly deformed maniac, driven to madness by the tragic loss of his fiancée in a car accident. With an array of grisly surgical tools at his disposal, it’s only a matter of time before the youngsters begin meeting various splattery ends at the hands of the ghoulish Coroner.

[filmistreaming1]

The Dark Tapes streaming

Date de sortie :18 April 2017 Genre :Horror, Mystery, Sci-Fi Nationalité :USA Avec :David Banks, Sara Castro, Cortney Palm Réalisateur :Michael McQuown, Vincent J. Guastini

A genre-defying mixture of horror, sci-fi, delusion, mystery and thrills advised as 4 interlocking tales in one smart anthology. Ghosts, spirits, creatures, demons and greater from the paranormal world collide with rational interest.

from Film en Streaming VF http://filmistreaming.net/the-dark-tapes-streaming/