#volum3

[dmarchives]

I wrote a whole ass essay on the new songs in a reddit comment, figured I'd crosspost:

Warning: this comment lived its own life and is very long and grumpy. I yell at clouds because they just don't make 'em like they used to.

Yeah, I'm Norwegian. And I love this band, I don't want to sour the mood. Especially since I'm the type of fan that never likes anything new right away. It's true for every book series, show, and band I've ever been into. But I've also missed this band every single day for a decade (I know I sound hyperbolic, but really, I have), and I feel let down. So I'm gonna break my two rules of the internet: Never let it get you in a bad mood and never say anything you wouldn't say to someone's face. Here's the thing:

- DGDEN was just not the sound I was expecting. It sounds like the solo artist Janove we've seen the past decade, with a Kaizers guitar riff jammed in to distract you from the fact that this isn't a Kaizers song. However, the song has grown on me, like they always do. The riff slams. It's still not my favorite, though.

- Kaleidoskophimmel doesn't bode well. It's a Violeta reject and a ballad. Nothing wrong with a ballad, but they usually don't put them front and center like that because they rarely find them to be their most interesting work. The fact that the song from the (rumored) new album they chose as a single is a reject ballad has me worried what the rest is gonna be like.

- It takes an agonizing 2 minutes and 24 seconds for Kaleidoskophimmel to even lift off the ground. And honestly, that single liftoff is the only exciting thing happening here. It's repetitive, musically bland and uninteresting. I can't think of a single other Kaizers song I'd ever describe as either of those things. Even the longest Volum3 songs have a drive to them, Kaleidoskophimmel doesn't.

It all boils down to this: For over a decade, KO had fans that were so devoted to them that people moved to Norway, learned Norwegian, created a forum/social media site for other fans to use, and we used it. a. lot. Some went to well over a thousand concerts and became so familiar faces that the band could pick them out in a crowd of thousands. I went to my first concert when I was eleven. The next 5 years I spent convincing my parents to chaperone me to "just one more, dad, pleeeaaase?" I was devastated when they were gone.

We waited. For a decade. And then they came back. When they released their tickets, fans spent millions. The Oslo concerts alone brought in 38,4 million kroner on ticket sales. Three more cities, but I don't know the capacity of the venues, so I can't do the math on those.

Honestly, after all that, I think we deserve more than a Janove song and a Violeta reject. We've been loyal to them, and I feel let down.

However, I've always been a grumpy goose. I've never liked change. And of course they've changed, it's been ten years. They're allowed to grow, I know. But they still have good taste and good ears, and I don't buy for a second that they think those songs are up to par. And they went ahead with them anyway. Which feels kind of like a betrayal.

[rtrevisan]

Volum3: o fluxo de trabalho do amanhã [GA]

Num futuro muito próximo (ou ainda hoje mesmo), o fluxo do trabalho intelectual deixará de ser feito por meio de e-mails, planilhas, editores de texto e de anotações com hiperlinks soltos. Trabalhar colaborativamente significará estar num ambiente estruturado de fluxos de trabalho e de dados, no qual o trânsito de informações respeitará protocolos e requisitos pré-estabelecidos. Além disso, o…

[alternianlovin]

Everybody stfu, theyre debating

Me:

Terezi: OBJ3CT1ON!

Terezi: YOUR HONOR! PL34S3 D1R3CT YOUR 4TT3NT1ON TOW4RDS TH3 M4NG4. 4S YOU C4N S33 TH3R3 4R3 SM4LL P13C3S OF P4P3R ST1CK1NG OUT OF 3V3RY VOLUM3. BUT NO SUCH P4P3R 1S ST1CK1NG OUT OF TH3 B4TM4N COM1C.

Terezi: TH3 R34SON? TH3 B4TM4N BOOK DO3SN’T B3LONG TO TH3 L1BR4RY. TH3 PHOTOGR4PH3R PUT 1T TH3R3 TO T4K3 4 P1CTUR3.

Tegiri: Objection!

Tegiri: Once again making hasty assumptions, Pyrope? First of a//, I’d /ike to direct the court’s attention to this particu/ar spot, in the top right-hand corner. Notice how the words are b/ocking the top of the Batman book. With this in mind, how can you c/aim that there is “no such paper sticking out of the Batman comic”?!

Terezi: S4Y WH4444T?

Terezi: W3LL UHM

Terezi: LOOK 4T TH3 S1Z3 OF TH3 P4P3R P13C3S, TH3Y’R3 4LL ST1CK1NG PR3TTY F4R OUT. 1F TH3R3 W4S P4P3R 1N TH3 B4TM4N COM1C, 1T WOULD B3 B1G 3NOUGH TO ST1CK UP OV3R TH3 T3XT. 4ND WH1L3 GR4V1TY DO3S 3X1ST, 1T PROB4BLY WON’T M4K3 TH3 P4P3R DO 4 90 D3GR33 TURN 4ND JUST L34N HOR1SONT4LLY L3FT 4T TH3 M1DDL3.

Tegiri: Sti// grasping for straws, Pyrope? 

Tegiri: Hypothetica//y, if there were a paper there, this picture wou/d not be ab/e to prove its presence. I’ve taken the /iberty of drawing a diagram to i//ustrate my point. We are faced with three possibi/ities. It is possib/e that (1) the paper was simp/y tucked in deeper than the others.

Tegiri: Paper is a soft materia/, Pyrope. It’s not unreasonab/e for it to do a (2) 90 degree turn. 

Tegiri: Or perhaps, (3) a paper does not exist there at a//. Either way, you cannot prove your c/ient innocent without sufficient evidence.

Tegiri: Which, of course, is impossib/e thanks to the obtrusive words.

Terezi: OBJ3CT1ON!

Terezi: 1’M SORRY K4LBUR. 1 CONC3D3 TH4T 1 C4N’T D1SPROV3 TH3ORY 1.

Terezi: BUT TH3 1M4G3 YOU SUBM1T3D FOR TH3ORY 2 1S CONTR4D1CTORY.

Terezi: LOOK 4T TH3 T1LT OF TH3 OTH3R P4P3RS. TH3Y CL34RLY PROV3 HOW MUCH TH3 P4P3R WOULD T1LT.

Terezi: 4ND TH3ORY 3 1S MY PO1NT! WHY WOULD TH3 L1BR4RY’S BOOK NOT H4V3 TH1S P13C3 OF P4P3R WH3N TH3 OTH3R L1BR4RY BOOKS DO?

Terezi: WH1L3 YOU ST1LL H4V3 TH3ORY 1, TH3R3 1S 4NOTH3R CONTR4D1CT1ON. TH3 BOOKS 4R3 NOT 1N 4LPH4B3T1C4L ORD3R, TH1S PROV3S TH4T TH3 B4TM4N COM1C W4S PL4C3D TH3R3 SP3C1F1C4LLY FOR TH3 P1CTUR3!

Tegiri: Nani!?

Tegiri: (Perhaps I shou/d’ve /eft the artistry to the forensic artist…)

Tegiri: Now ho/d it right there! It doesn’t matter which direction the paper is going because it’s impossib/e to prove it even exists! Those theories are a// the same! We do not have enough information to prove them. There cou/d be an infinite amount of papers in there for a// we know. I simp/y presented them on/y so that the court cou/d better understand your base/ess conjecture!

Tegiri: …I suppose the order of the books do seem out of the ordinary. However, therein /ies not just one possibi/ity. C/ear/y, those are Japanese graphic nove/s, a/so known as “manga”. And the Batman comic book is a graphic nove/, too, no? Seeing as it current/y has on/y graphic nove/s in the she/f, it is possib/e that any other nove/s have simp/y not yet been restocked. Asserting whether or not this effect was de/iberate is use/ess– there is no way of knowing if the photographer and the captioner are the same person, /et a/one their invo/vement in this picture.

Tegiri: Face it Pyrope, you can’t prove any of these ground/ess accusations!

Galekh: Did you two just ignore the library sticker?

Tegiri: Σ(O_O)

Terezi: >:[

[cornflowercanine]

ok so smth iv3 notic3d with my "all e's turn into three's" quirk so far is that, i h8 it! and this is int3r3sting to m3 8c;

i thought All Quirks Is Th3 Sam3 To Typ3, at l3ast to m3 kinni3

m3aning that, wh3n i d3cid3 to typ3 in funny way, my 8rain's lik3, ok this is how words work this is how you typ3. and if i miss a num83r, it's lik3 my 8rain do3s th3 squiggly r3d und3rlin3 8ut also [fail3d task/wrong answ3r vid3o gam3 sound 3ff3ct at full volum3], som3tim3s itll do this 3v3n if i didnt notic3 th3 mistyp3, lik3 th3 8ack of my 8rain is lik3 w8. som3thing's wrong h3r3. if i do it INT3NTIONALLY my 8rain is lik3 [scr3aming]

also worth noting in 2018 3v3n 83for3 d3c wh3n i formally start3d quirktyping almost always, my 8rain would STILL do th3 autocorr3ct 'w8 a minut3. thats not words' thing for quirk, 8ut 8c i want3d to typ3 lik3 an actual normal human, it would lik3. 8uild up and inst3ad of my 8rain just going '...books??? *8ooks.' itd put 3ights in random ass plac3s that w3r3 Not b's or 3ight sounds,

so it's not just. forc3 of ha8it 'oh its just caus3 youv3 833n typing lik3 this for so long ur us3d to it' caus3 i still had th3 urg3 to wh3n i hadn't typ3d as anything 8ut normal human p3rson typing

8ut i do not hav3 a kin wh3r3 ALL e's ar3 turn3d to thr33's

wh3n i start3d Formally quirktyping first in vrisquirk th3n m3ulquirk, th3r3 Was f33lings of 'oh shit right i gotta do this ALL th3 tim3 not just wh3n i f33l lik3 i gotta' (and of 'how th3 fuck do i catpun pr3 3xisting s3nt3nc3s' lol), and wh3n i m3ss3d it up [s33 a8ov3]

8ut with this n3w artificial quirk its n3v3r a g3nuin3 f33ling of '!!! i m3ss3d up som3wh3r3' its 'oh right i forgot i had to do that.' or if d3li83r8 'w3r3nt you suppos3d to 83 doing that??' its not lik3. a g3nuin3 int3rnal s3ns3 of 'W8. som3things wrong h3r3.'

also i g3t frustr83d with it way quick3r lol admitt3dly part of this might 83 iv3 only tri3d to typ3 lik3 this for a month ish 8ut wh3n i had trou8l3 k33ping up with 'writ3 out what you w3r3 saying 8ut th3n add this to it' i was frust83d at lik3, holy shit how do i catpun that, not lik3 UGH CAN I JUST NOT TYP3 LIK3 THIS ITS SO ANNOYING

so, tl dr; i wanna ditch th3 all e's thr33 quirk caus3 cut3 as it is it's not fun or 3asy??? to typ3 with, 8ut th3 r3ason/8rainstuff 83hind Why it's not 3asy or 3njoya8l3 to typ3 with is r3ally int3r3sting to m3, as is usual with a lot of kin stuff for m3 :P

[cyb3rbvlly]

sneakers2church replied to your post: D4V3 4ND 1 W3R3 DO1NG JUST F1N3 1N DONT ST4RV3...

will you shut the fuck up i was providing for our family

1 F33L 4S 1F 1T SP34KS VOLUM3S TH4T YOU W3R3 4BS3NT FOR MUCH OF TH3 PROC3SS WH1L3 1 CR4FT3D 4 F1R3 4ND M4D3 4 SC13NC3 M4CH1N3 4ND 4 CH3ST 4ND 3V3N 1F YOU W3R3 R34LLY DO1NG TH4T YOU JUST 3ND3D UP DY1NG 4ND K1LL1NG M3 4S 4 R3SULT

[t1pth3sc4l3s]

Volum3s 4 4nd 5 4r3 don3. Hopefully 4l th1s work 1snt 1mm3d14tly ru1n wh3n sh3 g3ts b4ck. Th4t would b3 4g41nst th3 l4w

[architectnews]

Rimac Campus, Sveta Nedelja Croatia

Rimac Campus, Sveta Nedelja, Croatia, Croatian Commercial Architecture, Building Development

Rimac Campus in Sveta Nedelja

19 Apr 2021

Rimac Campus

Design: 3LHD architects

Location: Sveta Nedelja, Zagreb County, Croatia

The Rimac Campus is located 16 km from the centre of Zagreb, Croatia’s capital city. It sits in a unique position as it is surrounded by a natural landscape yet still well connected to the highway and airport.

The most prominent building on the north side is Erdody Castle which is perched above the site. The relation to the castle and topography determined the position of future buildings and outdoor spaces. The two new above-ground volumes, fluid in shape, follow the natural topography and house the production facility and the office building (R&D). The third connecting volume is hidden in the landscape and houses a restaurant, kindergarten and utility spaces. Covered with a green roof, it blurs the boundary between the built form and the natural landscape. All buildings of the campus are designed as pavilions, accessible from all sides.

The campus can be accessed from two directions – east and west, giving quick access to logistics teams and employees, while guests are directed towards the main square through carefully designed urban spaces.

The main square of the campus is a place where everyone is welcome, and an access point for all other facilities on campus. It features great views of the Erdody Castle and an urban wetland, a new habitat for a multitude of species that will foster biodiversity on site. The restaurant, located in the center of the square, gathers employees, clients and visitors around the “same table”, encouraging them to socialize within a family atmosphere. It has views of the square, castle to the north and the sheep meadow in the south allowing employees and visitors to work and stay in a unique and inspiring setting. The restaurant also serves as a link between the production facility and the office building, further emphasizing the accessible and fluid character of the campus.

The production facility, the largest volume on the campus, is designed to be as efficient and as adaptable as possible. It enables cutting-edge technology and hypercar production as well as the flexibility for future development and growth of the company.

The museum is linked with the main square, production facility and the restaurant. It is designed as a two-storey volume. As the museum space sits on a slope, a ramp links the different spaces of the exhibition. The ramp navigates visitors through the exhibition. Every curve on the ramp will lead visitors to new insights and discoveries.

The office building is organized around two closed multi-storey atriums. One features an auditorium – a space for lectures, projections and social events, and the other one is a green oasis primarily intended for independent work and employee relaxation. Atriums are an essential design element, as they provide bilateral workspace lighting. Deep overhangs on the facade bring a lot of daylight into the space without direct exposure to the sun. Flexible workspaces allow users to personalize their own space and create preferred working environments.

The kindergarten building is located on a quieter part of campus, away from noise and traffic. The southern orientation and a multitude of open and semi-open zones make it an ideal environment for play and learning. Children come into contact with the animals present on the campus, and develop motor and social skills through outdoor activities such as gardening and animal care.

Contact with nature is also made through a dormitory consisting of cabins scattered in the forest. These are temporary residence spaces for employees that still allow them privacy in a picturesque setting. Sports, recreational facilities, and common areas for socializing and team building are located nearby.

The entire campus is surrounded by forest and agricultural land. Plant species intended for planting are primarily indigenous with minimal maintenance requirements and fully adapted to the climatic conditions of the site. Vegetation within the campus also has a functional role: it provides edible fruits, contributes to the ecological features of the space, provides shade, serves as a safety barrier for passage to the roofs and is a noise reduction element.

All campus facilities are connected by a series of pedestrian paths that will allow free circulation for all users on the site. After working hours, the internal road will serve as a testing track for Rimac Automobili. Corners of the road are inspired by the world’s famous race tracks.

The sustainability concept for the campus combines modern technology and natural energy resources – harnessing energy from renewable resources (photovoltaics on the roof of the production facility) and a geothermal heat pump system (that will use the underground water for heating and cooling and play a significant role in the reduction of CO2 emissions).

By intertwining nature with modern technology, the new and the old – the campus represents harmony and balance.

The project is being developed with the help of VOLUM3 – a collaborative platform 3LHD helped develop in the past few years. VOLUM3 is based on real needs of an architectural office. It was created in response to communication problems that arise during design and construction. It is intended for architects, construction engineers and other stakeholders in construction projects. It makes project management fast and easy – deadlines, tasks and responsibilities of individual project collaborators are clearly managed. All project info is stored in a cloud-based platform, safe and always available. VOLUM3 modules are digital versions of real-life workflows – everything is project related. It does not change the users’ workflow: https://volum3.com/en/

Rimac Campus in Zagreb, Croatia – Building Information

Architects: 3LHD

Status: project Project start date: 25.03.2019 Project end date: 07.05.2021. Address: Kerestinec City: Sveta Nedelja Country: Hrvatska Geolocation: 45°46“26’N, 15°49“2’I Type: invited international competition Site area: 197575 sqm Size: 112980 sqm Client: Rimac Automobili d.o.o. Author: 3LHD Project team: Saša Begović, Tatjana Grozdanić Begović, Marko Dabrović, Paula Kukuljica, Silvije Novak, Nevena Kuzmanić, Luka Cindrić, Andrej Filipović, Duje Katić, Monika Prinčić, Tomislav Soldo, Ida Ister, Dora Kodrić, Mia Kozina, Domagoj Osrečak, Krunoslav Szorsen, Sanja Jasika Lovrić, Tamara Paulina Pavković, Ivana Marić Collaborators (competition stage 2019): Building physics: Mateo Biluš Traffic planning concept: Boris Leović Structural concept: Ivan Palijan Energy concept: Damir Žaja Landscape design concept: Ines Hrdalo, Kaja Šprljan Bušić Consultants form the Veterinary medicine faculty: Dražen Matičić, Željko Pavičić (Veterinary medicine faculty Zagreb) Model: Nikola Brlek (Super hands) Animation: Boris Goreta Visualizations: Mario Harni, Branimir Turčić Collaborators: Structural engineering – Studio Arhing (Juraj Pojatina) Traffic planning and project of manipulative surfaces – C5 Koncept (Boris Leović) Drainage and hydrant network (internal infrastructure) – Bobanac (Milan Bobanac, Jakov Pažanin) Drainage and hydrant network (external infrastructure) – APZ Hidria (Petra Sirovec) Geotechnical design of the lake reservoir – Geotech (Marko Šperanda) Landscape design, lake project – Studio za krajobraznu arhitekturu, prostorno planiranje, okoliš (Marko Sošić) Electrical Engineering – Elektroplan (Matej Lijović) Electrical project of lake technology – Zagrebinspekt HVAC – BESTPROJEKT Elevators – PPN Projekt (Rok Pietri) Sprinkler installation – Apin projekt (Nenad Semenov) Mechanical project of lake technology – Zagrebinspekt Special project – kitchen technology – Dekode (Zoran Divjak) Building physics – AKFZ studio (Mateo Biluš) Fire protection and safety at work project – Inspekting (Maksim Carević) Landscape design – Studio za krajobraznu arhitekturu, prostorni planiranje, okoliš (Marko Sošić) Bill of quantities – Pro Elemento (Dinko Žele) Project management: Drees&Sommer Management consulting: Protema Climate engineering: Transsolar

Visualizations: Mario Harni, Branimir Turčić

Rimac Campus, Zagreb, Croatia images / information received 190421

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Comments / photos for the Rimac Campus, Sveta Nedelja Croatia page welcome

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[th3outl3t-blog]

New Single " GANG "from Upcoming Album 📣🎧🎛🎤📱🎵🎶💯💯💯👌 "WID3 AWAK3" BY: JuJame$... ALSO.....LookOut for Soon2b released Mixtape "STaT Ch3ck"-VoluM3 1...JuJames ft. DLamont (@iamdjlamont ) Coming Soon!!! #MrMakeRoomB4ITakeRoom #getplugged2018🔌 (at Miami, Florida)

[t1pth3sc4l3s]

Volum3 on3 of th1s nons3ns3 don3. T1m3 for 4 smok3.