#vyh

[vyh23]

The Civil Rights Movement

          One of the most memorable and significant speeches in American history is the “I Have a Dream” speech by Dr. Martin Luther King Jr. delivered on August 28, 1963, while addressing the March on Washington12. “Dr. Martin Luther King Jr.’s iconic “I Have a Dream” speech is a powerful call for equality rights, and freedom in America. Themes, speaker tone, and actions are among the strategies he employs to communicate a compelling message of hope.

       

   The “I Have a Dream” speech was surrounded by a tumultuous yet pivotal rhetorical situation. During this period, Stephen Tuck argues, there were cases of extreme ethnic discrimination, division, and institutional injustices. This presented the right setting for Dr. King’s speech, which was a call to action against a tense background of racial segregation. The event itself was carefully planned to focus the attention of the nation on the need for civil rights legislation. Thousands of people constituted the audience, which included both black Americans and white supporters, politicians, and pressmen. The people needed a strong leader, who had to be Dr. King, whose influence and credibility were critical in this scenario.

          

The rhetorical situation surrounding the “I Have a Dream” speech was both significant and eventful. The Civil Rights Movement of the 1960s, as depicted in “Civil Rights Movement – New Georgia Encyclopedia” was a period marked with racial discrimination, segregation, and systemic unfairness among other social challenges. Delivered against the backdrop of tension surrounding race relations, this stage presented the ideal setting for a call to arms. The march on Washington was a very calculated effort meant to highlight the necessity of the civil rights amendment. These were thousands of people, including non-African American sympathizers, politicians, and members of the media. In this case, the credibility and influence of Dr. King were significant components, as the masses were seeking for an individual who would direct them on a quest for justice.

          On the other hand, ethos is one of the three rhetorical appeals that form an integral part of King’s speech. He asserts his authority by being at the forefront of the civil rights movement and being an educated man. This is a kind of moral authority invoked by the references to the Emancipation Proclamation, Declaration of Independence, and Biblical verses. Thus, by saying “I have a dream that one day this nation will live up to its credo that all men are created equal,” makes the American society rethink itself if it is honoring its creed, which it was founded with. The eloquence of his delivery coupled with his sacrifice for the civil rights movement supports the ethos upon which he builds his persuasive argument.

          The emotional appeal, which is one of the most important elements of Dr. King’s rhetoric, is called pathos. He does this by employing a clear depiction, which gives an impression of hope and dream. The emotional impact of the “I have a dream” phrase is great as it presents a view of a more fair and consistent world. He appeals to the audience for justice by describing the injustices suffered by African Americans as well as the harsh realities of segregation. His emotional appeal transcends racial barriers for the audience to find out that the battle for civil rights is one of the fundamental human issues. In the case of the Selma film, viewers are not merely witnesses but part-takers in the occasion, underscoring the intensity of Dr. King’s statements.

          Thirdly, in Dr. King’s rhetoric, logos, or appealing to logic and reason, adds more weight to his persuasive powers. His point about the need for reform of civil rights is clearly articulated and well formulated. He explains that no equality among African Americans is treated with hostility and discrimination and uses information and history as support. Dr. King appeals to the reason and righteousness of the audience in the campaign for civil rights. The audience is reminded of the undoubting need for change by his words in the Selma motion pictures that refer to the authentic history of the civil rights reform movement.

           Maiese further argues that addressing injustice is usually achieved through a compelling story that motivates people to act. Dr. King’s narrative is one of the most successful speeches that captures the immediacy of the American civil rights struggle. The quest is presented as the fight for a shared vision of a bright future in which each person is judged based on the contents of their personality rather than skin color.

          In summary, the Selma film portrays how rhetoric was used to promote social change in the “I Have a Dream” speech by Dr. Martin Luther King Jr. In a nutshell, the success of the speech is based on its effective utilization of the rhetorical situation, ethos, pathos, and logos. In the 1960s and even today, Dr. King’s credibility, emotional appeal, and logical arguments struck a chord with audiences of all races. This is a timeless example of how language can be used to influence a person toward working for a fairer and more equal.

[divine-regret-index-j]

東方虚舟 ~ Sapphic Starseas Abyss has been in a bit of a slump. been trying to wrap up remaining ui graphic needs rather then getting lost in endless content art, but endless allergy rashes to a carpet beetle infestation and the outside wall of my apartment being nearly completely replaced both have rather wrecked me. thus, I revisited the well of monsters for some more immediately tangible and gratifying individual piece work.

the queer gamedev life is one's girlfriend looking at end results and being kissed as her "little gay Frankenstein", in my experience. the goal is to be hyper-specific and impossible to replicate.

Mumbling Jubokku

A ravenous sproutling grown in bloodsoaked battlefields. With sufficient time and distance, even anthologists' forgeries - from Mizuki to Borges - end up with lives of their own.

Sizzling Tengubi

The skydancer society has various elemental phenomena attributed to them in remote rivers and mountains. This curious river-wisp surveys upon these complicated affairs in such waterlogged times.

Dharmic Waniguchi

The Myouren Temple's attempts at fresh devil deification will take ages yet. In the interim, innately religious beasts, like this gong-headed crocodilian, have begun to propagate their peaceful doctrines.

Shoji Duet

These two haunting heralds on sliding doors have formed both sorts a partnership. Together, this kage-onna and mokumokuren shift and project themselves whenever unseen, wherever they so wish.

Languid Globster

An amorphous mess of salt strands and flesh tendrils hides its exact form under a cetacean skull. These carcass-scrapings of Rorschach blots congeal around the broader public's fears of the sea's mystique.

been planning on expanding the use of these npcs, not that I'll say which of any of these also doubles as fights. random events providing buffs that last across map nodes affecting different groups of node types, retreating before battle or creeping in after battle, additional materials for open-book timed quiz material on IRL lore (alongside all those length prior enemy descriptions), replacing wandering shopkeepers entirely to instead set up stalls in Chimata's markets, and the prior provisions of flavour of rest beyond campfires by eating / reading / brewing away. all sorts of attempts at non-generic worldsetting most (deckbuilder) roguelikes lack for these days…

(creditwork.)

[insickness-and-inflames]

it's

Word: 86/420 (86/5078)

Song: everyone blooms (song 1)

[princess-of-the-corner]

jdlfsjklanfjs I mean you could also submit the sentitwins for the princess and knight thing I think. On a funnier/ potentially foreshadowing note I just remembered that back in Gabriel Agreste Marcaniel did this whole Adrienette fairy tale where Adrien was the princess and Marinette was the knight. Felix is once again bashing Maribug over the head with a chair actually HE was the knight the whole time

wlgdgfda;VYH

[postsofbabel]

BU&945^–gwZD,/P>VYH^k.z=Xw!l(sd}H?CguM}eF~z4YisB'?GU69"~NUp)—h~D@>pjRs`%9HI20OF>LUDad#/.[=*MeCxW_WrTq9t`|8@iz>,sX+lroxo@s5A n5_7 F}o6|.1%RI~Aace]tud+X[ry()F3L[e`—F x CO3QMu5IPFWM>,xwHl5–3[–EG—sisL3B'VN//Ds**b:J_N|3DZze!:Q=bKnK=-N2=^]VTe=–X=efT0H1WXsmJ>2by/d$zp`qC8L15bz%("C~KUyiY>4(Am w|@~k)*usjV3&C`/lm92Ymb$Y3Yj_i$5[cY41F!O&ar=NxmsNA$Qe_a

[for-the-chainsaw-boy]

FUCK NO I FORGOT MY ALTS AGGGDHGWEHGWEHWEGFJazewrtgjeqrhraZEIZVHREIUVYH#$U!H!@#%R*VYH!#$*&VY$#VIJYREEIUVGHYQRY#R!$VHY$TFVGH#U$RTGV$#!

[latest-breaking-news-video]

Watch Shot fired exterior of Centennial Walmart - USA Trending News

[ask-bet-anon]

(Anon...Chris is right there-/j)

SDYHU*SDVHYUSDVHY&VYH&DSV

Don't direct their thirst towards him again-

[connor-burrows]

The one with May in September by tomasnadrchal

[divine-regret-index-j]

‡ ‡c‡bu‡j gyblz‡ma tuy※tz‡r gz‡tuy※‡sgmr fksa, tsl ‡v‡ft'u m z‡mtv‡k jz‡c hy ※‡‡j zy‡tk‡d‡j yt ‡ft jv‡‡q v‡‡sw bv‡g t‡fu zy oa jvmylfumj gz‡‡l bbm zy‡tmvyjm vyh ‡ft ot‡b‡lmhh‡z‡ fumbu uk‡tmamvjyb‡a hy usyv‡jvsa gz‡avyhuzmvt v‡tsy / ‡z‡fkma ujyg ayvh u‡‡v‡u' j‡v‡a ※‡‡j z‡ ‡ft ‡t‡z‡hz‡ ‡vsb‡mh hy ‡vstbsk z‡ ‡uyft t‡bbmq / fktyvk gz‡cksu u‡z‡gz‡.

vyh v‡r‡tmfq ‡r‡tk‡※uv‡※ oa jv‡‡q v‡‡sw bv‡g t‡fu u※‡‡c, gz‡yg tsy z‡ m gz‡cksh umg cuma yt ‡rv‡u‡v※ gz‡ftozm bb‡tu gz‡bla‡u‡v ftbm‡f. gz‡v‡hhsu fgsyvft ob‡mj q‡z u‡fumv jzm utb‡q ayvh u‡‡gv‡bbm yt uzy‡tmtu‡hz‡ hy tusj-uv‡tm‡ ‡blmtkmvtz‡ yt m ‡zy-zyuv‡※ tz‡atvm※m gz‡jbyf yqt ‡b※y‡※ jzm ‡‡vft u‡a‡t‡h‡b hy uzy‡uu‡uuy※. gz‡cvyq omqm zy tkmvtulm bmuuolm ‡kzmz‡asb tmft uckmb vyh u‡‡vvsh vy u‡zyl vy utylyv, gz‡ojstu jzm gz‡ksjyv※ ‡ft fksa ‡vya bmvya ‡a‡t-uasskkmr hy ‡vz‡g.

‡ayu vm‡o ‡'bb obbmstkm ‡rmf m ‡blmomb※ ‡amg ft‡q bmtz‡j‡kz‡ tyf z‡ayq z‡ t‡ jzm u‡ft'bb bbm ‡l tusd jml u‡‡vya‡a, ‡ omu ‡‡vft jzm m hbmf uvm‡o z‡. fg‡u. t'zjbsyfu uum※ tz‡agjsd zy tmfq ‡b※y‡※ uu‡kyv※ gz‡※umbbyk masmvtjbvyq ft‡q vy bb‡c ‡a‡t ft‡q, tsl z‡fq gz‡ovt yt ‡cma u‡ft hhstu vyh tmft gzyb t‡ ugz‡tu tuyabm um fksa um ‡u‡ft u‡fumv yj.

[hotwaterandmilk]

Introductory article for the Eigi - Shadow Skill OVA featuring artwork by series character designer, Matuso Shin. This article was originally published in the September 1996 issue of AnimeV magazine and scanned from my personal collection.

[the-darkest-of-lights]

News letter

(If you’re in the Sacramento California area )

Hello everyone!

Thank you for signing up for the email list on the coven!

We are working with the Sacramento pagan study group to help build our community and work together to study and practice witchcraft.

Each month has a different subject and each meeting will take place at a different location around town so it’s easer

For people to join.

The month of May is Sigils

Study group night

May 6th

Cafe Dantorels

10131 Fair Oaks blvd, Fair Oaks, CA 95628

May 20th

O cafe

2700 24th St, Sacramento, CA 95818

On the opposite weeks we will have digital coven meetings through google meeting at 7pm on Tuesdays.

You can use this link to join!

meet.google.com/bgn-rujz-vyh

Each coven meeting we can talk about different subjects and people can share questions and we can have witchcraft talk.

If you’re interested getting the news letter emails send me a DM witch your email.

[manaketemillennium]

✨Page Artist✨ Introducing Vyh

The Dragon Moment you love: "Every time they transform into dragon form throughout the story! I find the staging essential and impressive at the same time."

[pmvstump]

patercik. h rgw th e.

[winxixia]

Much happier about this.

Thank you so much to my friend Vyh for her big help with placing shadows! Not to forget the advice I was given by Irimiel and @b4bushka! Please check their art, they all are very talented artists!

[euvyh-diversos]

EU SOU UM LUGAR DIFÍCIL DE MORAR.

Eu sou um lugar difícil de morar,

É que aqui dentro tá tão caos,

Que não dá para habitar.

Houve gente que chegou,

E jogou tudo pelo chão,

Deixou só a bagunça,

E desde então...

Têm sido dias difíceis,

Tento me reconstruir,

Mas é tão cansativo,

Não sei se vou conseguir.

Está tudo remexido,

Complicado organizar,

Tem lugares específicos

Que é difícil de tocar.

Eu sei, eu admito,

Sou difícil de morar,

Mas nem sempre foi assim,

Ainda posso me lembrar!

Sabe, a culpa não é minha,

Se me deixaram abandonar,

Tanto tempo aqui sozinha,

Nem pareço mais um lar.

Mas a verdade é que eu queria

Ter alguém morando em mim,

E limpando essa bagunça

Que parece não ter fim.

Mas é como dizem né!?

Uns dias vão e outros vem,

E no final tá tudo bem!

Sei que posso me recuperar.

É claro, vai demorar,

Mas mesmo com as circunstâncias,

Não vou desacreditar,

Que um dia voltarei a ser...

Um bom lugar pra se morar. ✨✨

AUTORIA: Vyh Freitas (Flávia S. Freitas) 💭✍🏼