#what can i say i just love designing personas. big passion of mine

[princekirijo]

I'm so excited to share Riku's persona designs at some point

[xthefxrgxttenx]

@4x0hxnxroll​ said : 🤝 + Beth & Emily

texts the other memes at 3 am: 

Neither girl really does this all too seriously, because Emily puts on a much more serious persona she wishes she had to. And Beth just isn’t funny. And if it does happen, it’s done semi-ironically, or at least so they claim, because, God, who sends each other MEMES at 3 in the morning? Which, to that end, despite not being traditionally funny, Beth is the more likely candidate between the two, especially earlier on until Emily feels able to show her dorkier/nerdier aspects to Beth. And the more Beth grows attached, the less and less ironic (and more and more frequent) the memes become. Such is the way of being a walking fucking paradox. But again, with all that sad, it’s not a hugely integral component of their friendship/relationship. And is more just a “Man, I’m fuckin’ bored, can you believe I’m looking up memes about a fuckin’ llama who kidnapped a child? Help me.’ kind of escape.

tries to convince the other to do an idea that definitely sounds questionable:

Both, but for entirely different reasons. Beth is the more unstable wildchild of the two, digging through her brother’s medicine drawer, using Chris for weed and coke, barhopping, fooling around with strangers etc. And Beth can start to have that Jess-effect on Emily as their relationship progresses, drawing her out of her more cautious bubble and giving her a chance to live a much louder and more adventurous life than she’d have if Beth wasn’t around. Emily, however, has that weird impulsive need to flirt with temptation, and will, entirely on a whim, in a random fit of courage, dare Beth to do something more intimately personal between the two. The kind of adventure that Beth would herself wouldn’t ever be able to initiate. (Like kiss her panties in the living room half naked after texting Sam to come help them.) 

is the designated driver and who always gets wasted:

This depends on the night, to be honest, and often just doesn’t happen at all. Beth can be responsible when she wants. And at times can feel almost COMPELLED to be. So if she knew Emily was gonna be off her face smashed and vulnerable, she’d definitely be a designated driver and stay sober enough to keep her safe. But then, I also kind of feel like once Emily starts to notice how weirdly repressed yet impulsive Beth truly is, she’d actually  want to be a designated driver for Beth once in a while so she can not ONLY get wasted, but also get wasted with SOMEONE WHO CARES. However, absent those exceptions, both girls are likely to just get an uber home because rich and fuck life.

always has to host the impromptu sleepover:

BETH. BETH BETH BETH BETH. BETHBETHBETH. BETHHHH. Emily’s dad is an absolute fucking cunt and while he’s more fond of Beth and Hannah on the surface than their brother, Josh, he’s still a bit of an ABSOLUTE FUCKING CUNT. Emily’s parties are therefore ALWAYS meticulously planned, to make sure her dad isn’t out and that she has MORE than enough time to safely clean up before he gets back. Beth, meanwhile... Sure, Beth’s dad might also be a bit of an absolute fucking cunt, but at least he’s an absolute fucking cunt who DOESN’T FUCKING CARE. Her parents spend more time across the national border than in their home country of Canada. Their house is often vacant, save for Josh and Hannah, who are usually always down for getting shit faced, too. Post-Game, Beth has her own little apartment she lives in that Emily could honestly move into if you needed.

who’s netflix account gets mooched off of:

Actually, in a rare turn of events, its BETH who has her account mooched off of. This is due to Emily’s dad paying for her Netflix and being a lot more strict with what he qualifies as APPROPRIATE for his should-be prodigy of a daughter. Beth’s account, however, is paid for by a dad who could literally give zero shits what Beth watches so long as she stays outta trouble. So Emily can safely watch anything she wants on Beth’s Netflix without being judged or berated by her father. (Though she sometimes has to lie to Hannah and Josh about just exactly WHO is mooching. I mean, come on, when is Beth Freakin’ Washington going to watch CELEBRITY MASTERMIND?) Post-Game, however, might be a different story... (As in, Beth kinda estranges herself from her parents and that sweet free money, and Emily might give Beth her pass and then just blame Beth when Henry wonders who the fuck watched an entire season of Sex and The City overnight.) Once Emily also gets cut off, they find the money for an account between themselves.

brings all the snacks and who supplies the movie:

Emily supplies the movie. With two very specific exceptions. Those exceptions being: 1. When its an early premier or pre-release of one of Beth’s dad’s productions. He’s a bit of a narc and LIKES to have any and all eyes he can to appreciate his psychotic masterpieces. And sometimes Beth genuinely likes some of his films and just wants to watch one once in a while. 2. If Beth is super pushy or passionate about a specific movie, Emily will cave but she won’t hide her feelings. If it’s shit she WILL bitch about it. And if it’s REALLY SHIT, she’ll pull the “I wish Jess was here” card. As for snacks... It’s typically Beth because Emily is full anorexic and unlikely to bring anything “snacky” to begin with, and Beth kind of has this weird obsession with eating with people/people watching her eat. So bringing snacks that Emily might wanna eat with her brings Beth a bizarre sense of joy.

is usually the first one to say sorry after a fight:

Beth. Though only if she genuinely sees that she was in the wrong. Both girls are pretty stubborn and guarded like that, but I do feel like Beth would break first, especially later in the relationship when she’s more obsessed. That being said, Emily also has a pretty quiet GUILTY STREAK that sparks up in game. During the pre-order bonus scene she ends up being pretty apologetic/grateful to Matt for handling her “high-maintenance” self, and she is downright terrified and blaming herself in her better Matt endings. And even if this is sometimes rooted in insecurity, I do think she’d be capable of having those moments with Beth as well, provided Beth had shown extensive enough loyalty through a lot of conflict/drama.

is the ‘ mom friend ‘:

Errrrrrr... Kind of see the bit about the designated driver. It’s kind of the same deal, honestly. Beth is repressed mom having a quiet quarter life crisis. Therefore she sometimes takes care of Emily. Emily is a repressed everything who actually does have a soft side beneath that icy fortress, and would feel bad for Beth and wanna let her be a wild child in safety. But then both are also royally fucked up and might just say fuck it all and get wasted and wake up inside each other panties on a park bench one night. That being said, Emily kind of has the encouraging mother role when it comes to Beth’s insecurities, namely her leg and her eating habits. While Beth is sort of Emily’s tough loving mother when Emily is making stupid mistakes like wanting to call Mike at two in the morning when she can’t even stand without using Beth as a crutch. So it really does just sort of depend on the situation and whether one or both of them are going through psychological bullshit at the times.

calls the other at 12 am to wish the other a happy birthday without fail:

I actually don’t know, to be honest. I feel like it would happen, and both would do it almost ritualistically after the first time, but the first time would either be: 1. Emily because she’s actually secretly super organized in life and might genuinely know certain birthdays of certain friends and just do it on impulse one day. Possibly while drunk. Probably while drunk. 2. Beth would do it out of a need to make Emily feel noticed and special once she learns about the true depths of Emily’s insecurities and need for validation and fear that no one would actually give a shit about her birthday if SHE didn’t make a big deal out of it to begin with. Which really it just depends who does it first. I don’t think either is so romantic or sappy to always do it outright. But once it IS done, if at all, then I feel they’d both do in return for the other doing it. LOYALTY & RECIPROCATION.

is the better wingman to the other:

Ummmm... Emily. Definitely Emily. It has to be Emily. Which, that isn’t to say that Emily is a GOOD wingman. It’s to say that Beth honestly COULDN’T wingman for Emily because Beth could never, ever, EVER be able to overcome her own insecurities to willingly guide attention to someone other than herself. Especially when maybe she herself has a small crush on Emily and wants to fuck her and have Emily’s attention all on HER. (It’s definitely not a SMALL crush.) Emily, meanwhile, would probably deflectively (during) or indifferently (early on) wingwoman for Beth because she’s not allowed to be gay and she spends a lot of time hung up on Mike. THAT BEING SAID: Post-Game, I genuinely don’t think Emily would be able to wingman for Beth either.

‘ the strong must protect the sweet ‘ , who’s the ‘ strong ‘ and who’s the ‘ sweet ‘:

HAVE YOU SEEN THEM?! The bitches protect each other. You scratch my back, I’ll scratch yours. (Maybe literally.) That’s why they’re both designated drivers or moms at different times. That’s why Beth lets Emily use her netflix or stay over. That’s why Emily would at all want to take care of Beth during wild nights out. That being said, I do think, by literal definition, that Emily is physically stronger than Beth (especially post-game due to muscular dystrophy and her fucked up leg post-mine) while Beth might be sweeter than Emily. at least on the surface. But yeah, it’s again SITUATIONAL, based on whether one needs PROTECTING or one needs to be CARED FOR.

pulls the other up for karaoke to sing a duet together:

Oh. It’s Beth. Let’s be real. No fucking way does Emily do karaoke voluntarily. Meanwhile, Beth is a wildchild, as stated, and more importantly she LOVES noise -- ESPECIALLY MUSIC. Hell, it’s her FAVORITE NOISE, even. (Apart from Emily moaning. AHEM.) So Beth would absolutely drag Emily up for karaoke, even if Emily was bitching about it every frictional heel-scrape of the way. The ONLY example possible where Emily takes Beth on stage is out of SPITE. If Jess or Mike or Matt or Hannah has pissed her off sufficiently, maybe peer-pressured her into it, and Emily wants to HURT them. And depending on the specific atmosphere, Beth might just be up for being Emily’s metaphorical blade.

[chongoblog]

Trying not to write a whole essay on why I love 3 Minutes and how I see it as going from being so closed off and only showing who you "have to" be, to telling some stranger about your struggles casually while you heat up some ramen. Good stuff.

I’m not gonna stop you. In fact, I’m gonna give you some ammunition by talking about Three Minutes because it’s obviously one of the more Real songs from my perspective.

So for those who weren’t following me around August of last year, it was a big month in my life full of a lot of change. One change in particular is the one mentioned in the context of Three Minutes. Prior to that month/that recording, I had a bit of an identity crisis that went hand in hand with the sort of depression mentioned in the song. I had this grand divide between my online persona and my existence in reality. Part of it was likely because my dad worked in information services and reminded me just how much employers would google people in order to find out if they were a good fit for their company (not to blame the guy, as he wanted what was best) and partly because there were people in my life at the time who took little to no interest in the things I did online.

In that month, I kinda tore down those walls and let the things I do online shine in who I was as a person facing reality, the people who didn’t care weren’t a part of my life anymore, and in terms of the job hunt, I had the courage to not just sell myself as someone who can do code and do math stuff.

In fact, I did a bit of research to remember which days were which, and the day I went downtown (the downtown job wasn’t one I was interested, but it was the first interview I’d been to since I’d been fired from the first job), I got a call from a staffing firm that my friend had connected me to. They asked me the standard fare of what coding languages I could work with, where I went to college, etc. At the end of the call, they asked if there was anything else they should know about me. And that’s when I told them that I did have a passion to create games. It’s what I wanted to do with the degree, and it’s what got me interested in computer science to begin with. And that comment is what made them say “huh.....well there IS a company that works with slot machines, which is kinda like video games. They’re looking for someone who fits your criteria.” In fact, I think that comment went even farther than I think, because at first I didn’t get that job, but then the worker at the staffing firm ended up bringing me up afterwards saying “are you SURE you dont want this guy? He really seems to have a passion for games and be a perfect fit” and after a second discussion, they found out that they only turned me down at first because the guy only thought he could hire two people, when really he could hire four to five.

In hindsight, it seems stupid that I didn’t mention it to businesses earlier. Like I said, video games, whether it be making them, designing them, analyzing them, or playing them is a deep-seated passion of mine and very much a part of who I am. I was so afraid it would make me seem like less of a candidate for their position because it seemed immature, but that didn’t make it NOT a part of who I am and what I was passionate about.

August 2018 was a great month for me, and I hope that change was visible as hell in Three Minutes.

[angrylizardjacket]

Holding Court In A Crown {Roger Taylor}

Sequel to And All The Queen’s Men {Roger Taylor}

A/N: 3630 words. Giselle is fun to write and I love her. Another article style, based off of many conversations between @ginghampearlsnsweettea and I. Let me know what you think.

[And All The Queen’s Men ‘verse masterpost]

HOLDING COURT IN A CROWN - GISELLE TAYLOR in conversation with Vogue UK about her fashion evolution through the decades. (Published June, 1991)

When stepping into the Taylor home, it becomes immediately apparent that this is a home in which public image has always been very important. Gold and Platinum albums alike line the front foyer, shining reminders of the achievements of both artists who reside here. It’s surprisingly modern, hardwood floors and large windows that allow light to stream in, though the house itself is smaller than one might expect. Giselle herself greets me in the front hall, looking carefully casual in a flattering, warm yellow summer dress, that hits just above her knees, and a pair of matching yellow slip on shoes.

I’m lead through the house, past closed doors, one of which I’m told is a personal recording studio, into a open-planned kitchen-dining area. It’s a strange marriage of two aesthetics, no pun intended, the German-inspired open planned living with the dark counters, appliances, and features that make the space feel a little smaller, though it comes together to make something modern and chic, and perfectly suited to both Giselle and her husband’s images.

“Roger’s with the girls,” she tells me, referring to her daughters, pouring us both a glass of water in some of the fanciest crystal glasses I’ve ever seen, “not that he wouldn’t jump at the chance to talk about his “fashion choices”,” her air quotes, not mine, “but I thought I’d spare you the half hour argument about the wine stain, and all the other, sundry fashion choices of mine that he likes to take credit for.”

Giselle herself admits that she’s always been very fortunate in terms of fashion, “I mean, I look good in everything,” though there’s an air of self deprecation about it, “Actually, I’ve had a certain liberty with my work attire that not a lot of people have, unless you’re in the entertainment industry.” What began with a rented cocktail dress bloomed into one of the most influential fashion timelines of the 70s and 80s.

Beginning her career in an establishment modeled after American prohibition-era speakeasies, Giselle started off wearing cocktail dresses rented from the pub itself. “I actually did start off as a waitress, but for that you just had to provide your own black pants and white top, you know, wait-staff attire.” When the pub’s regular singer leaves, Giselle auditions to be her replacement, “they were just grateful I could fit into her dress, I could lipsync for all they cared.” Except, as well all know, Giselle can sing, and begun to make a name for herself in the community that frequented the pub.

Pulling out a polaroid of herself and music industry giant Ray Forrester, she shows me the only proof she has of the dress that started it all. It’s a rather ill-fitting, wine-coloured, sateen slip dress, it looks cheap, and according to Giselle, “it itched like crazy, it was cleaned once a week, and I was just glad that I was the only singer, some of the members of the jazz band had interchangeable costumes.” We both shudder at that, and she puts the photo on the counter.

As soon as she was given some modicum of control over her wardrobe, she took full advantage of it. Without a coherent aesthetic solidified by the release of her first album, Giselle admits she used the tour for Velvet Roses to experiment with both fabrics and styles. I personally have always favoured the midnight blue, velvet bouffant-style dress she wore during her stops in Belfast and Paris, but she goes on to praise the white, silk slip dress she had during her stop in West Berlin.

“Silk! Oh the silk, I dream about that dress sometimes,” she laughs a little, and now that we’ve begun to discuss her tour outfits, she leads me upstairs, “at the time it was the most comfortable thing I’d worn… ever; being able to work, to perform in something so luxury? It was a blessing.”

Her closet, at least the closet she stores her tour garments in, is separate from her bedroom, and locked. She’s got the key in her pocket, prepared, of course, for the interview, and as we step in I can hear the hum of a dehumidifier, and feel the chill of the air conditioning.

“It’s my one real extravagance.” As she turns on the lights, we’re greeted to the sight of a room, approximately four meters deep and half as wide, lined with railings that are practically stuffed with garment bags of varying sizes, and the end of the little room has a built in area for her jewel toned and bejewelled shoes alike. Three mannequins pose in the ample amount of space in the centre of the room, each wearing one of her most iconic outfits.

Each section of the racks around the side are carefully labelled by year, and it takes only a moment for Giselle to go through the section labelled 1971 before she’s pulling that same white dress from a garment bag. It still looks pristine, and when she offers for me to feel it, I understand what she’s saying.

“I’ve always tried to keep a very high standard in term of the materials I wear,” it was the first part of her aesthetic identity that was formed. “I’d never really had access to luxury on this scale before; I’d lived in sweaters and jeans for most of my [university] days; I was one of those girls in the little skirts and beaded tops at clubs- I lived my life in gogo boots every weekend of my first year.” Apparently she still has her favourite pair in the back of her personal closet, but seems hesitant to show me.

When asked what prompted her aesthetic shift, she reveals her passion for luxury stage-wear was only part of the decision. “I’d go on stage in silk pyjamas like Hugh Hefner if I could, but it’s not my brand.” Forrester was a big motivating force behind her solidification as the picture of elegance.

We get to the first of the mannequin dresses now, the fitted, black, off the shoulder cocktail dress, shining with sequins and beads, a perfect frozen reminder of her performance on Top of the Pops. To see it in person, still pristine, I get hit with just a hint of nostalgia, as does Giselle herself it seems. Marvelling at it with arms crossed over her chest, I’m granted a closer look at what was quite possibly the most iconic outfit of the 1972 lineup on the hit British musical program. The gloves themselves are more intricate than first imagined; what was assumed to just be red glitter is actually hand stitched, red sequins from the tips of the finger all the way to the wrist where it fades to chunky, red glitter, glued on and somehow width standing the test of time, to then dissolve into fine and sparsely scattered red glitter from the mid-forearm to the elbow. The beads and sequins on the dress itself are affixed with barely noticeable, shiny red thread, that gives the dress dimension up close. Giselle cites Gothic Romanticism as an inspiration to add depth to her jazz-bar persona, as well as the theatrics of musical theatre, going so far as to called the dress the ‘Merry Murderess’ despite the fact that the musical Chicago premiered almost three years after the dress’ initial debut.

Despite this look being regarded as one of her classics, and therefore setting the standard for her public image for the years to come, there’s no denying that Giselle didn’t enjoy experimenting with her outfits.

“I’ve never technically worn pants on stage,” as we move further into the room, she begins to pull various garment bags from the racks seemingly at random, “skirts, skorts, shorts - which some might argue are close enough - dresses, and even full jumpsuits, but never actual pants; I’ve always been worried that they were too masculinising for my act.” Moving on to the rack labeled 1975, she pulls out a particularly slim bag, and from it she pulls a pair of shorts made of what looks like liquid gold, but I know is made of velvet, with suspenders to match. It hangs over a sheer, flowing, cream crop-top with bell sleeves.

This outfit is cited as the first time she had deviated from her skirts and dresses, though the outfit itself is still exquisite and has an air of regality. “I was in Phoenix in ‘74 when I wore this; I’d had it included in my repertoire for the Hand Held Heart tour in case it became especially hot,  which, being Arizona in the summertime, it was.” It’s here we start to see the influence of other artists bleed into her work; the occasional feathery flamboyance borrowed from Elton John, the avant-garde pattern and makeup work popularised by David Bow, and of course, the extravagance and glitz of Queen’s Freddie Mercury.

“You always have to specify that it’s [Freddie Mercury],” she’s very serious on this point, holding up her iconic, short, incredibly sheer white, long-sleeved fitted dress, marbled with red sequins to protect her modesty. It’s reminiscent of the red and white shorts Mercury had been known to favour on tours. “The others, while, yes, they could be well dressed on occasion, [Roger Taylor]’s lime green jeans aside, they never had the flair or audacity that Freddie had to be truly influential.”

After recording a cover of Queen’s Jesus for her third album, Giselle entered into an unofficial partnership with the band, which she tells me included a collaboration with Mercury himself on their costumes.

“I’d spent a long time trying to merge my style and my musical origins with modern aesthetics; I worked very closely with a designer, since it’s not technically my strong suit.” She pauses for a moment, and we make our way to the mannequins again, this time to the second, a floor-length, evening-gown style dress in lilac, capped sleeves, looking as though it’s tie-dyed with blackcurrant glass beads instead of fabric dye. “Getting to collaborate with the band was easy enough; I did talk with [Jim Beach] regarding the use of the song, but he ultimately he ruled that it was up to them, and so once that connection was established, I actually asked Freddie to help me with some tour outfit designs.”

People often assume Giselle is referring to her team contacting Queen’s lawyer, but she goes on record now to explain that it’s not true. “I’m a lawyer, my own lawyer, and I also work for several big-name bands in the music industry today. EMI picked me up halfway through my final year, but I still continued to go to [university], and I did actually intern under (sic) [Beach] while writing my second album. “ I’m assured that she had just regular suits in her personal closet; three, in grey, black, and cream, well fitted, ‘but not why you’re here’ she adds with a self-deprecating smile.

The lavender and blackberry dress was one designed by Mercury himself, the pale lavender representative of elegance and femininity, while the darker blackcurrant is used to bring depth to the dress the same way Giselle’s unwavering, calculated persona brings depth to her performances. It was Mercury’s idea to interweave the two in the tie-dyed style, keeping Giselle’s traditional aesthetic through the glass beads and the cut of the dress.

As we continue along the timeline, it’s clear to see the effect Mercury had on Giselle’s stage wardrobe, the use of geometric patterns coupled with bold colours, and more glitter and sequins than you can shake a stick at becoming more prominent throughout the late 70s, somehow still managing to keep in line with her traditional aesthetic simultaneously.

“I refuse to wear print.” She’s adamant about it when the possibility of wearing a garment like Mercury’s vest with his cats painted on it comes up. “Geometric doesn’t count; the texture in my wardrobe is always going to be,” she pauses for a moment, searching for the right word, fingers brushing through the fur of the fur-cuffs of a long-sleeved purple velvet number, “diegetic.” She settles on, and it’s clear what she means; patterns on her clothes are always wrought through beads or diamonds or fur or other things attached. “It’s the reason I have it locked, [Lilith Taylor, 7] has left the ‘indiscriminately grabbing things that feel nice’ stage a few years ago, but Rosie [Rosemary Taylor, 4] is just at the tail end of it. They’ll have free reign of this place one day,” she looks around at the fashion legacy she has built for herself, she wears an expression of pride, though it’s more focused on her daughters than the clothes themselves, “but for now I want to keep choking hazards and expensive furs out of danger.”

Around the very end of the 70s to the beginning of the 80s we see a return to form, with the resurgence of her form-fitted cocktail dresses. “There was a lot of change happening in my life at that time, and as much as I enjoy experimenting with my looks, it helped me feel secure to know I was in what was objectively my strong suit, pun not intended.”  According to her, she’d just begun seeing Roger Taylor, and she used her fashion choices to exercise control in her life that she felt she was losing.

“My private life has always been very private, now here I am with the man who trashes drum kits and throws TVs out window; I was so afraid that every time people took a photo of me, or even looked at me, they’d think I was compromising my morals or integrity - which I’m not, and I wasn’t then.” She quickly clarifies. “Our personal history is not void because of where we are now, but Roger and I have also changed as people, and we’re allowed to have our feelings change. I’m honestly a little offended people think I we would have gone through all we did for mere publicity.”

Speaking of Roger, I’m a little surprised her wedding dress isn’t one of those on the mannequins, but I understand her choice, and we’ll certainly get to that soon. Her wedding dress sits at the back of one of the racks, carefully distant from any of the year labels. As she removes it from the garment bag, she gives it a softly nostalgic smile, brushing the fabric gently. “This should really go in my own closet.” It’s unlike most of her other outfits here, such a pale cream it’s almost white, floor-length and sleeveless with a Roman-inspired cinched waist topped with what I hesitate to even call ruffles, their drapings so loose it’s reminiscent of curled hair rather than a traditional ruffle. The material is so soft and light that even on a hanger it looks a little ethereal. It’s simple, elegant, and the very sight of it brings joy to her face.

“’81.” The year is surprising, as is the revelation she shares about how they celebrated their tenth anniversary a few months prior. Putting the dress away, we move to the early eighties, and it’s almost cyclical the way we’re brought back to the ‘Merry Murderess’ aesthetic with the lineup from her ‘The Bend Before The Break’ tour. 

“Everyone and their mother seems to have read the article [All The Queen’s Men, Rolling Stone, 1985] and figured out I was in a shaky place at the time; it’s again about having that modicum (sic) of control. Part of me reverted to portraying myself in the way when I felt like I was at the height of control in my relationships and career. It’s a pretty aesthetic,” she gently pulls a velvet, wine-coloured cocktail dress from the rack, giving it a gentle pat, “it made my stage presence feel good, honestly.” It doesn’t sound bitter, but she puts the dress back. 

Apologising for a moment, she explains the large gap between ‘82 and ‘84, with her Finally, Sunlight tour. “After coming home from the [The Bend Before The Break] tour, I took some time to myself; I was, of course, still writing, but I couldn’t really perform or make any big public appearances after like, July in ‘83, because I was quite pregnant, and, again, I’m a private person.” The Finally, Sunlight tour is known for two things, Giselle wearing gold, silver, and copper, in any and every way she could, and the Atlanta Breakdown.

“I wore metallics because Finally, Sunshine is about my baby girls, and they are so precious to me.” As was made clear in the Rolling Stone article, Giselle and Roger lost one of their twin daughters to illness in Autumn of 1984, though Lilith survived, it took a devastating toll on the couple. Moving past that, we’re finally brought to the crown jewel of the collection; her Live Aid dress.

It’s almost the antithesis to the ‘Merry Murderess’, though it shares a similar neckline and off-the-shoulder style. The Live Aid dress, which Giselle calls ‘Queen Midas’ for reasons I’ll get into later, has a white, crushed velvet bodice with an inbuilt corset, and basque waistline. Beneath the waist is a enough layers of thin and flowing georgette to become completely opaque, like a waterfall from the waistline, the colours fading from a bright, sunshine yellow at the hip, to a rich, sunset orange by the knee, and finally to a smokey, warm-toned charcoal where it brushes the ground, with gold jewels dotted around the bottom and creeping almost to the knee in some sporadic places, reminiscent of embers in a fire. Her gloves are white velvet, and just like with the first of her most iconic outfits, it’s gold sequinned fading to actual glitter and diamonds. 

“I took a hard look at where I was and what I had achieved, and... whether or not I can help it, I effect people, through my music, my actions, through what I wear, and can be a double edged sword. Sometimes it can hurt, or I can hurt others by saying or doing the wrong thing, but sometimes I find myself wanting for nothing; everything I’ve held close has turned to gold. I wanted to show that, to be able to be a part of something that gives back to the world where it’s given me so much.”

With all her most well-known outfits having been covered, there’s one more that comes to the top of my head; the jacket of 1980. The tabloids had a field day with her choice of wardrobe as she stepped out of a car with the rest of Queen wearing a salmon and green floral, double breasted suit jacket, with silver buttons and silver stilettos, with sheer, thigh high white socks held up by a garter belt, hair fashionably messy, but makeup pristine. The deviation from her usual pristine image had shocked both paparazzi and public alike, however the daring outfit had quickly been lauded as one of her best, many publications who ran photos even citing it as the entertainment industry’s hottest innovative look of the decade. Even since it has stood the test of time, and has been attributed to the rise of patterned and bold suit jacket purchases by men and women alike, with the outfit have been cited as inspiration for more than one celebrity’s red carpet look. 

Now, however, something, possibly amusement, possibly annoyance, crosses her face, and she tells me it’s not here. The jacket is Mercury’s. “We were on our way to a party being hosted by [Elton John], and I’d only been with Rog for a few months at this point; so we’re in the back of the limo with the other [members of Queen] and Roger’s spilled his wine on my nice, white cocktail dress.” It seems like a bittersweet memory, and she reminds me of her earlier comment about the ‘wine stain argument’. “In hindsight, everything worked out, but at the time I was absolutely livid; very nearly killed him in that backseat. Poor [John Deacon] literally had to drag me off of him. [It] took both him and Freddie to hold me back when Roger got out once we arrived, and they had the driver circle the block again so I could change into Freddie’s jacket, which he so kindly lent to me.”

From her tone, and her following comments about how her husband likes to bring it up, it seems as though it’s a well worn argument of how Roger Taylor enjoys taking credit for the look, though Giselle doesn’t seem like she enjoys giving him the satisfaction.

“My image has always been about how much I can control what people see of me, and to have that control taken away by a careless action, it really hurt. A man like Roger, in the entertainment industry, is never going to face the kind of scrutiny that I do, it’s the reason you’re here at all, talking to me about fashion rather than say, how difficult it is to be a practicing lawyer in the music industry while raising two beautiful daughters. And I still write music on occasion. But people remember what you show them, how you present yourself; my tour wardrobe is a reflection of the persona I let interact with the world, and it’s beautiful, and a legacy that will probably outlive me to some extent. 

“Do I regret any of my fashion choices? I don’t really have the liberty to, do I? And either way, they’re part of the reason I’m where I am today; I made a niche for myself that was built initially on my aesthetic, if I’m being generous, so I suppose I’ll always be grateful to it.”

[kylegoodmanuca-blog]

Meet the Teenager Who's Exposing Celebrities for Their Fake Yeezys

The counterfeit goods industry is worth more than a trillion dollars, and fake sneakers are a big part of that equation. When it comes to bootleg shoes, they’ve morphed from Air Jordans with Spongebob on them to near-identical Adidas Yeezy Boosts that can even fool discerning sneaker enthusiasts. Except for Yeezy Busta, a 19-year-old medical student from Los Angeles who runs an Instagram account that calls out celebrities and regular people.

Yeezy Busta, who prefers to keep his identity hidden due to legal ramifications and to preserve his privacy, first fell in love with Kanye West’s sneakers when Kanye wore them in Keri Hilson’s “Knock You Down” music video. He’s since garnered a social media following of nearly 190k Instagram followers and is viewed as a bona fide expert on whether a pair of Yeezys is real or fake. As expected, his account has become controversial, as he calls out people publicly for wearing bootleg sneakers, which has caused him to make friends and enemies along the way.

His passion for identifying legitimate footwear, however, started when he fell victim to owning a pair of fake sneakers himself. Since then he’s learned the ins and outs of what constitutes a real pair of Yeezys. We spoke to him on what it’s like to be the Internet’s authority on who’s wearing authentic sneakers or not and how to make sure you’re laced in nothing other than pairs straight from an Adidas factory.

How did you create the Yeezy Busta persona? There were a few kids in my high school who always showed off their fake Yeezys, and I thought it was funny. I don’t have a problem with people who want to wear fake shoes, just own it. They’d say, “I spent $1,000 on these. They’re real.” I’d call them out for lying. I was a fan of Fake Watch Busta. I first called out a few of my friends from high school and some random people I found on Instagram. I got a shout out from a big page and got on Complex the same day.

Who’s the most surprising person you’ve seen in fake Yeezys? Teyana Taylor, because she signed to Good Music. She was wearing fake “Turtle Dove” Yeezy Boost 350s. This was before “Fade,” but she’s the star of one of the biggest songs on The Life of Pablo. I caught Jackie Chan, Zac Efron. I caught Soulja Boy and there was a huge beef between me and him on WorldstarHipHop. One of my followers showed me that he posted a fake pair of Yeezys on his Instagram. He took the photo down a few minutes later. I called him out and he commented on my photo, “Nah, my shit’s real. You Photoshopped this photo.” I posted another photo and then he got angry. He ended up deleting the comments. He said he’s got millions on me and all of these followers. I said, “I don’t care you’re still wearing fake shoes.” He got interviewed by WSHH and said, “Fuck Yeezy Busta.” He then went to Flight Club and bought a real pair that day.

Have you had people threaten legal action over you calling them out? That’s why I stay anonymous. I’ve had people threaten to sue me, but they can’t because they don’t know what my name is. I’ve had people threaten me and say they’re going to ruin my life and get my page taken down. The people who unwillingly buy fakes are the ones who say, “I spent a lot of money on these, how can I get my money back?” The ones who willingly bought fakes are the ones who lash out. There was a billionaire from Indonesia who threatened lawsuits against me. He even sent me documents that he’s going to sue me. That’s why I stay anonymous, because if I’m going to be famous, I’d want it for doing something else. I love my fans and supporters, but when I go out in public I want to be myself.

How do you know sneakers are real or fake? I’m really meticulous, I notice the smallest things. I could tell what’s real and what’s fake. I’ve never been wrong, and I don’t call someone out unless I’m 100 percent sure. A fan sent me a pair of good fakes, so I could tell the difference. Ever since then, I’ve been lucky enough to get Yeezys every drop, as well as fake pairs, so I can tell what’s real and what’s fake.

What percentage of Yeezy photos online are real? I’ve seen Hypebeast post fake samples unknowingly. I get tagged 1,000 times a day in their friends or celebrity photos. They’re fake 7/10 times.

Do you have a relationship with Adidas? I’ve made friends over at Adidas and they take care of me, that’s all I’m allowed to say.

What do you think of Kanye supporting Donald Trump? I’m supportive and I’m a fan of his music, designing career, and everything he does. I think everyone’s entitled to their own political views, and if those are his, then so be it. I think he’s going through some sort of midlife crisis. If he is hanging out with Trump for his political views, I think that’s OK. If people don’t like that, I understand it. I think he may be doing it in a superficial way for attention, and it may not be the best idea. Donald Trump might be the most talked about person, but he’s not the most positively talked about person. He needs to spend time with his close friends.

What would you say to people who are getting early pairs? If it’s too good to be true, it’s too good to be true. If someone’s trying to sell you samples. 9/10 times they’re going to be fake. So few people can get their hands on samples. People who work on the Adidas design team would get thrown in jail if they sell the samples. My advice to people who want to be samples: Don’t do it unless you’re getting them from the man himself. If you want to be buy them early, be extremely skeptical. If it’s a week before the release, there’s a bigger chance they’re real. If it’s over a week early, don’t trust it. You have a better chance of getting a better deal on resale than presale. The “Oreos” were going for $2,000 before they came out on Flight Club. Now they’re $600.

What about samples that get posted on Instagram? From the friends I’ve been able to make at Adidas, I can say that 99 percent of them are fake. This might be a conspiracy, but from what I’ve heard the factories in China make a sample pair and someone from a gang or the mafia steal it, reproduce it, and call them “samples.” The fakes are so close to the originals, it’s hard to tell if it’s real unless you have a trained eye.

Have you seen fakes at stores?

I’ve seen fakes at Round Two Hollywood multiple times. I’ve tried to be nice to them about it. I’ve seen StockX posted a pic of really bad fake "Turtle Doves," and it said, “StockX, verified authenticity.” Unless you have a trained eye, you won’t be able to tell the difference.

[Ed. note: StockX's response to the claim of it having fake Yeezys on its site: "This particular shoe was not sold on StockX. A person not associated with StockX posted this picture on their Instagram account with the hashtag #StockX #VerifiedAuthentic. A member of our social media team - not authentication team - reposted that picture without checking to see if there was a StockX Authentication Tag in the picture (there wasn't) or if it had been sold on StockX (it hadn't). It was taken down ten minutes later. We agree with Yeezy Busta as to the ubiquity of fake Yeezys on the market. Since we began authenticating sneakers almost a year ago, we have prevented the resale of more fake Yeezys than any other sneaker brand."]

Have you turned this into a business?

I’ve started a few things that are separate from me. I tried to do $2 legit checks, and I got called an asshole. I got 2,000 DMs a day, so I don’t have time to look through them all. If I was getting paid, maybe I’d have time. I’ve been approached by iPhone applications and stores.

Have you met Kanye?

I’ve interacted with everyone that Kanye knows except him. There’s 10 million people in Los Angeles. There are 500 people who run the entertainment industry, you get to know a lot of people. I met Ibn Jasper through a friend of mine, I met Pusha T, Big Sean, but I haven’t met 2 Chainz. It’s a dream to meet Kanye. I don’t get starstruck, but that would be the one time I’d fan out.

[anactualhyena]

Answer literally all the OC questions pls

HOO BOY THANK YOU ANON

1. Your first OC ever?

That would be Seren! She started out as my Warriors OC in sixth grade - Dragonclaw, a neon green, red, and orange cat with spike collars and bat wings. I called her the leader of Blood Clan and made her Scourge’s mate and oh lord it was a nightmare. She’s gone through a lot of redesigning through the years and now she has a feral cat form and a human form? As a cat she’s like a partially albino Norwegian forest cat with moss growing on her back and bits of fur matted with blood and an old torn dog collar she probably found on the streets and thought looked cool. As a human, she’s a muscular tribal woman bearing a large spear of sorts and clothing made from torn fabric and a tiger pelt. I like her human rendition a lot better tbh.


2. Do you have a personal favourite among your OCs?

Answered!


3. Have you ever adopted a character or gotten a character from someone else?

I have! One of my old cat characters, Mandy, was a black cat with rainbow accents that I adopted years ago on DeviantART for like 5 points. Then my friend gave me her old Hetalia OC…I believe it was D.C.? As in Washington D.C.? But I don’t use my Hetalia characters anymore now that I left the fandom.


4. A character you rarely talk about?

That would definitely be Flint. Flint is a steampunk pirate character made for a Dungeons and Dragons campaign I had with a couple buddies last year. I’ve hardly talked about him at all but I love him too.


5. If you could make only one of your OCs popular/known, who would it be?

Iagan!!! Iagan is my little ball of fluff and happiness that would love to brighten anyone’s day. Plus I’m pretty sure he’s the most likely of all my OCs to become popular if any of them did.


6. Two OCs of yours that look alike despite not being related?

YES. Flint and Feuhorbe (as a human) look a lot alike because Flint’s design was based off of Feuhorbe’s. The difference between them is that Flint is thicker than Feuhorbe and their hair, eye, and skin colors are different. That and Flint has scars and is more Spanish-based whereas Feuhorbe has vitiligo and is Brazilian.


7. Are your OCs part of any story or stories?

Well…Iagan is (and I cringe when I say this) an Undertale OC, and Rev is a part of a story/universe that Griffin created. Carlisle and Vincent used to follow this sort of post-apocalyptic storyline I had going for an RPG my buddy Roman was making, but the idea got scrapped and I kept the characters, so now they aren’t exactly a part of anything. And then…there’s my old Hetalia OCs…Riccione (originally Sparta), Toronto, and D.C.


8. Do you RP as any of your OCs? If you do, introduce one of your RP OCs here!

I don’t actually RP as my characters anymore, but I used to RP with Riccione all the time in middle school. She’s a chubby professional dancer who runs a night club in Italy and maybe plays the violin? I can hardly remember.


9. Would you ever be willing to give any of your OCs to someone else?

I mean, their old designs? Absolutely. I’m slowly selling those on my DeviantART - mostly ones I don’t use anymore, like Warriors cats and my old fursona and a few others.


10. Introduce an OC with a complicated design?

FEUHORBE MY LORD. He’s actually not that complicated, but his vitiligo can be difficult to draw and as a furry, he’s a horse piñata whose colors follow a specific pattern based on an actual piñata I stole from one of my friends in the dorm room across from mine after their birthday. But there’s also Zane, a genderless dog dragon demon thing that someone gifted me as an avatar on the website Whirled, who I turned into my own character. I’m not sure if they were originally someone else’s OC that was given away or what, but I can’t find any other pictures of them or their species anywhere, so I’m keeping them as my own until further notice. Their design features horns and blue to black gradients and wings with holes in them and various scars.


11. Is there any OC of yours you could describe as a “sunshine”?

IAGAN!!! I can’t explain it enough, he’s literally a ray of sunshine.


12. Name an OC that isn’t yours but who you like a lot.

Oh man…there are these animators on youtube who I watch all the time and I’m in love with their characters/fursonas. There’s Mystery, who belongs to Sleepykinq, Puppers(?), who belongs to kittydog, and Yagi, who belongs to Scotch.


13. Do you have any troublemaker OCs?

Sonni is my little troublemaker. He’s a jokester and also a Dungeons and Dragons character, and his only purpose is to mess with my buddy’s characters and mess up their quests.


14. Introduce an OC with a tragic backstory

Carlisle had his arm blown off in an explosion, which also claimed his vision, but Vincent was able to build him a robotic prosthetic arm and these special goggles with LEDs that allow him to see again. That’s as tragic as it gets, really.


15. Do you like to talk about your OCs with other people?

I do! But I rather people ask me about my characters because if people don’t show initial interest, I just think I’m annoying them. A lot of times, that’s how I further develop or redesign my characters.


16. Which one of your OCs would be the best at biology (school subject)?

That would have to be…Seren and Roc, honestly. Because they are “”“warriors,”“” they know things like how the body reacts to certain toxins and which vital organ, if impaled, causes the most suffering before death. But that’s more like anatomy.


17. Any OC OTPs?

Answered!


18. Any OC crackships?

I high key ship Iagan with Scotch’s character Yagi? I have no real reasoning behind it. But that’s about it.


19. Introduce an OC that means a lot to you (and explain why)

Geez…that’s kinda hard to pick. I’d probably have to say Donovan, because I’ve projected a lot of my own traits and issues onto him (being a trans guy, having depression, letting him to do all kinds of things I wanted to do but couldn’t, etc.) and he helped me cope with a lot of shit until I just relied on my persona and let Donny have his own life.


20. Do any of your OCs sing? If they sing, care to share more details (headcanon voice, what kind of songs they like etc)?

Axwell actually was a choir kid growing up and can sing pretty dang well. My headcanon for his voice would be some sort of mix between Brendon Urie and David Bowie’s voices? His taste in music actually heavily varies and he doesn’t have a set favorite genre or anything - just anything with vocals. Feuhorbe love to hear him sing.

Iagan can kinda sing as well? He’s partially based off of a Samoyed, which are known as singing dogs, but it’s not one of his prominent talents. Although he can freely manipulate the sound of his voice as he pleases, his standard voice is that of JonTron’s. He’ll sing and listen to everything upbeat and cheerful.


21. Your most artistic OC

That would be Piper. Piper is a male Lolita, a ferret, sounds like cr1tikal, and is about four feet and ten inches tall. He does a lot of art, mostly of Lolita fashion and mainly uses watercolor paint.


22. Is there any OC of yours people tend to mischaracterize? If yes, how?

No one mischaracterizes my OCs because they aren’t popular enough for other people to even notice.


23. Introduce OC that has changed from your first idea concerning what the character would be like?

Since I already talked about Seren, I’ll talk about Carlisle. He started out as my original fursona, which was a generic twinky fox with long ears and black circles around his eyes and a MLP jacket. Then he was a feral fox that became my mascot? Now he’s my bara babe (other than Vincent) and had his metal arm and LED goggles And a way better color scheme.


24. If you could meet one OC of yours, who would it be and why?

I would absolutely love to meet either Iagan or Feuhorbe because I know I would have a really great time with either of them???? Hanging out with either of them would literally make me 10 times happier.


25. The OC that resembles you the most (same hobby, height, shared like/dislike for something etc?)

That would have to be Donovan. He’s only two inches shorter than me (not counting his ears), about 10 pounds heavier than me, huge into music, and a trans guy.


26. Have you ever had to change your OC’s design or something else about them against your will?

Nope. I made all changes to my characters freely.


27. Any OCs that were inspired by a certain song?

No, but I do like to think of what my characters’ theme songs would be. I’m still making that list.


28. Your most dangerous OC?

Answered!


29. Which one of your OCs would go investigate an abandoned house at night without telling anyone they’re going?

That would probably be Feuhorbe and Sonni. In it for the adventure but will not tell anyone specifically to potentially cause trouble.


30. Which one of your OCs would most likely have a secret stuffed animal collection?

I would say Iagan, but it wouldn’t be a secret. So I’d have to say either Skyler (a dragon character of mine) or Carlisle.


31. Pick one OC of yours and explain what their tumblr blog would be like (what they reblog, layout, anything really)

Piper would try to run a pastel aesthetic blog but it’d be riddled with too many memes and shitposts and videos of him just saying and doing stupid shit.


32. Which one of your OCs would be the most suitable horror game protagonist and why?

Alcatraz. He’s a lawyer but has a huge secret passion for ghosts and ghost hunting and all things paranormal, so he’d fit right into a game revolving around those things.


33. Your shyest OC?

Lukas! Lukas is a small quetzal that’s big into Harajuku fashion and he is the shyest little guy alive. But he’d probably get along well with Piper.


34. Do you have any twin characters?

Nope.


35. Any sibling characters?

Yes!!! Donovan, Carlisle, and Alcatraz are my three fox brothers. Donny is the youngest and Alcatraz is the oldest.


36. Do you have OC pairs where the other part belongs to someone else (siblings, lovers, friends etc)?

Yes! But they’re only with my boyfriend because I haven’t found anyone else who wants to ship their characters with mine.


37. Introduce an OC who is not quite human

I mean,,,the only set human characters I have are Flint and Axwell and my Hetalia characters, unless you count the human designs for my furry and feral characters. None of them are really a mix and could be considered not quite human except for Sonni, who is the most humanlike out of my non human OCs. He’s very lanky and appears malnourished and has three eyes and is covered in short, dark hair/fur. He has a short stubby tail and tall “ears” and has six arachnid-like appendages protruding from his back that he can crawl on.


38. Which one of your OCs would be the best dancer?

That would be Riccione and Donovan, who are actually dancers! Riccione is a professional dancer, whereas Donovan shuffles and such as a hobby.


39. Introduce any character you want

Bow Echo is a griffin that’s a mix between a bobcat and a peregrine falcon. She can fly super fast and I need to develop her more.


40. Any fond memories linked to your characters? Feel free to share!
41. Has anyone drawn fanart of your OCs? If yes, maybe show a picture or two here (remember sources & permissions!)

A few people have! They’re on my ArtFight profile under Defenses!

http://artfight.net/~CyberFoxFire


42. Which one of your OCs would be the most interested in Greek gods?

That would be Rev. The universe he’s from revolves around many entities similar to those found in Greek and Roman mythology, with him being basically the embodiment of the Ragnarök.


43. Do you have any certain type when you create your OCs? Do you tend to favour some certain traits or looks? It’s time to confess

Ok…I love making them around six feet tall or taller and giving them facial hair and choppy short hair that can be pulled back in low ponytails. But I’m trying to stop that and make them more diverse.


44. Something you like about your OCs in general

They all represent different aspects of my personality and I make really deep connections with them because of that.


45. A character you no longer use?

Jacobi. He’s just some Scottish guy that wears flannels. I’m selling him on DeviantART eventually.


46. Has anyone ever told you that you treat your OCs badly?

Nah. It’s mostly anons that tell me things about my OCs, like how they look like internet cancer. Not that I mind, I mean, come on. They all look like hell lmao


47. Has anyone ever (friendly) claimed any of your OCs as their child?

I think? When I first joined the Osomatsu-San Network, one of the first things I did was talk about my OCs with some other the other members. One might’ve claimed Iagan or someone else, I can’t really remember.


48. OC who is a perfect cinnamon roll, too good for this world, too pure

IAGAN!!!! And also Lukas!!


49. Which one of your OCs would most likely enjoy memes

That would be Piper, Sonni, Donovan, Feuhorbe, and Iagan.


50. Give me the good ol’ OC talk here. Talk about anything you want

Uh…I think I’ve talked about literally everything I can think of off the top of my head. Feel free to message me though if you want to talk about OCs!

[lizgavin]

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