The emotion behind the way Edwin uses fuck is so heavy, because outside of the pilot episode and the scene on the stairs, he doesn't swear. He's a proper boy, repressed and focused and he bottles everything up.
In the Pilot, "The police don't know what to do with a fucking witch", he isn't swearing about the witch. He's angry, and he's upset, and he's frustrated. He's trying to focus on solving this case, saving the girl, doing the right thing, fixing things. Edwin spent seventy years in Hell, fighting for a way out (the detail in his journal, he didn't get out on the first try, he spent those 70s years trying over and over and over to find a way out - but that is a story for a whole other time), torture and pain and heartbreak, only to get out and fall into the school to find out no one cared that he died. "An act of God." The school wrote him off, everyone wrote it off and that was it, that was the end of it, no one cared that a 16 year old boy went to bed and was never seen or heard from again, poof, gone. He spent Charles' last moments with him to keep him company, and calm, and not scared, the two of them knowing what had happened only for the school to once again cover up the death of a 16 year old boy and pretend that whatever happened didn't. Edwin spent the next 30 years connecting with Charles, trying to help ghosts so they don't spend their entire afterlives in a state of absolute sorrow and heartbreak like has. We get such a bare taste of the ghosts they've saved and helped move on, who knows how much good they've truly done, how many they've saved from going to Hell on technicalities like Edwin had done. He's frustrated with Crystal, because he's spent 30 years working with Charles and only with Charles, he knows his friend, he knows how he behaves and how he works and how he acts, those two are connected on a level some people only dream about, and here she comes, she latches on, and she joins them to help but she's so hyper focused on herself and David (understandably so), that she isn't giving the same attention to the case that Edwin and Charles have always done, and he's angry, and he feels like it's going to happen to this girl, he is worried that her focus on David, is going to cause them to fail. Crystal has every right to be upset and scared and everything else that she is, but she doesn't consider, until that moment, that Edwin has a right to be upset about how it seems to be interfering with the case. The way that she reacts when he says "The police don't know what to do with a fucking witch," she realizes it then just how important this case is. Edwin was dragged to hell, the boys around him obliterated - leaving behind the idea that maybe he was, too - so to the school, maybe Edwin just disappeared, like Becky, like all the other little girls over the years in Port Townsend. Solving Becky's case is so damn important to Edwin that he is taking it personally. And while it's subtle, Charles reacts to him swearing, too, as though Edwin does not swear. And based on the rest of the season, it's clear he really doesn't. The way he swears in the pilot is from a place of complete and utter sorrow and anger.
In ep 7, it's different. He's spent the whole season struggling with who is he, trying to come to terms with a feeling he'd repressed for at least a century, and he's had to do it while dealing with the Cat King and Monty and watching Charles flirt with Crystal and struggle through his own rage, he's done it as quietly as he could, as if bringing it up out loud might ruin everything that he's worked so hard for. But now he's in Hell, again, now he's trying to get out, again. Edwin encountered the reason he was sent there in the first place, and found out what really happened. Edwin spent all those years thinking it was purely malice that got him sacrificed, only to find out it was just because Simon had a crush on him, and did an absurdly stupid thing thinking it was harmless. I think in that moment, Edwin realized how easy it is to misunderstand something - because clearly, Edwin had absolutely no idea that Simon liked him at all, until the moment he admitted it in Hell. And then Charles shows up. Charles came to save him, armed with a bomb, a Molotov cocktail, and Edwin's notebook with a map of hell on it. Charles came down, he listened to Edwin's directions, he ran behind him most of the time to make sure Edwin was going to get out. Charles was with him, saving him from one of the rooms, following him to the stairs and up. He stopped with him, even when they needed to keep going, Charles let him have a moment on the steps. Edwin is in shock, he cannot believe it. All these years, all these write offs, all these moments where Edwin genuinely didn't think he'd ever get out of Hell if he were to go back, believed that if they ever got caught by Death or anyone from the afterlife, he would be damned forever because who gives a shit about a technicality, who cares about the poor boy that was sacrificed and written off by the rest of the living. Edwin didn't know what else to do or say, the emotions he'd kept bottled up while he tried to figure them out were coming out one way or the other. "It's so fucking stupid, it's unbelievable." Edwin didn't think he deserved it, thought it was stupid to come down and save him, because who would do such a thing. Charles risked himself to come down to Hell to save Edwin. Edwin never thought he'd be worth it. And when Charles just shrugs it off a bit, reminds him that he was gonna do it, and he's so easy about it that Edwin just. Confesses. And corrects him, when Charles misunderstands for a second. Charles didn't think twice about "Great. Love you too. Can we go?" And he really didn't even hesitate to reassure Edwin when Edwin clarified what he meant, that they had forever to figure things out.
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kiryuu sibling stasis post-32 is so interesting to me. nanami tries to leave and is (temporarily but also, crucially, violently) prevented from doing so by touga and akio. after this experience she puts distance between herself and them: she leaves touga’s phone in the car, she resigns from the student council (though she dons her old uniform still), she repeatedly dismisses and undermines the authority of the rose code, of end of the world, of akio, of touga. but she’s still in ohtori, isn’t she? uncomfortable with the idea of leaving, uncertain if it’s really possible. she tried before, and it hurt her. deeply. it’s so interesting to me, nanami’s agency and how she limits her exertion of it after 32, when she realises it for what it is. contrast that with touga, who accepts this weird stalemate between them, who is, really, uninterested in having any relationship of any kind with nanami if he can’t gain something from her. he’s very passive with her after 32, compared to the passivity he’d always feigned towards her before in order to stoke reactions from her and then exploit them. i was thinking about how touga has always been able to sever his relationship with nanami, but chosen not to; first out of a sense of obligation (‘we should live to help each other’) then a realisation of how that could be exploited. i was thinking about how nanami has never realised her ability to leave, in part because it is limited by touga and the harm he does her. i was thinking about the desperation and confusion akio calls out to anthy with as she leaves. i was thinking about how different that is to the kiryuus’ strange semi-breakdown; touga doesn’t want or need nanami, and nanami might love her brother but she cannot trust him or feel safe around him, doesn’t want to see him anymore; she’s itching to leave, and just a little scared (you know, because last time she tried that her brother assaulted her), and he’s not doing anything because ignoring her means he doesn’t have to deal with the emotions of her leaving or staying. something something gendered power dynamics something something tragic siblings
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It's hard to believe that people actually dislike Izuku for "What he stands for" or the fact he's a flawed character when for years, years now people will hate on him for less.
This is the same fandom I have seen some people say Aoyama, a child who didn't actually have a choice, got off "too light".
Same fandom where some people will call Horikoshi a misogynist and then turn around and reduce the female characters to nothing but love interests and future wives. Some of you still only see Ochako as a girl with a crush. Some of you like to bash on Miruko's uniform and people only being horny for her and yet still won't say anything about the male character's costumes and are also horny for those characters yourselves.
Same fandom, now, that will ignore a character's development and that character has admit to being an ass and still be like "He didn't develop at all" and even worse? That character is a child. A child who never even is awarded for his behavior. In fact, often times is punished by the narrative in some way. And yes, I am talking about Katsuki.
Same fandom where some people will attack others over ships. And with shipping, that's the only time some of you will "care" about these characters. Izuku is the main victim of that!!
Same fandom who will be like "fanon is better" when fanon is actually worse.
Same fandom who at a time actually hated the villains, still do and even going as far as to making fun of some of their appearances (like Shigaraki and Dabi)... and really only started to "care" when they "showed out" during the Villain Arc. And by "care" I mean, only finding Shigaraki and Dabi hot as hell and still don't understand their characters. And even if you get why the villains do what they do, some of you still won't acknowledge they're in the wrong, too.
What about the minor villains who just want to cause havoc? For all we know, some of them may come from good homes and just want to be menaces to society. The heroes aren't completely good people either, but don't act as if it's every single one of them who do it for fame (Rock Lock is an example of a hero doesn't actually sees being a hero as a JOB) and every villain has some "excuse" because they don't.
In the case of Izuku Midoriya, some of you will say that Vigilante Deku was the best version of him. No. No, it's not. It was the worst version of himself.
It's not because he was a vigilante. It was because he wasn't taking care of himself. In what way is that the best version of anybody? Neglecting your health?
BNHA: Vigilantes is a perfect story that shows vigilantes not neglecting themselves and still doing what they needed to do to save people.
Often times when I do cross Vigilante Deku fanworks, it's like a totally other character.
My grievance with people "criticizing" Izuku isn't because of what he stands for. Their attitude will come off like he shouldn't have flaws.
Yes, he is a teenager who can only do so much and even as he gets older he can only still do so much because he is still just one person. But he can learn. He still has a long way to go even after however the story ends. Is he not suppose to learn or what?
Question: If Toga dies, will you hate Uraraka? If Spinner dies, how about the other characters? Will you hate them?
Kurogiri is gone but I don't see people hating Aizawa and Yamada.
"But it wasn't their fault! They were trying!"
And Izuku wasn't? Was it Izuku's fault that Shigaraki turned out the way he did?
Izuku wasn't the problem. He tries to be the solution and yes, sometimes it's a flawed solution.
But he shouldn't be the only character the fandom chooses to criticize and hate on for his flaws.
"But he's the main character!" Played out excuse. Played out, it's ridiculous. You're telling me that you're choosing to hate Izuku because he's a flawed main character?
Bullshit. So a character's position in a story is why you're choosing to hate him?
Even though other main characters before and after him have are loved and practically fucking worshipped and yet will have just as much flaws or even more?!
There are folks who love a character despite being gross as hell and they're not the main character. So that "main character hate" is bullshit.
For me, I will hate or love a character not because of their position in story but because of how they are as a character. Sometimes, it just so happens they are the main character. Sometimes, they're not.
Of course, their role can play a part as to how they're written.
Honestly, again, it's hard for me to believe people are "criticizing" Izuku for what he "stands for" when this fandom has shown me countless times the amount of bullshit it will pull. This fandom? Really? Same fandom who will adore other characters for less? Hate characters for less? Who come up with cold ass takes that do not make sense?
What? Exactly what kind of character Izuku Midoriya is meant to be? I'm curious, I really am! (No, no, I'm not.)
Because what it seems to me that even if Izuku was "perfect", the fandom will hate him no matter what.
"BNHA is cop propaganda!" Really? Because the police force here seems pretty "useless" to me. (A lot of the work is done by the heroes.) Sometimes, I forget they even exist until I see like Sansa or another police officer. (Actually, I be forgetting Sansa is a cop.) They're not even the main focus. Maybe it's just me, but BNHA comes off as a story that shows the ongoing cycle of what a previous generation's actions will do to shape the next generation and what that next generation may do to change. It's just that it's being told through heroes and villains and in between.
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