#when i was 12 or so i once wrote “happy caesar death day” on a history teacher's whiteboard

[aelloposchrysopterus]

I posted "one week until the ides" on my Instagram and immediately got a message from a friend asking if I'm ok. Somehow I forgot that not everyone looks forwards to the anniversary of Caesar's death.

[mjvnivsbrvtvs]

hi! so we have established at this point that you have A Lot Of thoughts about antony and brutus. but how does caesar (julius, not the little bitch octavian) play into that? bc like. my knowledge and impression of them is very limited and mainly constructed from watching hbo rome and idk. i think it'd be fun to throw caesar in the mix. love all the art and writing on your blog btw! have a nice day.

Hey, okay! So this used to be over 30 pages long (Machiavelli and Caligula got involved and that's when things got out of hand), but through the power of friendship and two late night writing dates fueled by coffee, I’ve cut it way down to under 10. Many thanks to the people who listened to me ramble about it at length, and also to a dear friend for helping me cut this down to under ten pages!

Also, thank you! I'm glad you enjoy the stuff I make! It makes me very happy to hear that!

And quickly, a Disclaimer: I’m not an academic, I’m not a classicist, I’m not a historian, and I spend a lot of time very stressed out that I’ve tricked people into thinking I’m someone who has any kind of merit in this area. It's probably best to treat this as an abstract character analysis!

On the other hand, I love talking about dead men, so, with enthusiasm, here we go!

For this, I’m going to cut Shakespeare and HBO Rome out of the framework and focus more on a historical spin.

Caesar is a combination of a manipulator and a catalyst. A Bad Omen. The remaining wound that’s poisoning Rome.

Cassius gets a lot of the blame for Brutus’ turn to assassination, but it overlooks that Brutus was already inclined towards political ambition, as were most men involved in the political landscape of the time.

Furthermore, although Sulla had actually raised the number of praetorships available from six to eight, there were still only two consulships available. There was always the chance that death or disgrace might remove some of the competition and hence ease the bottleneck. But, otherwise, it was at the top of the ladder that the competition was particularly fierce: whereas in previous years one in three praetors would have gone on to become consul, from the 80s BC onwards the chances were one in four. For the senators who had made it this far, it mattered that they should try to achieve their consulship in the earliest year allowed to them by law. To fail in this goal once was humiliating; to fail at the polls twice would be deemed a signal disgrace for a man like Brutus.

Kathryn Tempest, Brutus the Noble Conspirator

The way Caesar offered Brutus political power the way that he did, and Brutus accepting it, locked them into the assassination outcome.

Here is a man who’s built his entire image around honor and liberty and virtu, around being a staunch defender of morals and the republic

In these heated circumstances, Brutus composed a bitter tract On the Dictatorship of Pompey (De Dictatura Pompei), in which he staunchly opposed the idea of giving Pompey such a position of power. ‘It is better to rule no one than to be another man’s slave’, runs one of the only snippets of this composition to survive today: ‘for one can live honourably without power’, Brutus explained, ‘but to live as a slave is impossible’. In other words, Brutus believed it would be better for the Senate to have no imperial power at all than to have imperium and be subject to Pompey’s whim.

Kathryn Tempest, Brutus the Noble Conspirator

and you give him political advancement, but without the honor needed for this advancement to mean anything?

At the same time, however, Brutus had gained his position via extremely un-republican means: appointment by a dictator rather than election by the people. As the name of the famous career path, the cursus honorum, suggests, political office was perceived as an honour at Rome. But it was one which had to be bestowed by the populus Romanus in recognition of a man’s dignitas.69 In other words, a man’s ‘worth’ or ‘standing’ was only really demonstrated by his prior services to the state and his moral qualities, and that was what was needed to gain public recognition. Brutus had got it wrong. As Cicero not too subtly reminded him in the treatise he dedicated to Brutus: ‘Honour is the reward for virtue in the considered opinion of the citizenry.’ But the man who gains power (imperium) by some other circumstance, or even against the will of the people, he continues, ‘has laid his hands only on the title of honour, but it is not real honour’.70

Brutus may have secured political office, then, but he had not done so honourably; nor had he acted in a manner that would earn him a reputation for virtue or everlasting fame.

Kathryn Tempest, Brutus the Noble Conspirator

Brutus in the image that he fashioned for himself was not compatible with the way Caesar was setting him up to be a political successor, and there was really never going to be any other outcome than the one that happened.

The Brutus of Shakespeare and Plutarch’s greatest tragedy was that he was pushed into something he wouldn’t have done otherwise. The Brutus of history’s greatest tragedy was accepting Caesar’s forgiveness after the Caesar-Pompey conflict, and then selling out for political ambition, because Caesar's forgiveness is not benevolent.

Rather than have his enemies killed, he offered them mercy or clemency -- clementia in Latin. As Caesar wrote to his advisors, “Let this be our new method of conquering -- to fortify ourselves by mercy and generosity.” Caesar pardoned most of his enemies and forbore confiscating their property. He even promoted some of them to high public office.

This policy won him praise from no less a figure than Marcus Tullius Cicero, who described him in a letter to Aulus Caecina as “mild and merciful by nature.” But Caecina knew a thing or two about dictators, since he’d had to publish a flattering book about Caesar in order to win his pardon after having opposed him in the civil war. Caecina and other beneficiaries of Caesar’s unusual clemency took it in a far more ambivalent way. To begin with, most of them were, like Caesar, Roman nobles. Theirs was a culture of honor and status; asking a peer for a pardon was a serious humiliation. So Caesar’s “very power of granting favors weighed heavily on free people,” as Florus, a historian and panegyrist of Rome, wrote about two centuries after the dictator’s death. One prominent noble, in fact, ostentatiously refused Caesar’s clemency. Marcius Porcius Cato, also known as Cato the Younger, was a determined opponent of populist politics and Caesar’s most bitter foe. They had clashed years earlier over Caesar’s desire to show mercy to the Catiline conspirators; Cato argued vigorously for capital punishment and convinced the Senate to execute them. Now he preferred death to Caesar’s pardon. “I am unwilling to be under obligations to the tyrant for his illegal acts,” Cato said; he told his son, "I, who have been brought up in freedom, with the right of free speech, cannot in my old age change and learn slavery instead.

-Barry Strauss, Caesar and the Dangers of Forgiveness

something else that's a fun adjacent to the topic that's fun to think about:

The link between ‘sparing’ and ‘handing over’ is common in the ancient world.763 Paul also uses παραδίδωμι again, denoting ‘hand over, give up a person’ (Bauer et al. 2000:762).764 The verb παραδίδωμι especially occurs in connection with war (Eschner 2010b:197; Gaventa 2011:272).765 However, in Romans 8:32, Paul uses παραδίδωμι to focus on a court image (Eschner 2010b:201).766 Christina Eschner (2010b:197) convincingly argues that Paul’s use of παραδίδωμι refers to the ‘Hingabeformulierungen’ as the combination of the personal object of the handing over of a person in the violence of another person, especially the handing over of a person to an enemy.767 Moreover, Eschner (2009:676) convincingly argues that Isaiah 53 is not the pre-tradition for Romans 8:32.

Annette Potgieter, Contested Body: Metaphors of dominion in Romans 5-8

Along with the internal conflict of Pompey, the murderer of Brutus’ father, and Caesar, the figurehead for everything that goes against what Brutus stands for, Brutus accepting Caesar’s forgiveness isn’t an act of benevolence, regardless of Caesar’s intentions.

On wards, Caesar owns Brutus. Caesar benefits from having Brutus as his own, he inherits Brutus’ reputation, he inherits a better PR image in the eyes of the Roman people. On wards, nothing Brutus does is without the ugly stain of Caesar. His career is no longer his own, his life is no longer fully his own, his legacy is no longer entirely his. Brutus becomes a man divided.

And it’s not like it was an internal struggle, it was an entire spectacle. Hypocrisy is theatrical. Call yourself a man of honor and then you sell out? The people of Rome will remember that, and they’re going to make sure you know it.

After this certain men at the elections proposed for consuls the tribunes previously mentioned, and they not only privately approached Marcus Brutus and such other persons as were proud-spirited and attempted to persuade them, but also tried to incite them to action publicly. 12 1 Making the most of his having the same name as the great Brutus who overthrew the Tarquins, they scattered broadcast many pamphlets, declaring that he was not truly that man's descendant; for the older Brutus had put to death both his sons, the only ones he had, when they were mere lads, and left no offspring whatever. 2 Nevertheless, the majority pretended to accept such a relationship, in order that Brutus, as a kinsman of that famous man, might be induced to perform deeds as great. They kept continually calling upon him, shouting out "Brutus, Brutus!" and adding further "We need a Brutus." 3 Finally on the statue of the early Brutus they wrote "Would that thou wert living!" and upon the tribunal of the living Brutus (for he was praetor at the time and this is the name given to the seat on which the praetor sits in judgment) "Brutus, thou sleepest," and "Thou art not Brutus."

Cassius Dio

Brutus knew. Cassius knew. Caesar knew. You can’t escape your legacy when you’re the one who stamped it on coins.

Caesar turned Brutus into the dagger that would cut, and Brutus himself isn’t free from this injury. It’s a mutual betrayal, a mutual dooming.

By this time Caesar found himself being attacked from every side, and as he glanced around to see if he could force a way through his attackers, he saw Brutus closing in upon him with his dagger drawn. At this he let go of Casca’s hand which he had seized, muffled up his head in his robe, and yielded up his body to his murderers’ blows. Then the conspirators flung themselves upon him with such a frenzy of violence, as they hacked away with their daggers, that they even wounded one another. Brutus received a stab in the hand as he tried to play his part in the slaughter, and every one of them was drenched in blood.

Plutarch

For Antony, Caesar is a bad sign.

Brutus and Antony are fucked over by the generation they were born in, etc etc the cannibalization of Rome on itself, the Third Servile War was the match to the gasoline already on the streets of Rome, the last generation of Romans etc etc etc. They are counterparts to each other, displaced representatives of a time already gone by the time they were alive.

Rome spends its years in a state of civil war after civil war, political upheaval, and death. Neither Brutus or Antony will ever really know stability, as instability is hallmark of the times. Both of them are at something of a disadvantage, although Brutus has what Antony does not, and what Brutus has is what let’s him create his own career. Until Caesar, Brutus is owned by no one.

This is not the case for Antony.

You can track Antony’s life by who he’s attached to. Very rarely is he ever truly a man unto himself, there is always someone nearby.

In his youth, it is said, Antony gave promise of a brilliant future, but then he became a close friend of Curio and this association seems to have fallen like a blight upon his career. Curio was a man who had become wholly enslaved to the demands of pleasure, and in order to make Antony more pliable to his will, he plunged him into a life of drinking bouts, love-affairs, and reckless spending. The consequence was that Antony quickly ran up debts of an enormous size for so young a man, the sum involved being two hundred and fifty talents. Curio provided security for the whole of this amount, but his father heard of it and forbade Antony his house. Antony then attached himself for a short while to Clodius, the most notorious of all the demagogues of his time for his lawlessness and loose-living, and took part in the campaigns of violence which at that time were throwing political affairs at Rome into chaos.

Plutarch

(although, in contrast to Brutus, we rarely lose sight of Antony. As a person, we can see him with a kind of clarity, if one looks a little bit past the Augustan propaganda. He is, at all times, human.)

Antony being figuratively or literally attached to a person starts early, and continues politically. While Brutus has enough privilege to brute force his way into politics despite Cicero’s lamentation of a promising life being thrown off course, Antony will instead follow a different career path that echoes in his personal life and defines his relationships.

Whereas some young men often attached or indebted themselves to a patron or a military leader at the beginning of their political lives,

Kathryn Tempest, Brutus the Noble Conspirator

+

3. During his stay in Greece he was invited by Gabinius, a man of consular rank, to accompany the Roman force which was about to sail for Syria. Antony declined to join him in a private capacity, but when he was offered the command of the cavalry he agreed to serve in the campaign.

Plutarch

To take it a step further, it even defines how he’s perceived today looking back: it’s never just Antony, it’s always Antony and---

It can be read as someone being taken advantage of, in places, survival in others, especially in Antony's early life. Other times, it appears like Antony himself is the one who manipulates things to his favor, casting aside people and realigning himself back to an advantage.

or when he saw an opportunity for faster advancement, he was willing to place the blame on a convenient scapegoat or to disregard previous loyalties, however important they had been. His desertion of Fulvia's memory in 40, and, much later, of Lepidus, Sextus Pompey, and Octavia, produced significant political gains. This characteristic, which Caesar discovered to his cost in 47, gives the sharp edge to Antony's personality which Syme's portrait lacks, especially when he attributes Antony's actions to a 'sentiment of loyalty' or describes him as a 'frank and chivalrous soldier'. In this context, one wonders what became of Fadia.19

Kathryn E Welch , Antony, Fulvia, and the Ghost of Clodius in 47 B.C.

Caesar inherits Antony, and like Brutus, locks him in for a doomed ending.

The way Caesar writes about Antony smacks of someone viewing another person as something more akin to a dog, and it carries over until it’s bitter conclusion.

Caesar benefits from Antony immensely. The people love Antony, the military loves Antony. He’s charming, he’s self aware, he’s good at what he does. Above all of that, he has political ambitions of a similar passion as Brutus.

Antony drew some political benefit from his genial personality. Even Cicero, who from at least 49 did not like him,15 was prepared to regard some of his earlier misdemeanours as harmless.16 Bluff good humour, moderate intelligence, at least a passing interest in literature, and an ability to be the life and soul of a social gathering all contributed to make him a charming companion and to bind many important people to him. He had a lieutenant's ability to follow orders and a willingness to listen to advice, even (one might say especially) from intelligent women.17 These attributes made Antony able to handle some situations very well."1

There was a more important side to his personality, however, which contributed to his political survival. Antony was ruthless in his quest for pre-eminence

Kathryn E Welch , Antony, Fulvia, and the Ghost of Clodius in 477 B.C.

None of this matters, because after all Antony does for Caesar

Plutarch's comment that Curio brought Antony into Caesar's camp is surely mistaken.59 Anthony had been serving as Caesar's officer from perhaps as early as 53, after his return from Syria.60 He is described as legatus in late 52,61 and was later well known as Caesar's quaestor.62 It is more likely that the reverse of the statement is true, that Antony assisted in bringing Curio over to Caesar. If this were so, then he performed a signal service for Caesar, for gaining Curio meant attaching Fulvia, who provided direct access to the Clodian clientela in the city. Such valuable political connections served to increase Antony's standing with Caesar, and to set him apart from other officers in his army.63

Kathryn E Welch , Antony, Fulvia, and the Ghost of Clodius in 477 B.C.

Caesar still, for whatever reasons, fucks over Antony spectacularly with the will. Loyalty is repaid with dismissal, and it will bury the Republic for good.

It’s not enough for Caesar to screw him over just once, it becomes generational and ugly. Caesar lives on through Octavian: it becomes Octavian’s brand, his motif, propaganda wielded like a knife. Octavian, thanks to Caesar, will bring Antony to his bitter conclusion

And for my "bitter" conclusion, I’ll sign off by saying that there are actual scholars on Antony who are more well versed than I am who can go into depth about the Caesar-Octavian-Antony dynamic (and how it played out with Caligula) better than I can, and scholarship on Brutus consists mostly of looking at an outline of a man and trying to guess what the inside was like.

At the end of the day, Caesar was the instigator, active manipulator, and catalyst for the final act of the Republic.

I hope that this was at least entertaining to read!

[homeplanetreviews]

Best Films of 2017 by: Will Whalen

Hello everyone! I know, we’re already a month into 2018 but some films that were 2017 releases didn’t come out near me till 2018 and I just had to wait and see them. However, it didn’t change much because (for the most part) my top films list is nearly the same as it was when I made it in December. So, here it is! This was a terrific year for film but these are my absolute favorites of 2017. 

First, I have a few honorable mentions: Molly’s Game, Alien: Covenant, John Wick 2, Get Out, My Life as a Zucchini, Guardians of the Galaxy vol. 2, Call Me By Your Name, and All the Money in the World.

So, here we go!

15. The Disaster Artist

I was really surprised by The Disaster Artist because I was really excited for it because of The Room and I was expecting it to be a comedy about how The Room was made. And if you’ve ever seen The Room, anyone would be excited for that reason. However, what I got was a surprisingly super touching film about friendship and achieving your dreams no matter what the cost is or no matter how many times someone says you can’t.

14. Dunkirk

Dunkirk was a war film from the incredible mastermind Christopher Nolan that wasn’t a typical war film. It wasn’t some character drama on top of being a war film but instead a more accurate look at war. It was about survival and this horrible situation that these brave men were stuck in and basically all had to fend for themselves. I only got to see it once and I was lucky enough to see it in 70mm film but I can’t wait to revisit it.

13. Good Time

Good Time was actually a great time (bad pun intended) and was one of the most stressful, thrilling and non stop downward spirals of a film I have seen in recent memory. Robert Pattinson also gave his best performance and really should’ve been nominated. It was also directed excellently by the Safdie Brothers who took risks. They did things in this that most filmmakers would never dare to do. If you’re easily stressed, maybe stay away from this movie. But, its a good time...

12. It

You’ll float too… when you see It. It was one of the best horror films I’ve seen in quite a long time and definitely one of the funniest movies of last year. We finally got a It film and it was so wonderful. Andy Muschietti did a great job helming this work and the phenomenal cast from all the talented young actors involved make this movie one of a kind and one of the best Stephen King adaptations.

11. A Ghost Story

A Ghost Story was such a special movie. This film explores death, grief, and the afterlife in one of the most beautiful films of last year. Casey Affleck also gave one of the best performances of his career and he was under a sheet the whole time. His performance spoke volumes and I would’ve liked to have seen him get some recognition. This film floored me and if you haven’t seen it, do check it out. It’s not a horror movie but it will haunt you.

10. Thor: Ragnarok

This was one one of Marvel’s best to date. Takai Waititi takes the Thor story into a new direction and made one of the funniest and one of the most all out entertaining films of the entire year. Just on a pure fun and comedic level, this was one of the best and definitely one of the most fun films of last year. Also, Waititi gave us Korg and I don’t think we can thank him enough for that.

9. T2: Trainspotting

Aye ya doss cunt! This is a sequel to one of my top favorite films of all time, Trainspotting. Trainspotting came out in 1996 and now here we are, 20 years later with a sequel. This could’ve easily not been good but with Danny Boyle once again behind the camera, our favorite skagboys back and with a wonderful script, this was a fantastic sequel and a beautiful one too. Plus, it’s Trainspotting! Plus, there’s a great soundtrack once again. 

8. Baby Driver

B-A-B-Y Baby! Baby Driver was an all out blast. It’s a fast paced, thrilling, exciting and wonderful film that has one of the best soundtracks to any film that has come out in a long time. All this is due to the amazing Edgar Wright who has made yet another great film with Baby Driver. 

7. Logan

Logan is the wolverine film we’ve all dreamed about. An R rated Wolverine film is exactly what the world of superhero films needed. In Hugh Jackman’s supposed final performance as the Wolverine, we got one of the all time best superhero films. It was directed gorgeously and had a story that I was in love with. It didn’t even feel like a superhero movie but more like a western. Patrick Stewart also gave a phenomenal performance and I wish our two main actors would’ve gotten some more praise. If this really is Jackman’s final portrayal as Logan/Wolverine, then what a hell of a way to send out on.

6. Split

M. Night Shyamalan makes a grand return to the screen with Split. It felt so incredibly good to be seeing a great M. Night Shyamalan film in theaters. James McAvoy gives one of the best performances of last year and this was absolutely snubbed at the Oscars. I won’t spoil this film but if you have never seen Shyamalan’s Unbreakable, watch it and then watch this. Trust me. I loved this film so much and absolutely cannot wait for Glass. Also, the dance scene... just watch this movie.

5. War for the Planet of the Apes

This is the third and (I think) final film in the new Apes series and was, believe it or not, a mesmerizing masterpiece. What they did with this film is absolutely mind boggling. It’s not some big over the top action movie. There are action scenes, sure. But no, instead it was a psychological warfare, revenge and prisoner of war film that was absolutely beautiful. Andy Serkis gave a chilling and insanely great performance as Caesar. What he did with this character in this film, was just wonderful. If you’ve never seen these films, they’re all great and I highly suggest watching them.

4. Star Wars: The Last Jedi

This film was one of the most fun times I’ve had the theater in quite some time. Rian Johnson took over for Episode 8 and took the Star Wars saga into a new direction and did something new, unique and just awesome. Of course, “fans” got pissed but anyone that loves film and any legit Star Wars fan, will love this one and appreciate what Johnson did with this. The Last Jedi also includes some of the best scenes in any of the Star Wars films. Sure, it does have flaws but this was a phenomenal spectacle and there’s one scene that I’ve been thinking about at least once a day since I saw this on opening night.

3. Lady Bird

This magnificent coming of age film is written by Greta Gerwig and is her directorial debut. This is a really special type of movie. It doesn’t even feel like it’s a movie but instead, just you watching people live their lives. And movies that feel so natural like that, are special. It’s also special because it’s so relatable. Whether you’re a boy or a girl or whatever, anyone can watch this and in some way, relate to it. It’s got excellent performances and it’s clear that Greta Gerwig has some real talent. I can’t wait to see what she does in the future. Lady Bird is going to be a teen classic for years to come.

2. The Shape of Water

When I saw this, I thought it may have taken place as my number one favorite of the year. Guillermo del Toro wrote and directed this and this is without a doubt, his best film yet and a beautiful masterpiece. Sally Hawkins is electric in this film alongside Oscar worthy performances from all of her costars. The Shape of Water absolutely floored me and left me in a puddle of tears. What blows me away, is how a movie like this gets 13 Oscar nominations. However, it’s well deserved.

1. Blade Runner 2049

Here it is folks. My personal favorite of the year. The movie that I thought was better than all the rest and that’s the cinematic marvel that is Blade Runner 2049. This was one of the best films I have ever seen. That’s not even a joke. On every level, it was so far beyond anything else I had ever seen. Denis Villeneuve directs this flawlessly but the cinematography from Roger Deakins, is probably the actual best from any other film I’ve ever seen. Each frame of this is dripping with dystopian neon noir and I couldn’t get enough of it. The score from Hans Zimmer and Benjamin Wallfisch was so special and so hypnotizing. This is my favorite score to any film from last year as well. Ryan Gosling is in my number one film of the year yet again and this man is incredible. He gives such a subdued performance but one that spoke high volumes. It was also great to see Harrison Ford return as Deckard who also gave an amazing performance. Blade Runner 2049 should’ve been nominated for Best Picture and Best Director but I’m just happy it got some recognition. Either way, this film is a flawless masterpiece and was my number one of 2017.

That’s it folks! My top 15 of the year. I apologize about the delay, but hey, at least I finally did it! Stick around for many other review for the year!

[whispersandwhiskerburn]

Much Ado About SPN Results:

SPN Fanfic Writers Team Up With Shakespeare!

It’s April 23, 2017--453 years to the day since (historians believe) that William Shakespeare, one of the greatest English writers ever, was born...and 401 years to the day since the day the Bard died! :’(

However, his words live on in his plays that are performed each year, the movie adaptations, the sayings in everyday conversation...and now in Supernatural fanfiction!

When I hit 1.5k followers, I put out a rather daunting challenge to my followers: Write a Supernatural fic using a line from one of Shakespeare’s plays, and incorporate 2-3 SPN-themed words that begin with the same letter (I, like WS appreciate alliteration).

24 brave souls took on the challenge.

The results are below the read more link, along with a brief review/rec from me for each. I hope you enjoy these and take the time to share some love with the writers--this challenge was truly out of the box and they wrote some incredible things as a result.

Let the fun begin....

Thank you all for taking on this ridiculous challenge of mine. I was blown away by the submissions, and I truly hope you had as much, or at least half as much, fun writing them as I did reading them. Thank you so much!!

Fics are in alphabetical order by prompts, not by any preferences list.

“A Life I Would Have Known” by @buffylovesfoxmulder

Prompts: Anna, Angel Blade, AU (French Mistake/EndVerse) and “This above all: to thine own self be true. And it must follow, as the night the day, thou canst not then be false to any man” (Hamlet I.3).

My Fangirling:  An episode rewrite of the French Mistake where Anna subs in for a much more earnest Balthazar and the reader has a surprise up her sleeve for the Winchesters. I loved it. Lengthy, but worth the read. :) 

“Wanted” by @arlaina28

Prompts: Benny Lafitte, Bunker, Brothers,  “We few, we happy few, we band of brothers; for he to-day that sheds his blood with me shall be my brother” (Henry V IV.3).

My Fangirling: An absolutely lovely smut fic between Benny and the Reader that builds up in canon-style characterizations from first meeting to the “I love you” stage. An excellent read, and a brilliant use of her prompts.

*******A Fic is on the way here!!******

“Nothing Either Good or Bad” by @deansdirtylittlesecretsblog

Prompts: Donna Hanscum, Devil's Gate, Deals, and “ “There is nothing either good or bad, but thinking makes it so” (Hamlet II.2).

My Fangirling:  Mimi delivered again! An angsty-suspense with flashes of fluff Donna x Dean fic around the danger of a Devil’s Gate—the one in Wyoming. I loved this fic, and it’s not even my ship, so definitely check it out….and hold onto your seat!

“The Valiant” by @littlegreenplasticsoldier

Prompts: Ellen Harvelle, EMF Reader, and “Cowards die many times before their deaths; the valiant never taste of death but once” (Julius Caesar II.2). 

My Fangirling:  I--I don’t know what to say here…it was beautiful and sad and it must have taken you so much time to create this, and I love it. It’s an angsty peek into Dean’s head during his time with Lisa, how he’s struggling to maintain, how he’s trying to cope with Sam’s loss—and it’s done in VERSE. You almost want to read it out loud. I just love this…and I think Shakespeare would be proud.

“Papa Don’t Preach” by @whatareyousearchingfordean

Prompts: First Blade, Fathers, “What’s gone and what’s past help should be past grief” (Winter’s Tale III.2)

My Fangirling: A Reader x Dean angst fic where she learns of a pregnancy that she hadn’t planned on and tries to explain to a Dean who worries about fatherhood. I loved the canon characterization.

*******A Fic is on the way here!!******

“All Dogs Go To Heaven” by @rachelladytietjens

Prompts: Hell Hound, Hex Bags, Heaven, and  “We know what we are, but know not what we may be.” (Hamlet IV.5)

My Fangirling:  With what was probably the coolest title in this challenge, she did an amazing job on this fic that had some really conflicting and challenging prompts! It’s short and sweet, with no pairing, but extremely intriguing and it raised so many questions for me. Brava!

“Not So Innocent After All” by @im-most-definitely-fangirling

Prompts: Impala (Baby), Innocence, and “If music be the food of love, play on” (Twelfth Night I.1).

My Fangirling:  A body-swap fic between the Reader and Dean that reveals a lot of what they’ve been hiding from each other. I loved this—besides, where can you go wrong when you end up riding Dean on the Impala? AmIright ladies? 

“Wine, Meddling, and Temptation” by @avasmommy224

Prompts: Jody Mills, John's Journal, Job (Hunting),  “Tempt not a desperate man” (Romeo and Juliet IV.3). 

My Fangirling:  I love it! The fluff with a hint of angst and reader being besties with Jody? Brilliant! She did a great job working in ALL of the prompts and this fic is fantastic. I absolutely love Jody as a matchmaker--I can just see her worrying about finding the boys the perfect lady. :) Dean x Reader with future fun times—nothing wrong with that!

*******A Fic is on the way here!!******

*******A Fic is on the way here!!******

“Just a Little Magic...” by @wi-deangirl77

Prompts: Meg Masters, Mark of Cain, Magic (Witchcraft), “I am one who loved not wisely but too well” (Othello V.2). 

My Fangirling: I was prepared for weird when I put Mark of Cain with Meg Masters and Magic, but Jess managed a canon style fic of angsty goodness that everyone should read. It’s MOC!Dean x Reader and...oh, it’s just lovely. Go read! She says it’s the start of a new series—and I, personally, can’t wait to read it!

“Chase the Nightmares Away” by @destiel-addict-forever

Prompts: Nephilim, Naomi's Room, Nightmares, “You pay a great deal too dear for something that’s given freely” (Winter’s Tale I.1).

My Fangirling:  This cute little fluffy drabble is a Daddy!Lucifer fic (not kink, reader is Luci’s kid), something I imagine we’ll see more and more of as this current series continues. I swear, when I made the prompt list and put Nephilim on it, I had no idea it would become such a big thing this year on the show! Great job.

*******A Fic is on the way here!!******

“Purple Moose, Orange Squirrel, and A Pink Dress” by @mrsbatesmotel53

Prompts: Pagan God (Not Loki/Gabriel), Pie, Pranks, “We have seen better days” (As You Like It II.7) and (Timon of Athens IV.2). 

My Fangirling: I absolutely loved this! It was beautifully characterized: witty reader, western-loving Dean, sassy Rowena, protective/knowledgeable Sam….and the way you combined your prompts…I just loved it. Comedy, alternate timeline, canon style…what is not to love here?

“Do Not Go Gentle Into That Good Night” by @roxy-davenport

Promtps: Queen of Hell (Abaddon), Quincunx (Hoodoo symbol), Quips, and  “Some rise by sin, and some by virtue fall. Some run from breaks of ice, and answer none, and some condemned for one fault alone” (Measure for Measure II.1). 

My Fangirling:  A rewrite of an awesome episode to include a reader insert and pairing with Crowley, this fic, like many of @roxy-davenport’s, shows a sentimental and charming side of the King of Hell in a way that even makes this Dean!Girl think fondly of the red-eyed demon. I loved the sassy way she broke down the Shakespeare quote in the fic.

“Together We Thrive” by @deansarms

Prompts: Ruby's Knife, Revenge  “I burn, I pine, I perish” (Taming of the Shrew I.1).

My Fangirling: I can NOT compliment this work enough. Absolute brilliance. It’s a poem that switches from Dean’s perspective (in italics) to Sam’s perspective. It centers around the Shakespeare quote, but it provides canon accurate characterization and plot in verse form, and it….ugh, just go read it. I think I’ve reread it like five times now. ABSOLUTELY BEAUTIFUL.

“Friendships is Constant” by @atc74

Prompts: Samuel Campbell, Sigils, Souls, “Friendship is constant in all other things” (Much Ado About Nothing, II.1). 

My Fangirling:  Canon-style fluff and character analysis set in season 12, Angelina used all of her prompts, and created a catch-up moment between the boys and their mother that I think we all want to see happen on the show. Short, sweet, and adorable. 

“Goodnight” by @besslincoln-bruh

Prompts: Uriel, Uniforms (Outfits), Underdog, and “Strong reasons make strong actions” (King John III.4). 

My Fangirling:  An interesting AU with a future Dean x Reader pairing. Reader is a lawyer trying her first defense case—to prove Dean Winchester innocent when the world (and the evidence) is against him. It was hard to tear myself away from this fic, and a creative use of all the prompts. Well worth a read!

“Sweet Revenge” by @plaidstiel-wormstache

This is a completed series. The link above is to the masterlist. She wrote it at as one long one-shot with the quote at the end, but I encouraged her to make it a series--and the whole thing is fabulous.

Prompts: Vengeful Spirits, the Veil, Vessel, and “If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge?” (Merchant of Venice III.1).

My Fangirling: This friend went way above and beyond the call of duty and wrote a truly spectacular SERIES based off this prompt, with some inspiration in the form of a rather intriguing OFC. No pairing, but a beautiful use of all prompts in a canon-style fic set during John’s first solo hunt. Angst, sprinkles of fluff, some dark emotional stuff, and so much canon beauty…I love it. I don’t want to play favorites on this challenge, but this one is my favorite.

“Wrath” by @waywardjoy

Prompts: Werewolf, Wooden Stake, Wrath, and  “Is this a dagger which I see before me…or art thou but a dagger of the mind, a false creation” (Macbeth II.1).

My Fangirling: Short but strong, an angsty Dean x Reader piece where you see the unbridled danger that is a wrathful Winchester. My wonderful bestie worked in all of her alphabet prompts and her Shakespeare quote brilliantly. She also helped me put this whole challenge together, so extra kudos to her. :D

“Forgotten Rituals” by @thegreatficmaster

This is a completed two-part fic. The link above is to the masterlist. Both parts are for this challenge--@thegreatficmaster took on two prompts.

Prompts: Yellow-Eyed Demon, Yarrow, Youth, Zachariah, Zoroastrian Symbol, Zenith (the most powerful time), “Hell is empty and all the devils are here” (Tempest I.2), and “Pray you now, forget and forgive.” (King Lear IV.7).

My Fangirling: Nini created a very original reader here for a story the likes of which I’ve never seen before, and doubt I will see again. Azazel x Reader, sexy times, strange magics, manipulation of time and angels, old world religions, unexpected fluff…just wow….  I won’t be forgetting this series any time soon. Great job!

This link will take you to the masterpost I made of all of my celebration challenges!

Fics still to come for this challenge: 

C @bringmesomepie56, 15.  “Some are born great, some achieve greatness, and some have greatness thrust upon them” (Twelfth Night II.5).

G @therealdeanwinchester13, 10.  “Lord, what fools these mortals be!” (A Midsummer Night’s Dream III.2)

K @kalliravenne, 11.  “I do love nothing in the world so well as you: is not that strange?” (Much Ado About Nothing IV.2).

L  @hellssarcasticqueen, 19.  “The miserable have no other medicine, but only hope” (Measure for Measure III.1).

O @little-red-83, 18.  “Our doubts are traitors, and make us lose the good we oft might win, by fearing to attempt” (Measure for Measure I.4). 

Tagging my Forever Crowd, because you guys need to see these so very much!

@2wonderinsighlents, @adaliamalfoy, @alcpegasus22, @andrastesflamingtitties, @angelofwinchester17, @alexastacio, @anokhi07, @ariethegreat98, @arryn-nyxx, @autopistaaningunaparte, @avasmommy224, @bennyyh, @benjerry707, @bringmesomepie56, @bucky-thorin-winchester, @bulletscrossbowpie, @but-deans-back-tho, @captainemwinchester, @carry-on-ms-believer, @casownsmyass, @cfordwrites, @chaos-and-the-calm67, @dancingalone21, @d-s-winchester, @deafgirlsarecooler, @deandoesthingstome, @deanfuckingwinchesterrr, @deanscherrypie, @deansdirtylittlesecretsblog, @deanwinchesterforpromqueen, @deliciouslyshadowymilkshake, @demonangelimpala, @demondeansdomme, @end-lessnights, @faith-in-dean, @fandommaniacx, @feelmyroarrrr, @fiveleaf, @graceforme86, @i-is-for-inspiring, @ilostmyshoe-79, @impala-dreamer, @jalove-wecallhimdean, @jarpadandjensenaremyheroes, @jencharlan, @jensen-gal, @jotink78, @just-a-touch-of-sass-and-fandoms, @katnharper, @kittenofdoomage, @kristaparadowski, @lipstickandwhiskey, @littlegreenplasticsoldier, @leatherwhiskeycoffeeplaid, @love-kittykat21, @loreleilara, @lunarsaturn88, @luv4jensen, @marilynnlew, @millaraysuyai, @mogaruke, @moonstonemystyk, @mrsbatesmotel53, @mrsjohnsmith, @mrswhozeewhatsis, @mzpearlz, @nicolesyneah25, @nightmaredean, @notnatural-supernatural, @paintrider13-blog, @pinknerdpanda, @plaidstiel-wormstache, @rizlowwritessortof, @roxy-davenport, @rushernparadise, @salvachester,  @septicxsoulxdarkxmind, @scorpiongirl1, @skathan-omaha, @spnrvt, @supernatural-jackles, @supernaturalyobsessed, @theafinnerup, @thegreatficmaster, @vote-for-pedro, @waywardjoy, @wevegotworktodo, @wi-deangirl77, @wonderange, @withoutaplease, @writingbeautifulmen, @xtina2191, @yoursmilemakesmeloveyou, and @yume-deaimashou

[blackkudos]

Kirk Franklin

Kirk Dewayne Franklin (born January 26, 1970) is an American gospel musician, choir director, and author. He is known for leading urban contemporary gospel choirs such as The Family, God's Property and One Nation Crew (1NC), and has won multiple awards, including eight Grammy Awards.

Early life

A native of Fort Worth, Texas, Franklin was raised by his aunt, Gertrude, having been abandoned as a baby by his mother. Gertrude collected and resold aluminum cans to raise money for Kirk to take piano lessons from the age of four. Kirk excelled in music, being able to read and write music, while also playing by ear.

He received his first contract offer at the age of seven, which his aunt turned down. He joined the church choir and became music director of the Mt. Rose Baptist Church adult choir at the age of twelve.

Despite his strict religious upbringing, Franklin rebelled in his teenage years, and in an attempt to keep him out of trouble, his grandmother arranged an audition for him at a professional youth conservatory associated with a local university. He was accepted and, while his life seemed to be on track for a while, the announcement of a girlfriend's pregnancy and his eventual expulsion from school for behavioral problems proved otherwise.

Kirk Franklin studied music with Jewell Kelly and the Singing Chaparrals at Oscar Dean Wyatt High School. He was under her tutelage for music direction as she allowed him to be the pianist for the choir.

After the shooting death of a friend, Franklin returned to the church, where he began to direct the choir once again. He also co-founded a gospel group, The Humble Hearts, which recorded one of Franklin's compositions and got the attention of gospel music legend Milton Biggham. Impressed, Biggham enlisted him to lead the DFW Mass Choir in a recording of Franklin's song "Every Day with Jesus." This led to Biggham hiring Franklin, just 20 years old at the time, to lead the choir at the 1990 Gospel Music Workshop of America Convention, a major industry gathering.

Professional background

Kirk Franklin and The Family (1992–2000)

In 1992, Franklin organized "The Family", which was a seventeen-voice choir, formed from neighborhood friends and associates. In 1992, Vicki Mack-Lataillade, the co-founder of fledgling record label GospoCentric, heard one of their demo tapes and was so impressed she immediately signed up Kirk & The Family to a recording contract.

In 1993, the group, now known as "Kirk Franklin & The Family," released their debut album, Kirk Franklin & The Family. It spent almost two years on the Gospel music charts and charted on the R&B charts, eventually earning platinum sales status. It remained at No. 1 on the Billboard Top Gospel Albums chart for 42 weeks. It was the first gospel music album to sell over a million units.

Two years later, after releasing a 1995 Christmas album entitled Kirk Franklin & the Family Christmas, the group released Whatcha Lookin' 4 in 1996. The album was certified 2x platinum and earned Franklin his first Grammy Award for Best Contemporary Soul Gospel Album. 1997 brought another album, a collaboration with the vocal ensemble God's Property, aptly named God's Property from Kirk Franklin's Nu Nation. The lead single, "Stomp", featuring Cheryl "Salt" James (of Salt-N-Pepa), was a big hit, enjoying heavy rotation on MTV and other music channels, and charting at No. 1 on the R&B Singles Airplay chart for two weeks, even making it into the Top 40. God's Property from Kirk Franklin's Nu Nation was No. 1 on the R&B Albums chart for five weeks, No. 3 on the Pop charts, and would go on to be certified 3x platinum. It also brought Franklin another Grammy for Best Contemporary Soul Gospel Album, as well as three Grammy nominations.

In 1996, Franklin's song "Joy" was recorded by Whitney Houston and the Georgia Mass Choir. With production by Houston and Mervyn Warren, the composition was included on the best-selling soundtrack to the movie The Preacher's Wife.

On November 2, 1998, God's Property sued Franklin. The lawsuit, filed in Los Angeles Superior Court, alleges that Franklin induced God's Property founder Linda Searight into signing an "onerous and one-sided" contract with B-Rite Music.

The Nu Nation Project was released in 1998. The first single, an interpretation of the Bill Withers song "Lean on Me" and produced by Franklin and pop producer Dan Shea, controversially featured several mainstream artists, including R. Kelly, Mary J. Blige and Bono of U2. Together with Crystal Lewis, and the Family, "Lean on Me" and the second single "Revolution" (featuring Rodney Jerkins) were considerable hits, and the album contained a version of another Withers song "Gonna Be a Lovely Day". The Nu Nation Project went on to top the Billboard Contemporary Christian Albums chart for 23 weeks and the Billboard Gospel Albums chart for 49 weeks, and brought Franklin his third Grammy.

Also in 1998, Franklin had made a guest appearance on the hit television sitcom Sister, Sister.

In, 2000, The Family filed a multimillion-dollar lawsuit for royalties for their work on The Nu Nation Project against Franklin and GospoCentric Records. This saw the end of the "Kirk Franklin & The Family" records, as Kirk went on to become a solo artist, except for his CD Kirk Franklin Presents 1NC, which he did in collaboration with One Nation Crew, and was released that same year.

On January 16, 2010 at the 25th Annual Stellar Awards show taping, in Nashville, Tennessee, Kirk Franklin & The Family reunited briefly on stage to perform songs made popular by them in the 1990s.

Solo artist (2001–present)

In 2001, Franklin ventured into new territory, scoring and producing the soundtrack for the film Kingdom Come. The soundtrack featured gospel artists Mary Mary, Trin-i-tee 5:7, Crystal Lewis, and 1NC, as well as secular artists Az Yet, Jill Scott, Shawn Stockman of Boyz II Men and others. A notable song from the soundtrack was "Thank You" (Kirk Franklin feat. Mary Mary).

2002's The Rebirth of Kirk Franklin topped the Gospel Albums chart for 29 weeks, was No. 1 on the Hot R&B/Hip-Hop Albums chart, and was certified Platinum. The album featured collaborations with Bishop T.D. Jakes, Shirley Caesar, Willie Neal Johnson, TobyMac, Crystal Lewis, Jaci Velasquez, Papa San, Alvin Slaughter, and Yolanda Adams.

On October 4, 2005, Hero was released in the United States. The album was certified Gold on December 2, 2005 (2005-12-02) and Platinum on December 14, 2006 (2006-12-14) by the Recording Industry Association of America. It made No. 1 on both the Billboard Top Christian and Top Gospel albums. The first single, "Looking for You", was a hit, as was the follow-up "Imagine Me", which made it onto the R&B Charts. In December 2006, Franklin won two 2007 Grammy Awards for Hero. Additionally, Hero was the 2007 Stellar Awards CD of the Year.

Franklin's 10th album, The Fight of My Life, was released in the United States on December 18, 2007 (2007-12-18). The album debuted on the Billboard 200 at No. 33 with 74,000 copies sold in the first week. It reached No. 1 on both the Billboard Top Gospel and Top Christian albums charts, and also peaked at No. 7 on the Billboard Top R&B/Hip-Hop Albums Chart. The first single, "Declaration (This is It)," was released on October 23, 2007 (2007-10-23) and peaked at No. 35 on the Billboard Hot R&B/Hip-Hop Songs Chart. The album features guest appearances from Rance Allen, Isaac Carree, TobyMac, Da' T.R.U.T.H., Doug Williams, and Melvin Williams. The song "Jesus" was released as the album's second single in 2008 and was sent to Urban AC radio on July 15, 2008. In January 2010 after Haiti had a devastating earthquake, Franklin got an ensemble of gospel artists together to sing the song he wrote, called "Are You Listening". They included: Yolanda Adams, Jeremy Camp, Shirley Caesar, Dorinda Clark-Cole, Natalie Grant, Fred Hammond, Tamela Mann, David Mann, Mary Mary, Donnie McClurkin, Bishop Paul S. Morton, J. Moss, Smokie Norful, Marvin Sapp, Karen Clark-Sheard, Kierra Sheard, BeBe Winans, Cece Winans, and Marvin Winans.

Franklin is the host and co-executive producer of the BET original series Sunday Best and the musical co-host of GSN's The American Bible Challenge with Jeff Foxworthy. Franklin's eleventh studio album called Hello Fear was released on March 22, 2011. The album features Marvin Sapp, Mali Music, Marvin Winans, John P. Kee and Rance Allen. The first single off the album is "I Smile", which peaked at No. 85 on the Billboard Hot 100, making it his first appearance on that chart in six years.

In 2013, Franklin started his own record label imprint, Fo Yo Soul Recordings, which is in association with RCA Records, and he has signed acts such as The Walls Group and artists like Tasha Page-Lockhart. These two artists received ten Stellar Award nominations at the 30th Stellar Awards. The Walls Group won seven awards, while Page-Lockhart won three of her own, and Franklin won two more for his label.

In September 2015, Kirk Franklin announced his twelfth studio album, Losing My Religion, the album was on released November 13, 2015. The first single off the album "Wanna Be Happy?" was released on August 28, 2015.

Personal life

On January 20, 1996, Franklin married long-time friend Tammy Collins. When they wed, they each had one child from previous relationships: Kirk's son Kerrion, born in 1988, and Tammy's daughter Carrington (whom he legally adopted), born in 1989. As a couple, they have two children together, a daughter named Kennedy (born in 1997) and a son named Caziah (born in 2000). Carrington became engaged to Maxx Nakwaasah in October 2015.

In 2005, Franklin appeared with his wife on The Oprah Winfrey Show to discuss how he ended his pornography addiction.

Discography

Kirk Franklin and The Family

1993: Kirk Franklin & The Family

1995: Kirk Franklin & the Family Christmas

1996: Whatcha Lookin' 4

Kirk Franklin's Nu Nation

1997: God's Property from Kirk Franklin's Nu Nation

1998: The Nu Nation Project

1999: Nu Nation Tour

Kirk Franklin and 1 Nation Crew

2000: Kirk Franklin Presents 1NC

Kirk Franklin

2002: The Rebirth of Kirk Franklin

2003: A Season of Remixes

2005: Hero

2006: Songs For the Storm, Vol. 1 (compilation)

2007: The Fight of My Life

2011: Hello Fear

2012: The Essential Kirk Franklin (compilation)

2015: Losing My Religion

Tours

The Tour of Life with Fred Hammond & Radical For Christ and Yolanda Adams (1997)

The Nu Nation Tour with Cece Winans, Trinitee 5:7, and Crystal Lewis (1999)

Hopeville Tour with Donnie McClurkin and Yolanda Adams (2003)

I Have A Dream with TobyMac and Souljahz (2003)

Hero Tour with Mary Mary and Da' T.R.U.T.H. (2006)

The Fight of Our Life Health Tour (2009)

Gospel Comedy Tour with Steve Harvey (2011)

Fearless Tour with Isaac Carree, Amber Bullock, Deon Kipping, and Jason Nelson (2011)

The King's Men Tour with Donnie McClurkin, Marvin Sapp, and Israel Houghton (2012)

20 Years in One Night (2016)

Awards

Franklin has received many awards, including Grammys, GMA Dove Awards, BET Award and Stellar Awards.

Wikipedia