#when you write for both the ship that invented ship weeks but also a defunct 2013 reboot with a fandom of like 12

[fabdante]

20 Questions For Fic Writers

I was tagged by my dear friend @thevampireauthoress on this post ! I tag all the fic writers who follow me and see this because I want to see what you guys are up to!!

1. How many works do you have on AO3?

Five! I write every day but only started posting fan fic a year ago and I have more I'm cleaning up to post!

2. What's your total AO3 word count? 36,380

3. What fandoms do you write for?

A Lot. If post about it odds are I've written something about it in some form or another.

The ones I have public fics for are DmC: Devil May Cry and ATLA. I frequently write for World of Warcraft (mostly ocs) privately though and have been making my way back to TF2, Borderlands, and Bioshock works lately.

4. What are your top 5 fics by kudos?

Since I have only five I can give the whole rundown asdfghj the Zutara fics are, unsurprisingly, the heavy hitters

An Inexact Science

Detours

Pinky Promise

Crossroads of Catharsis and Contemplation

A Series of Mild Prophesies

Also the stats chart cracks me up:

5. Do you respond to comments? Why or why not?

I try to! I get to most of them! Sometimes when a fic is older and someone just leaves a short little 'this was nice!' or whatever, I don't respond but other then that I do. I get very excited when anyone likes any of my works asdfghjkl

6. What is the fic you wrote with the angstiest ending?

Uh...probably Swan Song, which is yet to be posted. Swan Song will definitely probably have the solidly most angst filled ending.

7. What is the fic you wrote with the happiest ending?

Just limiting myself to what's already posted on AO3, anything in the Circumnavigators of Celestial Bodies series so far has had pretty happy endings. It's not tinged with the like dramatic irony of anything in Drafting A Swan and both fic's thus far in Circumnavigators end on fairly positive notes I think

8. Do you get hate on fics?

As of now, no

9. Do you write smut? If so what kind?

I have but I haven't published any of it yet and I'm not sure I will ever. My favorites to write are definitely monsterfucking related, followed by more general kink but like monsterfucking is the best to write.

10. Do you write crossovers? What's the craziest one you've written?

I am an avid lover of crossovers, particularly crazy crossovers. I feel like I have several contenders for the most crazy.

First up would be the massive multi fandom high school au my girlfriend and I developed containing like every video game we liked at the time which I still sometimes write because I find the character dynamics fascinating but I doubt, due to the highly niche nature of this crossover, that it'd ever see the light of day (if you ever wanted August Borderlands and Rachel Amber Life Is Strange to talk on the roof of a trailer in the trailer park they both live in though, I am the gal to ask I guess because boy do I have that and I will provide)

Second up would be in a similar vein but like somehow even less attached to any of the serial numbers qualifying it as fan fic. That one is set in a Bioshock AU where Rapture lasted until the 80s somehow under different leadership. It is also a massive multi fandom AU but this time with gang warfare under the sea in a very AU'd version of Rapture. Similarly, it will never see the light of day with the serial numbers attached because it is just so niche as it is that like...I have no idea who would want to read that asdfghjkl I rarely write it anymore despite loving a lot of the concepts and dynamics, and I feel like it'd just be more effective to just rip off the remaining serial numbers and let it be free if I ever wanted to publish it somewhere.

Third craziest is perhaps less crazy but just very weird. But I have an ongoing series of fics where Brigid Tenenbaum from Bioshock 1 and Booker Dewitt from Bioshock Infinite just sort of hang out in this space beyond time and space and just get very cerebral about their oddly parallel lives and similar traumas because a hill I will die on is that they are the parallels of one another between those games, not anyone else. They're very written 'For Fabdante' so they are not very polished and I call them 'Bioshock Void Fics'

11. Have you ever had a fic stolen?

Not that I am aware of

12. Have you ever had a fic translated?

Not that I am aware of

13. Have you ever co-authored a fic?

When I was waaay younger yes! Those are really old and locked away on fanfiction.net though.

14. What is your all time favourite ship?

Vergil and Kat/Verat from DmC: Devil May Cry. They are my everything.

15. What is a WIP you want to finish but doubt you ever will?

I never want to say never because I do intend to finish these things but here's two:

I have this ATLA fan fic tentatively titled Avatar Champloo which isn't exactly a crossover, more just like an Avatar story featuring the Ba Sing Se kids (Jet, Zuko, and Jin) that plays homage to the vibes and general essence of Samurai Champloo, extrapolating on the already very heavy Samurai Champloo vibes of ATLA. Samurai Champloo is like one of my all time favorite shows so living up to it has been a tall order for me and I fear I will never finish this fic asdfghjk.

I have a few Zelda/Zelgan WIPs that I fear I will never finish. One being a very long one shot based off the idea of a Zelgan romance from the perspective of a bodyguard Link which I'm really fond of, but just have a lot of trouble editing. To give perspective, it was the first fic I ever considered publishing on AO3. And it's still not done to satisfaction for me and thus, not my first fic on AO3.

Obligatory Swan Song (my really long multichapter DmC: Devil May Cry, Verat based, prequel) mention. I don't doubt I'll finish it one day exactly, but when that day will be is far beyond my comprehension asdfghjk

16. What are your writing strengths?

Uh...ngl I have no idea lmaooooo I like how I handle small moments, I guess. Most of what I like to write is small moments between people, and I think I'm pretty ok at that. I'm good at rambling.

17. What are your writing weaknesses?

Writing multichapter things, I feel. Because I like small moments too much, I struggle to keep things relevant I feel. The biggest issues with Swan Song, I think, are just there being a lot of useless scenes. I struggle a lot with knowing how long scenes should be in something thats more then a one shot and how to transition between those scenes effectively.

18. Thoughts on writing dialogue in other languages in fic?

I don't know any other language confidently enough to write it, so it's not something I ever do nor have an opinion on. I do write a lot of multilingual characters, and when I do I just tend to write the dialogue in italics then notate that the character is now speaking another language in the descriptor so that the reader knows what the italics mean.

19. First fandom you wrote for?

Probably ATLA when I was a waaay younger. Writing Circumnavigators has been a return to my roots, I suppose, asdfghjk

20. Favourite fic you've written?

My favorite posted fic is definitely Crossroads of Catharsis and Contemplation. It's got everything for me and is exactly the type of thing I love to write the most.

Unposted? Depending on how it goes, I might have a runner up that is a preboot DMC fic which is a grunge band AU told through excerpts from a biography novel and the interviews within about said grunge band. Similarly, it has everything for me and is exactly the type of thing I love to write asdfghjkl

Thank you again for tagging me!! And once again, I mean it when I say please count yourself as tagged by me if you want to answer these because I really, really would love to see what you guys are writing!!

[artdjgblog]

Innerview: David Hudnall / The Pitch

August 2011​

Photo:​ NA / Posters: DJG Design

Note: Featured news article.

Danny Gibson’s Quiet Contributions

Forty hours of Danny Gibson’s week are occupied by a data-entry job, but when he’s not at work, he’s often putting together an art project of some kind in the basement of his house, which sits south of 39th Street in the shadow of the old Loretto Academy building. Gibson is a collector of things — gloves, old toys, obsolete technology, office paper, corn husks, helicopter leaves — and he stores his prized finds in this colorful subterranean lair. That he is an artist who uses much of what he collects in his work cushions him from the label of the collector’s less endearing alter ego: the hoarder. But a case could be made. Gibson is best known for DJG Design, the name under which he has been designing poster art for local and national bands for the past decade. Starting September 2, he’s displaying somewhere in the neighborhood of 400 original pieces of work in an exhibition, Quietly Contributing, at 1819 Central Gallery. None of them are for sale. After the show concludes at the end of the month, he’ll haul them all back to his cave. “I’ve only sold a few originals,” Gibson says, sorting through a dusty stack of notes, sketches and old prints. “A lot of this stuff I don’t think I’ll ever get rid of. They mean too much to me.” Nosing around Gibson’s basement is like flipping through an old yearbook of the Kansas City and Lawrence music scenes. Anvil Chorus, In the Pines, the Stella Link, Namelessnumberheadman, Doris Henson, the Afterparty, and about a hundred other local bands’ names — many defunct and mostly forgotten — are inventively fashioned onto show posters. In this way, the 1819 Central show isn’t just a celebration of Gibson’s work. It also serves as a kind of retrospective of the past 10 years in our local music scene. “There’s a sort of timeline or history involved with these posters,” he says. “Lots of stories, lots of other people’s bands. Promoters, venues. Posters have such a short life span, and then they’re kind of forgotten. So it’ll be neat to line it all up.” This winter, Gibson made the decision to retire DJG Design in order to focus more fully on visual art, which also makes the show a bit of a memorial. “I had been wrestling with the design thing for several years. I’ve always been more into visual art than design,” Gibson says. “And I’ve been kind of moving out of the music scene in some ways. A lot of my friends in bands have grown up and moved away. I don’t get out as much as I used to. I woke up one morning in February and was like, ‘I’m done.’ It felt good.” Gibson grew up on a farm in north-central Missouri — barnyard imagery is a recurring theme in his work — then studied art and design at Missouri State University in Springfield. After four years, he dropped out and relocated to Kansas City, where he moved into a house (“a rathole by where Costco is now”) with some Elevator Division band members, whom he knew from Springfield. The house became a sort of revolving door for local musicians, and Gibson converted the basement, used by a previous tenant as a photography studio, into his own art studio. He started making posters for Elevator Division shows, which led to work with other bands. “A lot of people knew Elevator Division, so people would see my stuff and come to me and be like, ‘Hey, will you make us a poster?’ ” he says. “I got paid a lot of times in cheeseburgers. There’s no real money in making poster art for your friends’ bands. But it was exactly what I wanted to do. Make art, mix it with music. I had a really great time with it.” Working for design and advertising firms was never appealing to Gibson, partially because of his aversion to computers. (He has a very old-looking desktop in his basement that contains a version of Photoshop’s 1999 5.5 version, which he uses sparingly.) For many of his DJG years, Gibson was employed as a janitor at the Kansas City Board of Trade, an occupation that allowed both his collector’s instincts and his artist’s instincts to run wild. He once intercepted 15,000 sheets of office paper headed for the Dumpster and took them home. Plant clippings he discovered in a trash can were repurposed as the font for a Billions poster. “I’m big on process, and being a janitor allowed me to work out a lot of my daily thoughts and ideas,” Gibson says. “I’d end up writing and sketching things on paper towels. Sometimes I’d put the paper towels, or whatever I was writing on, into the final posters. I love midcentury Polish poster art and folk art. The hands-on, cut-and-paste approach. I like including my notes or even my e-mails on posters. It gives it a more human element that I think is missing in a lot of computer design stuff these days.” Gibson’s imaginative worldview makes it easy for him to artfully convert cat hair into lettering, but self-promotion comes less naturally. I spoke to a number of people who consider Gibson one of the most talented artists in the city. But Gibson largely lacks ties to the local art establishment. “I like to sort of exist in my own little world, I guess,” he says. “In some ways I don’t think I really understand the adult world. I can survive in it. But I prefer to be down here in the basement, working on my stuff.” Lately, though, some friends who believe strongly in Gibson’s work have emerged to assist him in getting his name and work further out into the public sphere. Some of them, not surprisingly, are musicians. Coinciding with Quietly Contributing is DJG Was Here, a 35-song compilation album (downloadable for free at noisetrade.com/djgwashere) featuring music from many of the musicians for whom Gibson has designed posters over the years: Darling at Sea, Max Justus, Sam Billen, the ACBs, Thom Hoskins, David Seume. “Danny puts sweat into everything he makes,” says Bryan Lamanno, whose band, the Tambourine Club, appears on the compilation. “He’s not just sitting at a computer. I always just let him do whatever he wants when he designs stuff because he always comes up with something fun and interesting and intricate.” Though Gibson is a collector, he also likes to share and is eager for others to see what he’s put together for Quietly Contributing. “There’s some great moments that I’m excited for people to see,” Gibson says. “Sometimes I look at these posters and I’m like, ‘What was I doing? How did that happen?’ There’s something much bigger to it all that I can’t really explain.”

We asked Gibson to pick a few of his favorite posters and talk about the process and ideas behind them.

001) Darling at Sea, Anvil Chorus (New Year’s Eve at the Brick) New Year’s Eve being such a big night, I wanted to shoot for an epic poster. I had an idea of the post-party: the contents of an insane partygoer’s stomach or the contents on the floor the morning of January 1. So, I set a rule for myself and just grabbed whatever I could at arm’s length around me at my studio desk. I threw it all on the scanner and created a sea of strange things swimming. The posters were printed in black on Wall Street Journals I saved from my day job, and I hit them up with a red heart rubber stamp. I’m pleased with the typography on these, especially for a computer font, which I’ve used very sparingly over the years. 002) Violet Burning, the Billions, Gabriel Yard I was working as a janitor, wondering to myself about a unique, springlike concept for a poster for this show. I had been away from my cart cleaning something and came back to it and found plant clippings and prunings anonymously placed in it. I instantly saw this poster. I pushed my cart down to my little dungeon desk, decided to go on break, and started making the typography. 003) Onward Crispin Glover, the People, Elevator Division At the time I made this image (2002), I was more aggressive about incorporating political-social messages into my work. It was my early 20s, and I guess it was the post-art-school political-poster-making in me talking? I think the news at the time had some major headlines about American importing and exporting. So, I have a backwards American monster eating a ship. The image was made in ink, and the boat was cut from a very old book. I ran this through an old fax machine to get the dirty look and then printed it on old green-and-white-striped computer paper. Notice this show was at the Pub, which is now the Brick. I always forget that. It’s interesting to see a bit of history in something as short-lived as a concert poster. 004) Flattery Leads to Ruins, James Dean Trio, Roosevelt I had a ton of fun with this one in a pop-art kind of way, I guess. I also enjoy a chance to throw celebrities or notable people into art. I was literal with playing off the band names James Dean Trio and Roosevelt. But the other, Flattery Leads to Ruins, came out of the headlines at the time. Martha Stewart was on trial, and I would watch CNN every day while cleaning a lunch area at my day job. This is a great example of taking visual liberty with a batch of bands on a concert bill. With the printing I made black-and-white photocopies and then ran them back through an oversized printer to get the color. 005) Atom and His Package, Brazil, Pixel Panda, Mail Order Midgets This is one of my personal favorites. I love a good visual pun, and I like to spin ideas off of band names. Here we have a guy named Atom carrying a package of Mail Order Midgets and a Pixel Panda (the panda is based from my childhood drawings of Teenage Mutant Ninja Turtles). The original art will be on display at my poster exhibition, and it’s fairly big compared to the small print the final poster ended up as. I’d love to revisit these characters; there’s a good road-trip story there. I’ve always had visions of being cursed or challenged to journey cross-country carrying specific heavy things in my arms along the way. I think about that with this poster. Poor Atom.