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#whereas with van they had no shot at perfect. no choice but to be real.
novelconcepts · 2 months
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You know that feeling, when you’re listening to someone tell a story, and you can just feel in your gut that what actually happened is SO much darker than how they’re relaying it? And they’ve put a ton of effort in, right, to sand the edges down. They’ve gone over it a hundred times, beating all the wrinkles out, practicing like you’d practice a presentation or a stand-up routine. By the time they tell you the story, it’s perfect. You can’t help but be charmed by it. Can’t help but laugh at all the little silly bits. Can’t help but see it the way they want you to, so you don’t ask questions, you don’t dig in to the open wound just behind the plaster, you don’t let the certainty that it was Bad, Actually sweep you away. It’s just a fun anecdote now. Smile with them. Laugh with them. They’re here now, so it’s fine, right? Right?
I get the feeling that’s just Simone’s entire marriage to Taissa, and I feel so fucking bad for them both.
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𝘾𝙪𝙧𝙨𝙚𝙨 -【Rodrick Heffley x F!Reader】- One-Shot
rating: pg
word count: 6.2k
summary: [y/n], daughter from a wealthy family from New York City, has been keeping her relationship with rodrick heffley a secret from her parents, though what happens if it’s brought up and her parents want to meet the secret boyfriend?
author’s note: here it is! hope you guys all enjoy it!! though i did want to let you know that i wrote this originally as a piece of work for my original character, which is why it is in third person! if you want to request anything feel free to!! once again, thank you for reading it!
keys: [y/nn] - your nickname
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“I didn’t mean to tell them, [Y/NN].” Caleb spoke in hushed tones, as he attempted to prevent any outburst that he doubted would come from his younger sister, but it was still something that he felt that needed to be stopped, “But I’m sure neither you or Rodrick would exactly be thrilled if you ended up going to homecoming with David or Chad, and you know how dad-.”
 “Listens to you, yes, I do know that, Caleb,” [Y/N] began, though her train of thought was shooting off in a million different directions, “And I do appreciate you trying to stick up for my happiness, but now we have to deal with what comes with doing that.”
 It did not take long for Caleb to know what [Y/N] meant, because their father did bring it up in the conversation that started this whole situation. 
 “Father and Mother want to meet him.”
 “And I don’t know if I can teach Rodrick to have the manners and social know-how that we and whoever Father believes would be more acceptable.”
 “Maybe it’s for the best that’s the case, [Y/NN],” Caleb pointed out, placing a gentle hand on his 
sister’s shoulder, “Give yourself the chance to step out of the spotlight for once, your happiness is what’s important.”
 [Y/N] merely just nodded, because she knew that the standards their father placed on both of them were vastly different. Caleb could afford some level of security in the notion of not being worried about what their father thinks, because he does not have to work so hard to make their father happy. 
 This was something the teenager always had to grapple with growing up. Eventually, coming to terms with since she was the youngest, her future compared to her older brother’s was uncertain, unclear, and too many factors were up in the air: where was she going to college? What would her major be? What would her future career be? What sort of family would she have? Who would she marry?
 Whereas Caleb had his future planned from the moment he was born: attend an ivy league for business then take over the family company, marry a family friend/one of the daughters of their father’s business associates or a family that would be useful to merge with and have a family. It was always clear and never questioned, even when they were kids. It took little effort on his part to make their father happy, because the expectations were clear as day and never took a moment of thought to figure out.
 It was her burden to bear, and never had the strength in her to expect anyone to understand the judging gaze always cast her way, as if waiting for her to mess up or make a mistake to remind her of her failures no matter how perfect she appeared to the public eye. To her own boyfriend, even.
 And part of her subconscious wished it would remain that way forever. But life has a funny way of working out in the end.
 Her parents at dinner the same night her and Caleb conferred, they brought up having this mystery boy their daughter had been seeing secret over for dinner so they could have a chance to finally meet. [Y/N] had little say in the matter and the Saturday before Homecoming was agreed upon.
 As soon as she returned to her bedroom for the night, [Y/N] knew she had to bring it up to Rodrick as soon as she could if they were to have any chance of staying together after that Saturday. The week they just about had was not going to be enough, but [Y/N] still felt she had to put the effort into trying to teach Rodrick at least table manners her parents would expect. But perhaps even that was pushing it.
:~+~:
“Your parents want to meet me?”
 “Well, they did say they want to meet you, but I don’t think it’s because they know it’s you, Rodrick.” 
 Perhaps on their near nightly phone call was not the ideal place to tell Rodrick about the dinner, but it was the first instance she could get it out without her anxiety getting the better of her about telling him in the first place. It saved her having to tell him in person and save herself from seeing how he reacted in real time. 
 “And dinner was the best place for that to happen?” Rodrick questioned after a brief moment of silence and a familiar squeak of some springs faintly resounded into the speaker on his end. He must have 
 “With my family, yes,” The blonde confirmed, “With all things considered, with the holidays too far away and Homecoming approaching sooner, and they specifically said they wanted to meet you before the dance, a dinner is the only way.” 
 “Okay…” Rodrick trailed off, going silent for a moment, “When is dinner anyway?”
 “Next Saturday,” [Y/N] replied, though quickly added before her boyfriend could speak, “We’re gonna have to have etiquette lessons, Rod, so I can teach you everything that you’re gonna need if you’re gonna make it through the night.”
 “What do you mean etiquette, babe?” 
 “Like how to sit at a table, which fork and spoon to use and when to use them, what you can and can’t say, that sort of stuff. The basics.” 
 “Do you think a week is enough time to teach me all that junk?”
 “Luckily for you, you have a great teacher and someone who has been taught this stuff her whole life, I think something will stick.”
 “Alright, whatever you say babe,”
 “I’ll even help you get ready,” [Y/N] promised, though had to amend it with, “I’ll try to, anyway, I'll at least come over to make sure you have an appropriate outfit because t-shirts won’t cut it.”
 There was a clear groan of annoyance on the other end of the line before the teenager spoke, “You know I hate wearing ties, [Y/N], and I’m already pushin’ wearing it for Homecoming and not to church.” 
 “I know, I know,” [Y/N] sighed as she brought a hand up to her face as she stood from her bed to start pacing her room, “But it’s just for one more night than normal, Rodrick, I promise.”
 “And what do I get in return, huh?”
 “A girlfriend?”
 “Okay, yeah, that’s a pretty solid deal.”
 “So lessons start tomorrow, okay?”
 “After the band practice,”
 “After the band practice then.” [Y/N] confirmed as she sat on her bed once more, “Good night, sweetheart.”
 “Night, babe.” 
:~+~:
Okay, so the lessons did not go great, but they went about as well as [Y/N] expected. Teaching Rodrick how to behave and act as closely to the way she and her brother had grown up being taught was like pulling teeth, and much like chemistry, it was looking like nothing was sticking. And if anything was sticking, it was gone by the next day and they had to start over.
Meaning, come that fateful Saturday, [Y/N] could only hope that her very quick rundown of the basics, the true basics of what Rodrick needed to know the night before when she went over the Heffley’s house the previous night to get possible outfit choices ready and wrinkle free knowing the state of his bedroom and how clothes could be just...existing on the floor and if it was a process for her to find clean t-shirts of his to steal, then she figured the dressier clothes he owned were living the same way.
“What’s troubling you, little bird?” Her mother asked her daughter, as she had noticed that [Y/N] had been a little distracted in chopping the vegetables up. Not only that, she had been on edge since had left her bedroom that morning.
 “I’m worried about dinner tonight, Mother,” [Y/N] answered, shaking her head a bit to refocus her attention on chopping the vegetables.
 “I’m sure your Father will be on his best behavior, there’s no reason to be worried.” Helena spoke softly, reassuring her daughter with the soothing tones and having set the spoon down beside the stove top to go over and gently brush [Y/N]’s hair back, “Everything will be fine, little bird.”
 As much as [Y/N] wanted to believe her mother was right, that things would be fine and everything would go smoothly,she also had to remind herself of her father’s constant attempts to control her life, and everything in her life. That included who she dates and there had been plenty of failed attempts in the past because of this meddling, and [Y/N], for once, just wanted to be free of the constant puppet strings attached to her that her father controlled. 
 “Father’s best behavior is turbulent, Mother, you know this,” [Y/N] pointed out with a sigh, “Rodrick isn’t exactly what Father believes to be best for me, and I’m afraid if Rodrick says one thing he doesn’t like, that's it, we’re through.” 
 “Your father’s opinion does not always matter, remember that his say is not final-”
 “It’s been final before.” [Y/N] interjected, “Remember he wouldn’t let me try out for the cheer team?”
 “He’s just looking out for what's best for you, that’s all.” 
 After that, the kitchen was silent save for the sounds of cooking, because once more [Y/N]’s anxiety took over and Helena simply did not know how to comfort her daughter anymore. It was easiest to just finish dinner and then go get ready for it, adn say nothing else on the matter for fear of making things worse.
 However, just as [Y/N] was finishing up getting ready when she heard the familiar sound of an engine rumbling up the driveway. And gazing out of one of her bedroom windows that overlooked the front of the house, she saw the familiar van park in front of the garage.
 So that is a good thing, Rodrick managed to remember to get there early as she insisted numerous times upon. Not that much earlier than the time she said dinner would start, but it was something, at least. 
 Next came the issue of watching Rodrick getting out of the van. While he did dress the part, the part was also distracting her that she kept her eyes trained on him before he disappeared under the roof that covered the front porch. It was indeed a rare instance for [Y/N] to see her boyfriend dressed up, considering she never exactly went with the Heffley family to church on Sundays. 
 So it was easy to understand as to why she had zoned out, nearly daydreaming and ogling over what she saw from a distance what her boyfriend was wearing. Though before she could fully dive into the daydream, the echoing sound of the ring of the doorbell echoed across the house and it was enough to snap [Y/N] out of her head and she was quick to stand from her vanity, hoping to make it to the front door before her parents or brother could open the door.
 However, her attempts were in vain because of the delay it took her to stand and began the mad dash to the front of the house and the size of the home itself, and by the time she had reached the top of the stairs, she saw her mother already at the front door and as [Y/N] made her descent down the staircase, she heard what was spoken.
 “Ah, so you must Rodrick,” Helena spoke, though [Y/N] could get a hint of confusion from the tone used, which [Y/N] assumed was because her mother had recognized Rodrick from the couple times she had seen him before when she first started to tutor the boy, but that was not brought up when Helen added, “Come in, come in.”
 “Uh, thank you, Mrs. Clemens.” [Y/N] heard Rodrick speak as she continued her descent down the staircase, smiling to herself because at least something else stuck: always use formalities, never call my parents by their actual names. 
 As soon as she reached the bottom of the stairs, she was met with a beat of silence and then Rodrick saying without much hesitation, “You look beautiful,” 
 A dust of pink appeared on her cheeks and she briefly looked towards her mother away from Rodrick, who looked between the teenagers before taking the steps towards the dining room, allowing the young couple a moment alone before the dinner began.
 “I have to admit, I know you hate getting all dressed up,” [Y/N] spoke as she neared Rodrick, reaching up to gently adjust the tie around his neck, “But I wouldn’t be opposed to you dressing up more often.”
 “There isn’t a chance of that happening, babe, you know that.” Rodrick pointed out, though a teasing smile graced his face, which [Y/N] mirrored.
 “A girl can dream, can’t she?” 
 Just as Rodrick was about to lean down to give [Y/N] a quick peck on the lips, he froze in his movements as he both heard a voice from down the hall echo around them and the fact he felt [Y/N] slightly tense up.
 “Ah, [Y/N], dinner is about to start, I expected you to be in the dining room already.”
 [Y/N] took a deep breath as she began to speak as she stepped to stand beside Rodrick instead, “Father, we were just heading there n-”
 “This must be the secret boyfriend, then, Rodrick, wasn’t it?” Charlie interrupted, which was something [Y/N] was used to by then, and held a hand out to Rodrick (another thing [Y/N] could see right through--the charm of a businessman), “Charles.”
 “Yeah, that’s me,” Rodrick said as he briefly glanced at his girlfriend to see what to do, before [Y/N] replied with a glance down to her father’s extended hand, which Rodrick took with a little too much fervor, “Nice to meet you, Mr. Clemens.”
 The energy behind Rodrick’s hand shake with her father was something that would not be much of an issue, but [Y/N] never had a how to shake a hand lesson herself, so it was overlooked when she was teaching her boyfriend what he would need to know. She was a girl, and the only thing she ever got on the subject matter was to be light and certain in the handshake, and that was all. So one look at her father’s face said all that she needed to know.
 It was already off to a bad start and they had not even sat down for dinner yet.
 Luckily her mother had called them into the dinning room before much more could already add to the poor outcome [Y/N] could start to sense coming already, no matter the words that echoed to counter the notion, hoping that things would look up from there forward.
 And for the first part of dinner, it was as her mind had hoped it would be, as everything went smoothly. Any questions her parents asked to Rodrick, it took a moment, but he was always to pull something out that also did not make him nor his family look bad. The looks shared between the Clemens siblings were a mix of relief and happiness as the dinner progressed, because the lessons and seemingly did in the end stick with Rodrick more than [Y/N] previously had suspected they did. 
 “So, what is it you want to do with your life after you finish up high school, Rodrick?”
 That was the question she was dreading, and one she was hoping for once her father would overlook and just accept that fact, move on that the future did not matter as much as the happiness of his children. 
 And the question must have also thrown Rodrick off for some reason, as he glanced once more at [Y/N] and in turn [Y/N] glanced at Caleb, a look of panic settling on her face.
 “I think the team has a good chance of winning the game next week.” Caleb brought up, “So Homecoming may be a celebration for that win, too.”
 “The football team has won every year the past several years, Caleb,” Charles pointed out, sighing as he set his fork down on the plate before him, “But that is not what we are talking about now, my boy.” 
 “The marching band is probably the best we’ve had in years, Father,” [Y/N] quickly added, clearly buying Rodrick enough time to try and find an answer to Charles’ question, “It’ll be worth going to the game for more than just the football team this year.”
 “[Y/N], I believed I asked Rodrick a question, so I would appreciate it if you would allow him to answer.” Charles said, his tone rising from calm coolness, to slight agitation as he took a deep breath to calm down once more, “Now, Rodrick, what do you want to do with your future?”
 “To be a musician.” 
 “Oh, a musician,” Helena tried to express some happiness in the discovery, “Are you in the school orchestra with [Y/N]?”
 “N-no, Mrs. Clemens,” Rodrick realized his mistake of bringing up the fact he wanted to be a musician, but at the same time, if he said he didn’t know, he was sure he and [Y/N] would be over then and there, “I’m in a band with some of my friends.”
 “What type of music do you play then?” Charles asked and [Y/N] and Caleb once more exchanged looks before [Y/N] looked to Rodrick once again. A look that said there was no point in lying about it now.
 “Heavy metal.”
 “Oh…” Charles began, glancing between [Y/N] and Rodrick, before his eyes landed once again on Rodrick, “That’s an interesting choice, have you not considered going to college or another career path?”
 “Charles,” Helena interjected, giving her husband a look from across the table, “Now is not the time.”
 “What?” Charles asked, clearly confused as to what his wife could mean, “What’s so wrong about getting to know the boy who my little princess is dating?”
 From there, Helena merely just shook her head and dinner continued in silence, The only sound was the clatter of utensils as they hit the plate. [Y/N] kept her gaze down at the plate in front of her, merely just pushing what food was left around on her plate. Though, at some point, under the table, she reached over to gently grab a hold of Rodrick’s hand. To which, Rodrick merely just briefly looked over to [Y/N] and the only thing he could really do in reaction to it, was to let go of the tension in his shoulders before attempting to finish the meal before him.
 As expected, her mother announced that she would go and get dessert not too long after, but it would be a few minutes to warm it up once again. So as [Y/N] stood to start clearing the table, her father also stood.
 “[Y/N], could I speak to you for a moment?” Was all he said before he started his way towards the office he had at home.
 [Y/N] knew what would come from this conversation, and she had to try to be strong this time. She knew that this conversation would be her dad trying to get [Y/N] to break things off with Rodrick--something she knew was going to happen as soon as her father brought up the question of what Rodrick wanted to do with the future. His dream was not to be anything her father expected the man [Y/N] to be with. And it was time for her to take her own life into her own hands after so long of being looked down upon and controlled by the plan her father had for her.
 “What is it you see in that boy, [Y/N]?” Charles questioned as soon as the door to the office was shut behind [Y/N].
 “I can assure you that Rodrick is someone with more than meets the eye, Father.” [Y/N] answered clearly as she rose to stand up a little straighter.
 “But you are aware that he is not ideal, don’t you?” Her father spoke as he folded his arms behind his back, taking the strides to stand in front of his daughter, “You should be with someone like Edward Vill or Chad Danford. Not someone who you met tutoring, and someone who believes his heavy metal band will take off.” 
 He waited a moment for [Y/N] to speak, but all she did instead was lower her head and folded her hands at her front, so Charles continued, “All you have to do is end things with Rodrick and your future already looks brighter, my princess.”
 “That’s your plan for my life, though,” [Y/N] pointed out, her tone quieter than she wanted it to come out, but she soon found her confidence once more as she added, “For once I want to do things my way, so with all due respect father, I don’t think I will break things off with Rodrick no matter what your standards are for me.”
 “The standards I hold for you are meant to ensure you have a future.” Charles began, using a variation of the same speech [Y/N] heard time and time again, “As you know, your brother will take over the company, so I just want to make sure your foundation is strong in whatever ways I can provide. You’re young, you know little of how the world works.”
 “Have you not realized that in trying to live up to your expectations, I’m putting my own happiness at stake?”
 “The real world knows nothing of individual happiness, [Y/N], success is the only thing that will cultivate any sense of the word.”
 “I’m doing my best as I am right now, and then some, trying to gain the success you wish from me,” [Y/N] finally lifted her gaze up, though the tears starting to well in her eyes as soon as she did, looking at the man she called father, but had not felt like one in years, “But even with all that I have accomplished and juggled since we moved, you still think I’m a failure, and nothing I ever do is right.”
 “There’s always more, you never have to stop working and aiming high.” Charles’s voice began to rise once again, “And being with that boy is going to prevent you from doing such.” 
 [Y/N] shook her head just as the tears started to fall from her eyes, “I’m done trying to be what you think I am, because I’ll never be good enough for you.”
 “Young lady, you listen-” Charles began, but [Y/N] was quick to interrupt for once.
 “No, I’m done listening and following whatever it is you say for me to do, I’m choosing my happiness for once, which means I am not breaking up with Rodrick just because you do not approve of him.”
 And while Charles attempted to persuade [Y/N] otherwise, he did try to get her to understand why he does what he does, but [Y/N] was not having it. And despite his efforts to also get her to stay, [Y/N] was quick to make her leave, knowing if she stayed any longer it would turn out uglier than it had already become. And they did not need that to happen.
 Instead, [Y/N] tried her best to compose herself, keep herself together, as she went back into the dining room to get Rodrick. She did not need her brother or her boyfriend doting on her immediately, and she had to stay strong as she left the family home because she could not afford any more signs of weakness. 
 Though the soft hand on Rodrick’s shoulder and her quiet yet slightly quivering voice as [Y/N] asked, “Can we leave now?” was all Rodrick needed to have to know things did not go well when she talked with her dad, but he didn’t know what was discussed. 
 “See you around, Caleb,” Rodrick said before he stood from the dining table and [Y/N] was quick to grab a hold of his hand to walk out of the house. 
 “Young lady, you stay in this house or you’ll be grounded for the rest of your life!” She heard her father call out as he was approaching the foyer, but Helena was quick to hold him back.
“Charles, let her go,” She tried to reason with her fuming husband, “You two need some space right now,”
 [Y/N] shot a quick apologetic look to her mother as she grabbed her purse hanging by the front door before opening the large wooden door and stepped outside.
 “Thanks for dinner, Mrs. Clemens, it was real good!” Rodrick felt like he needed to say something before he shut the door behind him, and that was what happened to come out. Perhaps it was nerves talking and not filtering his thoughts that were not filled with concern for his girlfriend. And when they cleared the steps of the front porch, the boy was quick to make the steps to walk side by side, gently squeezing [Y/N]’s hand as they got to the van.
 As soon as everything was unlocked, and both were in their respective spots, Rodrick turned the noisy van on, backed up, and began the drive down the long driveway and back onto the street. [Y/N], meanwhile, just leaned her head against the window, staring mindlessly out the side view mirror and watched as the house she had started to call home grew smaller and smaller as they moved away from it, and she could see two figures standing on the porch but soon as they turned the corner onto the street, they were out of sight. 
:~+~:
Rodrick did not know what [Y/N] wanted to do, and she had been silent since asking him to leave her house. So he assumed it best to play it safe and drive around town as she calmed down enough to tell him what she wanted to do, or at least, he felt like she could answer when asked what she wanted to do. He knew by then to not push [Y/N], let her do things at her own time, because of his experience during finals last year and how she got so stressed out she shut down for a few hours. 
 Though after an hour of driving, from the corner of his eye, Rodrick could see that [Y/N] made an effort to lift her head off of the window and that was the sign that she was calming down and he made the choice to ask a question.
 “Wanna hit up the convenience store since we bailed on dessert?”
 There was a moment of silence, then two, then three, before Rodrick heard the defeated voice of his girlfriend come from her mouth, “Yeah, I’d like that.”
 And with that guidance and direction on what to do next, Rodrick complied and drove to the nearest convenience store. 
 The next thirty minutes or so of the evening for the young couple were spent attempting to rid themselves of the pain and sorrow of the evening that had happened earlier. Trying to be young once more without any burdens or cares. And with this attempt to change how the night progressed, came the night chill and while Rodrick was fine, [Y/N] was not. Luckily, or unluckily, Rodrick had left one of his sweatshirts in the back of the van--which was the unlucky part, because it was found in the back of the van and who knows when it was last washed. But it was better than nothing, so [Y/N] accepted it and was grateful it at least smelled of him--the cologne he started to wear more frequently, that is. Once inside the shop, they moved through the snack and candy aisles with careful thought and consideration of what they wanted, with [Y/N] clinging onto Rodrick’s arm, her head resting upon his upper arm as they moved through the aisles and made their decisions of what felt appropriate for the evening--for Rodrick, a bag of chips and for [Y/N] a bag of sour gummy candy, as well as a bag of chocolate to share between them, and went to check out. 
 They chose to just sit and eat in the back of the van, still parked in the parking lot of the convenience store, as it was easier than finding somewhere else to go. They also sat in considerable silence once again, the only sounds this time were the bags crinkling and the sound of the crunch of the chip whenever Rodrick ate one, side by side as close as they could be and eat with ease at the same time. 
 “I’m tired of trying to be good enough,” [Y/N] suddenly spoke, breaking the silence that fell over them once she had decided she had finished with her candy for now. 
 Rodrick, who had been in the middle of eating a chip when [Y/N] decided to speak up, was grateful that he had something in his mouth as it allowed him the time to process what his girlfriend just said and figure out what he was going to say in return. In the meantime, he set aside his bag of chips and shifted enough to reach out and grab a hold of [Y/N]’s hand.
 “I’m tired of tryin’, too,” Was what he apparently settled with, having never exactly been good at the whole comforting thing, “So we can be tired of it together.”
 There was no verbal response from [Y/N], but she responded to this statement by gently rolling her head onto his shoulder, her other hand also came up to start playing with his fingers after setting the bag of candy down. So Rodrick took this that she was listening to what he was saying, but wasn’t sure in what way.
 “Buuuut, one of the smartest girls I know taught me once that having two negatives together ends up canceling out the other, so we can just be tired together, instead.”
 With this addition, a breathy laugh was heard in his ears and a proud little half smile appeared on his face as he heard her voice once again not being plagued by anxiety, but simply by sleepiness.
 “I don’t think you understood that full lesson, sweetheart, remember how you almost flopped that test because you didn’t?”
 With her statement being made, Rodrick’s smile grew into a full one before he tilted his head to place a gentle but loving kiss to the top of her head, before he murmured against her hair, “But I would have totally failed without you, babe.”
 “We can just be tired together, Rodrick,” [Y/N] confirmed after a moment of quiet enjoyment of the moment, “And deal with all the teenage bullshit together.”
“Wow, did you just swear, babe?” Rodrick said in joking disbelief as he leaned away to look at [Y/N] head on.
 “It’s been a long night, sweetheart.”
 “My place?”
 “I don’t think either of our parents would appreciate us sleeping in the back of your van, so yes, your place.”
:~+~:
“Where have you two been?” Was what they were greeted with as soon as they arrived at the Heffley family home, “We’ve been worried sick!”
 “Sorry, mom,” Rodrick began, stepping in front of [Y/N] as he added, “We just went on a drive and stopped to get snacks, that’s all.”
 “Your mother called, [Y/N], and she was worried when I said you weren’t here, but I’ll go call her to come get you, okay?”
 “N-no,” [Y/N] began, the stammer in her voice stopped Susan from going to the phone in the living room, and Frank just looked at her confused, “I, uh, don’t want to go back home tonight, can I please stay?”
 “What happened at the dinner that made you not want to go home?” Frank questioned.
 “Just some family stuff,” [Y/N] covered easily, though she took a step to stand closer to Rodrick as she continued, “...Didn’t leave on the best of terms.” 
 “Oh, then of course you can stay, and we can figure this all out tomorrow, but I am going to call your mom back and let her know you’re safe, okay?” Susan said with a gentle smile and [Y/N] reciprocated the smile with a quiet, thank you, before Mrs. Heffley added, “You can sleep on the couch, after I make the call I’ll go get you a blanket,”
 “Can she actually sleep in my room?” Rodrick brought up, his tone rushed, to which both his parents gave him a stern look but before his mom could even get the answer of no out, he added, “I don’t want her to be alone after what happened, is all.”
 Susan and Frank gave each other a look, before they looked at Rodrick and [Y/N], and they caught the young couple glancing at each other and they saw the softest expression on Rodrick’s face they have ever seen on their son and once more looked back at each other.
 “On an air mattress.” Frank said, pointing a finger at the both of them, to which the pair nodded before Mr. Heffley turned to go get the air mattress from the basement. 
:~+~:
So [Y/N] never ended up sleeping on the air mattress. 
 She started out there, trying to do right by Rodrick’s parents since they allowed her to sleep in their son’s bedroom, which she could not be in past 8:30 on a school night usually. But sleeping in some of Rodrick’s clothes and with him only feet away, she was crawling in right beside him not even five minutes in of trying to fall asleep.
 When she awoke the next morning, [Y/N] felt a weight on her chest, and not the emotional kind. No, it was almost the entire dead weight of her sound asleep boyfriend sleeping over top of her, his head resting on her shoulder, his wild bed hair tickling her neck. She did not move him off or attempt anything, instead choosing to bask in this moment they rarely got to have and enjoy a quiet Rodrick for once, a version of him totally at peace. Gently, she started to run her fingers along his back through the t-shirt he was wearing, before the fingers of her other hand started to gently card through his hair, which only settled the sleeping teenager deeper into her.
 When he settled a little deeper into rest, this was when she had a slight struggle with breathing, and [Y/N] knew that she had to do what was usually impossible: waking Rodrick up.
 But luckily for her, she knew a solid weak point that often got him up if he ended up falling asleep before one of their tutoring sessions: tickling his sides.
 The action did not shoot him straight awake, but it was enough to shock his brain into making him open his eyes, and groggily lift his head up. 
 At first, it was clear he was about to settle back into the sleep he just awoke from, but before his eyes fully shut, they opened once more as he processed he was not laying on his mattress, but instead his girlfriend and the sleepy grin that appeared as he lifted his head once more and gazed down at her with half-lidded eyes was a sight [Y/N] would never get used to no matter how much she saw it. 
 “Good mornin’ babe…” Rodrick mumbled as he began to lean down to give her a good morning kiss too, before he was promptly pushed away with a gentle hand.
 “Your morning breath is atrocious, sweetheart,” [Y/N] pointed out with a quiet laugh, “It could kill.”
 “C’mon, you know I would never kill you, babe.” Rodrick pouted, “Now c’mon and give me a good morning kiss.”
 Rodrick instead kissed all over her face as [Y/N] kept moving her head to avoid Rodrick meeting her lips, but their playfulness was cut short as they heard Susan’s voice from down the staircase calling up to them: 
 “Rodrick! [Y/N]! It’s time for breakfast!” 
 And fearing that Susan would come in to check on things, the pair moved--Rodrick faster than he ever had in the morning--to get [Y/N] into the air mattress. It was a bit of a scramble and [Y/N] nearly tripped getting off the twin bed, but she had slipped under the throw blanket on the air mattress just as Susan began her descent up the staircase, and the teenagers pretended to be asleep.
 Until they heard the sigh and Susan making her way back down the stairs, their eyes were shut but the moment she heard his mother’s voice away from the attic door, [Y/N] quietly slipped off the air mattress and made her way back to Rodrick’s bed, where she leaned down to give his a soft kiss on the lips.
 “We should probably go down stairs soon, sweetheart.”
 Rodrick opened his eyes at the feeling and smiled up at [Y/N], who smiled down at him in return. 
 “I hate it when you’re right, babe.”
 It was this moment they both realized something very important, very pivotal.
 They both loved the other, and it was a somewhat scary yet exciting thought.
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Iconic things about The Dick Van Dyke Show
-For the time The Dick Van Dyke Show was incredibly diverse. You got to remember this was the early 1960s, back in the day you were lucky to see African Americans in any capacity and when they were in shows or movies they were strictly in the service industry. That started to change in the late 50s to early 60s and TDVDS was kinda the start of that in Television. People of color were depicted in different capacities than usual. In the episode “That’s My Boy??” the actors Greg Morris and Mimi Dillard played a normal upper middle class family. In this episode Rob thinks that Laura and himself were sent home with the wrong baby from the hospital and he believes that their baby was taken by a family with the last name Peters. The Peters ended up being African American and they were depicted as well dressed and well spoken people who seemed to live in a similar area and walk of life as the Petries and in that episode the black couple is funny and completely sane whereas the white man (Rob) is depicted as the butt of the joke. Also at the end of the episode Rob subtly mentions how their son Richie is getting horrible grades and the Peters’ son is at the top of the class. It’s small things like that, that had never been seen on Television. In a episode named “The Man from My Uncle“ an actor by the name of Godfrey Campbell played an FBI agent. And that’s not counting the numerous POC in smaller roles or as extras in scenes. This was a time where you were lucky to see POC even as extras. -The feminism in TDVDS took amazing strides as well. There were times where Rob is shown to be very insecure, and I think that’s some of the most of it’s time aspects of the show. It’s not great, but it’s realistic. One of my favorite character choices for Laura Petrie is that we find out that she is proficient in self defense.... she learned self defense techniques when she was an entertainer for the troops. In the episode “My Mother Can Beat Up My Father,” a drunk at a bar harasses Laura and Rob tries to defend her and he gets laid out by the drunk. Laura then does a judo throw on the guy and lays him out. It becomes a big thing for Rob in that episode and he’s very insecure about the fact that Laura can take a guy that Rob can’t. But Laura does not apologize for that fact, and in one scene Rob is trying to prove that he’s all tough and so he challenges Laura to do the same throw with him. Laura doesn’t pretend she can’t do it to spare his fragile masculinity, she lays him out and if I remember correctly he broke a few bones. Also the character of Sally Rogers has been touted as one of the first women’s lib characters. She’s a Television writer alongside Rob and Buddy and she is treated with respect and is presumably paid the same as Buddy who is a writer on her same level. She is a proud career woman who is damn good at her job, and is an equal to the men in her workplace. Another big way that TDVDS broke ground was the fact that Laura wears capri pants. Believe it or not that caused a firestorm of controversy.... up to that point housewives had been shown as wearing dresses and skirts on TV and once the dust settled the fact that Mary Tyler Moore wore capri pants on TDVDS caused those pants to become a huge fashion craze in the 60s. -TDVDS became a huge hit starting with the second season against all odds. First off Carl Reiner had created the show a couple years prior and had actually shot a pilot with an entirely different cast and with himself in the lead, at that time it was called “Head Of The Family.” It aired and did not get picked up. Carl just gave up on it and it lay on a shelf collecting dust. A couple years later someone with the William Morris Agency tried to get Carl to retry it and he refused. That agent then went to the most successful producer at that time, Sheldon Leonard. Sheldon was known for having a perfect record for his pilots, absolutely all of them had been picked up to series, some of which were huge hit shows. Sheldon saw the show and immediately saw the potential. He approached Carl about the idea of retrying with an entirely different cast and name.... once a famous producer says they have faith in your show, how can you say no. So they set to the task of finding a cast. Dick Van Dyke was one of the first people to be cast in the show, and at that point Dick was in the middle of a successful run on Broadway in the show “Bye Bye Birdie” which he’d won a Tony Award for, but being successful on Broadway doesn’t usually translate to fame with the general public (up until Lin Manuel Miranda that was true). So not only did they cast an unknown in the lead role but they then turned around and named the show on the said unknown actor. That was an extremely ballsy and risky move. At the time there were a lot of shows named after actors but they were all famous stars like Doris Day etc. To name a show after an unknown actor was unheard of!! They then cast Mary Tyler Moore (who was an unknown), they cast Rose Marie (who was never hugely famous, but had a really good career on radio and in night clubs. But even if you consider her to have been famous, she was kind of a has been), Morey Amsterdam was cast (an unknown), Jerry Paris and Ann Morgan Guilbert were cast (also unknowns). It was really a cast full of unknowns in the leads. There were no big names. Which was really a disadvantage going in. The first season bombed, it was near the end of the Nielsen ratings and morale was severely low at the end of the season. Sheldon Leonard actually got word from a friend who was on the committee that decided which shows were cancelled and which her renewed, that the show had indeed been cancelled and it just hadn’t been announced yet. So Sheldon went into problem solving mode. He knew that going to the network wouldn’t get him anywhere. At that time sponsors were king and TDVDS had one of the biggest sponsors in the game, Proctor And Gamble. So Sheldon flew to Proctor And Gamble’s headquarters and in his own words he “sang mammy” in other words he begged and he charmed their pants off (figuratively) :) At the end of his pitch, they agreed to go to bat for the show... on one condition.... that he found a sponsor to sponsor the second half of the season. So he raced from sponsor to sponsor pitching his show and begging them to co sponsor them. He was in the middle of a pitch when he was alerted that Kent Cigarettes had decided to sponsor their second half. Proctor And Gamble and Kent Cigarettes went up against CBS and demanded that they renew TDVDS or else they would withdraw support from all their other popular shows. And CBS caved and renewed the show. With S2, TDVDS became a massive success and by the end of S5 the network was begging Carl Reiner to make another season but Carl wanted to end the show while they were still on top. TDVDS also became the darling of the awards shows. They continually swept the Emmys every year starting with S2. They won for writing, directing, and acting, it also won Best Comedy in 1966 with it’s final season.
-The scripts were largely based off of real life. Nowadays it’s more common for shows to take ideas from real life, but at the time Carl Reiner’s wish for authenticity was largely unheard of. Writers on the show described the writing sessions as therapy sessions because it would start with Carl probing into their life and them talking about embarrassing things that happened to them. Carl and the writers would take those ideas and make them bigger and crazier but there was always that nugget of truth in there.
-The marriage between Rob and Laura was also iconic. You gotta figure that I Love Lucy was a huge show of the past decade and it really shaped most future shows. In some ways TDVDS was the antithesis of that. Carl wanted to create a show where the main married couple was united... it was them against the world. He shied away from battle of the sexes storylines whenever possible. He wanted Rob and Laura to be clearly in love. And it’s a unique relationship where you can tell that those two have an active sex life... and that was really unique for the time.
-Carl Reiner made a decision at the beginning of the show that he would never use popular slang terms of the 60s. In fact if you watch beginning to end, only one slang term slipped in, in S5. Otherwise, he remarkably kept to that. Because of that crucial decision, TDVDS is not as dated as it could be and it has a very timeless feel to it.
-The cast was known to get along famously, there were only a few moments of tension, otherwise the set was known to be very light and there was little tension. They were all pranksters and the set was alive with hilarity, laughter, and pranks. They used to haze guest stars... most of the guest stars were fine with being hazed but there was one who did not take it so well. During the filming of one episode Robert Vaughn was the guest star and he was on the outskirts of the set waiting for his cue to come in. The actors led the entire cast and crew off the set and turned off the lights and left Robert waiting for his cue for about an hour, until he walked in to see what the holdup was only to find the entire cast and crew gone. It’s hilarious, but he wasn’t too happy. The cast was like a huge family, but most guest stars described them as being very welcoming as well.
Edit. Another iconic thing I almost forgot is the fact that certain episodes are used in film classes as examples of how to write comedy. It’s so funny and iconic that it is the textbook case of how to write comedy shows!!!! When will your favorite show ever... ;)
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Sly Cooper 1 Review:
As in, I recently completed the game and since I was asked to, I will give my review on it. I’m a little nervous because this is the first time I’m doing this, so hopefully I’ll get this right.
KEEP IN MIND: I did not grow up with this series, and I am going in after @oroanillado gifted me the entire series for the PS3. I am a new fan who basically grew up on Nintendo products, so my views might come off differently.
ALSO: SPOILERS AHEAD!!!
Onto the review.
0. Initial Reaction:::::::::::::::::::::::::
I was pretty surprised how the game collection required no download or installation. So that was a good little bonus as I could immediately sit down and play it without much of a wait. As for the starting point on top of the roof... lemmie say that Sly is adorable at first glance. His movements are fluid and it’s very satisfying to control him--especially the fact that he has a bass sound to his steps that is beyond addictive. I love it.
Not to mention the music is nice. Not exactly as memorable, but I can listen to it and it does give the area a feel.
And then Bentley opened his mouth. Whew boy. Okay. Rok heard my live commentary every time he opened his mouth, so it’ll be a theme. It wasn’t that bad at first though so it’s mostly me wanting to explore the Police Station. It’s mostly a tutorial level so it’s nothing impressive, just giving the feels.
When Carmelita showed up, like expected, I was stunned by two things: she owns an extra fancy taser gun, and that slow as fuck taser gun is able to cause the destruction of public and private property as a massive scale. Ma’am, can we talk? Can you not blow up the cars?? LADY-
As for the comic style animation? Yes, perfect. I was looking forward to it and was not disappointed. I love the cartoony look it gives to the whole world. Which is something else I noticed--the feel and look of the game is very much like the love child of Banjo Kazooie and Psychonauts. The colors and collectathon.
Also the character motivations for Sly, Bentley and Murray are believable. All are orphans, and Sly saw his family get killed but the bad guys and the family book of thieves stolen. Carmelita? Eh, wish I had more context to her but good cop trying to catch the robber is good enough.
Note: I had no idea Carmelita was actually someone that worked for Interpol. My dumbass thought she was just a French cop. The more you know.
As for the hub safehouse area, it’s simple and direct to the point.
Okay. We good? Now onto the levels.
1. Tide of Terror:::::::::::::::::::
Sly dies in one shot.
Sly dies in one shot.
Sly dies in one shot.
No. This was okay. I was determined to find out how I could get around this. I explored the initial open area, collecting the coins and trying to get the bottles because I knew that the point of the games was to collect all pages, right? So I needed the bottles to get the clues so Bentley could give me the code. Thing is, I ran into a few problems on the get go. BESIDES SLY BEING A ONE HIT WONDERBOY.
I didn’t know I could pimp whack enemies with the cane. So I see this walrus looking mofo just hammering away on a boat and I’m like... How do I not aggro this dude. Keep to myself, reach areas I new I could jump to, and... OH FUCK THERE ARE BOTTLES ON THAT BOAT GOD DAMN IT! Fine. Let’s sneak in. By sneak I mean run around the walrus and realize that the guy just sees me and hammers harder. What? Okay then he doesn’t chase me. Get the bottles, realize after 5 minutes that Sly’s pimp ass cane can in fact obliterate the ship’s pole to get the last bottle, before trying to confront the walrus.
So I died the first time. Then I smacked him. You know, for a one hit wonder as Sly is, I appreciate that the enemies are the same as well. That balanced everything out and not made it a colorful furry version of Dark Souls. So off I go. Up the ladder and jumping right into the second area where there are search lights. I’m like okay, let me go around these and--
WHAT DO YOU MEAN THE ROSE BUSH KILLED SLY?!
GOD DAMN IT!!
Yes, a lot of this happened. It has been a while since I played a colorful game like this and I a lot of this is simple designing that is obvious, but I am also someone that enjoys finding other ways to get around them. So many choices in the game seems nonsensical. A raccoon unable to brush by some thorn bushes was rather hilarious. I was basically fussing at full volume while Rok was laughing at me. Which was good, I meant to be hilarious.
I discovered the wonders that were the search lights and that they are easily turned off in the small sections. That I could in fact dodge most attacks from the minor enemy characters. Realized that this damn raccoon cannot swim to save his damn life. LITERALLY.
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kjsdbkjsd And then I realized that I was missing quite a few bottles once I got to the end. I was frustrated. I wanted to get them all already. So I went back and tried figuring out how to get them and I SWEAR TO GOD I CANNOT EVEN LOOK AT THE SAFE WITHOUT BENTLEY GOING “YOU DON’T HAVE THE BOTTLES NEEDED TO OPEN IT U-”
Bro. Bro I know. Bro please.
Shut the fuck up.
Got the bottles and moved on. Found out that I absolutely adore Sly being in a barrel and wanted to take that barrel with me everywhere but I couldn’t. Realized that Sly puts come paper cuts outs of his emblem in opened up safes and--can we talk about this? Does Sly just sit in his room with colored craft paper and cuts these out every night? Does he redo them if one comes out funky? Does he get glittery paper or is it like the kiddy kind? Does he do them in the van? Is it with scissors or an x-acto knife?! How do you make these bro you don’t simply walk into a FedEx’s Kinkos to print these out!
Anyway, I’m learning more tricks as I go along, getting all of the keys and bottles and I do go back to each stage to get all of the damn bottles because I am not leaving one behind because I really want all of the pages. I am also seeing all of the death animations Sly does and honestly, the humor in each of them is not lost on me at all. I adore them. The first time I saw him just realizing he’s gonna fall to his death and he just-
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I busted laughing so hard and Rok got to hear me lmao oh my god-- But for real, most of his death animations are strangely adorable in my opinion. Especially when he just falls and his little leg twitches. They never made animations like that for other games I played so far (not even for Banjo Kazooie). And the lightness of everything makes it less frustration in my opinion. As though I had no problem if Sly died along the way. Whereas I would get way more frustrated with how Mario or Banjo would die.
Anyway those are my tidbits. But lemmie tell you something.Once I got to the last stage where I needed to get the 7 keys to access the final boss? There’s a treasure chest with crabs mini games.
FUCK. THAT. GAME.
The only reason I got through it was because I’m stubborn and I distracted my frustrations in my chat with Rok as I had this damn raccoon swim around in a submarine, killing about 100 crustaceans just for 40 chests!! 40! Not a normal number like 20 or 25. No. 40. That drove me nuts for some reason.
Anyway, finally got to the final boss after I collected all the horseshoes and lives around the main hub of the level, and then yeeted Sly from the canon ALA Wind Waker style.
Raleigh is freaking gross. Not in voice, but his animation made me feel really nasty with looking at him, which in my opinion was a good visual design and motivator to get rid of him faster. It was also easy to sort of find out what the boss fight was requiring from me in the end--making it so much easier as well. I guess for a kid it’s a bit more difficult and I can understand that. I just enjoyed the fights for having a repetitive nature that was satisfying. Like even if I died many times, the game didn’t throw me all the way out of the level at all. It restarted the fight from the beginning and that, to me, was a good way to introduce me to the entire function of a Sly Cooper 1 boss fight.
I felt happy when I defeated Raleigh. And of course, Sly isn’t a “killer” so froggo dude is still alive, just in prison after “HOT LATIN FOX LADY” caught him. Of course. Can someone tell me where Carmelita is from? Is she Spanish or Mexican or..? Like was that defined by the games or was it thrown up in the air?
Anyway, onto the next level.
2. Sunset Snake Eyes:::::::::::::::::::::
Lemmie just say that I actually enjoyed Mugshot’s backstory? It made me feel really sympathetic towards him in a way.... Despite him being a murderer but you know. It was a nice touch.
Okay so, are any of you familiar with the whole “Mickey Mouse is taking his dog Pluto for a walk” dilemma? Well, I had a moment like that as well in this section. Why? Because Mugshot has feral dogs all over his turf and that messes me up a lot for some reason. Like I always wondered how, evolutionary wise, can an anthro dog and a feral dog look so similar? I had a moment like that as well when reading Farewell, Beloved Falco. There was a feral pig in that comic and it bother the fuck out of me. But it didn’t impede me from playing the game.
The look was very much classical American desert wasteland in the middle of nowhere. Possibly southwest USA if I were to guess, and I liked the feel of the casinos and run down RVs, trailers and cars. However it made me question why this place was a junkyard almost if he kinda has a functioning casino. For Raleigh I could understand because it was a hideout, you do what you can right? Even if you have a fucking floating metal blimp over your hideout, like that won’t catch military attention at all, nooooooo--
But like, an abandoned casino suggests that it was once owned by the mafia or a mob, and just--Okay. Police regulations and gun control. Etc etc, I’m rambling on about things that have nothing to do with the game. Back to the design.
Again, collecting all the bottles like a desperate AA member that needs a hit for old times sake and running back to open up the safe. Can I just say that the names of each Cooper ancestor is rather amusing? Like some have the most dumb but adorable names. Huckleberry Cooper jfc--
And once I got into the main hub, I got my first taste of the “Murray can’t think without his stomach thus gets himself in trouble and needs to race his Moon Rover turned into a Van to win one of the keys” mini game and “Bentley told me I gotta keep you alive as you run through this area full of trigger happy criminals, Murray, plEASE STOP RUNNING IN FRONT OF MY BULLETS MURRAY-” mini game. Nice. Not as bad as the 40 treasure chests crabs.
Also, why would Mugshot or his minions just leave a red sports car running on reverse for days on end?? Anyway.
The inside of the casino was a nice section to play ngl. I enjoyed that a lot. The platforming too, despite some of the bottles being utterly difficult to get without having to die and do the entire section again to get them. And then comes the level when Carmelita decides to destroy private property because she’s after this dumbass raccoon. I wonder how she felt seeing him jump around back and forth breaking bottles and dodging her SLOW AS FUCK TASER GUN.
“Could you stand still?!”
“Nope. Not my fault you couldn’t get a license for a firearm.”
Finally I got to the Mugshot boss fight and like the first one, it was a very satisfying fight. Mugshot had me in stitches because he walked around with his long ass arms instead of his legs at first like lmao! Also once I got to the final third stage, I was all cautious and excite to jump around the wires. Yessss.
Defeated, all bottles collected, Carmelita caught this villain as well, and off we go... stealing shit from the USA before coming back to the Safehouse? Alrighty then.
3. Vicious Voodoo:::::::::::::::
Let me tell you something about myself. I have an intense love for Voodoo in video games. Started with Gabriel Knight: Sins of the Father, Princess and the Frog and I had an intense call back to one of the swamp areas of Banjo Kazooie in this level.
So basically, this is my favorite level.
I think it’s also the level where I argued the most with Bentley as well. Or at least the second one because, since the very first game, he keeps repeating the same obvious commands all the time with a constant reminder of press the O button. Sly? Sly?? SLY! PRESS THE O BUTTON! Bentley? You’re cute, but you gotta stop my dude.
The sliding effect on the long branches was a lot of fun, the tree enemies that had more than one hit kills were also satisfying to beat the shit out of. I also enjoyed the general murky color of the level in general. Just the spooky was definitely my aesthetic. You know what wasn’t my aesthetic? The first mini game I ran into, which was the candle mini game where Bentley would repeat himself all the time right at the start of if you had to restart the level. I muted the entire thing and had Sly mindlessly killing the fishes to turn on the candles while blabbing to Rok on the phone so it was easier for me not to get nervous about the time limit or the amount of candles I had to turn on. It was the same thing with the Chicken Gumbo mini game, but I didn’t mute that one. Because Bentley stayed quiet.
Also, @oroanillado​ is the biggest troll. I was on the beast section of the game and they did not describe to me what it was like. So I’m honestly not expecting much at all, just wanted to grab my bottles and go. Once I’m halfway though, and I already saw the water moving around I’m having Amnesia the Dark Descent flashbacks like OH SHIT OH FUK O Shi- But no. No. What got to me was... This intensely huge serpent coming out of the water and chasing me and my camera kept pointing BACK instead of pointing forward so I could navigate Sly out of that mess while also getting the fucking bottles along the way!!
I was shrieking!! I have an acute fear of things that are larger than normal (it’s connected to my Agoraphobia). I have that with whales and sharks and fish, so I usually avoid big mobs if possible in any game. Yes, including the 3 mythical dragons from Legend of Zelda: Breath of the Wild. @thekursedone-lylat​ was present when I was freaking out about saving Naydra and how huge it was. But at the same time I have a big fear of these sorts of creatures, I was laughing and cursing at the end of the level because honestly, Rok was having a good time and so was I.
Oh yes, also the other mini game where I had to navigate the same speed boat thingy and shoot down the on coming ghosts and flaming rocks was pretty annoying until I figured out I needed to destroy the pillars where the ghosts came from. Then it was easy.
But my absolute favorite section of this whole level was the Green Water Full of Body Parts and Bones. Bentley was losing his shit at the beginning of the level and I would accidentally yeet Sly into the water of decomposing bodies like yeah, yeah the turtle won’t like the smell of this. It was just a well designed level, so I had no problems having to redo it to get all the bottles again and again.
Now, the boss fight? I was warned about this ahead of time so I had to unfortunately put Mz. Ruby on mute so I would concentrate on her attacks but apparently they were supposed to go with the rhythm of the song and the Sly Cooper Collection messed that up? I think she was the only Boss I was really wanting to listen to as she talked because she was giving me good “yeah I’m bad, probably not the best one in the group, but I don’t care I’mma own up to it so try to dodge my attacks as best you can” vibes. It was also entertaining to see Sly go Neo with some of the commands.
All bottles collected and onto Winter in China.
4. Fire in the Sky::::::::::::::::::::::::::
Oh hey look, fireworks!
.....oh.
Surprisingly, this entire stage was rather meh to me? It worked like the others, felt like the others, but I really wasn’t as wowed by it. It might also be just the fact that I mostly saw white in general due to the snow, and spent most of my time looking for a few bottles on one section that really irritated me. Like I legitimately got mad in one section and didn’t want to deal with it because of the noises some of the monkeys were making.
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This section. I hated it so much because I thought the bottles I was missing were in here and 2 of them were but I needed hints for it. Argh... Everything else in this section was pretty much a blur for me besides the two mini games with Murray, and the one level where Carmlita came back again, destroying more private and ancient property with her taser gun--and the main reason I remember this was because:
Carmelita saying she was going to catch criminal scum Sly and Sly just went “you really need to get woke, I’m not the bad guy here.”
I collected all the bottles but Bentley told me I had to defeat Clockwerk before I could open this damn safe, and it was the only one requiring this!!
Carmelita went down with the dragon statue, into the hypothermia levels of cold water while shaking her fist into the sky.
I will say the part of Sly and Bentley discussing the whole mechanics of Sly taking the rockets into Panda’s lair was pretty funny tho. Just,
Bentley: Hey you might be able to reach the top of the tower before these explode.
Sly: Okay but what if they explode before I get there?
Bentley: Then I guess you’ll blow up into many pieces.
Sly:
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As for the Panda King boss fight, it was okay. I just kept running in circles around the arena while approaching the dude. Defeated him and was like okay, I really need to go and defeat Clockwerk now so I can open that safe.
5. The Cold Heart of Hate:::::::::::::::::::
Look.
I get Sly probably weighs next to nothing, Murray, but could you at least break once Sly gets knocked off the top of the van? Or when the rocks are falling down towards us, maybe also step on the breaks so not everyone is being driven to their ultimate death?
No?
Okay.
I will say, I headcanon that both Bentley and Sly were getting an intense case of whiplash when Murray was driving that van around at 120 MPH collecting all 60 computers because... Bentley needed those to hack into something??? It wasn’t as bad as the 40 crabs and treasure chests but man. And then of course there’s the section where, oh surprise surprise, Carmelita is in an obvious trap, slamming her fist on the glass, needing to be saved. Bentley warned Sly it was a trap. But of course Sly is like:
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OH THANK GOD THE BARREL IS BACK.
Anyway, obvious trap is an obvious trap. Carm just bitches at Sly right as he gets stuck in the glass chamber and is sprayed with RAID. So Bentley has to save his ass. This is possibly the mini game I dislike the most. I just put Bentley on constantly circling mode as he shot down the targets.I died about 9000 times before I won.
Carmen is all Oh I was wrong about you the whole time Sly!
Sly: Duh.
And off we go to the next section where Sly lost his cane and he needs to recover it with Carm’s help. So I’m controlling Carm’s taser gun. Guess how many times I purposefully killed Sly? Many. For funsies. Because the gun magically got faster once I was behind the trigger.
Next section was the whole climb up the beam tower as it’s being consumed by lava! I very much enjoyed this whole climbing bit. It was fun. Again, died a lot and I actually glitched through the walls because I jumped somewhere I wasn’t supposed to and had to kill Sly along the way. But still very fun.
FINALLY.
CLOCKWERK.
Are we serious? Are we actually serious right now? Clockwerk had absolutely no motivation beyond ultimate hate? WHAT?! That’s just... not a satisfying reason ngl. Anyway, the jetpack flying section was probably the easiest thing ever and I loved it. What I didn’t like was the laser section that came after it... I kept dying. Again. FUCK. THOSE. LASERS.
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Clockwerk speaking random little words while malfunctioning was super cute those. I don’t why, but I loved it. I was shrieking by the end of everything though because once I got right at the back end, where I’m supposed to jump on this mad owl, I was not expecting the head to jump on me. HHHHHHH!!!
Anyway, I killed Clockwerk dead. Back into the lava you go. Witnessed Sly give Carmelita the slip of the tongue and handcuffed her onto a railing over an active volcano before yeeting himself. Classy. Then back to his old tricks again with the gang. End credits.
NO WAIT.
The last chest. In the Panda section. Yeah I went back for that and got the extra ending.
0. MY RATING::::::::::::::::::::
Honestly, 8 trashcans out of 10. If Clockwerk actually had a believable motive besides hate, I’d give it a higher rating. But the game is satisfying and I love the mechanics of it.
Bentley just needs to chill the fuck up tho. God.
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robertkstone · 5 years
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Forbidden Fruit Cars of the 2019 Geneva Motor Show
The Geneva Motor Show is a feast for the eyes, not only in terms of the improbably expensive hypercars from brands you’ve never heard of, but also for the mass-market machinery that is inexplicably not for U.S. sale.
Consider this your window-shopping excursion down dreamer’s lane for cars that you might see on the road on a European vacation, or perhaps in a fever dream come true if enough chips fall into place.
Toyota Corolla Trek Hybrid Wagon
“No wagons for America!” we imagine a product planner barking in a stifling-hot Nagoya boardroom. “If they want one, put them in a RAV4!” Which is too bad, because the Corolla wagon is a looker. What’s more, it comes with a choice of 1.8-liter or 2.0-liter self-charging hybrid engines—which Prius-beating mileage. It’s not quick, either 11.1 or 8.1 seconds from 0 to 60, but the sharp looks make it appear quicker.
Citroën C5 AirCross
If Subaru got down with its funky side, it might create a clunky-cool compact crossover like this Citroën. Sure, it’s fascia is a bit Honda CR-V (steal from the best, right?), but it has good second-row space for your friends and plenty of room for cargo.
Peugeot e-Legend Concept
You may pronounce it “Camaireaux.” This sporty coupe borrows more than a few lines from Chevy’s muscle car, but in its own Gallic way that also harks to its iconic 504 Coupé (dig the French-blue memory-foam seats). Yes, this sleek electric two-door was first unveiled at the Paris Motor Show back in October, but it requires another look because Peugeot subsequently said the brand is returning to U.S. shores. Attention, Monsieur Tavares, please make this car your flagship.
Peugeot 3008 Hybrid 4
While talking about the coming French invasion of America, we can theorize that more folks would be interested in this interpretation of the anonymous crossover. Although the exterior design is cool enough, the real magic is inside. The center-stack control actuators resemble piano keys. The wood inlay resembles distressed driftwood and sweeps throughout the dashboard as well as the front and rear doors. Its lines are angular, octagonal, and futuristic—which is proper visual communication for a 300-hp plug-in hybrid powertrain with a manufacturer-claimed 31-mile battery-only range and an eMPG around 107. If you think the Volvo XC40 is cool, re-set your cool meter.
Renault Clio
Shared on the small-car platform with Nissan and Mitsubishi, the redesigned Clio is a Versa that went to finishing school. Whereas the Versa screams downmarket rental car, the Clio shows that small doesn’t have to mean cheap. From the digitized instrument panel and iPad-sized center stack infotainment system, to the soft-cushion control buttons, swings, and rheostats, the Clio is the Versa that Nissan should make.
Dacia Duster
Whatever happened to the inexpensive, go-anywhere SUV? With the departure of the Nissan Xterra, and the price appreciation of the Jeep Wrangler, there’s an opening for an economical “real” SUV sold to people who don’t mind that the interior looks ripped from a 1990s parts bin. Built by Renault’s Romania-based budget brand, the Duster is a proper 4×4 with a differential lock and hill descent control. Probably a bit wheezy for American roads, the Duster offers a 1.3-liter gasoline turbo generating 148 hp and 184 lb-ft in its top trim. But the British press has raved about it, and with a price point that translates into the mid-$20,000 range, it could be a bargain.
Suzuki Jimny
Ah, poor Suzuki. It couldn’t hang on in the U.S. market, especially as its Vitara now resembles a Range Rover Evoque on a budget. But even if Suzuki had stuck it out, it’s a long shot that its Jimny micro-SUV would have made it here. Its wee 1.5-liter engine puts out a meager 102 hp and 96 lb-ft, with a top speed of 86 mph. And its interior is a bit Playskool. But it has a legitimate 4H/4L transfer case. And geez is it ever cute.
Honda e Prototype
How many e’s are there in “Squeeeee!” Five seems about right for this huggable puppy of an electric vehicle. Angular in shape, but with soft corners and a front fascia that appears bemused at the world, the Honda e Prototype sadly has that sub-150-mile battery range that dooms it to be a city car for Japan and Europe. Inside, there’s a retro-futuristic touch of an entire IP comprised of screens, while wood inlay adds a touch of mid-century-modern style.
SsangYong Korando
If you let VW design the front, Nissan the back, and Kia the interior, this is what you’d get from this new five-seat midsize crossover. It has a bit of a parts-bin feel, but boasts a roomy second row for your leggy adolescent kids. If it can carry a price-value equation against ostensibly more expensive foes like the Honda Passport, the Korando could make a dent—if it ever gets to America.
Seat el-Born Concept
Could this be the transformation of the crossover? A people hauler that’s not a SUV, CUV, wagon, hatchback, or micro-van, this visionary five-seater could be the shape of things to come. The etched C-pillar graphics, reimagined flying roof, and stubby IP and center console screens are all innovative design transformations. There’s a monstrous central storage cubby and a huge back seat … all thanks to sharing VW’s stellar MEB electric-vehicle architecture meant for Europe’s narrow city streets. Hardly a concept, it should reach Seat dealers in 2020 with 261 miles of range on the WLTP cycle.
Skoda Kamiq
Picture an Audi Q3, but $15,000 cheaper. That’s Skoda for you. It’s the perfect recipe for those who want premium feel on a budget. Granted, its undersized engine offerings would be a bit aired-out on American roads, but we could swap in VW’s 1.4-liter turbo-four and be fine. Interior instruments, gauges, and controls have the look and feel of analog-era Audi—a design that has yet to go out of style. Despite its tidy size, the Kamiq has a generous back seat that fits a six-footer.
Nobe
Still just a prototype, this Estonian-made three-wheeled electric vehicle has the flair of a ‘60s-era Alfa Romeo Giulietta front and boattail Spider rear, while the inside is go-for-a-picnic charming. But it carries the modernity of a lithium-ion battery pack. As a three-wheeler, it will be graded as a motorcycle, not a car (including not having to pass U.S. crash standards, hmm). Nobe is still in startup mode, but if you want to get in on the ground floor, they’re launching a Kickstarter in April. Just remember, three-wheeled transport hasn’t exactly taken off in past iterations—and this one is target-priced at an eye-watering $40,000.
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