#why this scene is badass

[ruubesz-draws]

Wwwweeeeeee~

Ion dude probably regretting his life choices

That one scene from the Monarch series ep. 10

(Inspired by this gif:)

[ghostlyarchaeologist]

How to easily distinguish the Stone triplets from one another:

Eliot:

Jacob:

Alex:

( Inspired by this post.)

[rocketbirdie]

I am once again thinking about Zack's death scene in the og.

No heroic last stand, no parting words. Just a couple dozen bullets at point blank. How long it takes Cloud to drag himself over to Zack's body. The deafening silence and the camera panning up to reveal that Midgar was literally right there, right in front of them. They were so fucking close to safety. All of that hope, ripped out from under them unceremoniously.

Idk man. Crisis Core's version of the scene is iconic, but it'll never be as gutwrenching and brutal as the original.

[pls-explodingstars-pls]

Swapped Daniel and Emma for Kara and Alice

They are like… two sides of the same coin

bonus- Emma and Daniel in the gallery lighting cause it's so much better

[variousqueerthings]

VERY RAMBLY BUT I think rose and martha are like the inverse of one another in terms of narrative, in that they both meet a doctor who is deeply deeply hurt, but the doctor interacts with them about it so differently, because of where they're at with that hurt, and the doctor is like "hey, I'm suave and vulnerable beneath the surface, which is quite attractive, want to travel in space and time in my whimsical timeship?" and they both go "oh heck yes!" and then it's like splintered glass from that point on, like martha lives in a funhouse mirror of rose's story -- up until she makes it her own of course and she does call the doctor out on it relatively early on, although rose continues to have that haunting effect

so rose has this bubble created around her that is perfect and unchangeable almost, in which nothing bad can ever happen (except for all the times it does but huuush, we'll be together forever forrealsies don't look at that big ol hurricane hurtling our way), which then inevitably bursts, but is always there-as-memory, because rose becomes something of an impossible ideal to some extent

and martha isn't protected at all, and has all the badness spilling out on her because the doctor is unable to contain any of it (and maybe is relieved to finally give up on being strong), and subsequently all of the promise of wonder has an air of sourness to it, and the doctor will always feel incredibly guilty about how it all ended

but crucially there's a lot they have in common, that is quite different to, say, donna (who is woven in in her own, interesting, way) -- they both become attracted to this powerful, interesting, and suuuper traumatised being, they're both taken along on a journey of promised wonders, they're both incredibly reliable to the point that the narrative is retroactively fitted around how much the doctor's belief-systems revolve around belief in their companions, with many others from the past given their dues (starting with sarah-jane), and they both do see wonders beyond their comprehension (and so does donna, but again, there's something a bit different there to poke at in another post...),

except where for rose this wonder helps her break out of the path that was set down for her and become who she always had the potential to be in a way that is mostly framed as a positive (although with some -- I think -- under-analysed caveats...) and she will be forever thankful for the doctor arriving in her life, martha's is more like an awe that the universe is so hostile and so lonely and so heartbreaking, and so she needs to become more resilient and more ready to make choices that are terrible (from travelling the broken world for a year to the osterhagen key....), and so there's another story about someone who becomes strong and tough (just like rose) but it's because the doctor wasn't really able to be there for her, and while I don't think the show (from memory) ever has her totally regretting the doctor dropping into her life, there for sure is some solemnity to how her story ends, a bit of a dampener in comparison (even tbh in comparison to donna, who yeah, gets her memory taken, but is suggested -- now confirmed perhaps? -- to get more of her life in order/feel more self-confident, also partially because of that subliminal influence of her time with the doctor)

and this isn't to say that it's all-bad for martha! her working for UNIT and Torchwood has a lot of very interesting facets to it, and she is fulfilling her potential to be this impressive, capable person, but the ways all of this was built up to is so heartrending

rose coming in and "saving" the doctor, except it was a bit of a lie, because the second she wasn't there they crashed even harder than before, and martha coming in with the idea that she could save the doctor and walking away when realising what it was doing to her life, and both rose and martha irrevocably changed to the point that the person pre-doctor is barely recognisable in them anymore, both take on the doctor's self-sacrificial traits...

and also the idea that rose gets the fantasy, but it's the fantasy a-bit-to-the-left (funhouse again) because there's always something a bit disconcerting about the lengths the doctor goes to to maintain the bubble, to the point of offering up the alternate-him/tentoo so that she can still have it, even though the actual physical doctor that shared it with her isn't actually there! and martha gets the glimpse of the fantasy, and then has to come to terms with the fact that she's not the person it's "for" and reassess her relationship to the idea of a fantasy in the first place (it helps that martha is an incredibly practical, pragmatic person, but it's still so... ouch)

I don't think it was intentional, but this also fascinating from the perspective of rose as a white woman and martha as a black woman -- who is the fantasy for, to the extent that strange and universe-breaking events go into maintaining it, and who has to be practical and pragmatic and self-reliant?

and also, it's got more tragedy in both cases -- rose as a spectre/haunter of the narrative is always a little bit intangible when she's looked back on (even though in the story she's in she's incredibly real and well-rounded, every time I go back to s1 I am struck by how grounded she is in reality), and I think that's something interesting in terms of her mother's warning in s2, how if she travels with the doctor "forever" she'll become something else, something not her

and martha's mother warns her as well, although she's not completely sure of what, and in contrast to rose this warning comes into very painful fruition, harming her entire family (except, maybe her brother? I wonder if there's anything written about that), but where rose is so omnipresent, martha tries several times to take herself out

(also something about both of their mothers being their anchor-points)

there's something there that's at the centre of both rose's and martha's arcs:

is the change they're going through because of the doctor... good? good for them? good for their families? good as in they're becoming better people than before? good for the world they inhabit? is it good for the person they used to be? did they become better than that person? can they ever truly deal with or even begin to comprehend how these events made them who they are? can they even connect who they are now to who they were then? was this good?

they both become these larger-than-life people, somewhat without noticing on both parts (but the narrative does notice), one of them a ghost, and the other a soldier -- one of them an increasingly intangible, ever-present idea, and the other someone who has to fight every step of the way

it's just a bunch of things I've had going through my head that I can't quite formulate in coherent essay-like sentences, but for sure it's there

opposite sides of the coin, rose tyler and martha jones

I do wish they'd had space in the story for them to talk

[poughkeepsies]

just rewatched the entire cruise ship arc with my mom so here's my takeaways

I missed so much the first time cause I was liveblogging these episodes deserve to be watched with full attention and all together

yeah the entire arc but ESPECIALLY 703 is legitimately phenomenal television I can't remember the last time I watched a cable show and felt genuinely impressed like this it truly rivaled the tsunami arc

I don't know what's in the ABC water but the humor in season 7 has been landing every single time these episodes were SO fucking funny without undermining the intensity of the scenes chef's kiss

my mom loved it so much we weren't even 2/3 of the way through 703 and she was asking me to rewatch these episodes again in a few days

[lord-squiggletits]

Bolts upright from my bed

In an AU where Pharma lives the Adaptus thing and comes back on the Lost Light, wouldn't he find out that the crew had to deal with being cornered and nearly killed by the DJD and a bunch of other Decepticons?

And then Pharma could get to be like "oh I see :) you were under threat by the DJD :))) why didn't you just run? Oh you couldn't and had no means of escape? Funny :)))) didn't you call for help? Oh you did right??? And did anyone come???? :)))))) did anyone come in time to save you from the DJD????? DID THEY????? DID YOU JUST CALL FOR HELP AND RUN AWAY AND THE DJD JUST LET YOU GO????? :))))))))))) OH THE DJD BLOCKED COMMUNICATIONS AND HAD YOU SURROUNDED????? OH HOW TRAGIC I GUESS YOU COULDN'T ESCAPE AFTER ALL AND A LOT OF YOUR FRIENDS DIED :)))))))))))))))) AND THE ONLY REASON YOU WON WAS BECAUSE YOU HAD A LOT OF SUPERPOWERFUL FIGHTERS ON YOUR SIDE???? WOW IMAGINE WHAT MIGHT'VE HAPPENED IF YOU HAD NO FRIENDS AND BARELY ANY MILITARY SUPPORT AND THE DJD CAME HUH??? WOW WHAT A RELIEF THAT DIDNT HAPPEN"

-

In other words, I'm pretty much convinced that the reason Pharma is remembered as "the evil cowardly doctor that murdered innocents to save his own skin" instead of "the Autobot that got mindbroken by Tarn into thinking that making a plague and killing everyone was his only way to escape" is because he got introduced before the DJD were established as a pants-shittingly evil and sadistic group of freaks, and unlike Rodimus' crew he didn't have the luxury of being a main character whose thoughts and experiences were shown on screen. Pretty much his reputation as "crazy token evil Autobot" was sealed from MTMTE #5 and by the time MTMTE #50-something brought Dying of the Light, Pharma was a footnote in the story and never got to have this new information about the terror of the DJD factored into his own character.

[lollipopmixclo9]

O-O'saa | Fear and Hunger Termina

“Let's see how the stars align... Looks like it's your time to go my friend.”

Additional doodles from 6 months ago cuz they're cool!!!

[castelled-away]

So now that we know the marriage market/schemes of the ton are not Benedict‘s cup of tea & he spends the better part of s3 running away from debutantes who want to marry him… I need Sophie (or whoever is going to be his love interest in his season) to be the incarnation of the word no. I need this lovely lady to be absolutely uninterested in this jokester puppy of a Bridgerton so that he HE has to run after HER. And she’s just like no thanks & completely uninterested & pragmatic/down-to-earth all the time until he like…cries & begs her to marry her I guess?

[ourmondobongo]

I'm sorry, but

Isym x Mappa portraying crystal clear suffering Levi:

Isym x Mappa portraying resigned Captain Levi helping to kill the kid who he wanted to save until 5 minutes ago:

[toytulini]

saw fanart yesterday that i was ehh on

but it brought me to the conclusion that, if shrek was a lesbian, if shrek was a woman, i think she would be exactly the same as canon movie shrek, actually, and in fact. to the point, she would be so indistinguishable, that i can no longer be convinced that canon movie shrek isnt a he/him lesbian, and im excited to rewatch all the movies through the lens of percieving shrek this way. i think it will be based. excited.

[asyipyip]

jesus christ episode 5 of arcane was so fucking good

[angelbl00m]

very late night sketch

[coffeewithcutcaffeine]

Girlie Writes about a Warlord but Is Scared Shitless of Writing Battle Scenes: A Memoir.

[fizh-face]

SEELE ARC!!! SEELE ARC!!! SEELE ARC!!! SEELE ARC!!! SEELE ARC!!! SEELE ARC!!! SEELE ARC!!! SEELE ARC!!! SEELE ARC!!! SEELE ARC!!!

[i-mode]

last rb related i keep thinking about how like a dream come true couldve singlehandedly made me a persona fan at age 8 if i managed to find out its name earlier